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George Michael - Careless Whisper (Official Video) Hotney 3 Vues • 4 années depuis

George Michael - Careless Whisper (Official Video)
Stream and download here: https://GeorgeMichael.lnk.to/Streaming
Subscribe to the George Michael YouTube channel: https://GeorgeMichael.lnk.to/YouTubeS...

WATCH LAST CHRISTMAS MUSIC VIDEO IN 4K ► https://smarturl.it/LastChristmas4K
WATCH CARELESS WHISPER MUSIC VIDEO IN HD ► https://smarturl.it/GM_CarelessWhisperHD
WATCH FREEDOM! '90 MUSIC VIDEO ► https://smarturl.it/Freedom90Video4K
WATCH WAKE ME UP BEFORE YOU GO GO MUSIC VIDEO IN HD ► https://smarturl.it/WAKE_ME_UP_HD
WATCH FAITH MUSIC VIDEO ► https://smarturl.it/YT_Faith_official

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#GeorgeMichael #CarelessWhisper #GeorgeMichaelOfficial #Wham #GeorgeMichaelOfficialVideo #GeorgeMichaelLive #GeorgeMichaelEssentials #TikTok #Faith #LastChristmas #GeorgeMichaelCarelessWhisper #CarelessWhisperTikTok #GeorgeMichaelTikTok

Lyrics

I feel so unsure
As I take your hand
And lead you to the dance floor
As the music dies
Something in your eyes
Calls to mind a silver screen
And all its sad goodbyes

I'm never gonna dance again
Guilty feet have got no rhythm
Though it's easy to pretend
I know you're not a fool
I should've known better than to cheat a friend
And waste the chance that I've been given
So I'm never gonna dance again
The way I danced with you

Time can never mend
The careless whispers of a good friend
To the heart and mind
Ignorance is kind
There's no comfort in the truth
Pain is all you'll find

I'm never gonna dance again
Guilty feet have got no rhythm
Though it's easy to pretend
I know you're not a fool
I should've known better than to cheat a friend
And waste the chance that I've been given
So I'm never gonna dance again
The way I danced with you

Tonight the music seems so loud
I wish that we could lose this crowd
Maybe it's better this way
We'd hurt each other with the things we want to say
We could have been so good together
We could have lived this dance forever
But now who's gonna dance with me
Please stay

I'm never gonna dance again
Guilty feet have got no rhythm
Though it's easy to pretend
I know you're not a fool
I should've known better than to cheat a friend
And waste the chance that I've been given
So I'm never gonna dance again
The way I danced with you

Now that you're gone
Now that you're gone
Now that you're gone
Was what I did so wrong
So wrong that you had to leave me alone?

Talib Kweli & Producer Clinton Sparks On Mixtapes, His Hits, Haters, & Success | People' Hotney 3 Vues • 4 années depuis

In this episode of "People's Party With Talib Kweli," Kweli and Jasmin Leigh sit down with DJ, record producer, songwriter and singer :

CLINTON SPARKS

Here's what we got into:

• His hometown of Boston and the hip hop scene there when he was coming up.
• How he managed to eventually get 88.9 WERS radio to play his music.
• Challenges of dealing with hometown haters while achieving success.
• Being raised by a single mother and his father's struggles with alcoholism.
• Breaking into a dead man's house when he was 10 years old.
• Branding himself with his 'Get Familiar' mixtapes.
• The complicated relationship with his father over the years.
• Being open about the sexual abuse he experienced when he was young.
• Advocating for hip hop culture at Boston's Smashtime Radio.
• The differences of Roxbury, South Boston and Dorchester.
• His grandmother seeing the light after years of being racist.
• His part in the creation of MixUnit.com and WorldStarHipHop.
• Helping build the FaZe Clan brand and why he left the company.
• Finding your own audience and figuring out your superpower
• How he helped shift the music scene in Las Vegas with his DJ sets.
• Convincing the president of Comcast to put on the Rehab parties.
• "Famous doesn't make you great, but great can make you famous."
• Making his book, 'How to Win Big in the Music Business' free.
• Sharing the 10 traits that made him millions in the music industry.

Listen to "No Fear of Time" Black Star's first album in 24 years. Only on Luminary. https://luminary.link/nofearoftime

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Hip-Hop Heads Playlists:

90's Hip Hop http://bit.ly/90sHipHopPlaylist
2000's Hip Hop http://bit.ly/2000sHipHopPlaylist
90's R&B Hits http://bit.ly/90sRBPlaylist

ABOUT UPROXX VIDEO:

UPROXX Video celebrates Hip-Hop, Style, and Creativity through a mix of original shows and music videos from the biggest artists, entertainers, and innovators from our culture.

PEOPLE'S PARTY WITH TALIB KWELI

People's Party is a weekly interview show hosted by Talib Kweli and Jasmin Leigh. Guests range from the biggest names in hip-hop to global entertainers to the most progressive minds moving our culture forward. The audio podcast is available on Apple and Spotify.

T.I. Is Scared To Wear His Fresh Pair Of Custom Sneakers, Talks Outkast, Goodie Mob, Trapping & Hotney 3 Vues • 4 années depuis

In episode three of FRESH PAIR -- the new sneaker interview show from Uproxx -- T.I. reacts for the first time to a pair of custom sneakers, created by hip-hop icon Just Blaze and sneaker customizer-to-the-stars, Katty Customs. The sneakers celebrate his life, his art, and his journey through the creativity of the shoe design.

In T.I.'s own words: "I love them, I'm scared to wear them."

🔔 Subscribe to UPROXX Video and ring the bell to turn on notifications for new episodes of Fresh Pair! https://uproxx.it/42sadao

👟 New Episodes of Fresh Pair every Wednesday at 3pmET / 12pmPT!

Fresh Pair, a brand-new series starring hip-hop legend Just Blaze and sneaker customizer Katty Customs. In the series, the co-hosts sit down with some of the biggest names in culture, to talk about their passions for sneaker culture, streetwear style as well as their careers and personal journeys.

👟 New Episodes of Fresh Pair every Wednesday at 3pmET / 12pmPT!

The UPROXX Family
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FOLLOW Just Blaze
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TECHNICAL SUPPORT FOR THIS SNEAKER: Laura Boos

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Hip-Hop Heads Playlists:

90's Hip Hop ▶️ http://bit.ly/90sHipHopPlaylist
2000's Hip Hop ▶️ http://bit.ly/2000sHipHopPlaylist
90's R&B Hits ▶️ http://bit.ly/90sRBPlaylist

ABOUT UPROXX VIDEO:

UPROXX Video celebrates Hip-Hop, Style, and Creativity through a mix of original shows and music videos from the biggest artists, entertainers, and innovators from our culture.

INTRODUCING FRESH PAIR

Hip-hop legend Just Blaze and sneaker customizer Katty Customs star in a new show from Uproxx— FRESH PAIR. The series tells the story of some of the most iconic names in culture – from Jadakiss to Will.i.am to TI – through a single custom sneaker.

#freshpair #ti #customsneakers

How The Music Business Tore Apart the Wu Tang Clan Hotney 3 Vues • 4 années depuis

Of Mics and Men Episode 1: https://www.youtube.com/watch?v=X0BkI2etNQU

INSTAGRAM:
https://www.instagram.com/spencercornelia1

The ugly side of the music industry is that business will always be a controlling factor in the dynamics of a group of artists. Creative differences, profit split issues, management concerns, egos, and superstars outshining other members will always be prevalent within a group of entertainers. Unfortunately, these factors played a key role in the history of the greatest rap group ever, the Wu-Tang Clan.

From the streets of Shaolin, a group of eight lyrical swordsmen became hip-hop’s hottest group in the mid 90’s. This was an all-star group of emcee’s from Staten Island and Brooklyn joining forces to become a hip-hop supergroup. There’s no tighter knit family in hip-hop than the Wu-Tang Clan, exemplified by the group still being together nearly 30 years after their debut album hit the shelves.

Despite drama, lawsuits between members, public disagreements, and disappearing acts from obligations to the Wu, the group is still close enough to this day that they can come together and not let their past issues ruin their brotherhood. While watching Showtime’s excellent documentary titled “Of Mics and Men” on YouTube, I noticed how the group’s issues throughout the years could be traced back to the business side of the music industry.

RZA was the mastermind of this new group that would become the Wu-Tang Clan. Grabbing the best lyricists from the Stapleton Houses and Park Hill Projects in Staten Island helped form the brotherhood from the start. They were family because they group up together. Creating a record just meant putting their rap battles on an official track.

RZA turns to an associate of the Wu-Tang, Mathematics, for help designing the logo. RZA pays Mathematics $400 for the logo, which was half of his rent at the time. Just imagine if Mathematics would have asked for 1% of all net income generated from use of his logo.

Protect ya neck was the group’s first single and let the world know in 5 minutes that these young rappers from Staten Island were the next big thing in music.

Steve Rifkind of Loud Records took notice and made the smart decision to sign the Wu-Tang Clan to a record deal. The music industry is shady and full of stories where artists get taken advantage of but labels still need to take a large financial risk that rarely pays off. The Wu-Tang Clan had one single, 8 artists, and didn’t exactly make radio friendly music.

Within two years, Enter the Wu-Tang (36 Chambers) had gone platinum selling over one million copies. The reason why artists don’t earn as much as you’d think is that the one million copies sold means $10 million in revenue for the label. 15% royalties to the group would be $1.5 million. That gets split eleven ways. Assuming an uneven split since the original investors would want a larger share and deductions for recording costs and marketing, each artist probably made around $50k total over two years or $25,000 per year from royalties.

The Wu-Tang Clan is one of the highest selling groups of all time and was able to tour the world for years so I hope that none of the artists are struggling financially in 2021, but you can quickly see how much a group needs to sell or how much they need to make on tour in order to have an income that pays the bills. If the Wu-Tang Clan started today in an era where selling 10,000 albums the first week is the norm, they would really struggle to make ends meet.

With the album experiencing some mainstream success, it was time for each individual artist to have their own solo career. RZA incorporated Wu-Tang Records on March 9th, 1995 establishing the company that will own all recordings for the Wu-Tang Clan. What RZA did differently was allow each individual member a chance to sign a solo recording deal with different labels. This allowed each member to pursue their solo careers separate from the group and separate from Loud Records.

Power started Wu Wear years earlier but was now seeing gross sales hit multiple eight figures per year. He also helped produce the Wu-Tang: Shaolin Style video game. The brand was everywhere mainstream and the group even earned a tour with Rage Against the Machine, who were one of the largest rock bands touring at the time.

In the “Of Mics and Men” documentary, Divine said that all of the artists leaving their contract with Wu meant he was losing out on $10 million every single year. RZA wanted what was best for each artist and allowed it. I think a desire for an artist to become their own brand is inevitable in the music business, but it means splintering the group collective that existed for so long.

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