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Red Hot Chili Peppers: The Tragic Death of Hillel Slovak Hotney 1 意见 • 3 年前

Red Hot Chili Peppers: The Tragic death of Hillel Slovak

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#hillelslovak #rhcp #anthonykiedis

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Founding Red Hot Chili Peppers guitarist Hillel Slovak would die at just 26 in 1988. Prior to his death, Slovak was struggling with addiction, while on the cusp of a critical and commercial breakthrough with the band’s third album. But over three decades since his passing, Slovak would be regarded in shaping not only the band’s early musical direction, but their continued success to this day. This is his story.
Hillel Slovak was born on April 13th, 1962, in Haifa, Israel and would move to the United States with his family, initially to Queens, New York and then settling in Los Angeles, California five years later. Slovak took interest in painting as a child, but focused more on music in his teens, when he got his first guitar as a bar mitzvah present. By the time he attended Fairfax Highschool, Slovak befriended Michael Balzary, better known as Flea, and drummer Jack Irons, both of whom would become his future bandmates. In the meantime, Slovak found his footing as a hard rock and metal-based lead guitarist, taking note from Jimi Hendrix, Led Zeppelin, and Kiss. He’d form his first band in the late 70s with friends from school – Irons would be on drums, Alain Johannes (alan yo-hanis) on vocals and rhythm guitar, and Todd Strassman on bass. The band started out as Chain Reaction, then as Anthem, and later, Anthym with a ‘y.’
These days, fans can now get a good idea of what Anthym sounded like, thanks to the recent discovery of a few of their demo tapes. On October 6th, 2021, Johannes, who had later achieved fame in the 90s as the frontman for the band Eleven, unveiled one of Anthym’s early demos through his Instagram page, an eight-track tape from 1979 called Paradox. On his post, he writes, “Found this cassette deep in a box…can’t believe it still kinda plays.”
Two weeks after that post, it was revealed that another Anthym demo, this time from 1980 called Forever Love, was discovered by Blast Music Management owner Aaron Jacoves, who had obtained it from Total Annihilation Studio. Between the two tapes, you can sense the fluidity in Slovak’s approach, as he moves from the straight-ahead blues rock of Black Sabbath to the arena rock of early 70s-era Rush.
By the early 80s, Anthym would compete in Battle of the Bands contests, and also manage late night gigs in the local bar scene, even though all its members weren’t of legal age. After one of those performances, Slovak met another Fairfax High student, Anthony Kiedis, in the audience, who was a budding actor at the time. Kiedis recalled the experience in his 2004 autobiography, Scar Tissue, saying,
“I usually felt like the leader in most of my relationships with kids my age…but I immediately knew that Hillel was at least my equal, and in fact knew a lot of things that I didn’t.”
“He understood a lot about music…was a great visual artist, and…had a sense of self and a calm about him that were just riveting.”
Once Kiedis was in the picture, the group became fast friends, and would bond over music and casual drug use. Kiedis acted as Anthym’s roadie, as well as their hype man for live gigs. Eventually, the band changed their name to What Is This, switched their sound from hard rock to new w

Sources:

“Interview with Hillel Slovak, Alain Johannes (What Is This).” YouTube, 5 Oct. 2019, https://www.youtube.com/watch?v=FhAOVHFvb9k. Accessed 6 Nov. 2021.
Kiedis, Anthony, and Larry Sloman. Scar Tissue. Hachette Books, 2004.
Mensah, Jenny. “RHCP's Flea Visits ‘Beloved Brother’ Hillel Slovak's Grave.” Radio X, Radio X, 8 Jan. 2019, https://www.radiox.co.uk/artis....ts/red-hot-chili-pep
Owen, Matt. “Alain Johannes Digs out Another Anthym Demo from 1980, Featuring Pre-Red Hot Chili Peppers Flea, Hillel Slovak and Jack Irons.” Guitarworld, Guitar World, 21 Oct. 2021, https://www.guitarworld.com/ne....ws/alain-johannes-an
Parker, Matt. “Alain Johannes Unearths 1979 Demo of Pre-Red Hot Chili Peppers Band Anthym Featuring Flea, Hillel Slovak and Jack Irons.” Guitarworld.com, Guitar World, 8 Oct. 2021, https://www.guitarworld.com/ne....ws/alain-johannes-an
Slovak, James. Behind the Sun: The Diary and Art of Hillel Slovak. Slim Skinny Publications, 1999.
Thompson, Dave. Spin Magazine, Aug. 1993.

Rush: The Tragic Death Of Drummer John Rutsey Hotney 8 意见 • 3 年前

The lift and death of Rush drummer John Rutsey

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#rush #johnrutsey #neilpeart

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Rush’s original drummer John Rutsey was 55 at the time of his death in 2008. Following his departure from the band in 1974, after the release of their first album, Rutsey would be out of the rock n’ roll spotlight, all the while his former band would become one of the biggest acts in the world. This is his story.

John Rutsey founded Rush in 1968, in Toronto, Canada, along with guitarist and childhood friend Alex Lifeson, and future Red Rider bassist Jeff Jones, who was the band’s original frontman. The three musicians would use the band name Rush last minute, right before playing their first show, after struggling to come up with one during practice. Author Bill Basiniewicz wrote about how they’d eventually get their name in his 1988 biography on the band, Visions.
“The band was excited, but they had a big problem. While they had been dreaming of playing, they had neglected to come up with a name for their group. So, a few days before the gig, they sat around in John's basement trying to come up with an appropriate moniker. They weren't having much luck when John's older brother Bill piped up, 'Why don't you call the band Rush?,' and Rush it was," he’d say.
Rush’s first performance with Jeff Jones was successful, but on their next one, he would pull a no-show. Jones would leave the band and was replaced with Geddy Lee, another childhood friend who John and Alex knew from their time as students at St. Patrick’s School. Rush’s first roadie, Ian Grandy, who was with the band until 1983, discussed a temporary direction Rutsey had them pursue, in a 2009 interview with Guitar International Magazine:
“John led the guys as far as being 'glam rockers', with really flashy jackets and pants, and eight-inch high boots," Grandy would then mention an anecdote about him and Rutsey catching up at a now-legendary Toronto club.
“One time, he was speaking to me at the Gasworks and I said, ‘Didn’t we used to be the same height (5’8”)?’ He laughed and said ‘Well, maybe a long time ago!’”
In fact, Rush wouldn’t always be a trio. By 1971, the band also experimented briefly as a four piece, incorporating Mitch Bossi as second guitarist. But that didn’t satisfy John Rutsey, who sought a different direction for the band. On the podcast In Conversation with Chad Smith, Alex Lifeson said in 2013:
“John wanted to [do] more of a Bad Company or Small Faces sort of thing. That’s the kind of music he was really into…the English bluesy kind of thing,”
“We went for a while, for a few months. I remember we were at a rehearsal, and we told Mitch that it wasn't really working out. He picked up his stuff, and he left,” he’d say.
For a brief moment, it seemed as though Rush’s early efforts were about to pay off, but they’d hit another dead end. An episode of the podcast series Full in Bloom in May of 2020 featured Epic Records A&R Tom Werman talking about his attempt to sign Rush back in the early 70s:
“I heard a demo, and I went up to Toronto to see them, the manager picked me up - Ray Danniels, I think he managed Van Halen later on, I can't remember.”
“I went backstage and said, ‘This is incredible.’ This was very artsy. This wasn’t your standard rock ‘n’ roll, and I thought this would be a really great signing for me because it’s high-class, you know, and it’s differe
But Rutsey’

Sources:

Bosso, Joe. “In Conversation: Chad Smith with Alex Lifeson - Part Two.” MusicRadar, MusicRadar, 20 May 2013, https://www.musicradar.com/new....s/guitars/in-convers

Daly, Skip. “Ian Grandy Interview: Rush's First Roadie.” Guitar International Magazine, 16 Sept. 2009, http://guitarinternational.com..../2009/09/16/a-talk-w
“The National Midnight Star #138 (Rockline Radio interview excerpt).” The National Midnight Star - Digest Archives, https://www.pelstudio.com/tnms/0138.html.

Reed, Ryan. “The History of John Rutsey and Rush.” Ultimate Classic Rock, 25 July 2015, https://ultimateclassicrock.com/rush-john-rutsey/.

“Rush: Tom Werman Talks about Trying to Sign the Band in the '70s.” SoundCloud, Full In Bloom, 22 May 2020, https://soundcloud.com/fullinb....loom/rush-tom-werman

Trunk, Eddie. "Hangin' With: Rush" Interview. YouTube, VH1, 2005, https://www.youtube.com/watch?v=e2An_Ww1oCo. Accessed 6 Oct. 2021.

Sublime: The Tragic Death of Bradley Nowell & History Of The Band Hotney 1 意见 • 3 年前

Sublime: The Traic history of the Band

0:00 - Bradley Nowell's early years
1:11 - Early Sublime Years
3:46 - Sublime's Personal Problems
6:00- Sublime's First Hit/KROQ
7:55 - Sublime's Final Album
11:10 - Nowell's Death/Aftermath

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#subllime #bradleynowell #santeria

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Sublime was a ska-punk and reggae band that never got to properly experience their success. By the time their third album came out the band ceased to exist and most of their new fans had no clue the group was done. Today let’s take a look at the history of the band Sublime.

Growing up in the long beach neighbourhood of belmont shore, Frontman and guitarist Bradley Nowell came from a musical family. His father worked as a homebuilder who played guitar in his spare time.. His father became known for playing covers of Jim Croce (crow-che()) songs at parties while his mother was a piano teacher. His parents would give him his first guitar lessons. But by the time he turned 10, his parents would divorce with his mother taking custody of her son. She would tell VH1’s behind the music that nowell was a needy child and struggled in school becoming disruptive and suffered from attention deficit disorder. Feeling overwhelmed by Bradley’s behavior, he started living with his father at the age of 11 who took his son on a sailing trip around the US virgin islands. It was here where he got his first exposure to Bob Marley and reggae music which would be a huge influence on Nowell’s career in music.

Upon returning home from the sailing trip, Nowell was now a teeanger who would play in punk rock bands in the early 80’with bassist Eric Wilson. Wilson would recall how early jam sessions weren’t very successful telling the LA Times
“He was making me play (reggae). I didn’t want to play it,” with Nowell adding
“I was trying to get them to do ‘Cherry Oh Baby,’ (a song popularized by British reggae band UB40), and it didn’t work. They tried, but it just sounded like such garbage,“We were horrible.”
Nowell and Wilson’s band would be put on the backburner while Nowell went off to college. He would attend UC Santa Cruz for two years before he decided to study finance and transfer to Cal state. He only had one semester left before he dropped out recalling to the lA Times
“I have all the hard classes left. . . . I doubt I’ll ever go back.”
By this time NOwell returned to Long Beach and it was 1988, Hed reconnec with Wilson who called an old neighbour he grew up with across the alley named of his Bud Gough (Gawww). Gaww was taught drums by Wilson’s father who was a jazz drummer. Sublime’s lineup was now born. They would jam in Gaww’s garage and one of the first songs they wrote would be, well since this is youtube i’m not going to say the song’s title because last time i said this word i got in trouble so let’s just called it Date Expletive. If you know Sublime then you’ll know which song im referring to.THe band soon established a big following playing backyard parties and dive bars in southern california in front of hundreds of kids, earning upwards of $250 a night .
Gaww would tell Spin Magazine “we were like the band that everybody in the scene would show up for. If you were having a party that night and you had us play there would be two other parties that night in the same neighbourhood, everybody was going to be at the sublime party.
Wilson would recall to the LA Times We played some pretty rough neighborhoods,” “You’d have to be afraid of your own safety. Gangster kids would show up at the parties, and there would be trouble. Somebody got stabbed one time.” The gigs were so rough that Spin Magazine reported that samoan guards would provide security at the gigs and the police would be a frequent presence hovering over the gigs in their helicopters if they played past the noise curfew.
In 1990 Nowell rescued a dalmatian named Louie sometimes referred to as Lou Dog which was named after his grandfather and became the group’s defacto mascot. He was also referred to as Nowell’s alter-ego He would join the band on the road and onstage. During the spring of 1990 Michael “Miguel” Happold (happol) a music student offered to manage the band enticing them with an offer of free studio time at the school he attended. He became the de-facto fourth member of the band, helping prodoce their music, helping run their affairs and record label. The band by this point had al

Blink 182: The Tragic Story of The 'Enema of the State' Nurse - Janine Lindemulder Hotney 2 意见 • 3 年前

The tragic story of what happened to the Blink 182 Enema of the state nurse Janine Lindemulder

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#blink182 #Janine Lindemulder

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

To some she’s best known as the nurse on the cover of Blink 182’s third album Enema of the State, to others she was already known as an adult film actress. But whatever happened to the woman on the front cover of blink 182’s 3rd record. That’s what we’re going to explore in today’s video.

Janine Lindemulder was the woman who appeared as the nurse on Blink 182’s third album. Prior to appearing on the album in college she was a softball player who even got a scholar ship offer, but ended up answering a modelling ad which eventually led her to posing in adult men’s magazine penthouse in 1987 where she was named pet of the month and would appear in the magazine several more times during her career. It would eventually lead to her enering the adult film industry in the early 90’s becoming well established in the industry. She would marry her first husband in 1988 a construction worker who she would end up having a son with. They would subsequently divorce in 1996. The following year she would appear in howard stern’s movie private parts playing the camp counsellor’s wife. In 1998 she would be filmed having sex with motley crue frontman vince neil. It would make loudersound’s list of worst rockstar sex tapes at the number 2 spot. In 1999 she would appearing on the front cover of blink 182’s third record enema of the state and in the video for what’s my again.

When it came to the artwork for the album the band always envisioned having a nurse on the front cover. IT was just a matter of picking the best woman to be on the album sleeve. The band’s record label MCA gave the trio a stack of photos of potential cover models to look through. THe women in the stack of photos were mostly from playboy and vivid entertainment. The band decided on adult actress janine lindamulder, but unbeknownst to the members they didn’t know she worked in the adult film industry. Linamulder would appear on the cover in a nurses outfit putting on a glove with the band members semi nude in the back of the cover. Lindamulder would also appear in the videos for what’s my age again and man overboard.

The photographer for the album David Goldman,would talk to Huffington Post where he admitted he wasn’t familiar with the band before getting the job going on to say. "Up until the very last minute, the album was going to be called Turn Your Head and Cough," And that's why I came up with the idea of the glove. Obviously an enema is not really a glove type of thing. I thought it was a good visual."

There would be three different versions of the cover art. The first pressing of the album showed Lindemulder wearing a nurse’s hat with a red cross and the band’s name spelled with a capital B in the band’s logo. The second pressing of the artwork still had the red cross but had a lower case B in the band’s name as the band preferred that and finally the third pressing had the red cross removed.

In 2013 a fan posted on the group’s subreddit celebrating the anniversary of Enema of the State.
Band member Mark Hoppus dropped by the subreddit to share some info on the album’s artwork saying

“We were then contacted by the Red Cross that, as we are in no way a medical organization (which I would debate. one time I changed a band-aid), we should not have a red cross on our artwork. If we continued using the red cross logo, we would be in violation of the Geneva Convention. (for real).

“Thus, the third iteration of the artwork: no red cross, lower case b blink-182.”

The band according to the American Red Cross was in violation of section 55 of the 1949 geneva convention that states no one other organization, public or private can use the red cross symbol other than the red cross or red crescent

It was shortly after appearing on enema of the state’s cover that she announced her retirement from the industry opting to focus on raising her son and wanting to become a school teacher. In 2002 she would end up marrying west coast choppers founder Jesse James with whom she had a very tumultuous relationship with that was full of c

The Smashing Pumpkins: The Tragic Death of Jonathan Melvoin, Firing of Jimmy Chamberlin Hotney 1 意见 • 3 年前

The Smashing Pumpkins: The Tragic Death of Jonathan Melvoin, FIring of Jimmy Chamberlin

0:00 - Jimmy Chamberlin's Early Years
3:21 - Melvoin joins the band
4:13 - Trouble brewing
6:33 - Melvoin's death/aftermath

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#smashingpumpkins #billycorgan

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By the mid 90’s the smashing pumpkins were one of the most popular rock bands in the world. First bursting onto the scene in 1991 with their debut album Gish. They built a bigger following with 1993’s Siamese Dream. In 1994 the band headlined Lolapalooza and the following year they released their epic two disc cd Melancholy and the Infinite Sadness. The band was riding high and living the dream at least according to many outsiders, but that wasn’t the case. During the band’s tour in 1996 to support their third release, drummer Jimmy chamberlain and keyboardist johnathan melvoin were dabbling in drugs resulting in deadly cfonsequences. That’s what were going to discuss in today’s video.

Chamberlin’s days with the band date back to their early years when they were made of of frontman billy corgan, guitarist james iha and bassist d’arcy wretzky. Up until this point the trio were playing live shows using a drum machine. Chamberlin would express his interest in joining the band telling modern drummer magazine in 1994 “So I went out and saw the band – Billy, James, and D'arcy – playing at Avalon with a drum machine. Man, did they sound horrible! They were atrocious. But the thing I noticed was that not only were the song structures good, but Billy's voice had a lot of drive to it, like he was dying to succeed. So I ended up driving from work every Wednesday to rehearse with them.

Corgan would recall how he didn’t think Chamberlin initially was a good fit saying He was wearing a pink t-shirt, stonewashed jeans, had a mullet haircut, was driving a 280Z, and had yellow drums recalling We were sort of looking each other in the eye thinking, 'This ain't gonna happen, this is not the guy.' [But] he'd learned all our songs, as only Jimmy can, off the top of his head, and, within one practice, we were ready to play. It was amazing. We just knew right away. He's that good. Chamberlain would join the band on their debut album gish. But by the time the band began work on their second album siamese dream, Corgan felt the band was on the verge of breaking up. According to Details Magazine who interviewed the band in 1993 Corgan’s decision to air the band’s dirty laundry in the public created a lot of resentment within the group. In the article Corgan would be quoted as saying. "I hated all my friends, I hated myself, I hated the band." Corgan would enter therapy which forced him to talk more openly about his emotions, write songs about them and become more honest sometimes to the detriment of his bandmates. He soon started talking about the Smashing Pumpkins internal problems. How James Iha and D'Arcy Wretzky dated, but broke up and and Drummer Jimmy Chamberlin’s drug addiction. He would tell the same publication "The idea that the stance was to tell the story and force it into the open..but did it have the intended effect the interviewer would ask corgan to which he’d respond “...no, in fact i think it killed the band.’

When it came time for the groups second album, In order to keep production costs low Corgan relocated the band to Georgia, but there was another reason for going to Georgia, Chamberlain’s debilitating drug addiction. Rolling Stone would report in 1993 Aside from the lower production costs, they chose to record in Atlanta on the theory that Chamberlin would have a hard time attracting his usual coterie (co-ter-ee) of hard-core partyers there. The theory was wrong. Buckling under the pressure, Chamberlin would show up sometimes too wasted too play and once disappeared for five days. Corgan laid down the law: Either shape up or ship out. Chamberlin shaped up in a rehab clinic. It worked. Rolling stone would write.

Johnathan Melvoin, was a later arrival to the band first joining them in late 1995 as a touring keyboardist. He had an impressive resume up until this point in his career playing with musician prince and performing in a number of punk bands including the dickies.. Melvoin’ was exposed to music as a young child coming from a musical family. His father played piano in the 80’s era group Wrecking Crew and most famously played wi

The Who: The Tragic Death of Keith Moon Hotney 1 意见 • 3 年前

The Who: Keith Moon, the tragic death of the drummer.

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#thewho #keithmoon #drummer

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Keith Moon played a crucial role in the Who’s early success. But as much as he’d receive acclaim for his distinctive drumming, he’d also gain notoriety for his self-destructive behavior. In fact, Moon would die in 1978 at the young age of 32 as a direct result of such behavior, right as the band were celebrating the release of their seminal eighth album, Who Are You. Today, we’ll explore the life and death of Keith Moon, the Who’s best-known drummer.
Keith Moon was born in 1946 in London, England, and raised in Wembley. Moon was thought to have a restless imagination as a child, and took a strong liking to British radio comedy, while music resonated with him just the same. Moon grew up in a post-World War 2 environment, and like many children at the time, was oblivious to the anxieties that remained prevalent. On an episode of the docuseries Living Famously, music journalist Tony Fletcher would surmise how Moon, as well as other children, processed the world around them, saying,
“The kids who grew up…don’t have their parents’ experiences of the war. They don’t understand their longing for this peaceful, quiet life, and to be quite honest, they’re bored; that’s the bottom line,” adding, “You throw Keith into this, and there really can’t be any question that he would’ve qualified these days as being hyperactive.”
By 1961, rock music expanded its reach worldwide. Moon was a teenager at this point, often performing poorly in school, and as a way to channel his hyperactivity, he started taking drum lessons at age 14. During one of The Who’s first visits to America, Moon would recall his initial experience with playing drums before the lessons took place,
“It’s too far back to remember, but I can talk about when I first got interested in wanting to play an instrument. [It] was the Beach Boys who really started me playing drums. I hadn’t really thought about playing an instrument until I heard music that I wanted to play [along to]. I’d have a kit and just play along with a record in my room, and then I’d join a group and do some stuff with them,” he’d say.
When asked if he’d played along to other records besides the Beach Boys, Moon would respond:
“Yeah, I liked Eddie Cochran and Dionne [Warwick]. There were mainly American groups in those days, because Britain wasn’t really playing a lot of stuff. There were a few English [acts] then, but they didn’t impress me; I can’t remember any. It was like that until the Beatles came along, and then I started to have a serious outlook on playing.”
Moon’s drum tutor would be Carlo Little, who was well-known as the drummer for the musician Screaming Lord Such, and who’d profoundly influence Moon’s playing, as he taught him the unrestrained, hard-hitting style he’d become famous for.
Little would comment on just how intense their lessons would get, even to the point of going overtime. “Instead of an hour, or an hour and a half, [they] would be three or four hours. Sometimes, we’d have the amplifiers going so loud that we started to see the ceiling crack, and bits of plaster falling off the walls,” he’d say.
After several years playing professionally, Moon became competent in his musicianship, and by 1964, he’d audition for The Who. Prior to his joining, he was drumming for another band, The Beachcombers. Meanwhile, The Who were an up-and-coming R&B cover band consisting of frontman Roger Daltry, guitarist Pete Townshend, bassist John Entwistle, and an indefinite replacement for previous drummer Doug Sandom, who was normally the peacekeeper in the band. Townshend discussed in a 1975 interview how Moon auditioned for the band, and was taken aback by his appearance, saying,
“Keith Moon rolled up one day, ginger all over – ginger shoes, ginger corduroy trousers, ginger jacket, and his hair died ginger, holding a glass of brown ale – this complete ginger vision.”
“[He’d come] up and say, ‘I can play better than him.’ [He was] this horrible impudent…got up on the drummer’s drum kit, and practically smashed it to pieces.”
“We thought, ‘This is the man for us,’” he’d say.
As mentioned in the 2014 book Rockin’ In Time, Moon was quoted with explaining the experience in further detail, saying,
“I got behind this other guy's drums and did one song, 'Roa

Mother Love Bone: The Tragic Death of Andrew Wood, Malfunkshun & The Story of 'Apple', Hotney 1 意见 • 3 年前

Mother Love Bone: The history of the band and death of Andrew Wood

Nirvana-Pearl Jam Feud
https://www.youtube.com/watch?v=jY08x1asWNw&t=331s

Temple of the Dog Video
https://www.youtube.com/watch?v=nKw32zR_Kzo&vl=en

0:00 - Andrew Wood's Early Life
1:34 - Malfunkshun
5:37 - Green River
7:40 - Mother Love Bone Formation
11:15 - Major Label Deal/Andy's Problems
14:25 - Andy's Death

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#motherlovebone #andrewood

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Andy Wood would be Born to a close knit family in columbus, mississippi, 1966. Throughout his childhood his family moved around a lot as his father was in the military. They would live in san antonio texas in the mid 70’s before relocating to bainbridge island in the 80’s, which is a short ferry ride away from Seattle. In his youth, Andrew Wood would find solace in Elton John, Kiss, and T-Rex a sign of what was to come in his musical career. By the time he was in elementary school Andy already started dabbling in drugs, something which would lead to his downfall.
Known for his charismatic style, Andy originally wanted to be a radio DJ even winning a contest in the sixth grade to host a show on a local seattle radio station KZOK called ‘Your mother won’t like it.” It was during this show Andy hosted a three hour program where he told stories, jokes and did comedy bits in addition to playing music. Dave Rees who would be Andy’s bandmate in the band Malfunkshun would recall in the book Everybody loves our town “i remember talking to andy after that and he seemed a little disappointed because he wanted to be a dj but he realized that there was no immediate feedback. There was no audience. And that really bummed him out. He actually told me. Well now i’m gonna have to be a rockstar. According to Kevin Wood, Andy’s older brother it would be a concert andy saw in middle school where cheap trick opened Kiss that made Andy want to become a rockstar.
Before we can talk about Mother Love Bone, we have to talk about another band that preceded it Malkfunkshun. Andrew Wood would form the band with his older brother kevin when he was just 14 . The brothers would end up recording their first demo tape during easter sunday in 1980 when they were left home alone while their family was at their grandmothers house. His brother Kevin used to work as a dishwasher at a restaurant and remembered seeing a sign above the dishwasher that said ‘report malfunction’ before the name got trimmed down to malfunkshun with an alternative spelling. Originally malfunkshun was a four piece, but was scaled down to a three piece with Andy playing bass and doing vocals while his brother kevin played guitar and they enlisted punk drummer Regan Hagar. Dave Rees who was Malfunkshun’s original bassist for a short period of time said in the book Grunge is Dead: “Malfunkshun was the loudest and most entertaining band I’d ever seen. Yes, they were louder than motorhead.”
Andy’s brother Kevin would recall in the same book “everyone had a good time at a malfunkshun show. It was an open minded sort of feeling. I was afraid first of offending the sensibilities of the punk rockers. But they welcomed us with open arms. I think we opened up doors for bands to just come out, be themselves and play. It’s kind of what started the whole evolution of the punk turns into the rock
While many associate grunge with flannel, one of the earliest so called grunge bands was Malfunkshun, which didn’t wear flannel. Wood would model his stage persona after theatrical performers including Marc Bolan, Freddie Mercury, Elton John and Prince. He would take the stage name L’Andrew The Love Child while his brother would take on the name Kevin stein and their drummer Regan Hagar would become THundarr. Unlike a lot of his peers Andy wanted to be a big star, perform in arenas and create music that appealed to the masses. Andy was so single minded in his pursuit of success that according to Kerrang he said he would even open for Warrant.
Andy’s on stage persona became the stuff of legends in seattle, telling jokes in between songs, one story had him even making a san

Sources:

Books: Grunge Is Dead, Everybody Loves Our Town
https://www.latimes.com/archiv....es/la-xpm-1990-09-23
2005 documentary Malfunkshun: The Andrew wood
https://www.independent.co.uk/....arts-entertainment/m

Rage Against The Machine RATM X Factor Humiliation Of Simon Cowell Hotney 1 意见 • 3 年前

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Today we take a look at the 2009 infamous battle between the band Rage Against the Machine and the horrible reality show the X-Factor and creator Simon Cowell. Every year since 2005 the winner of the X-Factor always had the number 1 single come Christmas time, but in 2009 things changed. A grassroots campaign started by a UK DJ got people to buy the Rage Against the Machine song "Killing In the Name" from the group's debut record.

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#RATM #xfactor #simoncowell

Now, released in November of 1992, the band's first commercial single, Rage Against the Machine's song, "Killing in the Name" would become the group's signature track. The guitar riff and expletive laden outro of the song made it memorable. It would be inspired by the deadly LA riots of 1992 as well as the Rodney King beating. The song would take aim at institutional racism and the brutality of the police. As you would expect, the large amount of expletives in the song's outro prevented it from achieving much airplay in the United States.

The band found a huge following across the pond in Europe. The song would chart in the UK in 1993, peaking at number 25. It would be strange that 15 years later, the song would make a return to the UK charts but this time at the number 1 spot. It was something that was really unthinkable and shocked a lot of people but how did it happen? Stay tuned to find out.

Christmas time is a big moment for musicians in the UK. It's a general rule of thumb in the country that whatever song tops the charts during the holiday season, will go on to become the biggest selling song of the year. This is a tradition that dates back 50 years to the 70s when rock bands would put out Christmas theme songs or covers.

Come 2005, things started to change a bit in the UK. Now reality TV has been one of the many scurges that has plagued television over the past 20 years and music shows especially have exploded since American Idol's inception in the early 2000s. One of those music shows was the Simon Cowell created X-Factor, which originally started in the UK and migrated across the pond to America in the later part of the decade.

In the UK from 2005 to 2008, each season's winner of The X-Factor would always have the number one song in the country come Christmas time. It was almost like figuring out who was going to win the election of North Korea.

In 2008, radio DJ, John Mortar was sick of Simon Cowell's [bullshit] and launched an online campaign to prevent that year's winner, Alexandra Burke from taking the number one spot. He would urge people online to buy the Rick Astley song, "Never Gonna Give You Up" but the campaign would ultimately fail. Astley's song would not even crack the top 50 in the UK, peaking at number 73. Burke's cover of "Hallelujah" easily took the Number 1 spot that year and became the biggest selling holiday single of all time in the UK.

Come 2009, things would change. In early December of 2009, the same DJ and his wife, Tracy would launch a group on Facebook encouraging people to buy the song, "Killing in the Name" before Christmas in order to prevent the winner of The X Factor that year from taking the Number 1 spot. The campaign would ask people, "Fed up of Simon Cowell's latest karaoke act being Christmas' Number 1? Me too. So who's up for a mass purchase of the track, Killing in the Name" as a protest to the X-Factor monotony?"

The X-Factor winner that year was the person named Joe McElderry who covered the Miley Cyrus song, "The Climb".

Now, the X-Factor song was promising to donate some of their profits to charity, while Rage Against The X Factor campaign encouraged supporters to also give to charity. In fact, a Just Giving page was created to raise money for the homeless charity and shelter, which by December 20th of 2009 had already raised over $100,000 US in funds.

By the middle of December, the group reportedly had over 700,000 members on Facebook and the campaign even caught the attention of Rage Against the Machine guitarist, Tom Morello who lent his support saying, that achieving the Christmas Number 1 would be, as he put it, "A wonderful dose of anarchy," and Morello even planned to donate royalties from the sales of the song to charity.

Morello wouldn't be the only high-profile musician giving their support to the campaign as Dave Grohl, Them Crooked Vultures, Muse and even The Prodigy also voiced their support for the campaign. Also lending their support was heavyweight, Paul McCartney who coincidentally, also appeared on The X Factor with the finalists.

Simon Cowell, for his part, apparently responded to the campaign reportedly calling it "stupid and cynical," but one thing that went unnoticed was that both, the X Factor and Rag

Linkin Park: The Sad Story Of the Band & Death of Chester Bennington Hotney 2 意见 • 3 年前

The sad story of Linkin Park and death of Chester Bennington

0:00 - Early Years
14:48 - Hybrid Theory
23:04 - Meteora
31:28 - - Minutes to Midnight
33:30 - Final Decade/Chester's Death

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#linkinpark #chesterbennington #mikeshinoda

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Linkin Park’s celebrated debut album 2000’s Hybrid Theory would come out during the peak of the nu-metal’s popularity. Linkin Park over the next several years became inescapable if you listened to rock radio or watched MTV. What came next is truly amazing. Linkin Park did something that so few bands could do, their popularity eclipsed trends in music and they soon ventured into uncharted territory, much to the chagrin of some of their fans. But sadly their nearly two decade run came to an abrupt end following the death of frontman Chester Bennington. Today, let’s take a deep dive into the career of Linkin Park.

Linkin Park’s story begins with Rapper/vocalist/guitarist/keyboardist/producer Mike Shinoda. Shinoda would be born to a japanese father and a white mother with the musician telling Howard Stern that being mixed race resulted in him not really knowing where he belonged in school. His mother would encourage him by the age of 6 to take up piano lessons thinking it would look good on his college applications. In addition to music lessons Shinoda would tell the shock jock that he he spent a lot of his time as a young child painting and doing artwork with the idea that perhaps someday he’d become an artist

It was by the time he became a teenager he soon started to get into the blues, jazz and hip hop. Shinoda by the mid 80’s would be hugely influenced by Run-DMC’s second record King of Rock and Beastie Boys' License to Ill as well as LL Cool J's Bad in addition to Public Enemy and NWA. It would be the collaborations and blending of rock and rap that gave Shinoda an idea of what he wanted to pursue musically telling Rolling Stone “The first show I went to was Anthrax and Public Enemy. They did ‘Bring the Noise’ together, and I was like, ‘That’s the most amazing thing I’ve ever heard.

Wanting to follow in the footsteps of his music idols who sampled popular rock music in their songs he would ask his musical teacher to teach him how to do just that recalling to to Rolling Stone. When I was about thirteen, I told my teacher, Eileen, I wanted to get more into playing jazz and blues and maybe hip-hop. She said she couldn't help me out with that because that wasn't her training. She said, "Maybe you just wanna get a keyboard and start learning those things on your own." I thought that was really big of her to say, and definitely led to an important point in my life where I bought a keyboard. Then I got a sampler, started making beats and playing around with MIDI and digital-based music.”

Shinoda would tell Stern that prior to Chester Bennington fronting Linkin Park the seeds of the band began with him and a childhood friend of his named Mark Wakefield who he first started making music with recalling to the shock jock “the band was just originally me and Mark and i would mostly do all the rap stuff and he would do most of the rock stuff and then we’d teach each other the other side. Mark also happened to be living next door to guitarist Brad Delson with Shinoda adding “Almost like a TV Sitcom they were next door neighbours and there windows were across from each other…We’d be in mark’s room playing sega genesis and you’d hear brad playing metallica on the guitar from the other window.” Delson was also a schoolmate of Shinoda Agoura High School in southern california. The trio soon recruited a bandmate of Delson, drummer Rob Bourdon, who played with him in the band Relative Degree.“ Bourdon, got his start drumming in the third grade after his parents took him to an aerosmith concert. Fun fact . (Bourdon’s mother, Patty, was a high school girlfriend of Aerosmith drummer Joey Kramer, who he credits with coming up with the band name.

It was following high school Shinoda attended Pasadena’s California’s Art of College Design where he studied illustration. Shinoda would refer to the school a

Why Faith No More Fired Jim Martin & Whatever Happened to Him? Hotney 2 意见 • 3 年前

Why Faith No More Fired Jim Martin and whatever happened to the guitarist?

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#faithnomore #mikepatton #jimmartin

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Best known for his ten year stint in the group Faith No More Jim Martin would be the group’s guitarist from 1983 to 1993.. Faith No More would break up in 1998 and reform in 2009, but strangely enough Martin wasn't a part of the reunion. Why’d he leave the group and what happened to him? Well one of the answers will surprise you and that’s what were going to discuss in today’s video.

Immediately recognizable due to his red trimmed glasses, his bushy beard and long hair, Jim Martin was born in the bay area and spent the early part of his musical career playing in a band called Vicious Hatred, which also featured future metallica bassist Cliff Burton. By 1982 drummer Mike Bordin, keyboardist Roddy Bottum and bassist Billy Gould formed Faith No More, which was named after a greyhound the bandmembers said they had bet on. MTV would report that Cliff Burton urged Martin to audition for the group. Taking his advice he did and got the gig. In their early years group struggled to find a vocalist, instead played gigs using an open mic policy whereby they invited a member of the audience to front the band each night. Not exactly a winning strategy to make it in the music business. One frequent attendee of the band’s early shows was singer Chuck Mosley who performed with the band several times and soon enough he became the group’s frontman.

Mosley’s time fronting the band would last about half a decade seeing the group put out two albums 1985’s We Care a Lot,and 1987’s Introduce Yourself. However Mosley’s volatile behavior and internal conflicts led the group to fire him before the end of the decade. By early 1989 having assembled a majority of the music for their third album, the band held auditions for a replacement finding Mike Patton. Patton at the time was playing in his outfit Mr. Bungle and within a week of getting the job he’d complete the lyrics for their third album the Real Thing.
The Real THing would be the group’s commercial breakthrough producing two hits in Epic and Falling to Pieces and the album went platinum in America selling over a million copies.

The band followed that up with 1992’s Angel Dust a record that would be guitarist Jim Martin’s last with the group. The album would sell about half as many copies as it’s predecessor going gold and marked a change in sound Angel Dust was the first album where Patton had a bigger influence on the music and rumors soon swirled in the music mags that Martin clashed with his bandmates about the title of the album, musical direction and things reportedly got so bad that some of Martin’s guitar parts were stripped from the record (at least that was a rumor for a long time).
Martin would talk to Kerrang in 1992 during the making of the record.
When asked whether Angel Dust was an enjoyable experience he’d rspond
Absolutely not, it's been an unpleasant experience from the very
beginning! It's been very unpleasant, but not really much different to my experiences in making records with Faith No More. It's very difficult to say it all in a short amount of time. "There's certain things
that certain people worry about at certain times, and certain other people choose to play upon it to increase the tension of a given situation until everything's way out of hand."
Angel Dust' would only have one song written by Martin. He wouldn’t attend rehearsals or meetings with the rest of the group opting to have the band send him tapes so he could add his guitar parts later. In all honesty it wasn’t too different from how faith no more recorded their previous records. Once Angel Dust was released in the summer of 1992, If you read a lot of the rock publications who spent time with the band on the road in early to mid 1993 you can see a lot of them writing about the internal tensions between Martin and the rest of the band.

Kerrang would write in their february 1993 issue about faith no more. While vocalist MIKE PATTON was taking an increasingly strong grip on the band's lyrical and musical direction, guitarist and

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