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In 1995, Lemika was in a terrible car accident that left her confined to a wheelchair and paralyzed from the waist down. When Tupac found out about Lemika’s story, he invited her out to California to meet him. Over the course of 2 days, Lemika and her family hung out with Tupac on the set of “Gridlock’d” and in the studio during a recording session.
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This is FOX 5 coverage of the killing of Stretch. The rapper was in 2Pac's group Thug Life. Exactly one year after Shakur was killed, Stretch, whose real name was Randy Walker, was fatally shot in Queens.
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Tupac Hangin' Out With Family At His Home In Stone Mountain, Georgia. Thanksgiving, 1994
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Als Michael Jackson im August 2002 Bilder von der Flutkatastrophe an der Elbe erfuhr, entschloss er spontan zu helfen. Er signierte diverse CDs & DVDs und schickte sie nach Deutschland. Sie sollten zu Gunsten der Flutopfer versteigert werden. Außerdem zeichnete er eine Video-Botschaft auf, in dem er den Flut-Opfern Mut zusprach und lud eine Familie zu sich nach anfänglich Las Vegas ein. Der MDR durfte wählen und entschied sich für Familie Wolf aus Meißen.
Die Wolfs gehörten zu den am schlimmsten geschädigten Familien. Im Dezember 2002 durften die Wolfs dann zunächst Michael Jackson in Berlin treffen, er war zu Gast bei der Bambi-Verleihung. Am 14. Juni 2003 war es dann endlich so weit. Statt nach Las Vegas ging es aber zur Neverland Ranch in Los Olivos/Kalifornien, dem Privatanwesen von Michael Jackson. Angekommen in Los Angeles wurden die Wolfs zunächst im "Hotel Loews" untergebracht. Am 15. Juni ging es dann zur Neverland Ranch und was sie dort erwartete, haben sie nicht einmal in ihrem kühnsten Träumen vorgestellt.
00:00 - 00:48 Intro, Vorspann
00:48 - 02:01 Hochwasser in Meißen, Sabrina und Saskia zeigen die Wohnung
02:01 - 04:00 Die Wolfs erfahren bei Benefiz-Gala in Dresden von ihrer Einladung
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►DETAILS
REGIE/AUTOR: Markus Thiele
REDAKTION: Sylvia Peuker, Barbara Stüttgen
PROTAGONISTEN: Michael Jackson, Heiko Wolf, Susanne wolf, Saskia Wolf, Sabrina Wolf
SENDEANSTALT/REDAKTION: mdr, SachsenSpiegel - Reportage
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►GESAMTES TEAM
REGIE: Markus Thiele
REDAKTION: Sylvia Peuker, Barbara Stüttgen
KAMERA: Christoph Deja
TON: Mathieau Gilliand
SCHNITT: Markus Thiele
SPRECHER: Chris Pfadenhauer
In 1982 The Rolling Stones' guitarist Keith Richards spoke to Robin Denselow about life, music, drugs - and carrying a gun. This is part of our Newsnight Archives series – each Thursday we upload a gem from the past. Let us know what you’d like to see in the comments below or on Twitter using #newsnightarchives
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00:00 The Jubalaires Gospel Rap
00:06 Jubalaires Gospel Rap
00:15 Jubalaires
00:20 Gospel Rap
00:40 1940s rap
01:05 Rare 1940s rap
01:35 Old rap
01:50 Old rap
The Universal Hip-Hop Museum in the Bronx, NY features displays, memorabilia, art, and exhibits that thoughtfully and educationally piece together the rich history of Hip-Hop. In a recent interview with the museum’s curator, Claude “Paradise” Gray, he admitted that rap music’s roots can be traced back to a gospel group in the 1940s named the Jubalaires.
The story, found on CityLab, cites the Jubalaires, along with, The Last Poets, The Watts Prophets, Moms Mabley, Pigmeat Markham, and Muhammad Ali as just a few of the biggest influences on the creation of hip-hop.
When referencing the Jubalaires, Gray says, “They were a Christian gospel group that sang and rapped with almost the same cadence as the Sugar Hill Gang.”
Upon further investigation of this group, the Jubalaires consisted of Orville Brooks, Ted Brooks, Caleb Ginyard, George McFadden, and later on Willie Johnson. They were all active primarily through the 1940s and 50s and sang American Folk and Gospel Spirituals.
The four-piece would harmonize together in what was known as the jubilee style of singing, and would often incorporate rhythmic speaking or singing in their verses (rap). Obviously, back then it was not called rapping, but their style certainly can be credited as one of the earliest consistent forms of it in music.
Some of the Jubalaires most well-known songs include “Praise the Lord and Pass the Ammunition,” “Noah,” “The Preacher and the Bear,” and “God Almighty’s Gonna Cut You Down/Go Down Moses,” which was later popularized by the late Johnny Cash.
Take a trip through Queen’s early career with this highlight video of Queen in the 1970’s. Featuring the legendary Top Of the Pops performance of Killer Queen, live versions from A Night At The Odeon and the Jazz tour and official promo videos for some of Queen’s biggest hits of the decade.
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Queen In The 70s
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It’s safe to say that for virtually every moment from the time that Wu-Tang Clan became prominent around 1993 until his sad death in 2004, Ol’ Dirty Bastard—“Russell Jones” to the law enforcement community—was in some kind of legal trouble. He was convicted of second degree assault in 1993 and was arrested for failure to pay child support in 1997. A year later, he pleaded guilty to attempted assault on his wife and was also arrested for shoplifting. It goes on from there. In 2000 he was assigned to a court-mandated drug treatment facility but escaped—as a fugitive he met up with RZA and spent some time in the studio. In Philadelphia he was eventually captured. (DM previously reported on his endlessly interesting FBI file, released in 2012.)
After spending the next two and a half years in prison in New York, he was released on parole on May 1, 2003. Sensing an opportunity, ODB’s manager, Jarred Weisfeld, arranged for VH1 to have a crew follow ODB around for his release and the first few weeks out of jail. The end result was “Inside Out,” which can be viewed below. Actually, it’s a little unclear what this video is—IMDb.com lists the running time as 60 minutes over two episodes. This video isn’t that long, however. What I think this is is episode 1 of “Inside Out”—not sure there was an episode 2—followed by a brief remembrance section that likely doesn’t have anything to do with VH1. In any case, it’s wildly entertaining.
MTV News went to Detroit with Eminem in 1999 to see the city that made Slim Shady, and the house that made the cover of “The Marshall Mathers LP”.
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Tupac with Death Row Disses Nas in Interview at MTV Music Awards!
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Tupac Amaru Shakur (/ˈtuːpɑːk ʃəˈkʊər/ TOO-pahk shə-KOOR;[1] born Lesane Parish Crooks; June 16, 1971 – September 13, 1996), also known by his stage names 2Pac and briefly as Makaveli, was an American rapper, songwriter, and actor.[2] Shakur has sold over 75 million records worldwide, making him one of the best-selling music artists of all time.[3] His double disc albums All Eyez on Me and his Greatest Hits are among the best selling albums in the United States.[4] He has been listed and ranked as one of the greatest artists of all time by many magazines, including Rolling Stone which ranked him 86th on its list of The 100 Greatest Artists of All Time.[5] Consistently ranked as one of the greatest rappers ever, he was ranked number 2 by MTV in their list of The Greatest MCs of All-Time in 2006.[6] 2Pac is also ranked as the most influential rapper of all time.[7][8][9][10][11]
Shakur began his career as a roadie, backup dancer, and MC for the alternative hip hop group Digital Underground, eventually branching off as a solo artist.[12][13][14] The themes of most of Shakur's songs revolved around the violence and hardship in inner cities, racism and other social problems. Both of his parents and several other of his family were members of the Black Panther Party, whose ideals were reflected in his songs.
During the latter part of his career, Shakur was a vocal participant in the so-called East Coast–West Coast hip hop rivalry, becoming involved in conflicts with other rappers, producers and record-label staff members, most notably The Notorious B.I.G. and the label Bad Boy Records.[15]
On September 7, 1996, Shakur was shot multiple times in a drive-by shooting at the intersection of Flamingo Road and Koval Lane in Las Vegas, Nevada.[16] He was taken to the University Medical Center of Southern Nevada, where he died six days later.
Upon his release from Clinton Correctional Facility in 1995, Shakur immediately went back to song recording. He began a new group called Outlaw Immortalz. Shakur began recording his first album with Death Row and released the single "California Love" soon after.
On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold over nine million copies.[68] The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album with the Boot Camp Clik and their label Duck Down Records, both New York – based, entitled One Nation.[69]
On June 4, 1996, he and Outlawz released the diss track "Hit 'Em Up", a scathing lyrical assault on Biggie and others associated with him. In the track, Shakur claimed to have had sexual intercourse with Faith Evans, Biggie's wife at the time, and attacked Bad Boy's street credibility. Shakur was convinced that some members associated with Bad Boy had known about the '94 attack on him beforehand due to their behavior that night and what his sources told him. After the attack, Shakur immediately accused Jimmy Henchman (an associate of Bad Boy CEO Sean Combs) of orchestrating the attack, according to a 2005 interview with Henchman in Vibe magazine. After the attack, Shakur therefore aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Suge Knight's friend and bodyguard, Jake Robles; Knight was adamant in voicing his suspicions of Combs' involvement.[70]
Collaborator Buckshot claimed in 2015 that Shakur defended him against Suge Knight, who had insisted that the East Coast rapper could not come with him to Las Vegas on the grounds of the ongoing hip hop rivalry. Shakur asserted that he would not board the plane unless accompanied by Buckshot and was described by the fellow rapper as looking "discomforted" while they recorded a song together in a studio after Shakur "tore up the plane tickets".