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Camila Cabello: Tiny Desk (Home) Concert Hotney 1 المشاهدات • منذ 4 سنوات

From Sept. 15 through Oct. 15, Tiny Desk is celebrating Hispanic Heritage Month with an "El Tiny" takeover of the (home) concert series, featuring J Balvin, Camila Cabello and several more musicians from all corners of Latinidad.

Anamaria Sayre | October 15, 2021
To the beat of her swishing hips and swaying percussionists, Camila Cabello's famous "Half of my heart is in Havana" reverberates across this musician-packed Miami set, with an at-home ease that feels novel for the global popstar.

Born to a Cuban mother and Mexican father in Havana, Cuba, Cabello is no stranger to blending borders and connecting worlds. As the final performance in our Hispanic Heritage Month Celebration, her El Tiny concert epitomises the cross-cultural, transnational musical identities we've centered over the course of the series. Each unique arrangement of her universal hits represents and explores a new facet of the identities and experiences that make up Cabello.

These stripped-down renditions of her hits "Havana," "Real Friends," "Señorita" and "Don't Go Yet" include more Latin instrumentation than the recordings — presumably bringing them closer to sounds that were first introduced to her as music during her childhood in Havana, Mexico City, and Miami.

The interlude featuring a sacred Afro-Cuban Santería chant and the following performance of the unreleased, Mariachi-based "La Buena Vida," firmly root Cabello's El Tiny performance within two cultural traditions that don't typically glitter under the harsh lights of a global stage.

Here, we find Camila on the precipice of a voice that magically layers pop with tradition, holding all parts of a complex identity in seamless harmony. Flanked by Cuban congueros and Mexican mariachi, all aglow under the Miami sun, Camila Cabello's heart has never felt more whole.

SET LIST
"Havana"
"Real Friends"
"Señorita"
"Don't Go Yet"
"La Buena Vida"

MUSICIANS
Camila Cabello: vocals
Edwin Carranza: bass/music director
Marcus Kincy: keys/glockenspiel
Chris Johnson: drums
Luke Iono: guitar
Yisel Duque: vocals
Jackie Mendez: vocals
Alex Garcia: guitar
Camilo Velandia: guitar
Daniel Lopez: percussion
Joel del Sol: percussion
Gerardo Rodriguez: trumpet
Mayerlin Carrero: trombone
Luisi "Rosca" Beltran: saxophone
Cheche Alara: accordion, rhodes
Jimmy K. Cuéllar: violín
Luis Zambrano: violín
Ángel Guzmán: violín
Gustavo Zambrano: violín
Saúl Ruiz: violín
Gustavo Hernández: guitarra
Jason Franco: vihuela
Albert Jimenez: guitarron
John Vargas: trompeta
Grover Castro: trompeta
Music Production: Cheche Alara, Ricky Reed
Music Director & Arranger: Cheche Alara

CREDITS
Video: Justin Francis
Audio: Lawrence Manchester
Video Production: Hidden Pictures
Camera Op: Alexandra Vivas
Backline Techs: Okwa Andrew, Edward Mendoza
Recording Engineer: Ryan Cecil
Playback/Recording Engineer/Editing: Mike Kopulos
Monitor Engineer: Taylor Holden
Production Manager: Chris Cofﬁe
Steadicam: Zach Burgh
A Camera AC: Joe Ariberto
B Camera AC: Alex Cristofoli
Digital Imaging Tech: Leungson P. "Coco"
Gaﬀer: Ricardo C. Lopez
Grip: Brian Sills
Swing: Brandon Vencino
PA: Jonathan Ruﬃni
PA: Kevin Cuenca
Art Director: Luis Roman
Art Assistant: Joel Figueroa
Colorist: Marshall Palante
Location: Soho House Miami Music
Transcription: Boh Cooper

TINY DESK TEAM
Producer: Anamaria Sayre
Video Producer: Maia Stern
Audio Mastering: Andy Huether
Alt.Latino 'El Tiny' Team: Felix Contreras, Reanna Cruz, Anaïs Laurent, Stefanie Fernandez
Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Josh Rogosin, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#eltiny #tinydesk #nprmusic #camilacabello

SiR: NPR Music Tiny Desk Concert Hotney 1 المشاهدات • منذ 4 سنوات

Watch SiR play "The Recipe", "New Sky" and "Wires In The Way" and "John Redcorn" at the Tiny Desk.

Did you know you can watch Tiny Desk Concerts on npr.org ONE WEEK before they go up on YouTube? Click here: https://www.npr.org/tinydesk

Follow NPR Music:
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

SiR, the R&B singer from Inglewood, CA, seemed lost in thought as he stood behind the Tiny Desk. While his bandmates curiously bounced around the desk, joking and even searching for Bob Boilen, SiR remained particularly focused. About halfway through the performance, he eventually revealed what had been weighing on his heart. He told the NPR crowd he'd lost his infant godson a few days prior and dedicated the performance to him. "We're doing this for him. It took a lot for me to be here today ...but we're gonna get through this."

Since signing to hip-hop juggernaut Top Dawg Entertainment in 2017, Sir Darryl Farris been the most consistent, most reliable player on the roster outside of its original four (Jay Rock, Kendrick, Schoolboy Q and Ab-Soul.) His output has further solidified the label's stake in spaces outside of just rap music.

For his Tiny Desk concert, SiR treated the office to some of the best that his latest LP, Chasing Summer has to offer. Themes of regret loom throughout the album and he's never shied away from writing about personal flaws. His depiction of misdirected desires and heartbreak on "John Redcorn" and "The Recipe" reveal a cruel honesty that couples grapple with at times. The set was also a family affair with his mother and older brother offering support as two of the three background vocalists. We get a glimpse of his upbringing in the gospel choir once those harmonies open up.

SET LIST
"The Recipe"
"New Sky"
"Wires In The Way"
"John Redcorn"

MUSICIANS
SiR: vocals; Roger "Jooseondrums" Benford: drums; Terrall Whitehead: guitar; Samuel Davis: bass; Jacquelyn Farris: vocals; Davion Farris: vocals; Zyah Belle: vocals; Ledaris "L.J." Jones: keys

CREDITS
Producers: Bobby Carter, Morgan Noelle Smith; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, James Willetts; Editor: Maia Stern; Videographers: Morgan Noelle Smith, CJ Riculan, Maia Stern; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Laura Beltran Villamizar

The Pat Metheny Interview Hotney 1 المشاهدات • منذ 4 سنوات

This interview was 5 years in the making. Pat is my favorite guitarist and biggest influence. The interview is 1:46 hours packed full of incredible stories and insights I never knew about Pat. He even played guitar which is something I have never seen him do in an interview setting. If you want to see more content like this or support my channel you can donate through this link on my website: https://rickbeato.com/pages/donate

You can also become a member of the Beato Club. My Beato Club is exactly like Patreon.

PAT METHENY was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility - a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. METHENY'S versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich to Ornette Coleman to Herbie Hancock to Jim Hall to Milton Nascimento to David Bowie. Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.

On September 10th, 2021 Modern Recordings will release PAT METHENY SIDE-EYE - NYC, an exciting, vibrant and energized new platform for Metheny, showcased in a recording that features 30 minutes of intricate new music set alongside a few unexpected and creative re-workings of Metheny classics re-imagined.
So, what is Side-Eye?
Pat explains, “I wanted to create an ongoing platform to host a rotating cast of the newer generations of musicians who have particularly caught my interest along the way. From my earliest days in Kansas City onward, I was the beneficiary of so many older musicians hiring me, which gave me a chance to develop through the prism of their experiences and the particular demands of what their music implied.”

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