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Whitesnake - Still of the Night (Official Music Video) Hotney 4 Streams • 3 years ago

You're watching the official music video for Whitesnake - "Still of the Night" from the album 'Whitesnake' (1987)

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Lyrics:
In the still of the night, I hear the wolf howl, honey
Sniffing around your door
In the still of the night, I feel my heart beating heavy
Telling me I gotta have more

In the shadow of night, I see the full moon rise
Telling me what's in store
My heart start aching, my body start-a shaking
And I can't take no more

No, no, no

Now I just wanna get close to you
And taste your love so sweet
And I just wanna make love to you
Feel your body heat
In the still of the night
In the still of the night

Over here, baby

In the heat of the day, I hang my head down low
And hide my face from the sun
Through the light of the day until the evening time
Waiting for the night to come

Ooh, baby

In the still of the night
In the cool moonlight
I feel my heart is aching
In the still of the night

Ooh, baby
Ooh, babe
I can't keep away
Closer and closer, need to be closer
I can't keep away, can't keep away, can't keep away
I can't keep away, no
You gotta give me love
Got to give me some lovin' everyday
Can't keep away

Ooh baby, ooh woman
Ahh

Get over here, babe

In the still of the night, I hear the wolf howl, honey
Sniffing around your door
In the still of the night, I feel my heart beating heavy
Telling me I gotta have more

Ooh! Mama

Now I just wanna get close to you
Taste your love so sweet
And I just wanna make love to you
Feel your body heat
In the still of the night, ooh yeah

In the still of the night
I will be sneaking 'round your door
In the still of the night
In the still of the night
Ain't nothing gonna stop me now

Still of the night, still of the night, still of the night
Still of the night, still of the night, still of the night
Still of the night, still of the night, still of the night

************************************************************

RHINO is the official YouTube channel of the greatest music catalog in the world. Founded in 1978, Rhino is the world's leading pop culture label specializing in classic rock, soul, and 80's and 90's alternative. The vast Rhino catalog of more than 5,000 albums, videos, and hit songs features material by Warner Music Group artists such as Van Halen, Madonna, Duran Duran, Aretha Franklin, Ray Charles, The Doors, Chicago, Black Sabbath, John Coltrane, Yes, Alice Cooper, Linda Ronstadt, The Ramones, The Monkees, Carly Simon, and Curtis Mayfield, among many others. Check back for classic music videos, live performances, hand-curated playlists, the Rhino Podcast, and more!

Buckcherry - Crazy Bit*h (Official Music Video) Hotney 8 Streams • 3 years ago

You're watching the official music video for Buckcherry - "Crazy Bit*h" from the album '15' (2006)

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Lyrics:
Alright

Break me down, you got a lovely face
We're going to your place
And now you got to freak me out
Scream so loud, getting fucking laid
You want me to stay, but I got to make my way

Hey
You're a crazy bitch
But you fuck so good, I'm on top of it
When I dream, I'm doing you all night
Scratches all down my back to keep me right on
Hey
You're a crazy bitch
But you fuck so good, I'm on top of it
When I dream, I'm doing you all night
Scratches all down my back to keep me right on

Take it off, the paper is your game
You jump in bed with fame
Another one night paid in full, uh
You're so fine, it won't be a loss
Cashing in the rocks, just to get you face to face

Hey
You're a crazy bitch
But you fuck so good, I'm on top of it
When I dream, I'm doing you all night
Scratches all down my back to keep me right on
Hey
You're a crazy bitch
But you fuck so good, I'm on top of it
When I dream, I'm doing you all night
Scratches all down my back to keep me right on

Get the video
Fuck you so good
Get the video
Fuck you so good
Crazy bitch
Crazy bitch
Crazy, bitch

Hey
You're a crazy bitch
But you fuck so good, I'm on top of it
When I dream, I'm doing you all night
Scratches all down my back to keep me right on
Hey
You're a crazy bitch
But you fuck so good, I'm on top of it
When I dream, I'm doing you all night
Scratches all down my back
Come on

Baby girl
You want it all
To be a star
You'll have to go down
Take it off
No need to talk
You're crazy
But I like the way you fuck me

Hey
You're a crazy bitch
But you fuck so good, I'm on top of it
When I dream, I'm doing you all night
Scratches all down my back to keep me right on
Hey
You're a crazy bitch
But you fuck so good, I'm on top of it
When I dream, I'm doing you all night
Scratches all down my back to keep me right on
You keep me right on

You're crazy
But I like the way you fuck me

**************************************************************

RHINO is the official YouTube channel of the greatest music catalog in the world. Founded in 1978, Rhino is the world's leading pop culture label specializing in classic rock, soul, and 80's and 90's alternative. The vast Rhino catalog of more than 5,000 albums, videos, and hit songs features material by Warner Music Group artists such as Van Halen, Madonna, Duran Duran, Aretha Franklin, Ray Charles, The Doors, Chicago, Black Sabbath, John Coltrane, Yes, Alice Cooper, Linda Ronstadt, The Ramones, The Monkees, Carly Simon, and Curtis Mayfield, among many others. Check back for classic music videos, live performances, hand-curated playlists, the Rhino Podcast, and more!

Skid Row - I Remember You (Official Music Video) Hotney 5 Streams • 3 years ago

You're watching the official music video for Skid Row - 'I Remember You' from the 1989 album 'Skid Row'. Released as the third single from 'Skid Row', 'I Remember You' peaked at number 6 on the Billboard Hot 100. SKID ROW: 30TH ANNIVERSARY DELUXE EDITION is available now! https://Rhino.lnk.to/SkidRow30

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Lyrics:
Woke up to the sound of pouring rain
The wind would whisper and I'd think of you
And all the tears you cried, that called my name
And when you needed me I came through

I paint a picture of the days gone by
When love went blind and you would make me see
I'd stare a lifetime into your eyes
So that I knew you were there for me
Time after time you were there for me

Remember yesterday - walking hand in hand
Love letters in the sands - I remember you
Through the sleepless nights, through every endless day
I'd wanna hear you say - I remember you
Oh, whoa

We spent the summer with the top rolled down
And wished ever after would be like this
You said "I love you babe," without a sound
I said I'd give my life for just one kiss
I'd live for your smile and die for your kiss

Remember yesterday - walking hand in hand
Love letters in the sands - I remember you
And through the sleepless nights, through every endless day
I'd wanna hear you say - I remember you, oh

We've had our share of hard times, but that's the price we paid
And through it all we kept the promise that we made
I swear you'll never be lonely

We woke up to the sound of pouring rain
Washed away a dream of you
But nothing else could ever take you away
'Cause you'll always be my dream come true
Oh, my darling, I love you

Remember yesterday - walking hand in hand
Love letters in the sands - I remember you
Through the sleepless nights, through every endless day
I'd wanna hear you say - I remember you

Remember yesterday - walking hand in hand
Love letters in the sands - I remember you
Through the sleepless nights, through every endless day
I'd wanna hear you say - I remember, I remember you, yeah

****************************************************************

RHINO is the official YouTube channel of the greatest music catalog in the world. Founded in 1978, Rhino is the world's leading pop culture label specializing in classic rock, soul, and 80's and 90's alternative. The vast Rhino catalog of more than 5,000 albums, videos, and hit songs features material by Warner Music Group artists such as Van Halen, Duran Duran, Aretha Franklin, Ray Charles, The Doors, Chicago, Black Sabbath, John Coltrane, Yes, Alice Cooper, Linda Ronstadt, The Ramones, The Monkees, Carly Simon, and Curtis Mayfield, among many others. Check back for classic music videos, live performances, hand-curated playlists, the Rhino Podcast, and more!

#SkidRow #IRememberYou #SkidRow30

The STRANGE HISTORY Of P.O.D. (ALIVE, BOOM, YOUTH OF A NATION) Hotney 8 Streams • 3 years ago

The strange history of the band P.O.D. who were big in the early 2000's

0:00 - Early Years/Independent Records
6:00 - Signing to Atlantic/First Album
8:30 - POD & Religiion
11:15 - Satellite
15:33 - Butting Heads With Religious Groups
17:00 - Later Part of Career

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#pod #sonnysandoval #satellite

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P.O.D. (Payable on Death) achieved remarkable success, defying expectations as a Christian rock band during the nu-metal era. Emerging from San Diego in 1992, the multiracial group faced both success and challenges. Sonny Sandoval, the vocalist, joined the band after his mother's conversion to Christianity, finding solace in her faith during her battle with leukemia. Wuv's father, who formed Rescue Records, became their manager, reflecting the band's close ties to Christianity.

In their early days, P.O.D. faced skepticism from Christians and skinhead audiences due to their overtly religious lyrics. The band, however, evolved, garnering attention and opening for Cypress Hill, Green Day, and Mighty Mighty Bosstones in San Diego. Their lineup changed in 1994, and they independently released "Snuff the Punk" and "Brown," gaining popularity.

The turning point came when Atlantic Records signed them, leading to their major-label debut, "The Fundamental Elements of Southtown," in 1999. The album, produced by Howard Benson, featured hits like "Southtown" and "Rock the Party," blending rock, hip-hop, and spiritual elements. P.O.D. successfully crossed into mainstream music, touring with Korn, Primus, and headlining their own shows.

In 2001, P.O.D. released "Satellite," coinciding with the 9/11 attacks. The song "Alive" became a symbol of hope, resonating with listeners. "Youth of a Nation" addressed the tragedy of school shootings. Despite mainstream success, P.O.D. resisted the Christian label, emphasizing their music's positive message.

The self-titled album in 2003 marked a change, featuring guitarist Jason Truby. The album's cover sparked controversy, but P.O.D. advocated boycotting stores refusing to carry it. The band faced label issues amid Atlantic's shakeup, impacting their negotiations despite prior success.

In 2006, P.O.D. collaborated with producer Glen Ballard and featured Katy Perry on "Goodbye for Now." The album "Testify" went gold, but tensions with Atlantic led to the band's departure. P.O.D. released "When Angels and Serpents Dance" in 2008, marking the return of original guitarist Marcos Curiel.

Throughout the 2010s, P.O.D. continued releasing albums, including "Murdered Love" in 2012, which sparked controversy over explicit language. They explored diverse sounds in "Circles" (2018), collaborating with Heavy. The band's commitment to positive messaging and connection with fans remained consistent, reflecting in their charitable endeavors and outreach.

As P.O.D. approaches their new album, "Veritas," set to release this year, they continue evolving while staying true to their roots. The band's resilience, diverse influences, and dedication to delivering a positive message have solidified their enduring impact on the music scene.

The INSANE STORY of DEAD BOYS (Sonic Reducer) Hotney 6 Streams • 3 years ago

The insane story of the band Dead Boys & their frontman Stiv Bators

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#sonicreducer #deadboys

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In the mid-70s, Dead Boys emerged as pioneers in the first wave of punk rock alongside acts like the Ramones. Playing regularly at CBGB, a legendary New York venue, they contributed to shaping the independent music scene. Despite their initial impact, Dead Boys gained notoriety for being one of the most self-destructive and violent bands of their time. However, their story takes an unexpected turn when, almost two decades later, they find recognition through a popular band paying homage to their music.

Originating in Cleveland, Ohio, the band's roots can be traced back to Rocket From The Tombs, formed in 1974. The lineup evolved over time, leading to the recruitment of key members like Peter Laughner, Cheetah Chrome, and Johnny Blitz. After a gig at the Berea Community Center, Stiv Bators joined them on stage, setting the stage for the formation of Dead Boys.

The band's relocation to New York City, supported by Joey Ramone, marked a new chapter. The decision to adopt the name "Dead Boys" was a spontaneous one, and their gritty performances at CBGB soon gained attention. Despite a chaotic lifestyle and confrontations with other punk bands, Dead Boys secured a deal with Sire Records, a subsidiary of Warner Bros. Records, in March 1977. Their debut album, "Young, Loud and Snotty," received critical acclaim, even though it faced commercial challenges.

The band's live performances were known for Stiv Bators' outrageous antics, influenced by Iggy Pop, including crawling through drum kits and inflicting harm on himself. Their shows also attracted rowdy crowds and gained notoriety for explicit lyrics. Despite these controversies, Dead Boys continued to gain popularity and toured with Iggy Pop.

However, their sop****re album, "We Have Come For Your Children," faced challenges during production, leading to creative conflicts with producer Felix Pappalardi. Released in 1978, it received mixed reviews and poor sales. The decline continued as internal tensions grew, exacerbated by Johnny Blitz's stabbing and Cheetah Chrome's struggles with heroin.

Sire Records terminated their tour, leading to the eventual disbandment of Dead Boys. Stiv Bators formed Lords of the New Church, while other members pursued different projects. The band briefly reunited in 1987, experiencing both success and internal conflicts. Stiv Bators suffered a traumatic brain injury in 1990 and tragically passed away.

In 1993, Guns N' Roses covered Dead Boys' "Ain't It Fun," giving the band renewed recognition. The surviving members sporadically reunited for tributes and eventually reformed in 2017 with a new vocalist, Jake Hout. They released a re-recorded version of their debut album in 2017, celebrating its 40th anniversary. Dead Boys remain active, with plans for a tour in September and October.

PARAMORE: How HAYLEY WILLIAMS & The Band Got SO POPULAR! Hotney 10 Streams • 3 years ago

the untold history of the band Paramore and front women Hayley Williams

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#paramore #hayleywilliams

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🎸 Dive into the vibrant history of Paramore, the powerhouse band that emerged from humble beginnings to become a global musical sensation! 🌟

Founded in 2004 in Franklin, Tennessee, Paramore began as a small garage band with lead vocalist Hayley Williams, guitarist Josh Farro, drummer Zac Farro, bassist Jeremy Davis, and guitarist Jason Bynum. Their infectious energy and unique sound quickly gained attention in the local music scene.

Paramore's debut album, "All We Know Is Falling," marked their entry into the mainstream in 2005. The album showcased their dynamic mix of pop-punk and alternative rock, with hits like "Pressure" and "Emergency," laying the foundation for their future success.

Facing the departure of members Jason Bynum and Jeremy Davis, Paramore demonstrated resilience with the release of "Riot!" in 2007. The album featured the chart-topping single "Misery Business," solidifying their status as a force to be reckoned with in the music industry.

"Brand New Eyes" showcased Paramore's growth as musicians, with Hayley Williams's powerful vocals leading the way. Hits like "Ignorance" and "The Only Exception" brought critical acclaim and a more mature sound to their repertoire.

The self-titled album "Paramore" marked a new era for the band, featuring a synth-pop and new wave influence. The Grammy-winning single "Ain't It Fun" became their highest-charting song, solidifying Paramore's place in the pop-rock genre.

"After Laughter" showcased Paramore's willingness to experiment with their sound, incorporating elements of new wave and synth-pop. The album's lead single, "Hard Times," brought a fresh and vibrant energy to their discography.

Paramore's legacy continues to thrive, with the band navigating changes and evolving while remaining true to their roots. As of 2021, the group is actively pursuing solo projects, leaving fans eagerly anticipating their next collective endeavor.

Quiet Riot How they Tried to Sabotage Come on Feel the Noise Hotney 4 Streams • 3 years ago

Quiet Riot: How the Band Tried to Sabotage Come on Fell the Noise

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#kevindubrow #quietriot

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Founded in 1973 by guitar prodigy Randy Rhoads and his friend bassist Kelly Garni, Quiet Riot was a band who struggled to get noticed. Record labels continually passed on the band associating their sound with dinosaur rock, but when the group was offered their first big break they tried to sabotage it. Let’s explore what happened in today’s video.

Two young musicians Randy Rhoads and bassist Kelly Garni would end up recruiting singer Kevin Dubrow in 1973 and formed a band named Mach 1 before changing their name to Little Women. They would eventually land on the monicker Quiet Riot. It wasn’t long before Quiet Riot became one of the hottest bands in LA scene in the late 70’s, but they struggled to get much traction in America. They initially signed a deal with Sony records who released the group’s first two records in Japan. The band’s label felt Van Halen was the official LA band so they got little support stateside. Also adding to the problems was the constant infighting within the group. Rhoads wasn’t a fan of Dubrow and had a different frontman in mind, while Garni and Dubrow would come to blows. Garni would eventually depart the band after he allegedly attempted to kill Dubrow after a drunken episode. Rudy Sarzow soon took his place & Rhoads grew frustrated with the band’s lack of commercial success and infighting leaving the band to Join ozzy osbourne. I’ve done a whole video on Rhoads career and untimely death, link is down below.

Once Rhoads left bassist Rudy Sarzo would admit in the book Nothin but a Good time that he felt the band was finished. Sarzo would then follow depart the band and join Ozzy’s band, but following Rhoads death in 1982 he would rejoin Quiet Riot. Replacing Rhoads would on guitar would be Carlos Cavazo.

It would be record producer Spencer Proffer who seemed to be the band’s saving grace. He would reveal in the book Nothin But a Good Time I was driving around LA ….& I heard the 1973 slade version of come on feel the noise on the radio on a pop station. It jumped out of the radio... This was anthem participatory rock. It invited people to participate. I said holy shit if i find a band to sing this song then i might be able to get CBS who i had a deal with to pay attention to me.

Proffer would end up calling his contacts in LA who referred him to a band named Dubrow at that point in time Quiet Riot had temporarily changed their name to Dubrow. Dubrow were known as a band that would do anthemic kind of rock. He would attend one of the band’s shows in LA where they played to a small audience of about 20 people but he witnessed the group playing songs like Bang Your Head and Party All Night, songs that invited the audience to sing along. Following the show he chatted with Dubrow who knew who Proffer was and that he had his own studio called Pasha. Proffer would end up cutting a deal with Dubrow telling them he would give them studio time if they covered come on feel the noise and in return, he would let them record three of their own songs. By this point the band was done with Sony and all the other labels had already passed on them so they agreed to the deal.

During a weekend in the studio with Proffer the band cut the first four songs that would eventually make it on their landmark record, 1983’s Mental Health. Even though the band agreed to Proffer’s deal, Dubrow didn’t want to do a cover of come on feel the noise. According to drummer Frankie Banali he had no issue with doing a cover song, but he would reveal in the same book “Kevin was livid at the idea. He saw himself as the consummate songwriter. He didn’t need to do outside material.” Meanwhile Bassist Rudy Sarzo would add “I witnessed the conversation between kevin and frankie in the studio about how to sabotage that song.” The band felt that if they sabotaged the track, Proffer would forget about it and use the other three songs the band was planning on recording.

In order to sabotage the track, the band would agree not to rehearse the track and play it for the first time in the studio in front of Proffer. Ba

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