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Dua Lipa - IDGAF (Official Music Video) Hotney 1 Ansichten • 3 Jahre vor

The official music video for Dua Lipa - IDGAF

Taken from her self-titled debut studio album released in 2017, which featured the hit singles 'Be The One', 'IDGAF', 'Hotter Than Hell' & 'New Rules'

Subscribe to the Dua Lipa channel for all the best and latest official music videos, behind the scenes and live performances.
https://www.youtube.com/channe....l/UC-J-KZfRV8c13fOCk

See more official videos from Dua Lipa here:
https://www.youtube.com/playli....st?list=PLNrotoZZ8Ba

Listen to more from the album 'Dua Lipa' :
https://www.youtube.com/playli....st?list=OLAK5uy_lMtk

Follow Dua Lipa:
Instagram: https://dualipa.co/instagram
Facebook: http://dualipa.co/facebook
TikTok: https://www.tiktok.com/@dualipaofficial
Twitter: http://dualipa.co/twitter
YouTube: https://dualipa.co/youtube

Video Credits:
Artistic direction: Henry Scholfield & Mosaert (Paul Van Haver aka Stromae and Luc Junior Tam)
Director: Henry Scholfield

Lyrics:
You call me, all friendly, tellin’ me how much you miss me
That’s funny, I guess you’ve heard my songs, well
I’m too busy for your business, go find a girl who wants to listen
Cause if you think I was born yesterday, you have got me wrong

So I cut you off, I don’t need your love
Cause I already cried enough, I been done
I’ve been movin’ on, since we said goodbye
I cut you off, I don’t need your love, so you can try all you want
Your time is up, I’ll tell you why

You say you’re sorry, but it’s too late now
So save it, get gone, shut up
Cause if you think I care about you now
Boy I don’t give a fuck

I remember that weekend, when my best friend caught you creepin’
You blamed it all on the alcohol
So, I made my decision, cause you made your bed sleep in it
Play the victim and switch your position, I’m through, I’m done

So I cut you off, I don’t need your love
Cause I already cried enough, I been done
I’ve been movin’ on, since we said goodbye
I cut you off, I don’t need your love, so you can try all you want
Your time is up, I’ll tell you why

You say you’re sorry, but it’s too late now
So save it, get gone, shut up
Cause if you think I care about you now
Boy I don’t give a fuck

I see you tryna get to me
I see you begging on your knees
Boy I don’t give a fuck
So stop tryna get to me
Get up off your knees
Boy I don’t give a fuck

About you, no I don’t give a damn
You keep reminiscin’ on when you were my man
But I’m over you, now you’re all in the past
You talk all that sweet talk but I ain’t comin’ back

Cut you off, I don’t need your love, so you can try all you want
Your time is up, I’ll tell you why, I’ll tell you why

You say you’re sorry, but it’s too late now
So save it, get gone, shut up
Cause if you think I care about you now
Well boy I don’t give a fuck

I see you tryna get to me
I see you begging on your knees
Boy I don’t give a fuck
So stop tryna get to me, get up off your knees
Boy I don't give a fuck

About Dua Lipa:
Born and raised in London to Kosovar-Albanian parents Dua Lipa signed to Warner Records in 2015, releasing her self titled debut in 2017 which featured the hit singles, 'Be The One', 'IDGAF', 'Hotter Than Hell' & her first UK #1 hit 'New Rules'.

Critical success soon followed as Dua Lipa picked up Brit Awards for 'Best Female Solo Artist' and 'Best British Breakthrough Act' as well as Grammy Awards for 'Best New Artist' and 'Best Dance Recording' for the track 'Electricity' in collaboration with Silk City.

Her second internationally acclaimed studio album 'Future Nostalgia' was released in 2020 and included the hit singles 'Don't Start Now, 'Break My Heart', 'Hallucinate' and 'Levitating', with the remix album 'Club Future Nostalgia' following shortly after featuring guest appearances from 'Blackpink', 'Missy Elliott', 'Madonna' and 'Gwen Stefani'.

#DuaLipa #IDGAF #DL1

Kanye West - Clique ft. Big Sean & Jay-Z (Explicit) Hotney 1 Ansichten • 3 Jahre vor

[Intro: James Fauntleroy]
What of the dollar you murdered for
Is that the one fighting for your soul
Or your brother's the one that you're running from
But if you got money, fuck it, because I want some

[Hook: Big Sean]
Ain't nobody fucking with my
Clique, clique, clique, clique, clique
Ain't nobody fresher than my muthafuckin
Clique, clique, clique, clique, clique
As I look around, they don't do it like my
Clique, clique, clique, clique, clique
And all these bad bitches, man, they want the
They want the, they want the, they want the

[Verse 1: Big Sean]
I tell a bad bitch do whatever I say
My block behind me like I'm coming out the driveway
It's grande, from Friday, to next Friday
I been up straight for nine days, I need a spa day
Yup, She trying get me that poo-tang
I might let my crew bang, my crew deeper than Wu Tang
I'm rolling with... fuck I'm saying? Girl, you know my crew name
You know 2 Chainz? Scrrr! I'm pulling up in that Bruce Wayne
But I'm the fucking villain, man, they kneeling when I walking in the building
Freaky women I be feeling from the bank accounts I'm filling
What a feeling, ah man, they gotta be
Young player from the D that's killing everything that he see

[Hook]

[Verse 2: Jay Z]
Yeah I'm talking Ye', yeah I'm talking Rih
Yeah I'm talking Bey, nigga I'm talking me
Yeah I'm talking bossy, I ain't talking Kelis
Your money too short, you can't be talking to me
Yeah I'm talking LeBron, we balling our family tree
G.O.O.D Music drug dealing cousin, ain't nothing fuckin' with we, me
Turn that 62 to 125, 125 to a 250
250 to a half a man ain't nothin' nobody can do with me
Now who with me? ¡Vámonos! Call me Hov or Jefe
Translation, I'm the shit, at least that what my neck say
Least that what my check say, lost my homie for a decade
Nigga down for like 12 years, ain't hug his son since the second grade
He never told, who we gonna tell, we top of the totem pole
It's the dream team, meets the Supreme Team
And all our eyes green it only means one thing
You ain't fucking with my clique

[Hook]

[Verse 3: Kanye West]
Break records at Louie, ate breakfast at Gucci
My girl a superstar all from a home movie
Bow on our arrival - the unamerican idols
What niggas did in Paris, got em' hanging off the Eiffel
Yeah I'm talking business, we talking CIA
I'm talking George Tenet, I seen him the other day
He asked me about my Maybach, think he had the same
Except mine tinted and his might have been rented
You know white people get money don't spend it
Or maybe they get money, buy a business
I rather buy 80 gold chains and go ig'nant
I know Spike Lee gone kill me but let me finish
Blame it on the pigment, we living no limits
Them gold Master P ceilings was just a figment
Of our imagination, MTV cribs
Now I'm looking at a crib right next to where TC lives
That's Tom Cruise, whatever she accuse
He wasn't really drunk he just had a few brews
Pass the refreshments, a cool, cool beverage
Everything I do need a news crew's presence
Speedboat swerve, homie watch out for the waves
I'm way too black to burn from sun rays
So I just meditate at the home in Pompei
About how I could build a new Rome in one day
Everytime I'm in Vegas they screaming like he Elvis
But I just wanna design hotels and nail it
Shit is real, got me feeling Israelian
Like Bar Refaeli, Gisele, nah that's Brazilian
Went through, deep depression when my momma passed
Suicide, what kinda talk is that
But I been talking to God for so long
And if you look at my life I guess he's talking back
Fucking with my clique

[Hook]

Sepultura Why Max Cavalera Left The Band Hotney 1 Ansichten • 3 Jahre vor

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Today we discuss why Max Cavalera quit Sepultura and how the band fell apart around the time of their 1996 Roots album.

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#sepultura #brazil #maxcavalera

Sepultura broke the mould of metal by not originating from America or Europe as most other bands in the genre did. Instead they were 4 kids from Brazil who got lucky and found their way to America. The third album of their career Beneath the Remains was their first release on American label roadrunner records. Considered by many to be a monumental album in the thrash genre, even former frontman Max Cavelera acknowledged that it was the album where the band found their style. It was brash, explosive and in your face. It was a warning to metalheads everywhere of what the 90’s would have in store for the band. The group’s 4th album titled Arise would be released in 1991 and would be a commercial and critical hit going platinum and would be considered by many to be one of the band’s finer moments. While the album’s sound stayed close to Beneath the Remains there were glimmer’s of the band experimenting with their sound that wouldn’t come to fruition until their follow up record.

The group’s fifth album Chaos AD saw the band pushing them past their contemporaries exploring new sounds and becoming more comfortable with experimentation putting a bigger emphasis on groove metal.. The album easily found an audience becoming a top 40 hit in UK and US. The band would tour alongside Pantera and Ministry, Sepultura guitarist Andreas Kisser would recall to Metal Hammer “During the making of Chaos AD, we were very focused, very organised, very connected,”. “We were together, it was a very special moment in Sepultura’s career.”

But by 1995 the incarnation of the band fronted by Max Cavalera was on its last legs as the band fell apart. What happened? Stay tuned to find out.

It’s a story that’s been told a million times. A band gets big, they are inundated with pressures and new found fame and they suddenly fall apart. That pretty much describes Sepultura’s story in the early to mid 90’s. The classic lineup of Sepultura would consist of vocalist/rhythm guitarist Max Cavalera, lead guitarist Andreas Kisser, bassist Paulo Jr Pinto and drummer Max’s brother Iggor Cavalera.

Max would summarize the band’s rise and fall to Metal Hammer saying
“All of a sudden we’re this really big machine and we couldn’t really comprehend it,” We didn’t know how to deal with it.” he’d say

It was 1995 and the band was ready to hit the studio to work on their follow up to Chaos AD titled Roots. They had assembled at the Indigo Ranch in California with future Slipknot and Limp Bizkit producer Ross Robinson. As the title of the album implied this album was meant to pay homage to the band’s birth country of Brazil, but it may surprise people to know that it was producer Ross Robinson who came up with the idea of “Braziliness” as he called it. Roots saw the band experiment with elements of the music of Brazil's indigenous peoples, and adopted a slower, down-tuned sound. Many consider the album to have had a huge impact on the nu metal scene that exploded a few years later.

According to guitarist Andreas he would reveal the monumental impact producer Ross Robinson had saying:

Ross had a whole new perspective. He came and showed a lot of new possibilities for us. He really brought that idea of the ‘Brazilianness’: the jams, the free approach to everything.” while Iggor would tell

“He was pushing a lot of crazy ideas. I remember coming back from the studio with a tape we’d done there, and I didn’t know what we were going to do with it, ’cos there was so much going on – a thousand guitars on a take with noises and percussion, that kind of thing. I was a bit confused.”

Robinson wasn’t the only person who had a huge influence on the sound of the album It legendary engineer Andy Wallace who worked with a huge eclectic list rockstars including Guns N’ Roses, Paul Mccartney, System of a down also worked on the album Max pointed out the importance of Ross Robinson and Andy Wallace working on the album saying “The greatest thing was having the combination of Ross and [engineer] Andy Wallace. Ross recorded it on his own and it sounded like total dogshit – not for human consumption. We’d send it to Andy. It would be like sending him a diamond covered in shit, and he had to clean all the shit from it to make the diamond shine, which is what he did.”
The band would successfully make it through the recording

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