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Korolova & Krismi - Live @ Radio Intense 11.11.2021 [ Progressive House & Melodic Techno DJ Hotney 3 Ansichten • 4 Jahre vor

Progressive House & Melodic Techno DJ Mix by Korolova & Krismi at Radio Intense
Subscribe to our Melodic Techno & Progressive House Spotify playlist: http://lnk.to/melodict

Korolova:
https://instagram.com/korolova.dj

Krismi:
https://instagram.com/krismi.dj
Radio Intense:
https://instagram.com/radio.intense
https://facebook.com/radiointense
https://www.tiktok.com/@radiointense
http://radiointense.com

Audio version at:
http://soundcloud.com/radiointense

Enjoy the best music, on Radio Intense and watch full dj set, live acts from our broadcasting studio, festival, nightclub. Dj mixes in techno music, house, progressive house, deep house, indie and other genres. Mix of livestream, records, podcast, official video premiere 2021 for clubbing lovers for free. Live @ Radio Intense. Help us build tracklist for each dj mix in comments.

Radio Intense is a streaming platform dedicated to promoting artists, venues & electronic dance music.
With regular live streams of DJ sets including a wide range of new electronic music (Techno, House, Progressive, Melodic techno, Minimal techno, Tech-House, Trance), our ambition is to bring our audience as close as possible to their favorite artists.
We providing recordings of DJ mixes from nightclubs and festivals.

#ProgressiveHouse #MelodicTechno #djmix

Дане відео містить об'єкти авторського права і суміжних прав - ремікси, у виконанні Діджея, які є похідними творами, згідно зі ст. 1 ЗУ «Про авторське право і суміжні права». Використання авторських творів відбувається в розумінні статті 21 пункту 9 1 ЗУ «Про авторське право і суміжні
права»та передбачає вільне від виплат використання твору із зазначенням імені автора. Всю відповідальність за зміст реміксів, законність їх створення, та правильність вказання авторів та назв оригінальних творів, на основі яких створені ремікси, несуть автори та виконавець реміксів, а не власник даного відео. Розміщення даного відео не має на меті порушення прав третіх осіб.
Запис даного відео з Діджеєм не носить комерційний характер, а створено з метою популяризації діджейського мистецтва.

This video contains objects of copyright and related rights - remixes, performed by DJ, which are derived works, according to Art. 1 of the Law of Ukraine "On Copyright and Related Rights". The use of copyrighted works occurs within the meaning of Article 21 of clause 9-1 of the Law of Ukraine “On Copyright and Related Rights” and provides for a work free from payment with the designation of the name of the author. All responsibility for the content of the remixes, the legality of their creation, and the correctness of the instructions of the authors and the titles of the original works on the basis of which the remixes were created, lies with the author and the performer of the remixes, and not with the owner of this video. Placing this video does not carry the purpose of violating the rights of third parties. The recording of this video with a DJ is not commercial, but was made with the aim of popularizing DJ art.

Immanuel Wilkins: Tiny Desk (Home) Concert Hotney 4 Ansichten • 4 Jahre vor

NPR Music's Tiny Desk series will celebrate Black History Month by featuring four weeks of Tiny Desk (home) concerts and playlists by Black artists spanning different genres and generations each week. The lineup includes both emerging and established artists who will be performing a Tiny Desk concert for the first time. This celebration highlights the beautiful cornucopia of Black music and our special way of presenting it. We hope you enjoy.

Suraya Mohamed | February 3, 2021
Candles and books rest on a trunk at the bottom right corner of the wide shot. There, too, are special photographs of alto saxophonist Immanuel Wilkins with family in his childhood home in Philadelphia. "One of the brightest things about this pandemic was going home to spend time with my mother, father and grandmother after being on the road for a while," Wilkins told NPR recently.

He also had time to meet up with his long time bandmates — Micah Thomas on piano, Daryl Johns on bass, Kweku Sumbry on drums —in Manhattan's Sear Sound studio to record this set. The quartet has been playing together for years, which is remarkable considering Wilkins is only 23 years old. In 2019, they recorded Wilkins' debut album, Omega, and released it last year to high acclaim. The project is all about Blackness, Black theory, the Black experience and the struggle and triumph that go with it all.

With a carefully crafted form and melody, "Grace and Mercy" is a lyrical story about peace, forgiveness and humility. "Warriors" is a driving, dynamic tune that conveys the shield of protection provided by our inner circles. "The Dreamer" is a tender piece that honors the Black writer and activist James Weldon Johnson and is based on his poem "A Midday Dreamer." The opening lines are played effortlessly on bass by Johns and when Wilkins joins in, his melodic saxophone exudes the rhythm of the poem's first stanza: "I love to sit alone, and dream, and dream, and dream..."

SET LIST
"Grace and Mercy"
"Warriors"
"The Dreamer"

MUSICIANS
Immanuel Wilkins: saxophone
Daryl Johns: bass
Micah Thomas: piano
Kweku Sumbry: drums

CREDITS
Video and Audio: Brandon Unpingco, Alessio Romano for Studio 42 Brooklyn and Chris Allen
Creative Direction: Sekai Abeni, Machel Ross
Scenic Design: Frank Oliva, Rodrigo Fernandez
Lighting Consultant: Cheyenne Sykes

TINY DESK TEAM
Producer: Suraya Mohamed
Video Producer: Morgan Noelle Smith
Audio Mastering: Josh Rogosin
Art Director: CJ Riculan
Associate Producer: Bobby Carter
Tiny Production Team: Bob Boilen, Kara Frame, Maia Stern
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

Jazmine Sullivan: Tiny Desk (Home) Concert Hotney 3 Ansichten • 4 Jahre vor

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Bobby Carter | January 8, 2021
I don't recall any other artist at the Tiny Desk harmonizing their own introduction, but Philadelphia's own Jazmine Sullivan didn't waste a second, greeting us all by flexing those once-in-a-generation chops from the jump. The singer-songwriter, draped in a trench coat while her band sports all black, are nestled in the corner of a dimly lit space resembling a cabaret.

We don't see or hear much from Jazmine Sullivan until she has something to get off her chest. She drops a body of work every five years or so, shakes up the world of R&B with each offering, then quietly goes back to minding her own business. Her latest project, Heaux Tales, is a bold and timely conversation piece addressing truths regarding relationships, sex, social norms, self-worth and a myriad of other topics that women graple with. Each song is masterfully connected to another through unique yet familiar testimonies by women from all walks of life.

She starts her Tiny Desk (home) concert with three extended and reworked selections from Heaux Tales, squeezes in thee fan favorite from 2015's Reality Show, then invites Tiny Desk alum H.E.R. to the stage to close with "Girl Like Me." Ms. Sullivan, her background vocalists and H.E.R. ate this performance up and left not a crumb on the floor.

SET LIST
"Bodies (Intro)"
"The Other Side"
"Lost One"
"Let It Burn"
"Girl Like Me" (featuring H.E.R.)

MUSICIANS
Jazmine Sullivan: vocals
H.E.R.: vocals
Alisa Joe: vocals
Natalie Curtis: vocals
Ayana George: vocals
Dave Watson: drums
Simon Martinez: guitar
Jermaine Blandford: bass
Eric Wortham: keys

CREDITS
Video: Mansa Twin Johnson, Mignotae Kebede, Evan Morsell
Audio: Chauncey Burney
Creative Director: Amaya Segura
Set Design: Matthew Englebert
Executive Producer: Omari Williams

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Kara Frame, Morgan Noelle Smith
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

FULL VINYL | Japanese Groove Cutz | DJ KAZZMATAZZ | ALL 45's VINYL DJ SET Hotney 4 Ansichten • 4 Jahre vor

Hi 👋 If you enjoy our content and would like to support me so that I could create more free content, you can now buy me a coffee. Many thanks for your support, it is greatly appreciated!
☕️ https://www.buymeacoffee.com/themoment

🎧 Full set on mixcloud
soon
📀 Raw Audio [24bit 48khz] on Patreon
soon
📼 Raw Movie [FHD] on Patreon
soon

DJ KAZZMATAZZ :
Born in Nigata Prefecture. Lives and works in Tokyo.He is one of the most popular DJs in Japan, and each time he releases a series of Mix CDs, enter the Disc Union charts.

He digs 7inch good old Japanese songs (Kayokyoku [歌謡曲]) with a funk and soul feel, distinct from city pop while visiting retro shopping streets[商店街] and record stores all over Japan. He reinterprets them in a Hiphop method and mixes them skillfully. This is a brand new Japanese Groove 🇯🇵

✔️ Follow DJ KAZZMATAZZ
Instagram : https://www.instagram.com/dj_kazzmatazz/
Twitter : https://twitter.com/DJKAZZMATAZZ
Mixcloud : https://www.mixcloud.com/djkazzmatazz/
Official Store : https://djkazzmatazz.base.shop/

📍 Location : Daimon Shotengai | Tsu, Mie
Google Map : https://goo.gl/maps/ZBwpkA5JWMHhdG6Z7

Electricity Cooperation : Wakoo
Instagram : https://www.instagram.com/wakoo_daimon/

🎨 Jacob Wilson | Logo Motion Graphics Artist
https://sleightwork.com

[Track List]
00:00 | intro
00:25 | Goyoukiba ("Kiba" No Theme) / Mops [1972]
01:53 | unknown_1
04:06 | unknown_2
04:16 | 2X / NICCHOME, ILLNANDES [2021]
07:50 | Jidai Ni Awasete Kokyu Wo Suru Tsumori Wa Nai / Maki Asakawa [1983]
10:00 | Tanin no Kankei / Katsuko Kanai [1973]
12:58 | Abayobushi / Mimi Hiyoshi [1979]
16:23 | Call Girl - Yoake No Maria - / MIE [1982]
18:45 | Lonely Girl / Yuri Sato [1983]
20:10 | Lonely Girl / ECD feat.K-DUB SHINE [1997]
22:10 | unknown_3
23:56 | unknown_4
26:55 | Yorue Isogu Hito / Naomi Chiaki [1978]
29:12 | Good Bye / Pinky [1972]
32:15 | unknown_5
33:08 | Jobochi no fugue / Akiko Wada [1970]
34:40 | Symbol Rock / Tatsuo Umemiya [1970]
36:46 | unknown_6
38:53 | Hey You Blues / Tonpei Hidari [1973]
40:00 | A YO! BLUES / INCREDIBLE MC’S (KGE, JAZZY BLAZE, BES) [2009]
42:34 | unknown_7
44:06 | unknown_8
46:26 | Beautiful Yokohama / Miki Hirayama [1970]
49:19 | unknown_9
51:42 | Murasaki no Kyoto / Michi Aoyama [1972]
53:48 | unknown_10
54:12 | My Beatles / Fujio Tokita [1970]
56:56 | Natsu No Yoru No Samba / Akiko Wada [1972]

⚔️ Equipment
DJ Mixer : DJM 250MK2 (Pioneer)
Turntable : SL1200MK3D (Technics)
Cartridge : M44-7 (Shure)

To support this channel, you can visit our Patreon page and make a coffee donation.
👋 Member | https://www.patreon.com/the_moment
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I love DJing and Video Editing and Digging sample and hidden beat. I want to make more videos and make them regularly. you'll help me to keep creating content.

By becoming a patron, you will receive early access, talk about the shoot, exchange messages, And
Listen to music in higher quality (youtube and mixcloud sound files are compressed, so they are not the original sound).

To watch videos in higher quality (youtube videos are compressed, so the colors are a little different than they should be).You can experience our content higher resolution and I hope you will enjoy my channel more.

💻 Post Production
Sound Recording, Mastering, Video Shooting and Editing by The Moment.

【The Moment】
Official : https://the-moment.work/
Instagram : https://www.instagram.com/the_moment_work/
Mixcloud : https://www.mixcloud.com/The_Moment/
Patreon : https://www.patreon.com/the_moment

【E-Mail】
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📨 the.moment.cap@gmail.com

-----------
* All materials presented on this channel are copyrighted by their
respective copyright owners, and are subject to use for informational purposes only.

#昭和歌謡
#和物
#日本語ラップ

Taylor Swift: NPR Music Tiny Desk Concert Hotney 5 Ansichten • 4 Jahre vor

Watch Taylor Swift play "The Man", "Lover", "Death by a Thousand Cuts" and "All Too Well" at the Tiny Desk.

More from NPR Music:
Tiny Desk Concerts: https://www.npr.org/tinydesk
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

Oct. 15, 2019 | Lyndsey McKenna -- As Taylor Swift settled in for her Tiny Desk, she looked out at the 300-plus NPR employees and guests. "Wow! This is a lot of people in a tiny office!" she said. "I love it!" Then, after introducing herself, she explained her objective: "I just decided to take this as an opportunity to show you guys how the songs sounded when I first wrote them."

It should come as no surprise that someone who commands stadium stages could hold court in NPR Music's corner of our Washington, D.C., office — specifically, behind Bob Boilen's desk — but Swift was truly at home in stripped-down, solo-session mode. ("It's just me. There's no dancers, unfortunately," she quipped.)

Opening with an acoustic rendition of "The Man," from her 2019 album, Lover, Swift delivered a critique of gender double standards with a sense of humor (and a perfectly deployed hair toss), Leonardo DiCaprio name check and all. Turning to the piano with a smile for Lover's title track, she explained the guitar-string scars of the song's bridge. Picking up the guitar again for "Death by a Thousand Cuts," Swift confronted a question that she says has haunted her career: What will you ever do if you get happy? Across the song's run-on thoughts and relentless searching, Swift offered an answer: She'll continue to excel at crafting superb story-songs.

Though most Tiny Desk concerts stop at three songs, we couldn't turn down the chance to hear "All Too Well" from Swift's 2012 album, Red. Routinely cited by critics and fans alike as a favorite, the beloved track has become the stuff of Swiftie legends, striking in its specificity (that scarf!) and relatable in a way that anyone who has loved and lost can understand.

That sense of connection is at the heart of it all. Some 800 Tiny Desk concerts since we published our very first back in April 2008, the aim remains the same: In the midst of meetings and conference calls, Tiny Desk concerts offer respite from the workday and opportunities to see artists reimagine their work in a strange setting. It's always special, but on some days, it feels downright magical. Watching Taylor Swift perform — and then interact with co-workers and guests who have grown up with her — was simply enchanting.

SET LIST
"The Man"
"Lover"
"Death by a Thousand Cuts"
"All Too Well"

MUSICIAN
Taylor Swift: vocals, guitar, piano

CREDITS
Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, Natasha Branch; Videographers: Morgan Noelle Smith, Kara Frame, Maia Stern; Associate Producer: Bobby Carter; Production Assistants: Jack Corbett, Mito Habe-Evans; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann; Photo: Bob Boilen/NPR

Alicia Keys: NPR Music Tiny Desk Concert Hotney 4 Ansichten • 4 Jahre vor

This performance was recorded on Feb. 12, 2020. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

June 17, 2020 | Abby O'Neill -- On a brisk February morning, Alicia Keys, full of effervescence, entered NPR through the loading dock wearing a canary yellow faux fur coat. During our ride to the fourth floor, she joked about how she hadn't been invited to play at the Tiny Desk. That, of course, wasn't exactly true. We worked on and off for years to make this moment happen, and I can say wholeheartedly that it was worth the wait.

Alicia Keys has an aura that you can sense the second she enters a room, or in my case, an elevator. She radiates compassion and kindness. This spirit is the key to Keys's songwriting, which is rooted in introspection and mindfulness.

As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, "Gee, the Tiny Desk is tiny!" She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: "Show Me Love," a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.

The stand-out moment during her Tiny Desk was the premiere of "Gramercy Park", a song from her upcoming self-titled album, ALICIA, which is set to be released this fall. It's one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song's spiritual refrain is sure to be a sing-along moment for the rest of Keys's career.

She told the crowd after "Gramercy Park" that she's struggled with appeasing people her whole life, but she's trying harder now to set boundaries. Luckily for the Tiny Desk audience, that resolution didn't pertain to this concert. After wrapping up what was to be a three-song set with her latest single "Underdog," which you may have seen her perform at this year's Grammys, the crowd begged for an encore. After crowdsourcing suggestions, she and her band delivered a riveting rendition of Keys's breakout 2001 single, "Fallin'."

The world, now more than ever, needs more love, reflection and accountability – a mantra that's woven into every fiber of Alicia Keys's being and every lyric of her songs.

SET LIST
"Show Me Love"
"Gramercy Park"
"Underdog"
"Fallin'"

MUSICIANS
Alicia Keys: vocals, piano; RAII & Whitney: vocals; Ant Parrish: bass; Curt Chambers: guitar; Mike Reid: drums; Omar Edwards: keys.

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, Natasha Branch; Videographers: Kara Frame, Maia Stern, Melany Rochester, Shanti Hands; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR

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