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Mr. Big - What Happened to the Band Behind 'To Be With You'? Hotney 3 Streams • 3 years ago

Mr. Big - What happened to the band behind songs like to be with you and wild world

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#mrbig #ericmartin

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

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I’ve had a lot of requests for this band, so let’s talk about the history of the group Mr. Big.

Mr. Big would sometimes be lumped in with the glam metal bands of the sunset strip and just seen as yet another LA band. They would sprout up at the tail end of the whole glam metal scene in the late 80’s and The history of the band began with bassist Billy Sheehan.

Sheehan’s start in music began in his hometown of buffalo where he started playing guitar before trading it in for a bass and forming a band a band called Talas in 1972.. They had some regional success, putting out three records and even toured with van halen in 1984. Sheehan even played briefly with English band UFO in the early 80’s after Talas had opened for them. It was during that tour Van Halen frontman David Lee Roth took notice of the young bassist.. It was following David Lee Roth leaving Van Halen in 1985 that he enlisted Sheehan to be his band.. Also playing with Roth was guitarist Steve Via and Sheehan thought the band was going to have significant potential. The band collectively recorded Roth’s Debut LP 1986’s Eat Em and Smile. But when it came time to record Roth’s follow up record, 1988 Skyscraper, that collaborative relationship changed int he studio. Sheehan would tell the record newspaper “compare the first two albums and you can hear how manufactured skyscraper sounds. We recorded all our parts separately and i never even heard the complete album until it was released.” He would tell the valley advocate springfield that the album had too many synthesizers on it and he felt too constricted trying to write his parts for the album. It was this experience that gave him an outline of what he wanted to do with his next band, which would be Mr. Big he would add “From my stint as a sideman, I learned that democracy works best.”

There were rumors following Sheehan’s exit, that the bassist was going to be joining ex-billy idol guitarist Steve Stevens at the time. Sheehan was also getting offered solo deals by record labels including Mr. Big’s future home Atlantic Records. It would be mike varney of guitar player magazine who ended up connecting Sheehan with vocalists. Sheehan would reach out to Van Halen producer Ted templeman when it came to finding out the hottest guitar player was at the time. He pointed Sheehan in the direction of Paul Gilbert who the bassist already knew. It turned out Gilbert had played in a band that opened for Talas a number of times in Pittsburgh. Funny enough years later in 1985 in LA, Sheehan was a judge at a guitar wars contest revealing to the buffalo news, one of the contestants was Gilbert, who won the contest. Add to that Sheehan had seen a number of Racer X shows and it was destiny that these two guys were going to play together.

Sheehan would tell the buffalo news When i found out he wasn’t as stably in racer x as i had thought, i called him up and said listen I’ve got Eric Martin to start a band with and he goes Eric Martin you’re kidding. I’ve been listening to him for the last 3 or 4 weeks trying to find out a way to get in touch with him myself. So ironically that’s how it went down.” Drummer Pat Torpey (Tore -pee) would enter the picture when Sheehan met him during as they sang backup vocals for David Lee Roth’s planned tour for Skyscraper and the plan was for the backup vocals to be sampled. Pat also did background vocals on the last motley crue record as well. Torpey, had already amassed an impressive resume touring with Robert Plant, Belinda Carlisle, The Knack and Ted Nugent rounded out the lineup. Within 16 months they got a record deal and released their first album.

It was in April of 1988 of that Sheehan began assembling the components of another band telling the LA Times “The plan was to have a band like the British bands of the late ‘60s and early ‘70s-like Humble Pie and Bad Company that had a bluesy, wailing R&B; singer fronting a heavy-rock band,” Calling themselves Mr. Big, the band would take their name of a song by british group free. The band soon had a big time manager herbie herbert who had managed Journey.

The word that’s continually brought up in Mr. Big’s early days was

Luscious Jackson: Whatever Happened To The Band Behind Naked Eye? Hotney 3 Streams • 3 years ago

The history of the 90's alternative group Luscious Jackson, best known for the song Naked Eye.

Breeders Video
https://www.youtube.com/watch?v=YWYP3Mplh-M&pp=ygUdd2hhdGV2ZXIgaGFwcGVuZWQgdG8gYnJlZWRlcnM%3D

Urge Overkill Video
https://www.youtube.com/watch?v=W_oPRrG5pnY&pp=ygUNdXJnZSBvdmVya2lsbA%3D%3D

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#lusciousjackson

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Luscious Jackson would be a staple of the 90’s combining their influences of hip-hop, funk, old soul, punk and vintage samples. They would be hailed as one of the most unique bands of the 90’s, while also being difficult to characterize. Some characterizations included labeling the group as lazy bluesy hip hop or the sister group to the beastie boys. Today, let’s talk about the history of luscious Jackson

The group’s lineup would be made up of bassist and vocalist Jill Cunniff, guitarist and vocalist Gabby Glaser, drummer Kate Schellenback and keyboardist Vivian Trimble. ¾ of the band were raised in New York City in the 80’s, Trimble wasn’t. While she was born in the city, she would instead move to europe with her parents being opera musicians living in Switzerland Austria and France until she was an adult.

Luscious Jackson’s origins began in the 80’s when a 13 or 14 year old Cunniff, Glaser and Schelleback would meet. Cunniff would tell NPR "I think I met Gabby on a stoop on St. Mark's Place, and I believe Kate, as well adding "We were all about 13, 14, and it was an amazing time, as far as not only bands playing but also the early rap scene and the breakdancing scene,". "It was all kind of colliding at the same time." "I remember meeting Adam Yauch of the Beastie Boys in front of the UK Club at a Bad Brains show. There were probably 20 of us, all underage, running around to clubs." While the members were too young to get admitted to these shows they would put fake stamps on themselves to get in. Cunniff would celebrate her 13th birthday at club CBGB’s while Glaser would hang out with the clash during the recording of their record Sandanista. Meanwhile Trimble who was living across the pond would get into the same type of hijinx. Trimble and her french friends who hang out at popular parisian nightspots\

Glaser would go to a diverse school made up of Puerto Ricans, African American with her high school being mostly Asian. Despite her fellow students having already chosen their careers by middle school, Glaser thought that maybe she would become a graphic designer or an architect, but she soon realized, it was too much work. She would also be the niece of Milton Glaser who designed the logos for i love new york and DC Comics among many others.

Cunniff meanwhile was looking at a career in comedy or becoming a veterinarian. However, it would be a trip to the vets office when she saw someone bring in a dead cat, that she soon decided, being a vet wasn’t for her. Schellenbach meanwhile was already in show business by the time she age 13, appearing in a broadway show.
As the members grew up, Cunniff goes to France to study and returns to New York, while Glaser is taking going to film school. They’re both working dead end jobs and the origins of Luscious Jackson would begin with both women assembling in a friend’s basement studio drinking coffee, coming up with samples, doing low key rapping and playing guitar. Cunniff would play bass while Glaser played guitar and they would sometimes switch instruments. It was in their friend’s basement that seven songs emerged that would make it on their first EP In Search fo Manny and while the first four tracks were done, the last two needed drums and keyboards. So the girls would soon enlist drummer Kate Schellenbach and keyboardist Vivian Trimble to round out the demos. Jill Cunniff would tell billboard why the band heavily used samples revealing “we did a lot more work with samples in the past mostly because we could never get immediate results with live instruments ”

Trimble would tell an interviewer about what she had been up to until this point revealing “I had been part of the performance scene in New York for years with people like John Kelly. My mother’s a concert pianist and my father’s an opera singer. I’d never pursued any of that seriously, but I started writing music for myself and for other directors and choreographers. I met Jill when we were teaching adult education together. The first time

SLAUGHTER TO PREVAIL - Bratva Hotney 3 Streams • 3 years ago

SLAUGHTER TO PREVAIL // KOSTOLOM // OUT NOW

Buy / Stream: http://smarturl.it/kostolom
Subscribe: http://smarturl.it/SumerianSub

--

BRATVA// LYRICS

открой глаза придурок
Ради чего ты до сих пор живой
время пройдет без шуток
и твое тело порастет травой

кто хочет подохнуть в страхе
просить кого то дать еще один шанс
а мы пойдем с улыбкой на смерть
зная что напишут о нас !

что у тебя в груди бьется ?
и для чего оно гоняет кровь ?
тот кто затронет тот обожеться !
тот кто сильнее пойдут за тобой !

что у тебя в груди бьется ?
или если перестанет то какой ценой ?
я хочу сдохнуть что б не было стыдно
я хочу сдохнуть оставшись собой

не потерять честь

в роковой час будешь ты тем
кого ты воспитал в себе ничего не скрыть!!!

твой отец будет прятать глаза
твоя мать будет слезы лить !!!!

кто хочет подохнуть в страхе
просить кого то дать еще один шанс
а мы пойдем с улыбкой на смерть
Будем мертвы все
Мы будем помнить всех
Мы будем метвы все
Мы будем метвы все

что у тебя в груди бьется ?
и для чего оно гоняет кровь ?
тот кто затронет тот обожеться !
тот кто сильнее пойдут за тобой !

что у тебя в груди бьется ?
или если перестанет то какой ценой ?
я хочу сдохнуть что б не было стыдно
я хочу сдохнуть оставшись собой

---

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#SlaughterToPrevail #Kostolom #SumerianRecords

Why Rockstars & Celebrities Don't Like Creed's Scott Stapp - Fred Durst, 311, Mark Tre Hotney 3 Streams • 3 years ago

Scott Stop of Creed has been involved in a number of feuds. Today we take a look at several of them.

0:00 - Introduction/Howard Stern Feud
1:45 - Limp Bizkit Feud
5:38 - 311 Feud
6:32 - Creed Feud

Taproot video

https://youtu.be/Ew_LbnoQ6es

Credit Thumbnail - Getty

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#scottstapp #creed #howardstern

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

While promoting his 2005 record The Great Divide, Scott Stapp would make an appearance on the show Casino Cinema which was hosted by howard stern’s wife Beth Stern. A noticeably drunk Stapp was pretty beligerant during the interview as you can see here. IT was following the interview that Stern expressed his anger on his December 1, 2005 show according to Marks Friggin.com telling his audience that Stapp reportedly told his girlfriend and i quote “bimbos like her normally don’t go for him” and stern expressed his anger that no one from the show seemed to throw scott off the show and referred to the crew of the show as and i quote ‘maggots’ It was reported that after the appearance stapp saw himself on tv and checked himself into rehab.

Limp Bizkit - Limp Bizkit and Creed were some of the most popular bands by the late 90’s early 2000’s on both rock radio and MTV.

As reported by MTV at the 2000 incarnation of New York Station KROCK’s aptly titled dysfunctional family picnic concert, Creed and Limp Bizkit traded barbs with one another during their performances. Limp Bizkit would take to the stage an hour late,

Limp Bizkit’s label Interscope tried to do some damage control telling MTV there was confusion over Limp's set time. Once limp bizkit took the stage things took a bizarre turn when Durst launched into a rant against Creed frontman Scott Stapp telling the crowd and I quote
"I want to dedicate this next song to the lead singer of Creed.... That guy is an egomaniac," "He's a f***ing punk, and he's backstage right now acting like f***ing Michael Jackson. F** that motherf**er, and f** you too.... [RealVideo] And if you want, there's going to be a booth with pillows and blankets for when Creed comes on."
Stapp addressed the comments during Creed’s set telling the audience “It takes a lot more guts to say something to somebody than from behind their backs." Following the show Durst appeared on MTV’s Total Request Live and either jokingly or not told Carson Daily that he was presented with an anger management manual from Creed’s camp. Here’s the interview with TRL talking about the feud. https://www.youtube.com/watch?v=4Kvvz...
Creed would end up putting out an official statement that read We are extremely disappointed that Fred Durst has taken his personal feelings toward us public, considering we have never met or spoken to him. We are more disappointed that Fred is manipulating the media and the truth by using Creed as a scapegoat for his own immature and egotistical actions."

Creed’s camp contended that Durst made his comments out of anger over where Limp Bizkit was on the bill. According to MTV limp Bizkit were set to play before STP, Ozzy and Creed with Creed’s statement adding "He then refused to go on stage causing management from KROCK, Creed, Stone Temple Pilots, and Ozzy Osbourne to spend nearly an hour trying to figure out how to get Limp Bizkit to take the stage. Fred finally agreed to play only after he 'finished his dinner,' having accomplished his obvious goal of delaying his set."

Creed would attack Durst again after a voice recording of Durst leaving harassing and threatening voice mail for the band Taproot after they opted not to sign with his label Interscope. I’ve done a whole video on the feud the link is down below. Creed wouldi issue another statement calling Durst’s voice recording and i quote "vulgar comments and violent threats... totally indicative of a mobster mentality" at TapRoot. Scott stapp would also challenge durst to a boxing match for charity, but the challenge would go unaccepted from Durst’s camp.

311 - It was during the promotion for his solo record The Great Divide in 2005 during a tour stopover in Baltimore during thanksgiving weekend that STapp found himself staying at the same hotel as the band 311. Stapp who was intoxicated according to reports was downing shots and smashing glasses against the bar when he saw 311 frontman SA Martinez with his wife sitting at a nearby

Foo Fighters Oasis Reunion Feud: Noel Gallagher Vs Dave Grohl & Taylor Hawkins Hotney 3 Streams • 3 years ago

Foo Fighters Noel Gallagher Feud over Oasis reuniting with Liam and Noel Gallagher

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#oasis #foofighters #taylorhawkins #davegrohl

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

While Oasis dominated the mid to late 90’s and were active during the 2000’s the relationship between the Gallagher brothers Liam and Noel was always frought with tension. The band called it quits in 2009 and I’ve done a whole video on the breakup the link is down below. The brothers would go off and do their own musical projects while taking shots at each other in the press. But the animosity between the pair and their consistent denials of a reunion ever taking place hasn’t stopped fans for hoping for them to share the stage again. Dave Grohl is admittedly a huge Oasis fan, so much so, that the band covered their song lyla in 2005 during an appearance on BBC’s Radio 1 and during a special warm up gig in London the same year. In 2014 Grohl would be interviewed on Radio X and had this to say about Oasis https://www.youtube.com/watch?v=XWyM4RmVRl4

Drummer Taylor Hawkins echoed a similar sentiment to the New Musical Express revealing in 2016 “I’ll tell you something about Liam Gallagher,” When people talk about Freddie Mercury, they’re like ‘Oh my god, he’s so outrageous’ – a lot of people just skip past the actual thing of what it is that made them great. I watched that Oasis documentary [Supersonic] the other day, and there’s this part were he just sings ‘Champagne Supernova’ in one take in its entirety, and you just go ‘oh fuck’, you know, the reason we all liked him in the first place is because he’s a fucking good singer. He can fucking sing a rock ‘n’ roll song dude.”
“I hope him and his brother can get their shit together. I mean come on boys, everyone wants to see Oasis again, give us a break – come on!”
Foo Fighters would be joined by Liam Gallagher onstage in 2017 in San Bernardino, California alongside Joe Perry of Aerosmith at the CalJam Festival to perform the Beatles track Come Together. In 2017 Noel Gallagher would take the first shot at Foo Fighters as he told Virgin Radio UK here https://www.youtube.com/watch?v=PUayAqjzxVo

In 2018 Liam Gallagher would reveal to the new musical express that Foo Fighters wanted to collaborate with him saying “They keep texting me, man,” “They wanted to do one tune, but I dunno – I’ll do it one day, but I’m too busy doing this at the moment. But I do like them – I think Foo Fighters have got good tunes. I think Dave Grohl’s very talented, and so is the band.”

In the summer of 2019 Foo Fighters would headline the Reading Festival in England and it was during their set frontman Dave Grohl told the crowd that they should start a petition to get Oasis back together. Drummer Taylor Hawkins would tape a photo of the Gallagher brothers to his kick drum. When Hawkins took over singing duties for their cover of QUeen’s Under Pressure he brought up the Oasis reunion again and said the brothers had too much money to reunite. The statements related to Oasis reunion was met with thunderous applause from the crowd.

A few weeks later Noel Gallagher who was on tour in America with his band the High Flying Birds was playing a gig in California and reportedly told the crowd

In 2019, while taking a break from Foo Fighters drummer Taylor Hawkins was out promoting his band Taylor Hawkins & The Coattail Riders, he would stop by Radio X in the UK. It was during the interview Hawkins was asked about Oasis and the feud between the Gallagher brothers and which side he takes. He would reveal he was on frontman Liam’s side, largely due to Noel Gallagher’s attitude towards his band Foo Fighters and was not happy about the guitarist and singer’s songwriters comments about Grohl saying

So Noel Gallagher, who was opening up for Smashing Pumpkins in America, and first night he goes, ‘Let’s start a petition to get the Foo Fighters to break up.’ And I’m like, OK that’s kinda funny, whatever…”
“And then next night he goes, ‘If the drummer from Nirvana…’ – Now Noel, if you’re hearing this. He didn’t say it I said it. […] He didn’t even say Dave, you know as if to lower him – ‘… wants Oasis to get back together he can come up on this stage right now and suck my you know what…'”
“But I’m hoping now that he will lighten up a little bit and come to his senses and get the good singer back for his band. That’s what I’m hoping. I just think

Deftones: Whatever Happened To the Girl On the Album Cover On 'Around The Fur?' Hotney 3 Streams • 3 years ago

Around The Fur: The Deftones, whatever happened to the girl on the album cover?

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#thedeftones #aroundthefur

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

I’ve covered a few stories on people who appeared on some pretty memorable albums or album covers and the stories behind the shoots and where those subjects are at today. One of my subscribers suggested doing the story on the scantily clad woman on the front cover of the Deftones sop****re record around the fur. And here were are today. So let’s find out the story behind the album cover and who the woman is and what she’s up to today.

Released in 1997 by the alternative metal, act The Deftones their record Around the Fur would be put out on madonna’s label Maverick records. Another act I talked about who was signed to Maverick was candlebox. I’ve done a whole video on their career, the link is down below. Around the Fur would produce two hits in My Own Summer (Shove it) and Be Quiet and Drive (Far Away). The album would go platinum nearly 14 years after its release. Revolver magazine wrote a pretty great piece on the story of the album cover and the website Pousta interviewed the photographer and model who appeared in the photo.

The cover would be shot by photographer Rick Kosick, whose credits included MTV’s jackass and wild boyz. Both The Deftones vocalist Chino Moreno and guitarist Stephen Carpenter were fans of the photographer. Kosick would tell Revolver how he got the gig I know Chino was really into skateboarding at the time, and Steph has always been into BMX," Kosick tells Revolver. "At the time, I was doing a lot of rock shots, too. They thought I was the right guy for the job, so everything fell into place.

Kosick would fly up to seattle to shoot the band in the studio, but he always also invited to a party with the band and some groupies. Kosick would tell revolver"They were having this after-hours party with all these chicks hanging out in the Jacuzzi," he explains. "I just happened to take a photo of a girl at, like, 4 o'clock in the morning. I don't even know who she is—she was just a groupie, I think. I just saw herand was like, Damn, I gotta photograph this. Kosick would only take one shot of the woman with a fish eye lens and it’s his feet you see on the album cover next to her. Kosick would claim the woman on the cover wasn’t happy with the photographer with him recalling to revolver She made some comment about being too close to her boobs. So I took the photo, walked away, and never spoke to her again. I know they found her and got her to sign a release, though." For his work Kosick would get a gold record from the band.

As for the woman her named is Lisa Hughes. She would give her first interview since appearing on the album cover in 2017. During the interview she would claim to be really proud of being on the album cover telling Pousta a little about herself saying and i quote
She would recall how she first heard about the band wanting to use her photo recalling “Well funny thing, I didn’t have a computer at the time and I received a call from Stephen (Carpenter) asking if I would allow them to use the photo for the cover. I wanted to see it first, but had a hard time getting a good copy, so I had Maverick Records fax it to me. It was a little dark and hard to see. But I said yes for sure use it. I didn’t have doubts, I was excited!”

There would be rumors that she was upset that the photographer was invading her space by taking the top down photo but she brushed these assertions off in the same interview.

Since appearing on the album cover Hughes would stay in touch with STephen from the Deftones but in more recent years lost touch with him.

Charli XCX - Good Ones [Official Video] Hotney 3 Streams • 3 years ago

The official music video for Charli XCX - Good Ones

Listen to Charli's latest single 'In The City' here: https://inthecity.charlixcx.com/

CRASH the new album, out now: http://xcx.lnk.to/CRASH

Listen to 'Beg For You' here: https://xcx.lnk.to/Beg-For-You

Listen to ‘Baby’ here: https://xcx.lnk.to/baby

Listen to 'New Shapes' here: https://xcx.lnk.to/new-shapes

Listen to 'Good Ones' here: https://xcx.lnk.to/good-ones

►Subscribe for more official content from Charli XCX - https://XCX.lnk.to/subscribe
►Tiktok - https://www.tiktok.com/@charlixcx
►Instagram - https://www.instagram.com/charli_xcx
►Twitter - https://twitter.com/charli_xcx
►Facebook - https://facebook.com/charlixcxmusic

See more official videos from Charli XCX here: https://XCX.lnk.to/youtube-complete

Starring: Charli XCX
Director: Hannah Lux Davis
Story: Charli XCX

Executive Producers: Brandon Bonfiglio
Andrew Lerios
Luga Podesta
Jordana Delong
Susie Neill

Production Company: London Alley, Tonic Films
Record Label: Atlantic Records UK
Commissioner: Dan Curwin
Charli XCX Management: Sam Pringle
Charli XCX Creative Director: Imogene Strauss

Dancers
Marcela Koleff González
Priscila Reed Serhan
Maythé Sarahí Gomez Yañez
Kelly Alejandra González

Cast
Hernán Gaziglia
Fernando Solís
Andrea Emperatríz
Diego Dean
Carlos Rosas
Enrico Wölk
Gonzalo Matias Pons Fleitas
Arturo
Andrei Pishchalnikov
Nate Brunner
Luis Felipe Castellano
Alcira Chalbaud
Jennifer Utrera
Jennifer González
Elys Castro
Dayan Sandoval
Sorachi Terrazas
Terence
Carmen

Line Producer: Lissy Castillo
London Alley Head Of Production: Matthew Kauth
Production Supervisor: Ara Aviña
Production Manager: Javier Silva
Director Of Photography: Gaul Porat
1st Ad: Frederic Henocque
2nd Ad: Christian Torres
3rd Ad: Daniel Barrientos
Director’s Assistant: Tatum Abbott
Production Assistant: Daniel Ténoch Ramos
Post Supervisor: Iván Ovalle
Editor: Luis Caraza
Assistant Editor: Tanner Jackson
VFX: Hoody FX
Sound design: Iván Ovalle
Luis Caraza
London Alley Love: Rebekah Rejniak, Andrew Hague
Color: Beau Leon
Gaffer: Fabián Joaquín Medina Navarro
Production Designer: Fernanda Guerrero
Decorator: Bertha Oriana Varona Conde
Art Coordinator: Mauricio González
Props: Andrés Gurisatti Abadia, Mario Adrián Marín Hernández
Choreographer: Nathan Kim
Steadicam: Devon Catucci
1st AC: Israel Orozco
VTR/DIT: David Bahena Escalante

Charli XCX Wardrobe: Chris Horan, Lauren Jeworski
Charli XCX Makeup: Nick Lennon
Charli XCX Hair: Gregg Lennon Jr.
Cast Wardrobe: Daniel Furlong, Osvaldo Padilla, Antonio Vite
Cast Makeup: Gio Lozano, Maggy Espinosa
Cast Hair: Simri Abner, Karina Martínez, Isabel Ontiveros Mora
Nails: Esther Santiago, Maria De Jesús Beltrán

Casting:
Rene Quiroz
Alejandro Sánchez Tapia
Fernanda Del Carmen Martinez Romo
Gerardo Heliel Serrano Ibarra

Title Design: Colin Fletcher
Playback: Jonathan Rangel Espinosa
Sound : Zathia Aldana

About Charli XCX:
Charli XCX is an iconic figure in the arts, having helped expand the landscape of popular music over the last decade by
seamlessly traversing the underground and the mainstream with her artistic output. A singer, songwriter, documentary maker, radio host and record label boss, Charli’s story is one of an artist who continues to succeed without compromise, earning critical acclaim for her forward-thinking music style and entrepreneurial spirit.

Her incredible catalogue includes the studio albums True Romance, SUCKER, Charli, and how i'm feeling now. These have spawned hit singles such as Boom Clap, Break The Rules, Doing It, After The Afterparty, 1999, Blame It On Your Love , Gone, Good Ones and has seen Charli collaborate with global superstars such as BTS, Lizzo, Troye Sivan and HAIM as well as future game changers such as Kim Petras, Christine and the Queens, Yaeji and Clairo.

#CharliXCX #GoodOnes #Crash #InTheCity

Charli XCX & Troye Sivan - 1999 [Official Video] Hotney 3 Streams • 3 years ago

The official music video for Charli XCX & @troyesivan - 1999

Listen to Charli's latest single 'In The City' here: https://inthecity.charlixcx.com/

Taken from the third studio album Charli released in 2019, which featured the singles 1999, Blame It On Your Love, Gone and White Mercedes

►Subscribe for more official content from Charli XCX - https://XCX.lnk.to/subscribe
►Tiktok - https://www.tiktok.com/@charlixcx
►Instagram - https://www.instagram.com/charli_xcx
►Twitter - https://twitter.com/charli_xcx
►Facebook - https://facebook.com/charlixcxmusic

See more official videos from Charli XCX here: https://XCX.lnk.to/youtube-complete

Listen to more from the album Charli here:
https://XCX.lnk.to/Charli-YT

Directed by Ryan Staake & Charli XCX

Production Company: Pomp&Clout
Creative Direction: WP&A
Executive Producer: Ryen Bartlett
Head of Production: Kevin Staake
Producer: Rich Salamone
Production Manager: Wojtek Stypko
Associate Producer: Eric Margulies
Director of Photography: Santiago Gonzalez
Production Designer: Miles Ford Mullin

Wardrobe Stylist: Rebecca Grice
Makeup Artist: Danielle Kahlani
Hair Stylist: Nicole Kahlani
HMU (Troye): Carla Rosso and Steph Ruiz de Chávez

Choreographer: Erin Murray

Editor: Ryan Staake
Online Editor: Ryosuke Tanzawa

VFX by Pomp&Clout
VFX Artists: Pete Puskas, Aaron Vinton & Ryan Staake
Machine Learning: Andrew Pouliot

Colourist: David Torcivia
About Charli XCX:
Charli XCX is an iconic figure in the arts, having helped expand the landscape of popular music over the last decade by seamlessly traversing the underground and the mainstream with her artistic output. A singer, songwriter, documentary maker, radio host and record label boss, Charli’s story is one of an artist who continues to succeed without compromise, earning critical acclaim for her forward-thinking music style and entrepreneurial spirit.

Her incredible catalogue includes the studio albums True Romance, SUCKER, Charli, and how i'm feeling now. These have spawned hit singles such as Boom Clap, Break The Rules, Doing It, After The Afterparty, 1999, Blame It On Your Love , Gone, Good Ones and has seen Charli collaborate with global superstars such as BTS, Lizzo, Troye Sivan and HAIM as well as future game changers such as Kim Petras, Christine and the Queens, Yaeji and Clairo.

#CharliXCX #TroyeSivan #1999 #Charli #InTheCity

Brittany Howard: NPR Music Tiny Desk Concert Hotney 3 Streams • 3 years ago

Watch Brittany Howard play "Stay High", "Georgia", "Baby" and "Goat Head" at the Tiny Desk.

More from NPR Music:
Tiny Desk Concerts: https://www.npr.org/tinydesk
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

Oct. 15, 2019 | Bob Boilen -- From the moment Brittany Howard walked into the NPR offices, I could sense her intense commitment and passion. Her eight-piece backing band, all decked out in red and black, played with a soulful subtlety that bolstered Brittany Howard's tender songs about her family — stories of a mixed-race child growing up in Alabama.

All the songs performed at the Tiny Desk come from Jaime, an album Brittany Howard dedicated to her sister who died at the age of 13 from a rare form of eye cancer, the same disease that has left Brittany Howard partially blind in one eye. On these songs (and in particular at this Tiny Desk Concert), there is more nuance than I've heard in Brittany's past projects, including her work with Alabama Shakes and Thunderbitch. The music has a sense of wonder and playfulness, even when the subject is heavy, as in "Georgia." She tells the audience that it's a tale of "a little young, black, **** girl having a crush on an older black girl and not knowing what to say and how I was feeling."

Brittany Howard knows how to tell a story, to foster empathy and understanding and, in this intimate setting, the songs feel at home. The connection with the audience felt visceral as I looked around the room and into the eyes of my workmates and their friends. Even a small child in the arms of their parent screamed at the appropriate moment during the climax of Brittany's song, "Baby." It gave us all a good laugh just when the weight of the words felt the heaviest.

SET LIST
"Stay High"
"Georgia"
"Baby"
"Goat Head"

MUSICIANS
Brittany Howard: vocals, guitar; Nate Smith: drums; Alex Chakour: guitar; Brad Allen Williams: guitar; Zac Cockrell: bass; Lloyd Buchanan: keys; Paul Horton: keys; Shanay Johnson: vocals; Karita Law: vocals

CREDITS
Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Kara Frame, Beck Harlan, CJ Riculan; Associate Producer: Bobby Carter; Executive Producer: Lauren Onkey; VP, Programming: Anya Grundmann; Photo: Laura Beltran Villamizar/NPR

U2 - Street Of Dreams (Official Video) Hotney 3 Streams • 23 days ago

Listen to “Street Of Dreams” now: https://U2.lnk.to/streetofdreamsID

Subscribe to the U2 Channel: https://U2.lnk.to/YTSubscribeID
Watch More U2 Videos: https://U2.lnk.to/WatchMoreID
Sign Up to the U2 Mailing List: https://U2.lnk.to/MailingListID
Become a U2.com Member: https://www.u2.com/subscribe

Follow U2 on Socials:
Instagram: https://U2.lnk.to/InstagramID
Facebook: https://U2.lnk.to/FacebookID
TikTok: https://www.tiktok.com/@u2
Twitter: https://U2.lnk.to/TwitterID
Official Website: https://U2.lnk.to/WebsiteID

Video credits:
Production Company: Somesuch & Co
Somesuch Co-founders: Tim Nash & Sally Campbell
Directed by Cliqua
Executive Producer: Daniella Manca
Produced by Roisín Audrey Moloney
Head of Production: Georgina Fillmore

Agency: Freuds
Chairman: Matthew Freud
Creative Partner: Stephen Howell

Production Service Co. Future Lovers
FL EP Ezequiel Avaro
FL Managing Partner Thomas Amoedo
FL Managing Director Pia Suárez
FL Line Producer Carlos Ayami Erdmann

1st AD: Matias Boldt
1st AD Shadow: Sandra Mayerstein
Cinematographer: Norm Li
Production Design: Roberto Bonelli
Wardrobe: Leandro Oro
Casting: Casting Club
Bus Design Artist: Chavis Marmol
Wall Mural Artist: Chanok
Event Production: Peak Studio
Live Audio Production: Meridian Pro

Edited by Zaldy Lopez
Color Joseph Bicknell
Beauty VFX Sunset Edit
Beauty VFX EP Nazeli Kodjoian
Beauty VFX EP Kevin Filippini
Sound Design & Mix Christian Stropko

U2 - 'Street Of Dreams' Lyrics:

God hear me shout
Lend your ear to my prayer
When I'm far from anywhere
Down to my last breath of air

God hear me shout
Lend your ear to my prayer
When I'm far from anywhere
Down to my last breath of air

La calle, calle de los sueños
All the doors are open on the street of dreams
La calle, calle de los sueños
Broken are the chosen on the street of dreams

Be here
Be free
Be yourself
And then free me

Your fate?
(Gonna fight it)
Your trust?
(Won't be denied)
This bus?
(Gonna ride it)
To the street of dreams

La calle, calle de los sueños
Justice, an obsession on the street of dreams
La calle, calle de los sueños
Love in a procession down the street of dreams

Break out
Break through
Break in
Your dream needs you

Your life?
(Gonna find you)
Your fear?
(Not gonna blind you)
Random angels?
(Gonna guide you)
To the street of dreams

La calle, calle de los sueños
All the doors are open on the street of dreams

La calle, calle de los sueños
Broken are the chosen on the street of dreams
Don't you give up on your dream for the many not just the few
Don't you give up and your dreams won't give up on you

La calle, calle de los sueños
Justice an obsession on the street of dreams
La calle, calle de los sueños
Love in a procession down the street of dreams

God hear me shout
Lend your ear to my prayer
When I'm far from anywhere
Down to my last breath of air

#U2 #StreetOfDreams

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