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The official music video for "RICOCHET" by Chase Atlantic from their new album LOST IN HEAVEN - Available now at http://found.ee/lostinheaven
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___
LYRICS
Billowed up in a winter storm,
Go ahead and slam the door;
Things won't change -
Maybe pop another adderall,
Stimulate the anger til' you're filled with rage, (Yuh)
And I said I wouldn't get involved,
But fuck it - I'm a human being,
I don't like the way I'm feeling,
Cry until the tears dissolve,
⁃ Wait,
Raise my bottle in the air,
Then I smash it of the wall,
(Singing)
Ricochet,
Misfired but the bullet hit me anyway,
So much blood in the Bentayga; damn the leather's stained,
I need more than liquid codeine and promethazine, therapy -
Yeh I'll do anything to kill this pain,
I'm so tired and I've only got myself to blame,
Might not make it to my 30's -
Dig an early grave,
Until then I'll keep on smiling,
Tell the devil "Go to hell...",
Just for the irony,
Wow,
There's a part of me I can't let go,
I see it in your eyes again,
Take a 30 when i know you're feeling low,
Now you're splittin' drugs with all your friends,
You want to talk until the sun rise,
Wasted; we don't always get it right,
You just wanna argue bout' my state of my mind,
⁃ "Yeah that's what i said"
So upset, what a waste of time,
Time,
- ("Your life's like a movie")
'You' -
She said to me;
"Your life's like a movie",
I haven't been awake, I've been feelin lucid,
Dream in a dream,
'Dreams'; I always lose it,
I'm on a roll,
Can't keep it focused I've been up too long,
I'm just as nauseous,
There's drugs I've been on,
Got me intoxicated, I'm intoxicated,
I'm intoxica-
Ricochet,
Misfired - But the bullet hit me anyway,
So much blood in the Bentayga;
Damn the leather's stained,
I need more than liquid codeine and promethazine, therapy;
Shit, man -
I'll take anything to kill this pain,
I'm so tired and I've only got myself to blame,
Might not make it to my 30's -
Dig an early grave,
Until then I'll keep on smiling,
Tell the devil - "Go to hell",
I do it for the irony, Yeh,
Can't look behind me,
That shit's in the past - Can't look behind me now,
Keep on riding,
I'll make future forth; it's writing down,
Pools of blood all in the Bentayga,
She wanna fuck, I say "Yes babe",
Uhh,
I'm on a buzz, I might - yeah,
Sitting with my thoughts ain't the remedy,
I'm still knee deep in this fuckery,
Still can't let go of the troubled scenes in my head,
Bleed in my bed alone,
(Yuh)
She said "Your life's like a movie",
You know how I do it.
#ChaseAtlantic #RICOCHET #LOSTINHEAVEN
Florence + the Machine sits down with Zane Lowe for an in-depth conversation about her fifth studio album, ‘Dance Fever.’ Zane and Florence discuss the theme of “surrendering” as it relates to the album, as well as Florence’s life. Florence shares that her music took a turn when she surrendered herself to her craft, allowing her songs to become her own existential bridge. Florence discusses her inspirations behind tracks like “King,” “Free” and “Girls Against God.” Although she had many moments of doubts throughout the songwriting process, she feels an intense pride and excitement to finally be able to perform live once more. For Florence, music has been a salvation, teaching her how to care for herself and disentangle creativity from her insecurity. Listen to Florence + the Machine on Apple Music: https://apple.co/FlorenceAndTheMachineYT
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“Masquerade/Why So Silent” by the cast of the motion picture, with Gerard Butler as The Phantom. From the 2004 film version of Andrew Lloyd Webber’s The Phantom of the Opera.
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Far beneath the majesty and splendour of the Paris Opera House, hides the Phantom in a shadowy existence. Shamed by his physical appearance and feared by all, the love he holds for his beautiful protégée Christine Daaé is so strong that even her heart cannot resist.
The musical opened at Her Majesty’s Theatre on 9 October 1986 with Michael Crawford and Sarah Brightman in the leading roles, and there have been dozens of productions worldwide since then. Now in its 35th record-breaking year, The Phantom of the Opera continues to captivate audiences at Her Majesty’s Theatre in London’s West End, after more than 11,000 performances.
#Masquerade #WhySoSilent #GeraldButler #PhantomOfTheOpera #AndrewLloydWebber
Watch the official music video for "Little Bitty" by Alan Jackson
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#AlanJackson #LittleBitty #CountryMusic
[Chorus]
Well, it's alright to be little bitty
A little hometown or a big old city
Might as well share, might as well smile
Life goes on for a little bitty while
K.Michelle “Scooch” OUT NOW!
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“I’M THE PROBLEM” ALBUM COMING SOON!
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Lyrics
Soon as you walked in the room, fresh cut, line up, looking smooth. Is that Bacarat I smell from you. ooo I can see myself on you.
You got me questioning my own dude. It might be time for something brand new.
I don’t want to look like no fool, but I can’t keep my cool. Cause- I don’t want no one night stand.
But I gotta take this chance. I usually don’t do this. But this one shot I can’t miss.
Boy I hope I ain’t too forward. Might be too much for you. But tonight I’m coming over to be the one. (Scoot on over) Cause it’s best (Scoot on over) For me tonight….Let me know if you got room (Scoot on over) for me. (Scooch on over.) to be in your life.
I’m on my way tonight.
So, scoot on over you better make room for me. Baby, (scoot on over). Next to you is where I’m trying to be. You need (scooch on over) – I could keep you rock hard steady so, (scoot on over) – you better have my pillow ready.
After we finish I know, me and you could be relationship goals. And don’t nothing, but the money flow. You ain’t worried about my past and I ain’t worried about yours.
Ain’t no telling where this could go, who knows what the future holds.
Trying my best just to let it flow. But, everytime I see you boy, I lose control.
Cause- I don’t want no one night stand. But I gotta take this chance. …Usually don’t do this. But this one shot I can’t miss. Boy I hope I ain’t too forward.
Might be too much for you. But tonight I’m coming over to be the one. (scoot on over). Cause it’s best (Scoot on over) For me tonight….Let me know if you got room (Scoot on over) for me. (Scooch on over.) to be in your life.
I’m on my way tonight, so….
Scoot on over, you better make room for me.
Baby, (scoot on over).
Next to you is where I’m trying to be. You need (scooch on over) – I could keep you rock hard steady so, (scoot on over) – ba’ you better have my pillow ready.
I know we just met, but you won’t regret it…if you let me be the one. (Scoot on over)
Cause it’s best (Scoot on over) For me tonight….
Let me know if you got room (Scoot on over) for me. (Scooch on over.) to be in your life. I’m on my way tonight.
So, scoot on over.. you better make room for me. Baby, (scoot on over). Next to you is where I’m trying to be. You need (scooch on over) – I could keep you rock hard steady so, (scoot on over) –ba’ you better have my pillow ready.
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The first single to be released from the album 'Sonic Temple'.
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El cantante Rubén Blades tiene la costumbre de explicar el origen de sus canciones.
En el caso de “ Amor y control ” es una salsa que escribió mientras su madre agonizaba en el hospital debido a un cáncer que la llevó a la muerte.
Como muchas de sus composiciones, ésta cuenta una historia.
Aquí, Blades hace un paralelo entre el dolor de una familia que pierde a la madre y el dolor de otra familia que pierde a un hijo atrapado por las drogas.
Dice que son dos historias distintas pero, al fin, dos tragedias iguales.
Este gran artista llama, en esta pieza musical, a que los padres demos a nuestros hijos “ amor y control ”.
Lo primero es fácil, lo segundo requiere sacrificio y esfuerzo.
Control es saber dónde están tus hijos, cada minuto del día.
Control es supervisar sus estudios, la realización de sus tareas y el cumplimiento de sus deberes.
Control es conocer a sus amigos y fomentar esas amistades, si son positivas, pero manteniéndote siempre cerca.
Control es llevarlos, traerlos, esperarlos, escucharlos, observarlos, hablar con ellos, transmitirles tus valores y experiencias, orientarles y corregirlos.
Control es que tus hijos nunca se suban a un vehículo sin que tú veas la cara de quién lo conduce.
Control es que a tu casa no llegue nada, ni caro ni barato, cuyo origen tú desconozca.
Control es creerles pero sabiendo que el niño o el adolescente más santo es capaz de mentir para salvarse de un castigo.
Control es saber qué hay en la habitación de tus hijos, en su mochila, en su teléfono celular, en su computadora y en sus cuentas de redes sociales.
Amor es más sencillo, es abrazarlos, besarlos, premiarlos, que también es importante.
Pero, sin control , el amor se convierte en dolor
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Hurricane Connie · Cannonball Adderley
Julian "Cannonball" Adderley
℗ 1955 The Verve Music Group, a Division of UMG Recordings, Inc.
Released on: 1955-01-01
Producer: Bob Shad
Associated Performer, Saxophone: Nat Adderley
Associated Performer, Saxophone, Flute: Jerome Richardson
Associated Performer, Saxophone: Cecil Payne
Associated Performer, Piano: John Williams
Associated Performer, Double Bass: Paul Chambers
Associated Performer, Drums: Kenny Clarke
Associated Performer, Recording Arranger: Quincy Jones
Associated Performer, Trombone: Jimmy Cleveland
Composer Lyricist: Jerri Jones
Auto-generated by YouTube.
CHICAGO 2021
CALL ME IF YOU GET LOST is out now: https://tylerthecreator.lnk.to/CMIYGL
"Three Little Birds" is a song by Bob Marley and the Wailers. It is the fourth track on side two of their 1977 album Exodus and was released as a single in 1980. The song reached the Top 20 in the UK, peaking at number 17. It is one of Bob Marley's most popular songs. The song has been covered by numerous other artists. One of the most notable covers was by British singer Connie Talbot, whose version reached number one on the Billboard Hot Singles Sales chart in 2008.
50 Cent shows us the best way to make sure your enemy doesn't come back
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Normani feat. Cardi B – “Wild Side” Out Now!
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Cam'ron is back in the studio with Freekey Zekey, PT, and Sen City on the line. First they go back and forth about Zeke getting his nose rubbed at the barbershop and Sen getting blackheads pulled off his neck. Then Cam talks about his new late night show, the Cam Rothstein Show, and why no black person really does late night TV. He gets into the Lil Wayne assistant lawsuit and shares some wild stuff he used to ask for on video sets, like not letting his feet touch the ground. They also break down the Jadakiss and 38 Spesh beef and give Jay-Z his props for selling out Yankee Stadium three nights in a row. Plus everybody guesses where LeBron is headed next season. #camron #talkwithflee #camron #freekeyzekey
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Bull Breed is out now!!
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Director & DOP: Kyle Caulfield
Creative & Art Direction: Ady Neshoda
Produced by: Ady Neshoda
1st AC: Kieren Barber Wilson
Gaffer: Walt Mather
Mini LF & Gear: Sharegear
Edit & Grade: Kyle Caulfield
Royel Otis, Ourness, House Anxiety
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Dynamic Visuals, Tom Black, Brodhi Carracher at Grangeburn Simmentals, Melbourne Amusement Hire, Best Westlander Horsham
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The official music video of "Another Day In Paradise" (R&B Version) by Brandy & Ray J (2001)
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Celebrate 25 years of Brandy! Listen to her self-titled debut album here https://Rhino.lnk.to/Brandy25
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LYRICS
[Intro]
(Yeaheah) Heyey
(Yeaheah) Heyey (Paradise, paradise)
Heyey (Paradise, you and me)
Heyey
[Verse 1: Brandy]
She calls out to the man on the street:
"Sir, can you help me?
It's cold and I've nowhere to sleep
Is there somewhere you can tell me?"
He walks on, doesn't look back
He pretends he can't hear her
Starts to whistle as he crosses the street
Seems embarrassed to be there
[Hook]
Oh, think twice
'Cause it's another day for you and me in paradise
Oh, think twice
'Cause it's just another day for you, you and me in paradise
(Yeaheah)
Think about it, hey
[Verse 2: Ray J]
She calls out to the man on the street
He can see she's been crying, yeah
(Yo, girl, why you're cryin'?)
She's got blisters on the soles of her feet
(Let me help you out)
She can't walk but she's trying
[Hook]
Oh, think twice (Yeah, yeah, yeah)
'Cause it's another day for you and me in paradise (Paradise, oooh, yeah)
Oh (Think twice), think twice
'Cause it's another day for you, you and me in paradise
(Yeaheah) You and me in paradise
You and me (Yeaheah)
Just think about it
(Yeaheah)
Yeah, just think about it
Oh, yeah) (Yeaheah)
Think about it
[Bridge]
Oh, lord
Is there nothing more anybody can do?
Ohoho, lord (Ohoho, lord!)
There must be something you can say!
[Verse 3: Brandy & Ray J]
You can tell from the lines on her face
You can see that she's been there, yeah
She's probably been moved on from every place
'Cause she didn't fit in there
[Hook]
Oh, think twice (Think twice)
'Cause it's another day for you and me in paradise (Oh, yeah)
Oh, think twice (Think twice)
'Cause it's another day for you, you and me in paradise
Yeah yeah
(Oho, yeah, oho, yeah)
Just think about it, oooh
Think about it (Oh yeah)
[Outro]
It's just another day for you and me in paradise (Yeaheah)
It's just another day for you and me in paradise (Yeaheah)
It's just another day for you and me in paradise (Just think about it, think about it) (Yeaheah)
It's just another day for you and me in paradise (Yeaheah)
*******************
Welcome to Brandy's official YouTube channel, home of 90s R&B classics “I Wanna Be Down,” “Baby,” “Have You Ever,” “Brokenhearted” and her Grammy Award winning duet with Monica “The Boy Is Mine.” With the successes of her multi-platinum albums ‘Brandy,’ ‘Never Say Never’ and her third album ‘Full Moon,’ Brandy Norwood received the nickname “The Vocal Bible” for her distinct tone, intricate runs, and the way she harmonizes to create a vocal symphony. The multi-talented singer, songwriter, actress, and producer has inspired many artists in the R&B, pop, and gospel genres as well as African American actors in film, television, and on Broadway.
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