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The Rich Homie Quan Interview: Rich Gang Break Up, If He Fell Off, ATL RICO’s & More Hotney 2 意见 • 4 年前

Rich Homie Quan talks about his rise, the ups and downs of being successful, YSL: Birdman's relationship, falling out with Thug, and much more!

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00:00 Intro
2:00 Rich Homie talks about getting on the track “My N****” with YG
3:00 Rich Homie on working with Jeezy
3:55 Rich Homie says the SoundCloud wave ruined the rap industry
9:43 First uploads on BearShare and LimeWire
12:45 Rich Homie on his grandma buying him his first full recording setup
14:19 Passion for baseball even though it wasn't as cool as rap
15:58 Seeing “The Rich Kids” made him believe in himself
16:53 Rich Homie on using his new setup to record other artists for income
18:30 Going to jail for 15 months helped him be more creative on a unique sound
22:05 Rich Homie admires “Too Many Years” by PnB Rock and how it was similar to recording songs that he created in jail
23:17 Rich Homie reading James Patterson and implementing that writing style in his own raps
24:20 Transitioning to the "Free World" after getting released
27:10 Feeling discouraged from music after Teezy got k*lled
34:07 Knowing that “Some Type of Way” was a hit immediately and how it changed everything
38:00 Living with his mom after “My N****” goes up and having to record a radio edited version
40:20 Getting hooked on Molly and taking it first thing in the morning
41:12 Birdman approached him to do “Get Tf Out My Face” with Young Thug
42:28 Birdman putting him in the studio with Young Thug to record more tracks together
44:10 Rich Homie talks about recording “Lifestyle” with Young Thug
45:58 Rich Homie talks about His relationship with Young Thug and how it fell apart
50:56 Rich Homie talks about his father bringing him up with morals
51:22 Falling into depression after leaving Rich Gang while seeing his peers blow up
57:45 Rich Homie talks about how the feature with NoCap came about
59:50 Not getting the recognition he deserves from the new generation
1:03:36 Rich Homie touches on all the RICO’s going on in Atlanta
1:05:22 Rich Homie talks about new project dropping: “Reloaded” on 11/18
1:06:20 Rich Homie gives his opinion on the new artists coming out now
1:08:40 Rich Homie talks about his kids teaching him about Tik Tok
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A Brief History of Rage Against the Machine Hotney 2 意见 • 4 年前

A not-so-brief documentary about Rage Against the Machine. Produced and written by Matt Beat. Check out @rageagainstthemachineofficial's music here: https://open.spotify.com/artis....t/2d0hyoQ5ynDBnkvAbJ
Related: Prophets of Rage - Topic, @AudioslaveOfficial, @RATMVEVO
My other channel: @iammrbeat
My band: https://open.spotify.com/artis....t/62BsMJGRfRgX5rmsSP

This video is dedicated to Nolan Rogers.

Sources/further reading:
https://www.ratm.com/bio/
https://www.britannica.com/top....ic/Rage-Against-the-
https://en.wikipedia.org/wiki/....Rage_Against_the_Mac
https://en.wikipedia.org/wiki/....Rage_Against_the_Mac_discography
https://musicianguide.com/biog....raphies/1608003295/R
https://www.allmusic.com/artis....t/rage-against-the-m
https://jhiblog.org/2020/04/22..../its-coming-back-aro
https://www.vulture.com/2016/1....1/rage-against-the-m
http://www.musicfanclubs.org/r....age/articles/kerrang
https://happymag.tv/engineerin....g-the-sound-rage-aga
https://faroutmagazine.co.uk/r....age-against-the-mach
https://www.billboard.com/musi....c/rage-against-the-m
https://ultimateclassicrock.co....m/rage-against-the-m
https://www.kerrang.com/featur....es/a-deep-dive-into-

#rage #musicdocumentary #ratm

Los Angeles, California
1991

Two friends who had known each other since the sixth grade, Zack de la Rocha and Tim Commerford, meet a drummer named Jon Knox. Knox told them that his old bandmate, Tom Morello, was looking to start a new band after their old band, Lock Up, had broken up. Morello invited de la Rocha and Commerford, as well as a drummer named Brad Wilk, for a jam session. De la Rocha and Commerford actually used to be in a band together back in junior high, but other than that, the four had never played together before. The jam session turned into multiple jam sessions, and the next thing ya know, they had a band. De la Rocha would be the vocalist and provide the lyrics, which would undoubtedly be politically charged most of the time. By the way, he had been in multiple bands before this. Morello would play guitar. Commerford would play bass. Wilk would play drums.

They named themselves “Rage Against the Machine.” Apparently that name was originally supposed to be the name of a song and album de la Rocha had written for his previous band, Inside Out. Apparently this dude named Kent McClard also coined the phrase in a 1989 article in his zine called No Answers. Regardless, over the years many of their fans would come to view “The Machine” as any system or organization that was responsible for injustice in the world. “Rage Against the Machine” ended up being a pretty fitting name.

Their first performance was in “somebody’s living room” in Orange County, California. After that, they quickly gained a following. Not wasting any time, they recorded a 12-song demo, releasing it on cassette tape in December 1991. Throughout early 1992, the band sold the tape for $5 at their live shows, eventually selling more than 5,000 copies of them. Oh by the way, if you have one of them, ya might want to hold on to it. I saw one sold online for hundreds of dollars.

Anyway, the artwork featured images of stock market reports with a single match. The band also printed the statement “No samples, keyboards or synthesizers used in the making of this recording,” which would be printed on all later recordings they released. In the liner notes, they also referred to themselves as “Guilty Parties,” which would also be printed for all later recordings they released.

Oh, and they also sent the demo album to many major record labels, and while several wanted to sign them, they ended up signing with Epic Records. In April, they recorded their debut album at Sound City Studios in L.A. They ended up re-recording seven of the twelve songs that were on their demo. De la Rocha wrote the lyrics, which were obviously politically motivated and attacked multinational corporations, cultural imperialism, and government oppression. They seemed to represent a leftist voice that had become less prominent in the 1990s. Tom Morello’s guitar work was inventive, to say the least. In the studio, he was constantly experimenting with the weird new sounds his guitars could make. Garth Richardson produced. After leaving the studio, the band hit the road, playing a notable show opening for Porno for Pyros at one of their first ever gigs. In October, they toured Europe, and by that time the hype for them was already building.

Epic released their self-titled debut studio album on November 3, 1992. The first single, “Killing in the Name” ended up being a huge radio hit.

Billie Eilish Live 2022 4K FULL CONCERT in Los Angeles Hotney 2 意见 • 4 年前

Billie Eilish Live 2022 4K FULL CONCERT in Los Angeles at the Forum. 2 nights SOLD out what a show! Don't miss this historic last night of shows.

https://www.billieeilish.com/tour - go see her live!!!

Billie Eilish Keeps Her Savant Streak Going With Pre-Coachella Homecoming Shows at the Forum.

00:00 - Beginning
00:56 intro
3:11 bury a friend
6:27 i didn't change my number
8:58 NDA
12:17 therefore i am
15:17 talking
17:05 my strange addiction
19:35 idontwannabeyouanymore
21:27 lovely
22:48 talking
26:01 you should see me in a crown
28:53 billie bossa nova
32:10 GOLDWING
35:41 halley's comet
37:56 talking
39:51 oxytocin
42:40 copycat [medley]
43:01 oxytocin still
44:13 ilomilo
47:34 talking
48:26 i love you
50:14 your power
54:37 talking
55:47 male fantasy
59:00 not my responsibility interlude
1:00:16 overheated
1:03:41 talking
1:05:16 bellyache/ocean eyes/bored
1:09:26 getting older
1:13:40 lost cause
1:17:15 talking
1:20:10 when the party's over
1:23:38 all the good girls go to hell
1:26:25 talking [interlude]
1:27:11 everything i wanted
1:30:57 talking
1:34:01 bad guy
1:37:27 happier than ever

The audience at Saturday night’s show, at least, was not one that differentiated singles from album tracks; this was a crowd that could name that tune — any tune in her catalog — in three notes or less. It was maybe most striking when she and Finneas struck up “Billie Bossa Nova,” a terrific track from the most recent album that you might have been thinking of as a cult favorite at most, and the (yes) mostly young and female audience responded within three seconds with a roar loud enough that it might as well have been “Bad Guy.” When a crowd of 17,000 is going apeshit for a song that really is a legitimate bossa nova — one Jobim could be proud of — it’s hard not to feel the kids are all right.

The potential for stylistic expansion that was made explicit in “Billie Bossa Nova” is part of why the “Happier Than Ever” album was so heartening. You could also feel her stretching her wings in a different direction in the darkly sexy club-thumper “Oxytocin,” which had the house lights at their dimmest and briefly turned the Forum into a thinking-woman’s rave.

It was inevitable that the show would begin and end on moments of high anxiety and cathartic angst, starting with “Bury a Friend,” and its ominous “I wanna end me!” shout, and climaxing with the latest album’s Grammy-nominated title track, with its final (Grammys-censored) plea to “just fucking leave me alone!” Many of the songs that came between were infused with depression and anxiety, too, with Eilish having made no secret on or off the record of her struggles with mental wellness. In several of the newer songs represented in the set, from “Everything I Wanted” to “NDA,” Eilish has thrown into the mix the deleterious effects of fame (although with more self-awareness and even bemusement than most artists who bitch about their own celebrity in song). The latest album has more lyrically light moments than the first — to the point that the “Happier Than Ever” title doesn’t even seem completely ironic — but it still comes off as more troubled in its concerns than not.

So why did Eilish’s tour stops this week make the Forum feel like the happiest place on earth? There’s the inevitable tendency of most artists whose recorded work leans darker to want to make their shows feel celebrative; no one goes to a Cure or Depeche Mode concert expecting to be cajoled into having a bad time, no matter how bleak the lyrics can be. But in Eilish’s case, she really seems to be going an extra mile in making her shows safe spaces for positive thinking.

At one point, she actually stopped the music for an extended breathing exercise. “Any bad thoughts in your head, I want you to pull ’em out right now, and I will do the same,” Eilish said, motioning as if she were literally extricating the negativity from between pigtails. “For three minutes or whatever this song is, I want you to just think about the things that make you feel happy and safe and calm, and make you feel like relaxed and at ease. … Shhhh. Close your eyes. …I want you to think about how you are loved and you are safe. … And I want us all to take one deep breath in and out. Let it out.” And what was the calming song that followed? “When the Party’s Over” — kind of a bummer song, actually. But its beauty feels medicinal, and that was predication enough for the singer to turn it into the night’s group exercise in centering and self-care.

If there was any lost opportunity in Eilish’s show, it was in her not further stopping to offer any stories behind the songs, or to explicitly acknowledge that they come from deeper and darker places on their way into being transformed into a set that feels nothing but feel-good.

#billieeilish #losangeles #happierthanever

ANDJELA MISIC - Classical Guitar Concert 💃 | Paco de Lucia, Antonio Rey, F. Sor | Siccas Guitars Hotney 2 意见 • 4 年前

The very young and promising talent Andjela Misic from Serbia has paid a visit to Siccas Guitars studio in Karlsruhe to play a very virtuosic and Spanish concert program, including a few pieces by Paco de Lucia. Make sure to listen to the whole concert and let us know your opinion about Andjelas's performance. Enjoy! 🫡

00:00 INTRO & ALMA by Antonio Rey
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/carl-her
06:10 Zapateado by Paco de Lucia
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/jose-mar
10:27 Farolillo de Feria by Paco de Lucia
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/francisc
15:20 Mozart Variations Op. 9 by Fernando Sor
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/daniel-f
24:53 Cielo Abierto by Quique Sinesi
🎸 Guitar: https://www.siccasguitars.com/....shop/guitar/leonard-

Support our channel and become a SiccasGuitars Member with exclusive classical guitar nerd perks:
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Follows us on:
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Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers. We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already You can find our showroom in 76137 Karlsruhe, Roonstr. 31, Germany

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Lighted by Nyta: https://www.nyta.eu/en/

Vince Staples: Tiny Desk (Home) Concert Hotney 2 意见 • 4 年前

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Bobby Carter | July 23, 2021
At the midpoint of Vince Staples' Tiny Desk (home) concert, he gazes through the sun-soaked windows of his Hollywood Hills location and pauses. "You should see this view – I don't live here," he exclaims with pride. "I would never live here." As to why he wouldn't give in to the spoils of success and relocate to a fancy spot in the Hills or Calabasas, he explains in the lyrics of the song that follows, "THE SHINING": I could never do it / I'm too active. That sentiment, the push-pull relationship with his North Long Beach home base, is a dominant theme of his new self-titled album, which he tells NPR is "the clearest expression yet of who he is."

Despite years-long demand from our audience on YouTube, this was the perfect time for a Vince Staples Tiny Desk performance. We've very rarely seen him perform with a band in the past. Then there's the sound of his new work – Kenny Beats, seen playing bass, handled the bulk of the production of the album, Staples' most melodic to date. The band, outfitted in blue khaki suits, was able to recreate the sound of Vince Staples seamlessly (it's mostly made up of players from the album), and coast wonderfully through this four-song set, punctuated by Vince's signature, tongue-in-cheek humor between songs. Always willing to share the spotlight with future stars (see Snoh Aalegra), he closes with the assistance of another on the horizon, the singer Fousheé, on "TAKE ME HOME."

SET LIST
"LAW OF AVERAGES"
"SUNDOWN TOWN"
"THE SHINING"
"TAKE ME HOME" (featuring Fousheé)

MUSICIANS
Vince Staples: vocals
Kenny Beats: bass
Gio "Dutchboi" Ligeon: guitar, vocals
Reske: keys, vocals
David Meyers Jr.: drums
Fousheé: vocals

CREDITS
Video: Keaton Kinnaman, Jak Bannon, and Jess Colquhoun
Audio: Tyler Page
Executive Producer: Corey "Blacksmith" Smyth
Producer: Emily Hillgren
Creative Directors: Travis Brothers and Bryan Rivera
Director of Photography: Charlie Owens
Production Assistants: Meghan Matthews and Colin Martin

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Maia Stern
Audio Mastering: Alex Drewenskus
Tiny Production Team: Bob Boilen, Kara Frame, Josh Rogosin, Gabrielle Pierre
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #vincestaples

Olivia Rodrigo: Tiny Desk (Home) Concert Hotney 2 意见 • 4 年前

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Sofie Hernandez-Simeonidis | December 7, 2021
Stepping into a DMV when you're about to take your first driver's test, while nerve wracking, is something of a milestone. And Olivia Rodrigo has been hitting milestones with frequency this year: her first album SOUR debuted at the top of the charts in May after the success of three previously released singles, most notably the viral "drivers license" (hence the DMV locale and its "interesting vibes.") Her pop stardom may seem sudden, but Rodrigo has been entranced by music and songwriting for the majority of her 18 years, as if she's been observing the right moves from the backseat of the car until it was time for her to get behind the wheel.

Rodrigo and her band take on the Tiny Desk mentality as they experiment with arrangements throughout this performance, embracing new sounds for her songs. The set begins with an acoustic version of the pop-punk-ish single "good 4 u," and a similar setup continues with the addition of an echoey, electric guitar in "traitor." "drivers license" features only Rodrigo and her keyboard, a shift from the recorded version well-known for Dan Nigro's production and the ever-present beeping of a car door sensor. "deja vu" starts softly with just an acoustic guitar until the chorus ramps up to a full band after she exclaims, "Do you get deja vu, huh?"

SOUR tells the story of a first heartbreak, one that inspires an intense anguish most accessible when you're a teenager. That open wound, empty-chest feeling of a breakup, especially when you're as young as Rodrigo, is difficult to shake. The album allowed listeners to bask in Rodrigo's heartache as if it were their own, but as she dances around an empty DMV and laughs along to a song about betrayal, she proves that time heals all wounds.

SET LIST
"good 4 u"
"traitor"
"drivers license"
"deja vu"

MUSICIANS
Olivia Rodrigo – vocals, guitar, keys
Heather Baker - guitars
Hayley Brownell - drums, guitars
Arianna Powell - guitars
Moa Munoz - bass, guitar

CREDITS
Video: David Clair, Joe McGarry
Audio: Paul Hager
AP: Derek Griesbach
Director of Photography: Matthias Schubert
Camera Operator: Stephen St. Peter
Gaffer: Joe Escandell
Color: Henry Santos

TINY DESK TEAM
Producer: Bob Boilen
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Tiny Production Team: Bobby Carter, Kara Frame, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #oliviarodrigo