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The ingredients of a classic house track Hotney 2 Ansichten • 3 Jahre vor

With a disco sample and drum machine house music took over the globe .

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House has become one of the most popular forms of electronic music since its inception in the late 80’s.

It began in Chicago, when local DJ’s and music producers experimented with remixing disco vocals over hard hitting drum machines. They would soon play a huge role in popularizing the sound and distinguishing house music as a global music genre.

Chicago gospel singer, Loleatta Halloway, is one of the most widely sampled artists in house music history. Her song “Love Sensation” has been sampled nearly 300 times, including on Black Box’s “Ride on Time”, the notorious hit that became the best selling single in the U.K in 1989.

Special thanks to James Wiltshire and Torsten Schmidt for offering their expertise in this video. Links to them are below:
James Wiltshire: https://www.youtube.com/watch?v=aSFQIlnB_1k

Torsten Schmidt: https://daily.redbullmusicacad....emy.com/author/torst

There are countless histories on house music across the internet, the ones listed below proved tremendously helpful in putting this video together.

Red Bull Music Academy, TR-909 and House music https://daily.redbullmusicacad....emy.com/2016/09/inst

Time to Jack: Chip E on the Birth of Chicago House
https://daily.redbullmusicacad....emy.com/2019/01/chip

Frankie Knuckles on the Birth of House Music | Red Bull Music Academy
https://www.youtube.com/watch?v=OM0fga9HdIE

The Chicago Record Store That Popularized House
https://daily.redbullmusicacad....emy.com/2016/11/impo

When Techno Was House
https://daily.redbullmusicacad....emy.com/2017/08/chic

Collection of WBMX radio show playlists
https://www.gridface.com/

How Loleatta Holloway Became Disco’s Most Sampled Artist https://www.electronicbeats.ne....t/how-loleatta-hollo

I was there when house music took over the world
https://www.youtube.com/watch?v=9Rah1F1zq1k

Note: The headline for this video has been updated since publishing.
Previous headline: How Chicago built house music from the ashes of disco

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Some songs don't just stick in your head, they change the music world forever. Join Estelle Caswell on a musical journey to discover the stories behind your favorite songs.

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The Clash: London Calling | Music Documentary | Don Letts | John Robb | Pat Gilbert Hotney 2 Ansichten • 3 Jahre vor

This critical review of London Calling features rare live performances, alongside interviews with legendary filmmaker and DJ Don Letts (who toured with The Clash), and analysis from a leading team of rock journalists and critics.

London Calling is the third studio album by English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.

The Clash recorded the album with producer Guy Stevens at Wessex Sound Studios in London during August, September and November 1979, following a change in management and a period of writer's block for songwriters Joe Strummer and Mick Jones. Bridging a traditional punk rock sound and a new wave aesthetic, London Calling reflects the band's growing interest in styles beyond their punk roots, including reggae, rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock. Themes include social displacement, unemployment, racial conflict, drug use, and the responsibilities of adulthood.

The album was a top ten chart success in the UK, and its lead single "London Calling" was a top 20 single. The album has sold over five million copies worldwide, and was certified platinum in the US for sales of one million. It was also met with widespread critical acclaim and has retrospectively been named one of the greatest albums of all time. On Rolling Stone's list of The 500 Greatest Albums of All Time, London Calling ranked eighth in the 2003 and 2012 editions, and sixteenth in the 2020 edition. In 2010, it was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail.

London Calling has since been considered by many critics to be one of the greatest rock albums of all time, including AllMusic's Stephen Thomas Erlewine, who said that it sounded more purposeful than "most albums, let alone double albums". "This epic double album, from its iconic sleeve to its wildly eclectic mash-up of styles, is surely the quintessential rock album", wrote BBC Music journalist Mark Sutherland. In Christgau's Record Guide: The '80s (1990), Christgau called it the best double album since the Rolling Stones' Exile on Main St. (1972) and said it expanded upon, rather than compromised, the Clash's driving guitar sound in a "warm, angry, and thoughtful, confident, melodic, and hard-rocking" showcase of their musical abilities. According to the English music writer Dave Thompson, London Calling established the Clash as more than "a simple punk band" with a "potent" album of neurotic post-punk, despite its amalgam of disparate and occasionally disjointed musical influences. Don McLeese from the Chicago Sun-Times regarded it as their best album and "punk's finest hour", as it found the band broadening their artistry without compromising their original vigor and immediacy. PopMatters critic Sal Ciolfi called it a "big, loud, beautiful collection of hurt, anger, restless thought, and above all hope" that still sounds "relevant and vibrant". In a review of its 25th anniversary reissue, Uncut wrote that the songs and characters in the lyrics cross-referenced each other because of the album's exceptional sequencing, adding that "The Vanilla Tapes" bonus disc enhanced what was already a "masterpiece".

Director: The Creative Picture Company
Stars: Don Letts, John Robb, Pat Gilbert

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#music #documentary #rockandroll #theclash #thestreammovies

Jay Park: Tiny Desk (Home) Concert Hotney 2 Ansichten • 3 Jahre vor

Sheldon Pearce | May 26, 2023
NPR Music's Tiny Desk is celebrating Asian American and Pacific Islander Heritage Month. These artists represent just a sliver of the cultural diversity that exists within the Asian American and Pacific Islander community.

As sunlight filters into the corner of the room, the singer and rapper Jay Park is turning his Everything You Wanted deep cut "I Got This" inside out with a groovy, lounge-ready interpretation on the trap-powered jam. "Born and raised in Seattle; we rep South Korea — Seoul city," he outlines, before transitioning into the feel-good R&B of his 2022 single "Need to Know," and that cross-cultural exchange has defined his keen shapeshifting — and the subtle breadth of the music he brings to his Tiny Desk (home) concert.

Since his days as a short-lived member of the K-pop group 2PM, Park has stayed at the forefront of the South Korean hip-hop and R&B scenes. As a performer, he has steadily evolved into a polymath, with a smooth, singsong style that straddles his rap and neo soul identities. He has since crossed over, signing with Roc Nation stateside, recording an EP with Hit-Boy and collaborating with artists ranging from Jay Electronica to Charli XCX.

His Tiny Desk (home) set plays into his natural instincts to mess around with many influences. Backed by a band and a small chorus that fill out his songs and let them breathe, Park brings a new warmth to his recent catalog here. He performs "Yesterday" and "Ganadara," some of his more acoustic ballads, with even greater delicacy, the latter unwrapping gently into the more upbeat "Candy." This rendition of "All I Wanna Do" turns the hit into something funkier, amped by bass and harmonized vocal runs. And an "only-for-NPR" performance of "Sex Trip" strips the song down with raw, falsetto vocals. But everything Park's done, everything he is, is on display in the reimagined "Mommae," in which a ratchet-era twerk anthem becomes soul balladry.

SET LIST
"I Got This"
"Need To Know"
"Yesterday"
"All I Wanna Do"
"Ganadara"
"Candy"
"Sex Trip"
"Mommae"

MUSICIANS
Jay Park: vocals
Slom: music director
Shyun: arranger, guitar
Junhyun Yoon: keys
Jongwoo Park: bass
Wonyoung Jang: drums
paulkyte: chorus
Otis Lim: chorus
Eunjin Kwon: chorus

CREDITS

AUDIO
Recording: Presound Systems
Mixing: STUDIO 505
Instruments: SUN Music

VIDEO
Director: Daniel Jon
Producer: Youngpyo Hong
D.O.P: Deokjung Kim
Gaffer: Hyunsuk Song (Real Lighting)
Producer: MORE VISION
Coordinator: Julie Rene Tran (Đặc Biệt)

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Sofia Seidel
Audio Mastering: Josh Rogosin
Tiny Desk Team: Bob Boilen, Suraya Mohamed, Kara Frame, Joshua Bryant, Maia Stern, Hazel Cills, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #jaypark

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