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Ian Munsick & Cody Johnson - Long Live Cowgirls (Audio) Hotney 5 Streams • 3 years ago

Ian Munsick & Cody Johnson - Long Live Cowgirls (Audio)

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Breathing fresh Rocky Mountain air into the Nashville music scene, Ian Munsick is pioneering a new brand of country. The Wyoming-born singer / songwriter’s upbringing was a mix of working the ranch and working crowds. Under the tutelage of their fiddle-playing father, Munsick and his two older brothers grew up playing everything from bluegrass to The Beatles. Incorporating elements across genres, he has now begun to establish himself as a progressive artist with an old soul. Captivated by traditional lyrical truth and the modern soundscape, Munsick followed his ear to Music City. In 2017 he released a self-titled EP, winning iHeartRadio’s Rocky Mountain Song of the Year for the rootsy “Horses Are Faster” and becoming the only artist who simultaneously qualified two tracks as finalists in the NSAI/CMT songwriting competition. Since then, Munsick has signed a major label record deal with Warner Music Nashville, earned more than 130 million global streams and been named one of Spotify’s inaugural Hot Country Artists to Watch. His debut album Coyote Cry features his mile-high tenor underscoring self-penned songs that conjure equal parts epic adventure and down-to-earth wisdom. The record marks the dawn of western pop-laced country, pulling a thread straight from Chris LeDoux through Post Malone. Munsick hit the road in the fall alongside labelmate Cody Johnson and his own sold-out, headlining dates. He wrapped the year with his Grand Ole Opry debut and is starting 2022 strong as a MusicRow Next Big Thing artist. Fans are finding that with Ian Munsick, western country is reborn.

LYRICS:
She’s a gooseneck on a dually
A long neck at the bar
Loves old John Wayne movies
And walzin’ under them stars
She’s sun up in the saddle
Cuttin’ through the heard
Loves branding her cattle
Long live cowgirls

Well she rode in them wagons
When the Wild West was won
Took the canyons and badlands
And made em her home
She’s boots on, Ledoux songs
Snaps on her pearls
Long live cowgirls

Like a paint colored mustang
She’s fast and she’s wild
Stop a runaway freight train
With her high country smile
She’s tough as December
Salt of the earth
Make ya fall like September
Long live cowgirls

Well she rode in them wagons
When the Wild West was won
Took the canyons and badlands
And made em her home
She’s boots on, Chris Ledoux songs
Snaps on her pearls
She’s been there and she’ll be here
Till the end of the world
Long live cowgirls

#IanMunsick #CodyJohnson #LongLiveCowgirls

The Supremes - Back In My Arms Again (Hullabaloo May 11, 1965) Hotney 4 Streams • 3 years ago

The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop as soul in the Supremes' hits, that even some of their biggest hits could sound formulaic, and that they were probably the black performers who were most successful at infiltrating the tastes and televisions of middle America. This shouldn't diminish either their extraordinary achievements or their fine music, the best of which renders the pop vs. soul question moot with its excellence.

The Supremes were not an overnight success story, although it might have seemed that way when they began topping the charts with sure-fire regularity. The trio that would become famous as the Supremes -- Diana Ross, Mary Wilson, and Florence Ballard -- met in the late '50s in Detroit's Brewster housing project. Originally known as the Primettes, they were a quartet (Barbara Martin was the fourth member) when they made their first single for the Lupine label in 1960. By the time they debuted for Motown in 1961, they had been renamed the Supremes; Barbara Martin reduced them to a trio when she left after their first single.

The Supremes' first Motown recordings were much more girl group-oriented than their later hits. Additionally, not all of them featured Diana Ross on lead vocals; Flo Ballard, considered to have as good or better a voice, also sang lead. Through a lengthy series of flops, Berry Gordy remained confident that the group would eventually prove to be one of Motown's biggest. By the time they finally did get their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes," in late 1963, Ross had taken over the lead singing for good.

Ross was not the most talented female singer at Motown; Martha Reeves and Gladys Knight in particular had superior talents. What she did have, however, was the most purely pop appeal. Gordy's patience and attention paid off in mid-1964, when "Where Did Our Love Go" went to number one. Written by Holland-Dozier-Holland, it established the prototype for their run of five consecutive number-one hits in 1964-1965 (also including "Baby Love," "Stop! In the Name of Love," "Come See About Me," and "Back in My Arms Again"). Ross' cooing vocals would front the Supremes' decorative backup vocals, put over on television and live performance with highly stylized choreography and visual style. Holland-Dozier-Holland would write and produce all of the Supremes' hits through the end of 1967.

Not all of the Supremes' singles went to number one after 1965, but they usually did awfully well, and were written and produced with enough variety (but enough of a characteristic sound) to ensure continual interest. The chart-topping (and uncharacteristically tough) "You Keep Me Hangin' On" was the best of their mid-period hits. Behind the scenes, there were some problems brewing, although these only came to light long after the event. Other Motown stars (most notably Martha Reeves) resented what they perceived as the inordinate attention lavished upon Ross by Gordy, at the expense of other artists on the label. The other Supremes themselves felt increasingly pushed to the background. In mid-1967, as a result of what was deemed increasingly unprofessional behavior, Ballard was replaced by Cindy Birdsong (from Patti LaBelle & the Bluebelles). Ballard become one of rock's greatest tragedies, eventually ending up on welfare, and dying in 1976.

After Ballard's exit, the group would be billed as Diana Ross & the Supremes, fueling speculation that Ross was being groomed for a solo career. The Supremes had a big year in 1967, even incorporating some mild psychedelic influences into "Reflections." Holland-Dozier-Holland, however, left Motown around this time, and the quality of the Supremes' records suffered accordingly (as did the Motown organization as a whole). The Supremes were still superstars, but as a unit, they were disintegrating; it's been reported that Wilson and Birdsong didn't even sing on their final hits, a couple of which ("Love Child" and "Someday We'll Be Together") were among their best. In January 1970. Jean Terrell replaced Ross, and the group continued through 1977. ~ Richie Unterberger, All Music Guide

PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index

Flo Rida - Good Feeling | Lyrics Hotney 1 Streams • 3 years ago

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Flo Rida - Good Feeling | Lyrics:

[Chorus: Etta James]
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I
Never, never, never, never had before, no, no
I get a good feeling, yeah
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I
Never, never, never, never had before, no, no
I get a good feeling, yeah

[Verse 1: Flo Rida]
Yes I can, doubt better leave, I'm runnin' with this plan
Pull me, grab me, crabs in the bucket can't have me
I'll be the president one day
January first, oh, you like that gossip?
Like you the one drinking what God sip—dot com
Now I got a word for your tongue
How many rolling stones you want?
Yeah I got a brand new spirit
Speaking it and it's done
Woke up on the side of the bed like I won
Talk like a winner, my chest to that sun
G5 dealer, U.S. to Taiwan
Now who can say that? I wanna play back
Mama knew I was a needle in a hay stack
A Bugatti boy, plus Maybach
I got a feeling it's a rap, ASAP

[Chorus: Etta James & Flo Rida]
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I
Never, never, never, never had before, no, no
I get a good feeling, yeah
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I
Never, never, never, never had before, no, no
I get a good feeling, yeah

[Verse 2: Flo Rida]
The mountain top, walk on water
I got power, feel so royal
One second I'ma strike all you
Diamond, platinum, no more for you
Got adrenaline, never giving in
Giving up's not an option, gotta get it in
Witness, I got the heart of twenty men
No fear, go to sleep in the lion's den
That flow, that spark, that crown
You looking at the king of the jungle now
Stronger than ever, can't hold me down
A hundred miles gunning from the pitcher's mound
Straight game face, it's game day
See me running through the crowd full of melee
No trick plays, I'm Bill Gates, take a genius to understand me

[Chorus: Etta James]
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I
Never, never, never, never had before, no, no
I get a good feeling, yeah
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I
Never, never, never, never had before, no, no
I get a good feeling, yeah

[Drop]

[Bridge: Flo Rida]
Let's get it, let's get it
I know you got the good feelin'
Let's get it, let's get it
Gotta love the life that we livin'
Let's get it, let's get it
I know you got the good feelin'
Let's get it, let's get it
Gotta love the life that we livin'

[Chorus: Etta James]
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I
Never, never, never, never had before, no, no
I get a good feeling, yeah
Oh, oh, sometimes I get a good feeling, yeah
I get a feeling that I
Never, never, never, never had before, no, no
I get a good feeling, yeah
Oh, oh, sometimes I get a good feeling, yeah

#florida #popsongs #Lyrics

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