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Motionless In White - Afraid of the Dark [Official Video] Hotney 12 意见 • 9 月前

The Official Music Video for Motionless In White's new single "Afraid of the Dark" available everywhere now on Roadrunner Records

Stream “Afraid of the Dark”
https://miw.lnk.to/afraidofthedark

The Afraid Of The Dark Tour in the UK and Europe begins February 5th - Get your tickets now: https://www.motionlessinwhite.net/tour

Produced by Justin deBlieck & WZRDBLD
Mixed and mastered by Zakk Cervini

Directed, Edited, VFX - Max Moore
Executive Producers - DJay Brawner, Max Rose
Producers - Zach Miners, Marc Singer
Director of Photography, additional VFX - Andrew Robinson
1st AC - Kennedy Cochran
Gaffer - Zachary Erwin
Grip - Daniel Williamson
Electric - John Ricketts
Set Design / Construction - Rob Gagnon & Jason Rubino
Set Construction - Shelby Conquest
Scenic - Liz Wolf
Production Design - Sally Wegert
Makeup (Chris) - Laura Lomonaco
Makeup (Band) - Trevor Thompson
Makeup concept (Chris look 1) Katelyn Droegemeier
Wardrobe provided by Killstar
Additional VFX (debris) - Joey Deutsch
PA - Eric Spurgeon
Color - Post 237, Duncan Salot
Asset Rendering - Ken Lutz
BTS - Acacia Evans, Andy Nice
Management - Kim Schon, Macy Gilbert
Commissioner - Chris Brown
Production Company - Tuff

Follow MIW
https://www.motionlessinwhite.net
https://www.instagram.com/motionlessinwhite
https://twitter.com/miwband
https://tiktok.com/@motionlessinwhite

LYRICS

I‘ve given my life
I suffered and sacrificed to find
That fear is only fatal till it’s alchemized
To heal is to repurpose
Take the stage and siphon all the power from the pain
I turned my struggles into my strength

If the answer is in the unknown
Would you question the path you take?
If the past didn’t hurt to let go
Would your future be yours to reclaim?

You’ll never know
Yourself till you walk alone
With blind faith and broken bones
So follow the light in your heart, and be not afraid of the dark

Will you follow me to where love met destruction?
Doubt only dies if you keep pouring trust in
Fight or surrender your dreams
Cause it’s give up or give everything

You’ll never know
Yourself till you walk alone
With blind faith and broken bones
So carry the torch in your heart, and be not afraid of the dark

How much are you willing to bleed,
To suffer for what you believe?
We can’t see the end from the start, so don’t be afraid of the dark
And walk with me

From the ashes I was reborn free
And from the grave I was rebuilt by what broke me

So tear me apart and you’ll see
You’ll see the spine, the heart, the blood on the dirt
You’ll feel the pain, the rage that feeds on the hurt
On every scar is a badge of a lesson i’ve learned
That took me twenty fucking years to earn

And now I know
I don’t have to do this alone
A creature that found a home
When life drained the light from my heart, you pulled me from the dark

I’ve given you everything
A lifeline in pieces of me
We can’t see the end from the start, but I don’t fear the dark

Dark Inside, with purpose and passion
Sweat and blood, from Stockholm to Scranton
Fight or fright, arise from the pages
Fear not the dark, if you mean it you’ll make it

#motionlessinwhite #MIW #AfraidoftheDark

Why Does Everyone Beef With The Black Keys? Even Pizza Hut Isn’t Safe! Hotney 7 意见 • 5 月前

The story of The Black Keys feuds

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

From the garage rock revival of the early 2000s to arena-filling, Grammy-winning success, The Black Keys have carved out a unique place in modern music. Created in a basement in Akron, Ohio, Dan Auerbach and Patrick Carney built a career on a raw, blues-infused sound that felt both timeless and immediate. They are one of the last big rock success stories of their era.

But their journey is more than a tale of musical triumph. It is also filled with feuds, insults, and burned bridges. From a long-running rivalry with Jack White to public spats with pop stars, classic rock legends, brands, and even streaming services, The Black Keys have a knack for conflict. Are they misunderstood blunt Midwesterners in a fake-smile industry, or rock’s most confrontational band with a chip on their shoulder the size of Ohio?

The story begins in Akron in 2001. Auerbach had a gig but his band did not show, so he asked neighbor Patrick Carney, who was supposed to be recording, to play drums. They recorded a demo in a few hours and realized they had something special. They called themselves The Black Keys, inspired by a local outsider artist who used the phrase “black keys” for people who were not quite right. Their early albums, like The Big Come Up and Thickfreakness, were raw, lo-fi, and critically adored.

From the start, comparisons to The White Stripes followed them. Both were Midwestern guitar-and-drum blues-rock duos, and the press loved the narrative. Jack White drew lines in interviews, and rumors swirled when The Black Keys moved to Nashville. Things exploded when leaked emails from White’s divorce revealed harsh words about Auerbach and accusations of copying. Patrick Carney called the situation embarrassing but sympathized with White’s private comments being exposed. Later, a tense encounter in a New York bar led Carney to claim White tried to start a fight, before both sides publicly made peace.

Carney’s outspoken nature fueled other feuds. When asked about Justin Bieber not getting Grammy nominations, he replied that Grammys are for music, not money, and that Bieber was already very successful. Bieber fired back on social media, and his fans flooded Carney with insults. In later interviews, Carney did not soften his stance, further cementing his reputation as someone who speaks his mind regardless of the fallout.

The band also criticized posthumous Michael Jackson releases as a label-driven move, joked about ICP’s fanbase, and stayed off streaming services for years to protest low payouts. Eventually, they joined streaming platforms but remained critical of the model. More recently, a poorly handled arena tour, disputes with management, and a controversial “America Loves Crypto” performance led them to speak out against what they see as a consolidated, billionaire-driven industry.

So why do The Black Keys seem to fight with everyone? Part of the answer is Patrick Carney’s unfiltered candor. Part of it is the long shadow of the Jack White feud, which pushed them into a defensive posture early on. And part of it is their growing frustration with a music business they view as exploitative. Through it all, they have clung to a stubborn sense of authenticity, even when it costs them allies.

Have a video request or a topic you'd like to see us cover? Comment below or send in your idea: https://bit.ly/3stnXlN

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#theblackkeys #danauerbach #patrickcarney

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Anthrax FIRED Him… He Ended Up MOWING LAWNS! Hotney 5 意见 • 5 月前

The story of why Anthrax fired Joey Belladonna in 1992.

Anthrax-Public Enemy Bring the Noize collaboration
https://www.youtube.com/watch?v=lnnmeRTn8M0&t=30s&pp=ygUgcm9jayBuIHJvbGwgdHJ1ZSBzdG9yaWVzIGFudGhyYXjSBwkJBAsBhyohjO8%3D

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

What happens when you’re the voice of one of the biggest metal bands in the world, and then one day, it’s all gone? For Joey Belladonna, frontman of Anthrax, that was reality. He went from commanding tens of thousands of fans to mowing lawns at a horse barn, in one of the strangest rise-and-fall stories in metal.

By 1991, Anthrax were one of the “Big Four” of thrash alongside Metallica, Slayer, and Megadeth. Their dark, acclaimed album Persistence of Time hit number 24 on the Billboard charts, and they were co-headlining the massive Clash of the Titans tour. Fronting them was Joey Belladonna, whose melodic tenor stood out in a genre of guttural barkers. After he joined in 1984, their trajectory went vertical with Among the Living, followed by State of Euphoria and the Grammy-nominated Persistence of Time. From the outside, Anthrax looked bulletproof. Inside, things were cracking.

Their usual writing method had Charlie Benante on music, Scott Ian and Frank Bello shaping arrangements, Scott on lyrics, and Joey working out vocals. This time, it wasn’t clicking. The Persistence sessions felt strained. Scott’s lyrics were deeply personal, and he felt Joey’s interpretations didn’t match his intent. On top of that, the band had already confronted Joey about drugs and alcohol back in 1988 and quietly floated Armored Saint’s John Bush as a possible replacement.

During the “Bring the Noise” collaboration with Public Enemy, Scott saw Joey looking out of place while the rest of the band dove into rap-metal territory. It raised a hard question: where did Joey fit in the future of Anthrax? Meanwhile, money and tour offers were rolling in, but Scott felt the core of the band was “rotten.” Firing Joey became, in his words, a slow burn rather than a single explosion.

Complicating everything, Anthrax were in the middle of signing a huge deal with Elektra Records reportedly worth $10 million. They’d already decided to let Joey go, but feared telling the label. When they finally did, Elektra backed them, and Joey still received an equal share of the advance as recognition of his role in getting them there.

The actual firing was handled by their manager Jonny Z, something Scott later regretted not doing himself. Joey was blindsided. “I didn’t quit!” he said later. “It was unexpected and it wasn’t my idea.” The band moved on with John Bush, scoring their highest Billboard debut with 1993’s Sound of White Noise.

Joey’s path was very different. Instead of spiraling, he took a maintenance job at a horse barn with his wife. His main duty: mowing the massive grounds. He later said he didn’t need the money, but wanted purpose and structure. At the same time, he kept playing in his solo project and cover band Chief Big Way, staying musically active without bitterness.

Years later, the classic lineup reunited for tours and eventually brought Joey back permanently. Anthrax’s 2011 album Worship Music and 2016’s For All Kings proved the chemistry was still there. Yet for Joey, the past never fully disappeared. He’s admitted it’s hard being around people who once decided he shouldn’t be there at all. Still, he’s back where he always wanted to be—front and center with Anthrax, after one of the strangest detours in thrash metal history.

Have a video request or a topic you'd like to see us cover? Comment below or send in your idea: https://bit.ly/3stnXlN

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Blog: www.rockandrolltruestories.com

**[[[HASHTAGS]]]**

These videos are for entertainment purposes only. DISCLAIMER https://rockandrolltruestories.....com/youtube-disclai