1975....#1 U.S. Billboard Hot 100, #12 UK Singles Chart, #1 Canada, #4 Australia, #2 New Zealand
Original video edited and AI remastered with HQ stereo sound.
"Philadelphia Freedom" is a song by English musician Elton John and songwriter Bernie Taupin. It was released as a single in 1975, credited to The Elton John Band. The song was the fourth of John's six number 1 US hits during the early and mid-1970s, which saw his recordings dominating the charts. In Canada it was his eighth single to hit the top of the RPM national singles chart.
The song was written by Elton John and Bernie Taupin as a favour to John's friend, tennis star Billie Jean King, who was part of the Philadelphia Freedoms professional tennis team. The song features an orchestral arrangement by Gene Page which includes flutes, horns, and strings.
The song made its album debut on 1977's Elton John's Greatest Hits Volume II. The unedited version (without an early fade out) appears on the box set To Be Continued... and the 40th anniversary edition of the Goodbye Yellow Brick Road album.

1959....#11 U.S. Billboard Hot 100, #16 U.S. Cash Box Top 100
Spectral Stereo Conversion by MixerRog / Original video edited and AI remastered with HQ stereo sound.
"Kissin' Time" is a song by the American rock and roll singer Bobby Rydell. It was released in 1959 on Cameo-Parkway Records. Written by Bernie Lowe and Kal Mann, the track was Rydell's first single and it would also go on to be his first Top 20 hit.
Bernie Lowe and Kal Mann, founders of Rydell's label, wrote "Kissin' Time". In the US, it quickly became a number 11 hit on the Hot 100, and number 29 on the Hot R&B Sides chart. The popularity of his first single, made Rydell (then a 17-year-old) a "teen idol", whose success was followed by a tour through Australia with The Everly Brothers, Billy "Crash" Craddock, Marv Johnson, the Champs and the Crickets.

1972.....#16 U.S. Billboard Hot 100, #13 Canada
Original live video performance edited and AI remastered with HQ stereo sound.
"Slippin' into Darkness" is a song written and performed by War. The song was produced by Jerry Goldstein. A live version of the song was featured as the B-side to their 1974 single "Ballero".
It reached #12 on the U.S. R&B chart and #16 on the U.S. pop chart in 1972, logging 22 weeks on that chart, tied for most total weeks inside that year with Gallery's "Nice to Be with You". It was featured on their 1971 album All Day Music. The song ranked #23 on Billboard magazine's Top 100 singles of 1972. In Canada, it reached #13.

1970.....#3 U.S. Billboard Hot 100, #1 U.S. Cash Box Top 100, #15 UK Singles Chart, #19 Canada
Original video edited and AI remastered with HQ stereo sound.
"Signed, Sealed, Delivered (I'm Yours)" is a soul song, by American musician Stevie Wonder, released in June 1970 as a single on Motown's Tamla label. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album Signed, Sealed & Delivered.
The song was arranged by Paul Riser and featured a distinctive "sitar-guitar". In the lyrics, the singer has left his girlfriend but realizes it was a mistake. "I've done a lot of foolish things that I really didn't mean." Now he has returned, making the commitment that he's back, similar to a special delivery package from the post office, "signed, sealed, delivered, I'm yours."
The song was a series of firsts for the 20-year-old Wonder: "Signed, Sealed, Delivered (I'm Yours)" was the first single Wonder produced on his own, and was also the first to feature his female backup singing group composed of Lynda Tucker Laurence (who went on to become a member of The Supremes), Syreeta Wright (who also co-wrote the song and later married Wonder), and Venetta Fields. The song gave Wonder his sixth Grammy nomination, with the award that year going to the Clarence Carter song "Patches".
Cash Box stated that the song is "polished and powerful enough to maintain an adult market power as well pointing toward giant sales." It is ranked number 203 on Rolling Stone's list of The 500 Greatest Songs of All Time.

1967......#1 U.S. Billboard Hot 100, #1 U.S. Cash Box Top 100, #1 Canada, #18 Australia, #12 New Zealand
Stereo Remix by Tiger Rogers / Original video edited and AI remastered with HQ Stereo Sound.
"To Sir with Love" is the theme from James Clavell's 1967 film To Sir, with Love. The song was performed by British singer and actress Lulu (who also starred in the film), and written by Don Black and Mark London (husband of Lulu's longtime manager Marion Massey). Mickie Most produced the record, with Mike Leander arranging and conducting. The song peaked at the top of the Billboard Hot 100, and became the best-selling single of 1967 in the United States.
"To Sir With Love" was initially recorded by Lulu (with The Mindbenders, who also acted in the film). It was released as a single in the United States in 1967 and in October reached No. 1 on the Billboard Hot 100, where it remained for five weeks. The single ranked No. 1 in Billboard's year-end chart, though the Monkees' "I'm a Believer", which debuted in December 1966 and spent most of its chart life in 1967, was the overall bigger hit. ("I'm a Believer" was ranked No. 5 on the same year-end chart of the same year.) It became a gold record.
Canada's RPM magazine put the song at No. 2 for the year 1967. "To Sir with Love" did not chart in the UK, as it appeared only as a B-side to "Let's Pretend" (released in the UK on 23 June 1967), which reached No. 11 on the UK Singles Chart.

1966.....#1 U.S. Billboard Hot 100, #1 U.S. Cash Box Top 100, #4 UK Singles Chart, #1 Canada
Original video edited and AI remastered with HQ stereo sound.
"When a Man Loves a Woman" is a song written by Calvin Lewis and Andrew Wright and first recorded by Percy Sledge in 1966 at Norala Sound Studio in Sheffield, Alabama.
Released by Atlantic Records in April 1966, Sledge's recording reached number one on both the Billboard Hot 100 and R&B singles charts, becoming the first number 1 hit recorded in Muscle Shoals. It is also one of seven number 1 hits to debut on the Billboard Hot 100 at number 100. The single was also a top ten hit in the UK reaching number four on its initial release and ultimately peaking at number two in 1987 on the UK Singles Chart after it was featured in a Levi's Jeans commercial. The Percy Sledge version is listed 53rd in Rolling Stone's 500 Greatest Songs of All Time. Also in 1987, it was reissued in the US to promote the soundtrack album for Oliver Stone's film Platoon.

1966.....#24 U.S. Billboard Hot 100
Original video edited and AI remastered with HQ stereo sound.
"Lady Jane" is a song recorded by the English rock band the Rolling Stones. Written by the group's songwriting duo of Mick Jagger and Keith Richards, the song was initially included on the band's 1966 album Aftermath.
The song showcases Brian Jones' instrumental incorporation of baroque rock as it was beginning to be introduced. In the US, the song was released as the B-side of the "Mother's Little Helper" single on 2 July 1966, and peaked at number 24 on the Billboard Hot 100 chart.

1965.....#4 U.S. Billboard Hot 100, #1 U.S. Billboard R&B Singles, #26 Canada
Original video edited and remastered with HQ stereo sound.
"Shotgun" is a song written by Junior Walker and recorded with his group the All Stars. Called a "dance tune", it was produced by Berry Gordy Jr. and Lawrence Horn. Gordy's Soul Records, a Motown Records subsidiary, issued it as a single in 1965. It reached #1 on the U.S. R&B Singles chart for four non-consecutive weeks and peaked at #4 on the Billboard Hot 100. In Canada, the song reached #26.

1970......#10 U.S. Billboard Hot 100, #9 U.S. Cash Box Top 100, #6 UK Singles Chart, #8 Canada
Original video edited and AI remastered with HQ stereo sound.
"Up the Ladder to the Roof" is a 1970 hit single recorded by The Supremes for the Motown label. It was the first Supremes single to feature new lead singer Jean Terrell in place of Diana Ross, who officially left the group for a solo career two weeks before the recording of this song in January 1970. This song also marks a number of other firsts: it is the first Supremes single since "The Happening" in 1967 to be released under the name "The Supremes" instead of "Diana Ross & The Supremes", the first Supremes single solely produced by Norman Whitfield associate Frank Wilson, and the first Supremes single to make the United Kingdom Top 10 since "Reflections" in 1967.
Frank Wilson wrote the music for the song, with lyrics written by an Italian-American songwriter from New York City named Vincent DiMirco.
"Up the Ladder to the Roof" rose to number ten on the Billboard Hot 100 and number five on the soul chart, in the spring of 1970. Outside the US, The Supremes scored a #6 smash with the song in the UK and number eight in Canada.

1969......#1 U.S. Billboard Hot 100, #3 U.S. Cash Box Top 100, #13 UK Singles Chart, #11 Canada
Original video edited and remastered with HQ stereo sound.
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the Billboard Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night" by the Dells, and replaced by another Motown song, "Baby I'm For Real" by the Originals.
The single was the second of the Temptations' four No. 1 hits on the United States pop charts, and was also one of the best-selling singles the group released. Billboard ranked it as the No. 3 song for 1969.
"I Can't Get Next to You" was the second single from the 1969 Temptations LP Puzzle People, with "Running Away (Ain't Gonna Help You)", a ballad led by Paul Williams, as the b-side. The single was a No. 1 hit on both the Billboard Hot 100 chart and the Billboard Top R&B Singles chart. The song has been frequently covered, with the most notable cover being a 1970 version by Al Green, a slower-paced version without multi-lead vocals. Green's cover, the title track of his 1971 LP Al Green Gets Next to You, reached No. 60 on the Billboard Hot 100, and No. 11 on the R&B chart.

1978......#1 U.S. Billboard Hot 100, #1 U.S. Cash Box Top 100, #3 UK Singles Chart, #2 Canada, #2 New Zealand
Original video edited and AI remastered with HQ stereo sound.
"Boogie Oogie Oogie" is a song by the American band A Taste of Honey from their 1978 self-titled debut album. Released as their debut single in the summer of 1978, the song became an extremely popular "crossover" disco song. It topped the American pop, soul and disco charts, and it became the first certified platinum single in the history of Capitol Records for selling over two million copies. It also became one of the most recognizable songs from the disco era. The lyrics beseech listeners to "boogie oogie oogie, till you just can't boogie no more".
The group was awarded two platinum records for the single and the album, and they won the Grammy Award for Best New Artist at the 20th Grammys on February 15, 1979.

1965......#96 U.S. Billboard Hot 100
Stereo Remix by MixerRog / Original video edited and AI remastered with HQ stereo sound.
"Play with Fire" is a song by the English rock band the Rolling Stones, originally released as B-side to the song "The Last Time". It was later included on the American release of their 1965 album Out of Our Heads.
"Play with Fire" is credited to Nanker Phelge, a pseudonym used when tracks were composed by the entire band, even though lead singer Mick Jagger and guitarist Keith Richards are the only Rolling Stones to appear on the track. The song was recorded late one night in January 1965 while the Stones were in Los Angeles recording with Phil Spector at the RCA Studios. Richards performed the song's acoustic guitar opening while Jagger handled vocals and tambourine (enhanced using an echo chamber). Spector played bass, and Jack Nitzsche provided the song's distinctive harpsichord arrangement and tamtams. The Stones left for a tour of Australia the following day.
The song's lyrics talk of the singer's relationship with a high society girl, disparaging the lifestyle much in the same way that "19th Nervous Breakdown" would in a more up-tempo feel. The title derives from the saying "If you play with fire, you will get burned."
In a 1995 interview with Jann Wenner for Rolling Stone, entitled "Jagger Remembers," Jagger said, "'Play with Fire' sounds amazing—when I heard it last. I mean, it's a very in-your-face kind of sound and very clearly done. You can hear all the vocal stuff on it. And I'm playing the tambourines, the vocal line. You know, it's very pretty." According to Richie Unterberger, a friend of the Stones wrote that an unreleased version of the song, entitled "Mess with Fire", was also recorded, featuring a much more upbeat, soul-oriented feel. However, the story is considered dubious by Unterberger. In a contemporary review, Cash Box described it as "a tender, lyrical hauntingly plaintive weeper."
"Play with Fire" went to No. 96 on the U.S. chart. It was also featured on the U.S. version of Big Hits (High Tide and Green Grass) (1966), Hot Rocks (1971) and Singles Collection: The London Years (1989). The song was performed in concert during the Rolling Stones' tours of 1965 and 1966, and was revived on their 1989–90 Steel Wheels/Urban Jungle Tour.
In July 2008, "Play with Fire" became the subject of a lawsuit when ABKCO Music, which owns the rights to the Rolling Stones' early catalogue, filed a suit against Lil Wayne, asserting that the rapper's song "Playing with Fire" is based on the Rolling Stones' song.

1969-70......#1 U.S. Billboard Hot 100, #1 U.S. Billboard Soul
Original video edited and AI remastered with HQ stereo sound.
"Thank You (Falettinme Be Mice Elf Agin)" is a 1969 song recorded by Sly and the Family Stone. The song, released as a double A-side single with "Everybody Is a Star", reached number one on the soul single charts for five weeks, and reached number one on the Billboard Hot 100 in February 1970. Billboard ranked the record as the No. 19 song of 1970.
The title is an intentional mondegreen or sensational spelling for "thank you for letting me be myself again." The third verse contains specific references to the group's previous successful songs, "Dance to the Music", "Everyday People", "Sing a Simple Song", and "You Can Make It If You Try". The song features co-lead vocals from Sly Stone, Rose Stone, Freddie Stone, Cynthia Robinson, Jerry Martini, Greg Errico and Larry Graham. On this song, Graham was widely credited with introducing the slap technique on the electric bass, which is heard prominently throughout the track.
"Thank You" was intended to be included on an in-progress album with "Star" and "Hot Fun in the Summertime"; but the LP was never completed, and the three tracks were instead included on the band's 1970 Greatest Hits LP. "Thank You" and "Star", the final Family Stone recordings issued in the 1960s, marked the beginning of a 20-month gap of releases from the band, which would finally end with the release of "Family Affair" in 1971.
The song's length on the original hit single and the Greatest Hits LP is 4:48 and was re-channeled to simulate stereo on the popular Greatest Hits LP. The previously unreleased full-length version (6:18) was mixed by Bob Irwin in true stereo and its only issue was on a 1990 Columbia promotional CD Legacy: Music for the Next Generation. On the subsequent (and available as of 2015) The Essential Sly & The Family Stone 2-CD set, the track is in stereo but is the standard 4:48 length hit version.
The song was ranked number 410 on Rolling Stone magazine's "500 Greatest Songs of All Time". Janet Jackson's 1989 signature song "Rhythm Nation" is based on a guitar sample from the song.
The song was followed by a re-working on the closing track, "Thank You for Talkin' to Me, Africa", from the group's subsequent 1971 album, There's A Riot Goin' On.

1964......#13 U.S. Billboard Hot 100, #18 U.S. Cash Box Top 100
Original video edited and AI remastered with HQ stereo sound.
"Every Little Bit Hurts" was originally a 1964 hit single for Motown soul singer Brenda Holloway, written by Ed Cobb. Though she was against recording the song again (she recorded it a couple of years before signing with Motown), she reluctantly recorded the song and the label released it in the summer of the year. "Every Little Bit Hurts" was a big hit peaking at No. 13 on the Billboard Hot 100, and became one of Holloway's trademark singles.

1967....#9 U.S. Billboard Hot 100, #13 UK Singles Chart, #10 Canada
Original video edited and AI remastered with HQ stereo sound.
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.
The release of "In and Out of Love" was successful, peaking at number nine on the Billboard Hot 100, number 16 on the R&B Singles chart, and number 13 on the UK Singles Chart in late autumn 1967. The single also reached number 10 on the Cashbox chart. Cash Box said that it has "a witty combination of orchestration and beat a la Motor City with the sweep and splendor of a folk-country ballad."

1969......#43 U.S. Billboard Hot 100, #43 UK Singles Chart, #2 Netherlands, #5 Germany
Original video edited and AI remastered with HQ stereo sound.
Shocking Blue were founded in 1967 by The Motions guitarist Robbie van Leeuwen. Other members of the group at this time were Fred de Wilde, Klaasje van der Wal (1 February 1949 – 12 February 2018) and Cor van der Beek (9 June 1949 – 2 April 1998). They had a minor hit in 1968 with "Lucy Brown is Back in Town". When De Wilde was the band's lead singer, the band originally had a sound that was described as cross between The Beatles and Brothers Four.
De Wilde left in 1968 after joining the Dutch army, and van Leeuwen was introduced to Mariska Veres, singing at that time with a club band. He persuaded her to take over the vocals, and the group recorded a worldwide hit with the song "Venus", which had entered the Veronica top 40 hit parade at position #12 the 12 July 1969 and had peaked at number three on 26 July 1969 in the Netherlands. The song was released in the United States and the United Kingdom at the end of the year and reached number one on the Billboard Hot 100 in February 1970. It subsequently sold 350,000 copies in Germany and topped the U.S. chart for three weeks, the first song from the Netherlands to do so. It sold over one million copies there by January 1970 and received a gold record awarded by the Recording Industry Association of America. Global sales exceeded five million copies. Other hits include "Send Me a Postcard" in late 1968 and "Long and Lonesome Road" (often mistakenly named as "Long Lonesome Road") in 1969.
"Venus" was followed by "Mighty Joe" (flip-side "Wild Wind") in 1969 and "Never Marry a Railroad Man" (flip-side "Roll Engine Roll") in 1970, both of which sold over a million records. The latter became a top-ten hit in several countries around the world. Later songs were successful in Europe, Latin America, and Asia, including "Hello Darkness", "Demon Lover" (1970), "Shocking You", "Blossom Lady" and "Out of Sight, Out of Mind" (1971), "Inkpot", "Rock in the Sea" and "Eve and the Apple" (1972) and "Oh Lord" (1973), but they failed to make the charts in the U.S. or U.K.

1979......#1 U.S. Billboard Hot 100, #1 U.S. Cash Box Top 100, #5 UK Singles Chart, #2 Canada, #8 New Zealand
Original video edited and AI remastered with HQ stereo sound.
"Good Times" is a disco soul song by American R&B band Chic from their third album Risqué (1979). It ranks 68th on Rolling Stone's list of the 500 Greatest Songs of All Time, and has become one of the most sampled tunes in music history, most notably in hip hop music. Originally released with "A Warm Summer Night" on the B-side, it was reissued in 2004 with "I Want Your Love" on the B-side, a version which was certified Silver in the UK.
The lyrics include a reference to Milton Ager's "Happy Days Are Here Again". It also contains lines based on lyrics featured in "About a Quarter to Nine" made famous by Al Jolson. Nile Rodgers has stated that these Great Depression-era lyrics were used as a hidden way to comment on the then-current economic conditions in the United States.
In a 2015 interview Rodgers stated that "Good Times" was partly inspired by the 1974 Kool & The Gang song "Hollywood Swinging".
Cash Box praised the "excellent production" and "bright, sassy female vocals." Record World said that "cuddly vocals, crystalline piano & production equal 'good times.'"
The song hit number-one on the Billboard Hot 100 on August 18, 1979, before being ousted by The Knack's smash hit "My Sharona" the following week. Along with the songs "My Forbidden Lover" and "My Feet Keep Dancing", "Good Times" reached #3 on the disco chart. It reportedly sold more than 5 million copies, making it, at the time, the best-selling 45 rpm single in the history of Atlantic Records. Billboard named "Good Times" the number one soul single of 1979.

The Jackson 5, later known as the Jacksons, were an American pop band composed of members of the Jackson family. The group was founded in 1964 in Gary, Indiana by brothers Jackie, Tito, and Jermaine, with younger brothers Marlon and Michael Jackson joining soon after.
"Shake Your Body (Down to the Ground)" is a song of their 1978 album Destiny, and released as a single in 1979. It peaked at No. 7 in the Billboard Hot 100 in May 1979.
The chorus "let's dance/let's shout (shout)/shake your body down to the ground" was inspired by an ad-lib from Marvin Gaye's "Got to Give It Up": "Let's dance/let's shout (shout)/gettin' funky's what it's all about"
On 31 March 1979 it reached #3 in the Dutch Top 40.

This recording was made by Dutch Toppop on 1 March 1979.

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Broadcast date: 1979/2/24

This is to let you know that the video recording of the video clip was originally recorded by AVROTROS Broadcasting. AVROTROS Broadcasting hereby warrants and represents that it is the sole and exclusive owner of the physical film and/or videotape footage in this video clip.

The performance of the artist(s) in the clip was filmed and recorded with the written consent of the artist(s) and their representatives.

AVROTROS is a Dutch radio and television broadcaster, founded in 2014 from a merger of AVRO and TROS. From January 1st, 2014 the name of the merged broadcaster was used in joint programmes. AVRO was founded in 1923 as the Netherlands first public broadcaster. TROS started broadcasting in 1964. Toppop was a weekly AVRO pop program that was aired between 1970 and 1988.

AVROTROS Broadcasting
PO Box 2
1200 JA Hilversum
The Netherlands

TopPop was the first regular dedicated pop music TV show in the Dutch language area. Dutch broadcaster AVRO aired the programme weekly, from 1970 to 1988. Presenter Ad Visser hosted the show for its first fifteen years.
World famous music artists performed on TopPop: ABBA, 10CC, Bee Gees, The Jacksons with Michael Jackson, David Bowie, Earth & Fire, Queen, Golden Earring, Boney M, KC & The Sunshine Band, Chic, Donna Summer and many many more.

Artist: Daryll Hall & John Oates
Title: Sara Smile
Broadcast date: 31-1-1976
TV program: TopPop
Video rights: AVRO

http://www.avro.tv gives you easy access to unique footage. .

TopPop was the first regular dedicated pop music TV show in the Dutch language area. Dutch broadcaster AVRO aired the programme weekly, from 1970 to 1988. Presenter Ad Visser hosted the show for its first fifteen years.

World famous music artists performed on TopPop: ABBA, 10CC, Bee Gees, The Jacksons, David Bowie, Earth & Fire, Boney M, Smokie, KC & The Sunshine Band, Chick, Donna Summer, Rod Stewart, and many many more.

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PLEASE NOTE:
All copyrights for all videos on this official TopPop YouTube channel are cleared and belong to Dutch public broadcaster AVROTROS. Please contact copyright@expoza.com for copyright-inquiries or tom.steenbergen@avrotros.nl for licensing.

Watch the original music video for WAR - Low Rider from 'Why Can't We Be Friends?' (1975) newly remastered from the original 16MM film reels.

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WAR burst onto the scene 50 years ago, capturing the heart and soul of America’s streets with its righteous, multi-cultural sound on hits like “Why Can’t We Be Friends?” “Low Rider” and “The Cisco Kid.” Avenue/Rhino is kicking off a year-long anniversary celebration that will begin with the introduction of a new colored-vinyl boxed set for Record Store Day, available at participating retailers. Find out more at https://www.wartheband.com

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*******************

“We spoke out against racism, hunger, gangs, crimes, and turf wars, as we embraced all people with hope and the spirit of brotherhood. It’s just as apropos today.” - WAR

WAR, the original street band, was founded by veteran record producer Jerry Goldstein and rock legend Eric Burdon in 1969. Together with the original band members Lonnie Jordan, Howard Scott, Lee Oskar, B.B. Dickerson, Harold Brown, the late Thomas “Papa Dee” Allen, and Charles Miller, they blended many musical styles and influences. The musical laboratory that is WAR yielded 17 gold, platinum and multi-platinum awards, including the triple platinum ‘The World Is A Ghetto’ and double platinum ‘Why Can’t We Be Friends?’ and ‘Greatest Hits’, and hit songs "Why Can't We Be Friends?", "Low Rider", "Spill the Wine", and "The Cisco Kid".

WAR began playing live shows to sold-out audiences in the 1970s and continues their commitment to being road WARriors, touring over 150 dates a year to this day.

Charles Miller Intro 0:00:00
Low Rider 0:00:27

This channel could disappear! :(, I need your help to subscribe to the secondary channel, so you can continue to enjoy the best music in RETROVISOR
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Broadcast date: 1978-07-29

This is to let you know that the video recording of the video clip was originally recorded by AVROTROS Broadcasting. AVROTROS Broadcasting hereby warrants and represents that it is the sole and exclusive owner of the physical film and/or videotape footage in this video clip.

The performance of the artist(s) in the clip was filmed and recorded with the written consent of the artist(s) and their representatives.

AVROTROS is a Dutch radio and television broadcaster, founded in 2014 from a merger of AVRO and TROS. From January 1st, 2014 the name of the merged broadcaster was used in joint programmes. AVRO was founded in 1923 as the Netherlands first public broadcaster. TROS started broadcasting in 1964. Toppop was a weekly AVRO pop program that was aired between 1970 and 1988.

AVROTROS Broadcasting
PO Box 2
1200 JA Hilversum
The Netherlands

TopPop was the first regular dedicated pop music TV show in the Dutch language area. Dutch broadcaster AVRO aired the programme weekly, from 1970 to 1988. Presenter Ad Visser hosted the show for its first fifteen years.
World famous music artists performed on TopPop: ABBA, 10CC, Bee Gees, The Jacksons with Michael Jackson, David Bowie, Earth & Fire, Queen, Golden Earring, Boney M, KC & The Sunshine Band, Chic, Donna Summer and many many more.

You're watching the official music video for The B-52's - "Love Shack" from the album 'Cosmic Thing'. "Love Shack" reached No. 3 on the Billboard Hot 100 in 1989.

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Lyrics:
If you see a faded sign at the side of the road that says
"15 miles to the
Love Shack"
Love Shack, yeah, yeah
I'm headin' down the Atlanta highway

Lookin' for the love getaway
Headed for the love getaway
I got me a car that's as big as a whale
And we're headin' on down to the Love Shack
I got me a Chrysler that seats about 20
So hurry up and bring your jukebox money

The love shack is a little old place where we can get together
Love Shack, baby (a-Love Shack, baby)
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack
(Love, baby, that's where it's at)

Sign says (woo!), "Stay away, fools
'Cause love rules at the Love Shack"
Well, it's set way back in the middle of a field
Just a funky old shack and I gotta get back
Glitter on the mattress
Glitter on the highway
Glitter on the front porch
Glitter on the highway


The Love Shack is a little old place where we can get together
Love Shack, baby (Love Shack, baby)
Love Shack, that's where it's at
Love Shack, that's where it's at

Huggin' and a-kissin'
Dancin' and a-lovin'
Wearin' next to nothin'
'Cause it's hot as an oven
The whole shack shimmies
When everybody's movin' around
And around and around and around
Everybody's movin', everybody's groovin', baby
Folks linin' up outside just to get down
Everybody's movin', everybody's groovin', baby
Funky little shack
Funky little shack

Hop in my Chrysler, it's as big as a whale and it's about to set sail
I got me a car, it seats about 20
So come on and bring your jukebox money

The Love Shack is a little old place where we can get together
Love Shack, baby (a-Love Shack, baby)
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack
(Love, baby, that's where it's at)


Bang, bang, bang on the door, baby
Knock a little louder, sugar
Bang, bang, bang on the door, baby
I can't hear you
Bang, bang on the door, baby
Bang, bang on the door
Bang, bang on the door, baby
Bang, bang

Your what?
Tin roof, rusted

Love Shack, baby, Love Shack
Love Shack, baby, Love Shack (Love, baby, that's where it's at, yeah)
Love Shack, baby, Love Shack (Love, baby, that's where it's at)
Love Shack, baby, Love Shack
Huggin' and a-kissin'
Dancin' and a-lovin'
At the Love Shack

**************************************************************************

RHINO is the official YouTube channel of the greatest music catalog in the world. Founded in 1978, Rhino is the world's leading pop culture label specializing in classic rock, soul, and 80's and 90's alternative. The vast Rhino catalog of more than 5,000 albums, videos, and hit songs features material by Warner Music Group artists such as Van Halen, Madonna, Duran Duran, Aretha Franklin, Ray Charles, The Doors, Chicago, Black Sabbath, John Coltrane, Yes, Alice Cooper, Linda Ronstadt, The Ramones, The Monkees, Carly Simon, and Curtis Mayfield, among many others. Check back for classic music videos, live performances, hand-curated playlists, the Rhino Podcast, and more!

Helen Folasade Adu (1959), known professionally as Sade Adu or simply Sade, is a British singer-songwriter, composer, arranger and record producer. Backed by members Paul S. Denman, Andrew Hale and Stuart Matthewman, she gained worldwide fame as the lead vocalist of the English band Sade.

I do not own any rights to this video or audio.
Sound recording administered by SME on behalf of: Epic
Visual content administered by Expoza Music

Lyrics :

"Smooth Operator"

He's laughing with another girl
And playing with another heart
Placing high stakes, making hearts ache
He's loved in seven languages
Jewel box life diamond nights and ruby lights, high in the sky
Heaven help him, when he falls
Diamond life, lover boy
He move in space with minimum waste and maximum joy
City lights and business nights
When you require streetcar desire for higher heights

No place for beginners or sensitive hearts
When sentiment is left to chance
No place to be ending but somewhere to start

No need to ask
He's a smooth operator
Smooth operator, smooth operator
Smooth operator

Coast to coast, LA to Chicago, western male
Across the north and south, to Key Largo, love for sale

Face to face, each classic case
We shadow box and double cross
Yet need the chase

A license to love, insurance to hold
Melts all your memories and change into gold
His eyes are like angels but his heart is cold

No need to ask
He's a smooth operator
Smooth operator, smooth operator
Smooth operator

Coast to coast, LA to Chicago, western male
Across the north and south, to Key Largo, love for sale

Smooth operator, smooth operator
Smooth operator, smooth operator
Smooth operator, smooth operator
Smooth operator, smooth operator
Smooth operator, smooth operator

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The synth-funk unit Midnight Star scored several times on the charts during the mid-'80s, led by their double-platinum album No Parking on the Dance Floor in 1983. Just one of the successful acts on Solar Records (also including Shalamar, Lakeside, and the Whispers), the group was formed in 1976 at Kentucky State University by the Calloway brothers, trumpeter Reginald, and trombone player Vincent, with vocalist Belinda Lipscomb. After signing with RCA near the turn of the decade, Midnight Star recorded their first album in 1980, The Beginning, with a conglomeration of studio players and producers. After moving to the Solar label by 1982, the group released Victory and then added a full band: guitarist Melvin Gentry, bassist Kenneth Gant, drummer Bobby Lovelace, and keyboard player Bo Watson.

Though the Calloways' production skills -- later used to full effect on tracks by Natalie Cole, Gladys Knight, and Teddy Pendergrass -- had pushed Midnight Star into the R&B charts during 1981-1982, with singles like "Hot Spot" and "I've Been Watching You," the group was unprepared for the success of the first single from their third proper album, No Parking on the Dance Floor. "Freak-a-Zoid" hit number two on the R&B charts in mid-1983, and though it failed to make the pop Top 40, it pushed the LP over the platinum mark. "Operator," the first single from their next album, Planetary Invasion, became their highest-charting single, making number 18 on the pop charts. By 1986, Headlines had become Midnight Star's third album to at least sell gold, but it proved their last; both Reginald and Vincent left the group to form Calloway in 1988. (Incidentally, the Calloways had introduced future legend Babyface to Solar executives for his first job, and produced Babyface's group the Deele).

Without Reginald and Vincent Calloway to lead the way, Midnight Star fell fast and far. A 1988 self-titled album flopped, and 1990's Work It Out proved to be their last until 2002's 15th Avenue. Since then, the members continued outside collaborations, but they also came together for frequent touring. As late as 2007, the group's lineup featured Lipscomb, Gentry, Watson, Lovelace, and Gant. As Calloway, the Calloways found success with their first single, 1989's "I Wanna Be Rich," which hit number two on the pop charts. The track was their only major hit, followed by "Sir Lancelot" and the title track from their 1990 debut album, All the Way. Calloway returned two years later with Let's Get Smooth, but the album proved their last. The brothers continued working, with Pieces of a Dream and Bootsy Collins, among others.

Patrice Rushen - Forget Me Nots ( Não esqueça de mim )
BBC - Top of the Pops - Reino Unido
WMG - Rhino Elektra

Led Zeppelin - Rock and Roll
Composers: Jimmy Page, Robert Plant, John Paul Jones and John Bonham
Album: Led Zeppelin IV
Release Date: November 8th 1971
Lyrics:
It's been a long time since I rock and rolled,
It's been a long time since I did the Stroll.
Ooh, let me get it back, let me get it back,
Let me get it back, baby, where I come from.
It's been a long time, been a long time,
Been a long lonely, lonely, lonely, lonely, lonely time. Yes it has.

It's been a long time since the book of love,
I can't count the tears of a life with no love.
Carry me back, carry me back,
Carry me back, baby, where I come from.
It's been a long time, been a long time,
Been a long lonely, lonely, lonely, lonely, lonely time.

Seems so long since we walked in the moonlight,
Making vows that just can't work right.
Open your arms, opens your arms,
Open your arms, baby, let my love come running in.
It's been a long time, been a long time,
Been a long lonely, lonely, lonely, lonely, lonely time.

© All rights belong to Atlantic Records and Led Zeppelin. I own nothing.

Well, I couldn't find the combo anywhere on the internet. So I took the two separate songs and put them together. It's how I hear on the radio and I like it more this way.

i do not own this song

theme song to SOA Full thing thank me laterrr. =]

Legendary Tom Petty - I Won't Back Down.

#JanisJoplin (Pearl album,Piece Of My Heart )(video with italian translation)enjoy please!(video con immagini dell'artista)

lyrics:

Oh, come on, come on, come on, come on!

Didn't I make you feel like you were the only man -yeah!
Didn't I give you nearly everything that a woman possibly can ?
Honey, you know I did!
And each time I tell myself that I, well I think I've had enough,
But I'm gonna show you, baby, that a woman can be tough.

I want you to come on, come on, come on, come on and take it,
Take it!
Take another little piece of my heart now, baby!
Oh, oh, break it!
Break another little bit of my heart now, darling, yeah, yeah, yeah.
Oh, oh, have a!
Have another little piece of my heart now, baby,
You know you got it if it makes you feel good,
Oh, yes indeed.

You're out on the streets looking good,
And baby deep down in your heart I guess you know that it ain't right,
Never, never, never, never, never, never hear me when I cry at night,
Babe, I cry all the time!
And each time I tell myself that I, well I can't stand the pain,
But when you hold me in your arms, I'll sing it once again.

I'll say come on, come on, come on, come on and take it!
Take it!
Take another little piece of my heart now, baby.
Oh, oh, break it!
Break another little bit of my heart now, darling, yeah,
Oh, oh, have a!
Have another little piece of my heart now, baby,
You know you got it, child, if it makes you feel good.

I need you to come on, come on, come on, come on and take it,
Take it!
Take another little piece of my heart now, baby!
oh, oh, break it!
Break another little bit of my heart, now darling, yeah, c'mon now.
oh, oh, have a
Have another little piece of my heart now, baby.
You know you got it -whoahhhhh!!

Take it!
Take it! Take another little piece of my heart now, baby,
Oh, oh, break it!
Break another little bit of my heart, now darling, yeah, yeah, yeah, yeah,
Oh, oh, have a
Have another little piece of my heart now, baby, hey,
You know you got it, child, if it makes you feel good.

Italian translation:

Pezzo del Mio Cuore

Oh, muoviti, muoviti, muoviti, muoviti!
Non ti ho fatto sentire come se fossi l'unico uomo -- si l'ho fatto!
Non ti ho dato ogni cosa che una donna ti potesse dare?
Dolcezza, lo sai, l'ho fatto!
E ogni volta che dico a me stessa, bhé ora ne ho avuto abbastanza,
Ti dimostro, bambino, che una donna può essere dura.
Voglio che ti muovi, muoviti, muoviti, muoviti, muoviti e prendi,
prendi!
Prendi un altro piccolo pezzo del mio cuore, bambino!
Oh, oh, rompi!
Rompi un altro po il mio cuore, tesoro, si, si, si.
Oh, oh, abbi!
Abbi un altro piccolo pezzo del mio cuore, bambino,
Lo sai, puoi averlo se ti fa sentire meglio,
Oh, si certamente.
Sei li sulla strada sei spledido,,
E bambino nel profondo del tuo cuore sai che questo non è giusto,
Mai, mai, mai, mai, mai, mai, mai mi hai sentito quando di notte ho pianto,
Bambino, ho pianto tutte le notti!
E ogni volta mi dicevo che, bhé non posso sopportare questa sofferenza
Ma quando tu mi tieni fra le tue braccia, voglio cantare ancora.
Voglio dire muoviti, muoviti, muoviti, muoviti e prendi!
Prendi un altro piccolo pezzo del mio cuore, bambino
Oh, oh, rompi!
Rompi un altro po del mio cuore tesoro, yeah!
Oh, oh abbi!
Abbi un altro piccolo pezzo del mio cuore, bambino.
Lo sai tu puoi, bambino, se ti fa sentire meglio.
Ho bisogno di te, vieni, vieni, vieni, vieni e prendi,
Prendi!
Prendi un altro piccolo pezzo del mio cuore, bambino!
Oh, oh, rompi!
Rompi un altro poco il mio cuore, tesoro, yeah, vieni.
Oh, oh abbi!
Abbi un altro piccolo pezzo del mio cuore, bambino
Lo sai puoi averlo- whoahhhhhhh! Prendilo!
Prendilo! Prendi un altro piccolo pezzo del mio cuore, bambino,
Oh, oh rompi!
Rompi un altro piccolo pezzo del mio cuore, tesoro, si, si, si, si
Oh, oh abbi
Abbi un altro piccolo pezzo del mio cuore, bambino, hey,
Lo sai che puoi, bambino, se ti fa sentire meglio

David Bowie - Ziggy Stardust

Jimi Hendrix performing Voodoo Child (Slight Return). From the album Electric Ladyland. © 1968 Track Records

The Greatest Hits of Jimi Hendrix Playlist: https://www.youtube.com/watch?v=TLV4_xaYynY&list=PL-foX1srIqO83-uK9HiBcsHhlc2XXAFbn

"Voodoo Child (Slight Return)" on the Electric Ladyland album. The third and final album by the Jimi Hendrix Experience. The song is known for its wah-wah-heavy guitar work. It is #101 on Rolling Stone's list of 500 greatest songs of all time.

More from Jimi Hendrix (The Jimi Hendrix Experience):
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https://open.spotify.com/artis....t/776Uo845nYHJpNaStv
https://www.deezer.com/us/artist/849
https://twitter.com/JimiHendrix
https://www.jimihendrix.com
https://jimihendrix.social
https://www.authentichendrix.com

#JimiHendrix #VoodooChild #SlightReturn

Bad Moon Rising - Creedence Clearwater Revival (HQ - 5.1 Studio )

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More from Jimi Hendrix:
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'Bleeding Heart' - https://www.youtube.com/watch?v=COsVg...

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Lyrics:

Foxy
Foxy
You know you're a cute little heartbreaker
Foxy
You know you're a sweet little lovemaker
Foxy
I wanna take you home
I won't do you no harm, no
You've got to be all mine, all mine
Ooh, foxy lady
I see you, heh, on down on the scene
Foxy
You make me wanna get up and uh scream
Foxy
Ah, baby listen now
I've made up my mind yeah
I'm tired of wasting all my precious time
You've got to be all mine, all mine
Foxy lady


The Jimi Hendrix Experience performing Foxey Lady (Miami Pop 1968). (C) 2013 Experience Hendrix L.L.C., under exclusive license to Sony Music Entertainment

The "69" reference is often thought to be about the year, but it's not about the year! It's about teen nostalgia, playing in a band and reflecting back on love in the summertime .

Written by Bryan Adams and Jim Vallance
Directed by Steve Barron

I got my first real six-string
Bought it at the five-and-dime
Played it til my fingers bled
It was the summer of 69

Me and some guys from school
Had a band and we tried real hard
Jimmy quit and Jody got married
I shoulda known we'd never get far

Oh when i look back now - that summer seemed to last forever
And if i had the choice - ya - I'd always wanna be there
Those were the best days of my life

Ain't no use in complainin'
When you got a job to do
Spent my evenin's down at the drive-in
And that's when i met you

Standin' on your mama's porch - you told me that you'd wait forever
Oh and when you held my hand - i knew that it was now or never
Those were the best days of my life - back in the summer of '69

Man we were killin' time - we were young and restless
We needed to unwind - i guess nothin' can last forever

And now the times are changin'
Look at everything that's come and gone
Sometimes when i play that old six-string
I think about ya wonder what went wrong

Standin' on your mama's porch - you told me it would last forever
Oh the way you held my hand - i knew that it was now or never
Those were the best days of my life - back in the summer of '69
Ya - me and my baby in a 69


#BryanAdams #SummerOf69 #Remastered

https://www.gofundme.com/f/59f....e3t-support-my-youtu

Go Your Own Way is written by Lindsey Buckingham and performed by Fleetwood Mac for their Grammy Award winning, dimond selling album Rumours in 1977. It is ranked No. 120 on Rolling Stone‍ '​s list of the 500 Greatest Songs of All Time.

Lyrics:

Loving you
Isn't the right thing to do
How can I ever change things
That I feel?

If I could
Maybe I'd give you my world
How can I
When you won't take it from me

You can go your own way
Go your own way
You can call it
Another lonely day
You can go your own way
Go your own way

Tell me why
Everything turned around
Packing up
Shacking up's all you wanna do

If I could
Baby I'd give you my world
Open up
Everything's waiting for you

You can go your own way
Go your own way
You can call it
Another lonely day
You can go your own way
go your own way

You can go your own way
Go your own way
You can call it
Another lonely day
You can go your own way
go your own way
You can call it
Another lonely day

You can go your own way
Call it another lonely day
You can go your own way

CHORDS:
http://tabs.ultimate-guitar.co....m/f/fleetwood_mac/go

Classic Rock Collection | The Best Of Classic Rock Songs Of 70s 80s 90s
Rock Love Songs Playlist: https://bit.ly/3NUxJaH
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may 23, 1994 Netherlands Pinkpop festival.