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You're watching the Official HD Video for Princess - 'Say I'm Your Number 1'.
Released in July 1985, this timeless Stock Aitken Waterman-produced classic reached number 7 in Princess' native UK, and was a top 10 hit in Switzerland, Australia, the Netherlands, and number 2 in both Germany and New Zealand. It hit the US Billboard Hot R&B/Hip Hop charts, too and was taken from her self-titled debut album.
The track was also a favourite of DJ Larry Levan at the legendary Paradise Club in New York City.
Lyrics:
Say I'm your number one
I only wanna be close to you - say
Say
Say.
Say I'm your number one - your number one
Your number one -
'Cause you know I'll be good to you - say
Say
Say.
Say I'm your number one - won't you?
They say I'm crazy
They say that I'm a fool.
And I feel so helpless because love can be so cruel.
But I'm just waiting and burning up inside.
Come tomorrow
Come tomorrow
Will you still be mine?
Say I'm your number one - your number on
Your number one -
In only wanna be close to you.
Say I'm your number one - your number one
Your number one.
'Cause you know I'll be good to you - say
Say
Say.
Say I'm your number one - won't you
You may be tempted and sometimes led astray.
But I know
But I know your regret it very next day.
I sit and wonder whenever we're apart
Would you do it
Would you do it
Would you go and break my heart?
Say I'm your number one - your number on
Your number one -
In only wanna be close to you.
Say I'm your number one - your number one
Your number one.
'Cause you know I'll be good to you - say
Say
Say.
Tell me that nobody else will do -
Say
Say
Say your number one
Your number one
Your number one
...
Say
Say
Say your number one
Your number one
Your number one
Songwriters: Mike Stock / Matt Aitken / Peter Waterman
Say I’m Your No. 1 lyrics © All Boys Music Ltd., Sids Songs Ltd., Mike Stock Publishing Limited, All Boys Music, Sid's Songs Ltd., Copyright Control (non-hfa), Sony/atv Songs Llc Obo Mike Stock Publishing Ltd, Universal-songs Of Polygrm Obo Side Songs Ltd.
#Princess #SayImYourNumberOne #PWL
Juicy M - LIVE @ Hellfire Festival, Colombo, Sri Lanka
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Listen to "Revenge": https://MuniLong.lnk.to/Revenge
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The final stop of our South Asia tour with Dialled In: Nepal. Channeling the free-spirited hill gatherings of Kathmandu's early 00s psytrance scene, Boiler Room's debut took place at the Shivapuri Eco Village, in front of the Himalayan mountains, with this eclectic 100% Nepalese line-up.
Director: Jholeyism
Video team: Team NFTP
Venue: Shivapuri Eco Village Resort
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MUSIC- http://www.ryanupchurch.com
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Taken from Michael's new album 'Small Changes' - out 15th November. Pre-order now: https://michaelkiwanuka.lnk.to/smallchanges
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http://michaelkiwanuka.com/
Credits
Director: BLACKWALL @__blackwall
Production Company: Academy Films @academyfilms
EP: Heza Jalloh @hezajalloh
EP: Jennifer Byrne @jennbyrne_
Producer: Manoela Chiabai @manoelachiabai
Music video rep: Claire Stubbs @mouthpiece_rep
Cast:
RJ @_rj._
Production Manager: Nathan M. Legger @nathanmlegger
Location Manager: Mike Glynn @glynnister
Cinematographer: Joseph Dunn @josephdunn____
1st AC: Klim Jurevicius @klimstagrama
2nd AC: Evangeline Perkins @perks_on_the_job
Tracking Vehicle: Jamie Robinson @jammijamie
Stills: Harry Barber @harry.bbarber
Stylist: Shaylyn Gilheaney @shaylyngilheaney
Editor: BLACKWALL @__blackwall
Colourist: Alex Gregory @alexgregorycolour
VFX: Brent Patterson @delanopatterson
Camera: Emmyland @emmyland
Lights: D-Lux @dlux.rentals
Production Vehicles: Pro Tour Vans @protourvans
Drivers: John & Phil
Special thanks to
Action 99 Cars
Jay @collectivebikes
Charlie Morris @harborpictureco
#Kiwanuka
REZZ x Dove Cameron - "Taste Of You" out now!
Buy/Stream: https://smarturl.it/xTasteOfYoux
REZZ
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Dove Cameron
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https://www.tiktok.com/@dovecameron
____
A Preative + Drmbear Production
Director: Felicity Jayn Heath @felicityjayn
Commissioner: Sam Houston @samhoustonishere
Production Co: @thepreative + @drmbear
Executive Producers: Evan Brown + Samuel Heath Dray @samuelheathdray
Producer: Quinn Feldman @quinnfeldman
DP: Quinn Feldman @quinnfeldman
1st AD: Izzy hameed @izzymenow
Gaffer: Yorgo Tzoytzoyrakos @trampledroach
Best Boy: Colin Moore
Electrician: Patrick Saulo
1st AC: Dimitri Tzoytzoyrakos @dimitritzoy
2nd AC: Marcus-Henri Williams @marcushenri_williams
Key Grip: Yohan Herman
Grip: Isaac Sanchez
Grip: Ethan J Denning
Makeup Artist: Tonya Brewer @thetonyabrewer
Hairstylist: Alex Henrichs @alexhenrichs
Stylist: Erin Walsh @erinwalshstyle
Editor: Cal Laird @callaird
Colorist: Loren White @lorenjameswhite
Opening VFX: The Kroot @tomashvfx @thekroot.vfx
VFX: Bradley Crawford @_bradleycrawford
Sound Design: Dalton Harts
Titles: Valeria Di Mauro @xplique
Production Designer: Alec Faught @alecfaught
Art Assistant: Keaton Brownlow
PA: Warren Upson @being_accepted
PA: Eric Guo
PA: Grace Boudreau @_graceboudreau
#REZZ #DoveCameron #TasteOfYou #OfficialVideo
Directed By Chance The Rapper
Director of Photography - Chance The Rapper
Executive Producer - Chance the Rapper
Produced by
Vaughn Robison
Daniel Malakai Cabrera
Bob Zegler
Edited By
Vaughn Robison
Calvin Callins Jr.
Djordjo Vidovic
Colorist:
Djordjo Vidovic
Co-Producer & Casting - Taliah Yvonne
Stedicam - Anthony Foster
1st AC - Billy Briggs
1st AC - Robert Alpine
Gaffer - Jerod Nawrocki
Key Grip - Zachary Heintz
2nd Unit Footage-
Djordjo Vidovic
Rebel Fighter Cast:
Sun Fillius Dei
Joan Arcc
Lester London Stubblefield
Perri Jordan
Eric King
Alyssia Bering
Joshua Cummins
Kahri Blackman
Jason Senat
Fred Guerrier
Cast Stylist - Laura Hamilton
HMU - Reba Vera
Stylist for Chance - Ayoka Lucas
Art Director - Daniel Malakai
Set Dresser - Gabriel Nieto
Thanks to Tyler Weschta and ISS Props
RVs & Transpo
Tiffany Shriver
Anthony Rodriguez
Set Photographer
Keeley Parenteau
CTR Management
Taylor Bennett
Ken Bennett
Teryn Payne
Reese White
Walter Burnett
Carolyn Earner
Chris Minto
Miguel Garcia
Special thanks to the Los Angeles County Department of Parks and Recreation for their assistance
And We Back Tour Fall 2025
Sep 26 Houston, TX
Sep 27 New Orleans, LA
Sep 29 Atlanta, GA
Oct 01 Philadelphia, PA
Oct 02 New York, NY
Oct 04 Boston, MA
Oct 06 Toronto, ON
Oct 08 Washington, DC
Oct 10 Chicago, IL
Oct 12 Denver, CO
Oct 14 Phoenix, AZ
Oct 16 San Francisco, CA
Oct 17 Highland, CA
Oct 18 Las Vegas, NV
Oct 20 Los Angeles, CA
Order tickets @
http://ChanceStuff.com
[LYRICS BELOW] "Lonely Dirt Road" is a personal song i wrote. Share this with everyone and anyone and let's make an impact. Somebody out there needs this. Love y'all...Thank you.
Click here to listen:
https://dax.lnk.to/LonelyDirtRoad
Follow DAX: @thatsdax
Shot by: Logan Meis
Produced by: Lex Nour Beats
#lonelydirtroad #dax #dirtroad #driving #manhood
Lyrics:
When I need space that’s where I go
A place to escape that nobody knows
Where I feel free to let things go
And face this evil that burdens my soul
I bring my hatred, I pack my pain
All the emotions I cannot explain
It’s where I found God
And filled that whole
It’s he, myself and I
On that lonely dirt road
I needed somewhere to take my mistakes
I didn’t want my family to see me cry
They’ll never know I’m
carrying all of this weight
Dealing with the pressure
of trying to provide
No sign of struggle can show on my face
They ask if I’m OK I just flash them a smile
Fire up that engine to take me away
I’m speeding through emotions with every mile
On that road is where I find my peace
I remember daddy told me about some times like these
On that road is where my minds at ease
I keep driving life away, rejecting change so
When I need space that’s where I go
A place to escape that nobody knows
Where I feel free to let things go
And face this evil that burdens my soul
I bring my hatred, I pack my pain
All the emotions I cannot explain
It’s where I found God
And filled that whole
It’s he, myself and I
On that lonely dirt road
I tried my best to plant the seeds
And then I watered everything that was in my life
But as a man, the only flowers that you get
Are when you’re 6 feet under on the day you die
I think I feel the pain my father felt
It’s finally sinking in
looking back all I see is his eyes
He said that house is not a home
Unless you build it on respect
with some kids and a loving wife
If these walls could talk
I bet they’d say it’s all my fault
That I don’t try hard
That I ain’t man enough
That I ain’t standing up
That I just burn everything
that my hands touch
If these walls could talk
I bet they’d say I’m to blame
That I’m the one who put myself inside of all of these chains
That my addictive personalities what ran them away
And that I hurt myself by staying quiet
And not explaining I’m broken
In places, I can’t even see
I know there’s gotta be a heaven
Because the hell that’s in me
Is taking a dangerous toll
That I’m paying with all of my soul
When I need space that’s where I go
A place to escape that nobody knows
Where I feel free to let things go
And face this evil that burdens my soul
I bring my hatred I pack my pain
All the emotions I cannot explain
It’s where I found God
And filled that whole
It’s he, myself and I
On that lonely dirt road
__________________________________________________________________
If you made it this deep you're a real one. Thank you for continuing to allow me to use my platform to make an impact. Your support is appreciated more than you'll ever know and I will continue to prove that with my actions. I'm very excited. 2024 is going to bring our best and most impactful work. I am putting everything into creating pieces we can all be proud of. This is music for the PEOPLE, spread BY THE PEOPLE. Like, comment, share and let's continue to be the change we wish to see in the world.
Video: The video has been upscaled to 1080p. The source was the KISSology version. I did a shot-by-shot adjustment to the entire show. Since this was taped in B&W, I decided to approach as if it had been lit for B&W, with a more even brightness on the entire band. In order to correct for this, I used layers and masking throughout the entire show in order to even out the lighting. In the original, Peter especially often appeared very dark (and also members not directly in the spotlight). I made my best effort to bring him and the other guys out more without simply brightening the entire shot. I also decided to go with a more high-contrast overall look rather than the washed-out grey seen on most of the original concert. It's always a tradeoff between keeping as much detail as possible while making it look good as a whole. This show is a fan favorite and was always one of the very best, IMO. basically, in this era KISS "was" black and white, so the look of this show combined with the powerful performances by all of the members, makes for a great presentation of the young, hungry band in their pre-superhero years. They were darker, more sinister and this show demonstrates what a really great and evenly matched rock and roll band they really were in the beginning. That early chemistry is on full display in this concert. As much as I'd love to see a full-color multi-cam HTH show, for this era B&W totally works.
I also did a bit of "creative" editing, mostly to remove all of the videotape/camera glitches seen throughout the concert. Many songs would be dark for the first several bars of the song, so I tried to use what I could to eliminate all of that black space. I also split shots to make the pacing (hopefully) more enjoyable. For instance, if the camera was on Gene for the entire 1st chorus and then only on Ace & Paul for the entire 2nd chorus, I would split and swap pieces to make it appear that the camera was switching back and forth.
AUDIO: The audio was created using isolated tracks from KISS Alive! along the actual Winterland concert. My attempt was to bring the sound of Alive! (but totally remixed) to the show while maintaining every aspect and nuance of the original performance. My goal was not to change or necessarily "improve" the playing, but rather to re-create it with much better quality.
Drums: Along with the original Alive! tracks, I replaced Peter's kick and snare drum with polyphonic samples I crated from Pater's actual kit. I did not re-create Peter's performance note-for-note, but edited everything to match any time you can see him play something different (even when he drops a stick midway through Ace's solo in "NTL"). His entire solo in "100,000 Years" was done using his original Winterland drums combined with my samples to give it the same sound as the rest of the show.
Bass: All of Gene's parts come from Alive! with some added distortion to better match his live sound. I did use his Winterland bass for some things like in the blood-spitting bit before "100,000 Years" and the intro to "NTL" along with a few other bits.
Guitars: Most of the guitars come directly from Alive! with a few exceptions. Paul's guitar on "100,000 Years" comes from the "alternate" version which has better left/right separation than the album version. For Ace's solo's I kept him panned more to the right, replacing Paul's rhythm from other spots in the song. For Ace's guitar, is also comes from Alive! with the exception of any solos where he strays from the album version. For those songs, the solos are taken directly from the isolated Winterland track. His solo spot and the jam before it also come from the actual show.
Vocals: 99% of the vocals come directly from the Winterland show. The only exceptions are a few words here and there that do not come through clearly either due to the isolation software limitations or (mostly Paul) singing a bit off-mic. I also perfectly synced either the live album version or studio version of the vocals under the video and blend in only the high frequencies to bring good sibilance to the vocals to make them clearer. I corrected Gene's vocal flub in "Cold Gin" (sorry purists). I also blended a little bit of the Alive! vocals under the choruses of Parasite and Cold Gin because the audio wasn't very clear.
This concert cuts off mid-song during LMG,RnR, but there was enough to get all three verses with a bit of creative editing (since much of the parts repeat throughout the song). I used some of the middle jam for the credits and pieces together the ending just so we have a semi-cohesive full song.
As I always say, these shows are NOT for the purists. We will always have the originals for that. My goal is to make these shows as true to the original, but with much improved audio that is a realistic representation of the actual performance. These shows have taken many months and countless hours to assemble, so I do hope other KISS fans like myself enjoy them.
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Executive Producer: Eddie F.
Video Director: Nick Ciofalo
Lead Editor: Elijah Lugo
Assistant Editor: Haley Morales
Social Media Manager: Sydney Brown
Audio Imaging Producer: Taylor Hayes
Senior News Producer: Loren LoRosa
Producer: Brandon Tagoe
Producer: Symantha Wilson
Board Op/Producer: Christopher Arce
Podcast Producer: Arthur Roques
"The Breakfast Club" Morning Show features uncut celebrity interviews, Jess Hilarious' unfiltered commentary, "The Latest" exclusives with Loren LoRosa, Charlamagne tha God’s "Donkey of the Day", DJ Envy’s mixes and more! Every guest visiting the world’s most dangerous morning show is grilled with their signature blend of honesty and humor. The results are the best interviews to be found on radio and beyond. And with a reach of 11.3 million monthly listeners, the show continues to put it's stamp on the culture.
#BreakfastClub
Yuridia - Sin Llorar | En Vivo Desde la Plaza de Toros La México
Escúchala y guárdala en plataformas
› https://yuridia.lnk.to/SinLlorarEnVivo
Escucha los éxitos de Yuridia: https://SonyMexico.lnk.to/YuridiaPLExitos
Ve más videos de Yuridia: https://youtube.com/playlist?list=PLyzN_J2WwjznyWCf3y9LQrG1Kz132CBFk&si=KDz_QBH7NLt60Pd_
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Letra / Lyrics
Sin llorar
Ya somos adultos
Y cualquier insulto que se haga
No voy a tolerar
Sin llorar
Y sin tanto drama
Pa’ que sane el alma
Lo mejor es terminar
Otra oportunidad ya no tiene sentido
De las segundas partes nunca he sido fan
Demasiado aburrido
Fue todo lo que dimos, se hizo hasta lo imposible
Cada quien su camino
Me voy de tu vida, ahora soy libre
Para de hoy en adelante volaré en libertad
Y le voy a abrir las alas a quien me guste más
Daré todo sin medida, quiero disfrutar mi vida
Ahora que tú ya no estás
Para de hoy en adelante ya el amor no me interesa
Me voy a comer al mundo y andaré de rienda suelta
Y si de alguien me enamoro, total, ¿qué puede pasar?
Que después de estar contigo no creo me vaya más mal
Para de hoy en adelante volaré en libertad
Y le voy a abrir las alas a quien me guste más
Daré todo sin medida, quiero disfrutar mi vida
Ahora que tú ya no estás
Para de hoy en adelante ya el amor no me interesa
Me voy a comer al mundo y andaré de rienda suelta
Y si de alguien me enamoro, total, ¿qué puede pasar?
Que después de estar contigo no creo me vaya más mal
#Yuridia #SinLlorar #EnVivoDesdeLaPlazaDeTorosLaMéxico
(C) 2025 Sony Music Entertainment México, S.A. de C.V.
Super Kena - Wise Boy Alive
Produced By: Ultimate World Wide
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Did you catch the HARD ROCKERS category on the Jeopardy! Teachers Tournament earlier this week? Sing along as Alex recites some classic metal hits.
Find Your Station: http://bit.ly/2BIOtxc
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JEOPARDY!, America’s Favorite Quiz Show™, is in its 38th season in syndication. With a weekly audience of over 20 million viewers, JEOPARDY! is the top-rated quiz show on television. The show has won a total of 42 Emmy® Awards, holds the Guinness World Records® title for the most Emmy® Awards won by a TV game show and received a Peabody Award for “celebrating and rewarding knowledge.”
#jeopardy #category #metal
After an epic summer at Camp Shallow Lake, the Wildcats return to East High where they prepare a stage production of “High School Musical 3: Senior Year.” But plans are disrupted when Principal Gutierrez announces that Disney has decided to make the long-awaited “High School Musical 4: The Reunion” movie on location at their beloved high school. Corbin Bleu, Monique Coleman, Lucas Grabeel, Bart Johnson, Alyson Reed and Kaycee Stroh will play themselves, resurrecting their “High School Musical” roles as “Chad Danforth,” “Taylor McKessie,” “Ryan Evans,” “Coach Jack Bolton,” “Ms. Darbus” and “Martha Cox,” respectively, and the Wildcats will play featured extras in the movie.
High School Musical: The Musical: The Series The Final Season is now streaming only on Disney+.
Soundtrack available now.
Disney+ is the only place to stream your favorites from Disney, Pixar, Marvel, Star Wars, National Geographic and more.
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Music video by Kylie Cantrall performing High School Musical (HSMTMTS | Disney+). © 2023 Walt Disney Records
http://vevo.ly/vn7oIq
Listen & download “WOLEDTO” (Album) here: https://lnk.to/WOLEDTO
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Official “Callin’ U (Tamally Maak)” Lyrics:
Lyrics by Waqas Ali Qadri, Lenny Martinez, Isam Bachiri, Carsten Mortensen, Ahmed Ali Moussa.
I’m callin’ you
With all my goals
My very soul ain’t falling through
In need of you
To trust in my faith, my tears and my ways is drownin’ so
I cannot always show it but don't doubt my love.
تملي معاك
ولو حتى بعيد عني في قلبي هواك
تملي معاك
تملي في بالي وفي قلبي ولا بنساك
تملي واحشني لو حتى بكون وياك
I don’t need nobody
I don’t fear nobody
I don’t call nobody but you
My one and only
تملي حبيبي بشتاقلك
تملي عنيا تندهلك
ولو حواليا كل الكون
بكون يا حبيبي محتاجلك
I’m callin’ you
With all my goals
My very soul ain’t falling through
In need of you
To trust in my faith, my tears and my ways is drownin’ so
I cannot always show it but don't doubt my love.
تملي حبيبي بشتاقلك
تملي عنيا تندهلك
ولو حواليا كل الكون
بكون يا حبيبي محتاجلك
تملي حبيبي بشتاقلك
تملي عنيا تندهلك
ولو حواليا كل الكون
بكون يا حبيبي محتاجلك
Translation:
I’m callin’ you
With all my goals
My very soul ain’t falling through
In need of you
To trust in my faith, my tears and my ways is drownin’ so
I cannot always show it but don't doubt my love.
Always with you
Even if you are far from me, my love for you is in my heart
Always with you
You live in my mind and in my heart and I will never forget you
I miss you, even when I'm with you
I don’t need nobody
I don’t fear nobody
I don’t call nobody but you
My one and only
My love, I miss you
My eyes always call you
Even if I’m surrounded by the entire universe
I'll still need you, my love
I’m callin’ you
With all my goals
My very soul ain’t falling through
In need of you
To trust in my faith, my tears and my ways is drownin’ so
I cannot always show it but don't doubt my love.
My love, I miss you
My eyes always call you
Even if I’m surrounded by the entire universe
I'll still need you, my love
My love, I miss you
My eyes always call you
Even if I’m surrounded by the entire universe
I'll still need you, my love
Official visualizer for “Callin’ U (Tamally Maak)” by Elyanna. © 2024 SALXCO Universal Arabic Music LLC.
Kara Frame | December 10, 2025
It's rare these days for an artist to ask for fewer microphones, but after warming up in our space, Billy Strings did just that. Surrounded by his band, the bluegrass virtuoso brings back the spirit of Tiny Desk's early days. We capture, in his own words, "the way these instruments are meant to sound."
"We've been lucky to play a lot of cool venues," Strings says, pausing to reflect. "But this one's different. It has that same soul to it because — I've seen so many amazing performances that happened right here and I kind of believe that love and spirit kind of soaks into this environment, so just standing here feels like a special thing."
Strings found his roots in bluegrass from his dad. Since then, he's managed to expand the genre to new audiences, amassing a following of super fans — self-proclaimed "billy goats" — that sometimes schedule their lives around his tour. Once you meet Strings, it's not hard to understand why: He's a humble musician and a sorcerer of his craft, wielding a guitar as if it's a part of him.
SET LIST
"Red Daisy"
"My Alice"
"Malfunction Junction"
"Gild the Lily"
MUSICIANS
Billy Strings: vocals, guitar
Alex Hargreaves: fiddle
Billy Failing: banjo, background vocals
Royal Masat: bass, background vocals
Jarrod Walker: mandolin, background vocals
TINY DESK TEAM
Producer: Kara Frame
Director/Editor: Maia Stern
Audio Technical Director: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Maia Stern, Kara Frame, Joshua Bryant
Audio Engineer: Neil Tevault
Production Assistants: Dora Levite, Dhanika Pineda
Photographer: Michael Zamora
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton
#billystrings #nprmusic #tinydesk
Support for NPR Music comes from Moises. A platform created by musicians, for musicians and used by 70 million artists worldwide – to learn, create, and collaborate. Available for download.
#Camron and the crew welcome Chopper City to the show to talk about his time with Bad Boy and Making the Band. Chopper keeps it real about what happened with #Diddy during Hurricane Katrina and why he eventually had to leave the label. He shares some wild stories about what he saw at the house and gives his honest take on the recent documentary and #Cassie situation. The conversation gets heated when Chopper has some strong words for #StevieJ about some past drama and says he will tap his chin. Cam also takes a moment to clear up some rumors about a neighborhood situation with Big Lee and addresses why #GervontaDavis was mad at him. It a packed episode with a lot of honest talk from everyone involved.
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