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Billboard Music Awards 1993
Phil Collins
Quincy Jones
VHS EP
#BBMAs
Karol G performs “Amargura” at Billboard’s Women In Music 2024.
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#KarolG #Amargura #BBWomenInMusic2024
Karol G Performs “Amargura” | Billboard Women In Music 2024
Billboard
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New Album, Dark Waters, out now!
Order here: https://lnk.to/Delain-DarkWaters
The wait is finally over! DELAIN, the brainchild of keyboardist, founder and main songwriter Martijn Westerholt, returns with full power, presenting themselves with a new lineup featuring the terrific Diana Leah as their next singer! Her powerful, heart-wrenching voice fits perfectly with the band's style and adds a new strength to their sound. Rejoining the fold and bolstering the band’s continuity are original guitarist Ronald Landa and original drummer Sander Zoer, while new members Diana and bassist Ludovico Cioffi continue the evolution of the band’s sound. The multi million-streaming leading Symphonic Metal outfit sets off into their next era, creating the perfect symbiosis of tested strengths and new influences.
The band's new single, “The Quest and the Curse”, implements this in an impressive manner. Trademark bombastic riffs, lush orchestrations, elements from film music, metal, pop, electronic, and much more mark an amalgamation of the old and new, and build the next chapter of the band's history.
As Martijn Westerholt states:
"The future of DELAIN looks bright!"
Mixed and Mastered by Andrea Fusini at Fusix Studio
Video by Video Ink Ltd
http://www.delain.nl/
https://www.facebook.com/delainmusic
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De La Soul, alongside longtime collaborator and production genius Prince Paul, cooks up a 35-year-old dish known as “Eye Know,” from their legendary 1989 album, ‘3 Feet High and Rising.’ Check out their website for exclusive merch, 2024 tour dates and more: https://www.wearedelasoul.com.
#Colbert #Music #DeLaSoul #EyeKnow
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Stephen Colbert brings his signature satire and comedy to THE LATE SHOW with STEPHEN COLBERT, the #1 show in late night, where he talks with an eclectic mix of guests about what is new and relevant in the worlds of politics, entertainment, business, music, technology and more. Featuring bandleader Louis Cato and “THE LATE SHOW band,” the Peabody Award-winning and Emmy Award-nominated show is broadcast from the historic Ed Sullivan Theater. Stephen Colbert took over as host, executive producer and writer of THE LATE SHOW on Sept. 8, 2015.
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🔥 OTHER FIRE VIDEOS 🔥
▶︎ GANGS OF LONDON: MOSCOW17 V ZONE 2
https://youtu.be/xhpQyjwZHpY
▶︎ THE INSANE RISE AND FALL OF STITCHES
https://youtu.be/xaRuh2nKcSY
▶︎ WHY KANYE HATES DRAKE
https://youtu.be/XZzKekjMQ1k
▶︎ $70 Chain v $70,000 Chain
https://youtu.be/sfk8EFlGM5A
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Santana - Soul Sacrifice 1969 Woodstock live concierto HQ
My new single "Now or Never" - out now: https://oursongs.lnk.to/noworneverID
My Album is OUT NOW: https://anastacia-oursongs.com
#anastacia #nowornever #oursongs
The German version of "An Guten Tagen" by @JohannesOerding
[LYRICS]
IT’S NOW OR NEVER
THE SKY IS SHINING BRIGHT
TIME ISN’T TICKING ANYMORE
I’M WIDE AWAKE
THERE AIN’T NO LOCK I AM THE KEY
AND LIFE IS KNOCKING AT MY DOOR
IT’S NOW OR NEVER
I KNOW THERE IS NO DOUBT
ALL MY FEARS FADING AWAY
I AM SURROUNDED BY THE WIND
BENEATH MY WINGS
SO MAYBE
YOU’LL CROSS MY WAY
IT’S NOW OR NEVER
THERE IS ONLY HERE AND NOW
DON’T ASK ME WHEN OR WHERE
I’M ON A SPEEDING TRAIN I WON’T LOOK BACK
IT’S NOW OR NEVER
NO MATTER WIN OR LOSE
THE GAMBLE’S WORTH THE GAME
THE ROLLERCOASTER RIDE GOES ON AND ON
IT’S NOW OR NEVER
EVERY STEP AN OPEN DOOR
THERE’LL ALWAYS BE A BRIGHTER DAY
RED CARPETS ROLLING OUT
IN FRONT OF EVERY FLOOR
WE COULD’NT GET THERE YESTERDAY
IT’S NOW OR NEVER
YOUR HEART IS PUMPING WILD
TIME IS PRECIOUS
I’M CAREFREE AS A CHILD
THIS LIFE IS BEAUTIFUL
LET’S LIVE IN HARMONY
THERE’S ONLY ONE LIFE
GO LIVE IT NOW
IT’S NOW OR NEVER
THERE IS ONLY HERE AND NOW
DON’T ASK ME WHEN OR WHERE
I’M ON A SPEEDING TRAIN I WON’T LOOK BACK
IT’S NOW OR NEVER
NO MATTER WIN OR LOSE
THE GAMBLE’S WORTH THE GAME
THE ROLLERCOASTER RIDE GOES ON AND ON
I KNOW THAT DAY BY DAY CAN FEEL IT’S SO MONOTONOUS
YOU NEED A PLACE TO HIDE AWAY
I TAKE A PICTURE SO THIS MOMENT DOESN’T PASS
YOU’RE IN THE FIGHT OF YOUR LIFE
IT’S NOW OR NEVER
IT’S NOW OR NEVER
ONLY HERE AND NOW
DON’T ASK ME WHEN OR WHERE
I’M ON A SPEEDING TRAIN I WON’T LOOK BACK
IT’S NOW OR NEVER
NO MATTER WIN OR LOSE
THE GAMBLE’S WORTH THE GAME
THE ROLLERCOASTER
THE ROLLERCOASTER
THE ROLLERCOASTER RIDE GOES ON AND ON
TOURDATES 2023/24:
Nov 24, 2023 Antwerp, Belgium (Antwerps Sportpaleis)
Nov 25, 2023 Antwerp, Belgium (Antwerps Sportpaleis)
Nov 26, 2023 Antwerp, Belgium (Antwerps Sportpaleis)
Dec 1, 2023 Mannheim, BW (SAP Arena)
Dec 2, 2023 Dortmund, Germany (Westfalenhalle)
Dec 3, 2023 Oberhausen, Germany (Rudolf Weber-Arena)
Dec 5, 2023 Erfurt, Germany (Exhibition Hall/ Messehalle)
Dec 6, 2023 Hanover, Germany (ZAG Arena)
Dec 8, 2023 Hamburg, Hamburg (Barclays Arena)
Dec 9, 2023 Hamburg, Hamburg (Barclays Arena)
Dec 10, 2023 Bremen, Germany (OVB- Arena)
Dec 15, 2023 Munich, Bavaria (Olympiahalle)
Dec 16, 2023 Munich, Bavaria (Olympiahalle)
Dec 17, 2023 Munich, Bavaria (Olympiahalle)
Dec 19, 2023 Stuttgart, Germany (Hanns-Martin-Schleyer-Halle)
Dec 20, 2023 Frankfurt, Frankfurt am Main (Festhalle Messe Frankfurt)
Dec 21, 2023 Frankfurt, Frankfurt am Main (Festhalle Messe Frankfurt)
Dec 22, 2023 Cologne, NRW (LANXESS Arena)
Dec 23, 2023 Cologne, NRW (LANXESS Arena)
PETER MAFFAY & BAND - We Love Rock 'n' Roll - Farewell Tour 2024 with special guest star Anastacia
Jun 21, 2024 Rostock, Germany (Ostseestadion)
Jun 22, 2024 Hanover, Germany (Heinz von Heiden Arena)
Jun 28, 2024 Munich, Bavaria (Königsplatz Munich)
Jul 2, 2024 Bremen, Germany (ARENA on the Bürgerweide)
Jul 4, 2024 Berlin, Germany (Waldbühne Berlin)
Jul 7, 2024 Hamburg, Germany (Sommerarena auf der Trabrennbahn Bahrenfeld)
Jul 12, 2024 Cologne, Germany (RheinEnergieStadion)
Jul 16, 2024 Stuttgart, Germany (Cannster Wasen)
Jul 18, 2024 Frankfurt, Germany (Deutsche Bank Park)
Jul 20, 2024 Leipzig, Germany (Red Bull Arena)
Follow Anastacia:
Website: http://www.anastacia.com
Facebook: https://www.facebook.com/Anastacia
Instagram: https://instagram.com/anastaciamusic
QuesoXTE • Kim Loaiza • Codiciado •Space Music 🚀
✨ SIGUEME AQUI ✨
• INSTAGRAM: @Kimberly.Loaiza http://bit.ly/IGKim
• PAGINA DE FACEBOOK: Kimberly Loaiza http://bit.ly/FBKimL
• TWITTER: KimberlyLoaiza_ http://bit.ly/KimLTW
•SUSCRÍBETE AQUÍ: https://bit.ly/3oYuGUW
LETRA ✍🏻 -
Kim Loaiza
Puro Codiciado loco
Arriba la patrulla
Un whiskito pa calmar la sed
Casi no tomo pero es que esta vez
La fiesta hay que saber seguir
No paro aquí puro para arriba yo soy así
En la troca de camino a repetir
Ya le marque a la peble para ir
A un antro con ….
Se dieron las 12 y aún sigue el fiestón
Ya subí una historia y pidió ubicación
Uno que otro por ahí que anda tras de mi
Pero esta noche es sin gpi
El dueño del antro mee ubica a mi
Siempre reservado el vip
El y ella puso mi canción
La que soporte mi Flow esta cabron
Hoy todo lo que tengo
Se que no es eterno
Por eso lo disfruto con los míos
Me lo he ganado me he jodido
Seguiré subiendo
Este es mi momento
Estoy viviendo todo lo un día se soñó
Andamos en la cima todo se me dio
(Todo se me dio y soporten y si tanto les molesta pa que me voy, me queda claro que la envidia es una enfermedad y de verdad espero que se mejoren)
Hoy todo lo que tengo
Se que no es eterno
Por eso lo disfruto con los míos
Me lo he ganado me he jodido
Seguiré subiendo
Este es mi momento
Estoy viviendo todo lo un día se soñó
Andamos en la cima todo se me dio
Seguiré subiendo
Este es mi momento
Estoy viviendo todo lo un día se soñó
Andamos en la cima todo se me dio
CONTACTO 💌: Marcaskim@gmail.com
Shimza's London debut headline performance at London's newest and most central venue HERE at Outernet.
Video By: On Air Entertainment
The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop as soul in the Supremes' hits, that even some of their biggest hits could sound formulaic, and that they were probably the black performers who were most successful at infiltrating the tastes and televisions of middle America. This shouldn't diminish either their extraordinary achievements or their fine music, the best of which renders the pop vs. soul question moot with its excellence.
The Supremes were not an overnight success story, although it might have seemed that way when they began topping the charts with sure-fire regularity. The trio that would become famous as the Supremes -- Diana Ross, Mary Wilson, and Florence Ballard -- met in the late '50s in Detroit's Brewster housing project. Originally known as the Primettes, they were a quartet (Barbara Martin was the fourth member) when they made their first single for the Lupine label in 1960. By the time they debuted for Motown in 1961, they had been renamed the Supremes; Barbara Martin reduced them to a trio when she left after their first single.
The Supremes' first Motown recordings were much more girl group-oriented than their later hits. Additionally, not all of them featured Diana Ross on lead vocals; Flo Ballard, considered to have as good or better a voice, also sang lead. Through a lengthy series of flops, Berry Gordy remained confident that the group would eventually prove to be one of Motown's biggest. By the time they finally did get their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes," in late 1963, Ross had taken over the lead singing for good.
Ross was not the most talented female singer at Motown; Martha Reeves and Gladys Knight in particular had superior talents. What she did have, however, was the most purely pop appeal. Gordy's patience and attention paid off in mid-1964, when "Where Did Our Love Go" went to number one. Written by Holland-Dozier-Holland, it established the prototype for their run of five consecutive number-one hits in 1964-1965 (also including "Baby Love," "Stop! In the Name of Love," "Come See About Me," and "Back in My Arms Again"). Ross' cooing vocals would front the Supremes' decorative backup vocals, put over on television and live performance with highly stylized choreography and visual style. Holland-Dozier-Holland would write and produce all of the Supremes' hits through the end of 1967.
Not all of the Supremes' singles went to number one after 1965, but they usually did awfully well, and were written and produced with enough variety (but enough of a characteristic sound) to ensure continual interest. The chart-topping (and uncharacteristically tough) "You Keep Me Hangin' On" was the best of their mid-period hits. Behind the scenes, there were some problems brewing, although these only came to light long after the event. Other Motown stars (most notably Martha Reeves) resented what they perceived as the inordinate attention lavished upon Ross by Gordy, at the expense of other artists on the label. The other Supremes themselves felt increasingly pushed to the background. In mid-1967, as a result of what was deemed increasingly unprofessional behavior, Ballard was replaced by Cindy Birdsong (from Patti LaBelle & the Bluebelles). Ballard become one of rock's greatest tragedies, eventually ending up on welfare, and dying in 1976.
After Ballard's exit, the group would be billed as Diana Ross & the Supremes, fueling speculation that Ross was being groomed for a solo career. The Supremes had a big year in 1967, even incorporating some mild psychedelic influences into "Reflections." Holland-Dozier-Holland, however, left Motown around this time, and the quality of the Supremes' records suffered accordingly (as did the Motown organization as a whole). The Supremes were still superstars, but as a unit, they were disintegrating; it's been reported that Wilson and Birdsong didn't even sing on their final hits, a couple of which ("Love Child" and "Someday We'll Be Together") were among their best. In January 1970. Jean Terrell replaced Ross, and the group continued through 1977. ~ Richie Unterberger, All Music Guide
PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index
Listen to "Chocolate Girls" here!
https://donaltae.lnk.to/chocolategirls
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Check out my newest single "Supernatural Woman" https://donaltae.lnk.to/supernaturalwoman
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#donaltae #chocolategirls #officialvideo
just two boys performing 'Heavydirtysoul' with the oakland clique.
shot and edited by Reel Bear Media (http://reelbearmedia.com)
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fromis_9 (프로미스나인) '#menow' Official MV
#fromis_9 #프로미스나인 #Unlock_My_World
Credits :
Production : KUDO
Director : Guzza(KUDO)
Creative Director : Kim Juhee
Assistant Director : Yu Sungwon, Lim Hyunhee
Production Assistant : Kim Hyuk, Lee Seungchae, Sturmheit Jana, Lim Jeeyoon, Hwang Jinhee, Kim Wookyeon, Jang Seeng, Hwang Soonnyeung
Producer : Emma Sungeun Kim (GE Production)
Production manager : Shin Yujae
Production assistant: An Juyoung, Choi Seungwon, Kim Hyoseok, Seo Minho, Bark Chungheon, Hwang Dongyeon
Director of Photography : Seo Giung (Line of Sight)
Focus Puller : Hong minhyuk, Jeon seungbeom
2nd : Kim jeduck
DIT : Kim jaeho
3rd : Jeon hyunbae
Jimmy Jib Operator : Kim Kitae
Jimmy Jib Assistant : Lee Seokchan, Bing Junghyun, Yoo Seungmin
Technocrane Operator : Lee Dongjin
Technocrane Assistant : Lee Jiyong, Yoo Jeonghyun, Jung Sungeum
Key Grip : Kim Jimin
Grip Team : Hong Sungin, Won Heejea, Lee Sangho
Gaffer : Oh Jonghwan
Lighting Team : Kim Hyunggyun, Lee Kyunghwan, Choi Beomseok, Jung Juho, Jung Heywook, Yoon Jaeung, An Beomyun, Seo Jinhyun, Gan Guhyun, Jeong Seungmin
Show Light : J SHOW COMPANY
Art Director : Yun Insol
Art Team : Lee Hyeonna, Ko Yujin, HyonaKang Dahyun, Baek Hwandyek
SFX : Park Kyoungsoo (JUST)
SFX team : Kim Changsok, Choi Minjun, Kim Changhee, Lee Dongyoon
Sound Design : Ahn joseph (Keatsseoul)
VFX STUDIO : SECOND FLOOR
VFX Supervisor : Byun Daeyoung
2D Composite Lead : Lee Ayoung
2D Composite Artist : Ko Youngjun, Kim Cheayoung
3D/FX Artist : Kang Hyeju, You Geoyoung, Zinzin, Jang Seokjoo
Project Manager : Kim Seoyun
Matte Painter : Oh Hyungjo
2D Composite : Kim Dohan
Digital Intermediate : RIBBON
Executive Producer : Han Sungsoo
Connect with fromis_9
Official Homepage : https://www.pledis.co.kr/html/artist/fromisnine
Official YouTube : https://www.youtube.com/c/Officialfromis9
Official Twitter : https://twitter.com/realfromis_9
Official Instagram : https://www.instagram.com/officialfromis_9
Official Facebook : https://www.facebook.com/officialfromis9
Official TikTok : https://www.tiktok.com/@official_fromis9
Official Weverse : https://www.weverse.io/fromis9
ⓒ PLEDIS Entertainment. All Rights Reserved
La Niña De La Escuela, ya disponible para descarga y streaming:
https://umusices.lnk.to/LaNinaDeLaEscuela
Lola Indigo
https://www.instagram.com/lolaindigo
https://www.facebook.com/LolaIndigoOficial
https://twitter.com/lolaindigomusic
https://www.tiktok.com/@lolainditok
Tini
https://www.instagram.com/tinistoessel
https://www.facebook.com/TinitaStoesel
https://twitter.com/tinistoessel
Belinda
https://www.instagram.com/belindapop
https://www.facebook.com/belindapop
https://twitter.com/belindapop
https://www.tiktok.com/@belindatok
LETRA / LYRICS
Soy aquella niña de la escuela
La que no te gustaba, ¿me recuerdas?
Ahora que estoy buena, paso y dices
¡Oh, nena, oh, nena!
Soy aquella niña de la escuela
La que no te gustaba, ¿me recuerdas?
Ahora que estoy buena, paso y dices
¡Oh, nena, oh, nena! (yeah)
Y sé que cambié, yeah, que ahora te gusto bastante
Ya no soy la misma de antes
Yo sé que cambié, yeah, porque yo pulí mi diamante
(Tengo suficientes amantes)
Tu ego se calló-lló-lló
Tú no me hace' falta, tengo to', to', to
Límpiate la baba que se te cayó (te cayó)
Por primera vez, el truco te falló (te falló-ó-ó)
Cuando pudiste, tú no quisiste
Y ahora que tú quiere', no se va a poder
Ahora me viste, te pones triste
Sabes lo que vas a perder
Soy aquella niña de la escuela
La que no te gustaba, ¿me recuerdas?
Ahora que estoy buena, paso y dices
¡Oh, nena, oh, nena!
Soy aquella niña de la escuela (aquella niña de la escuela)
La que no te gustaba, ¿me recuerdas?
Ahora que estoy buena, paso y dices
¡Oh, nena, oh, nena!
Baby, ya volví, hello
Yo sé que estoy más buena, deja el show
La que en el colegio tanto te escribió
Y ahora que me ve cantando reggaetón
Quiere volver, pero ya no
Y ahora me puse más buena, pero ma' mala
Ahora me está llamando, a mí me resbala
Ahora que estoy perdida como una bala
Soy peligrosa, nadie me iguala
Y ahora me puse más buena, pero ma' mala
Ahora me está llamando, a mí me resbala
Ahora que estoy perdida como una bala
Yo soy peligrosa, nadie me iguala
Soy aquella niña de la escuela
La que no te gustaba, ¿me recuerdas?
Ahora que estoy buena, paso y dices
¡Oh, nena, oh, nena!
Soy aquella niña de la escuela
La que no te gustaba, ¿me recuerdas?
Ahora que estoy buena, paso y dices
¡Oh, nena, oh, nena!
Baja de la nube que no ere' Goku
No llores, asume, que ya no estás tú
En mi corazón, lo rompiste y me dolió
Y ahora que todos me miran
Tú no llamas mi atención
Baja de la nube que no ere' Goku
No llores, asume, que ya no estás tú
En mi corazón, lo rompiste y me dolió
Y ahora que todos me miran
Tú no llamas mi atención
Soy aquella niña de la escuela
La que no te gustaba, ¿me recuerdas?
Ahora que estoy buena, paso y dices
¡Oh, nena, oh, nena!
Soy aquella niña de la escuela
La que no te gustaba, ¿me recuerdas?
Ahora que estoy buena, paso y dices
¡Oh, nena, oh, nena!
TINI, TINI, TINI
Andy Clay
Be-Be-Belinda
The Dro1dz
(¡Oh, nena, oh, nena!)
#LolaIndigo #NiñaDeLaEscuela #TINI #Belinda
Music video by Lola Indigo, TINI, Belinda performing Niña de la Escuela. © 2021 Universal Music Spain, S.L.U.
(Artist Submitted)
✔ Follow Sauce Gotti x EBK Trey B on IG: https://www.instagram.com/safewitsauce/
https://www.instagram.com/ebktreyb_/
Prod. Beatsbycotto
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Seattle artist Sauce Gotti links up with Stockton's EBK Trey B for "Booked"! Check it out up top. (Artist Submitted)
Slapped by: Thizzler Staff
#Thizzler
Thizzler On The Roof is a music video platform focused on new 2023 hip-hop & rap music scene from a Bay Area point of view. We post music videos & new songs daily.
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Isaiah Robin new single and visual to song called “No Time Out”
Yes, well, I see myself as a revolutionary. You cant get any help, and I don't take any bribe from anyone, I fight it single handed - with music! Rasta is the future - You see? Yes, rasta is the future, that's good...
Excellent Interview from the Great Bob Marley
Bob: Herbs a plant. Why these people that wants to do so much good for everyone calling themselves governments and this and that. Why they say you must not use the herb? You say um um we find that you mustn't use it because IT MAKES YOU REBEL..AGAINS T WHAT? AGAINST MEN WHO ARE SCRAVEN/CRAVEING (NOT SURE)Dem(they) crave for material things to captivate your mind and want to tell you, you have to work and put you on pension and THEY keep it all. So herb make you look upon yourself instead of you wanting to work for the man (greedy corrupt governments) AND YOU WANT TO BE ONE OF THE MAN TOO! Not in the sense of how him is but in the sense of why you have to bow to these things.
The media part: Bob: MEDIA! As If I ran(own) a newspaper I would do allot of interviews, because what I want to say would get across. If/when I talk to someone it goes to someone and they inherited to fit their business, and if too militant and they try for to spread a type of propaganda I mean media is media
Bob said That the government basically created a false reality in that we have to work, in order to get pension, health care, because they planted a seed of greed within us so we dwell on materialistic things. While the government at the end takes everything. Herb makes you meditate and realize life and then makes you rebel! The media are just propaganda if you own a media outlet you would use it to get your own ideas to influence the news.
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Gerardo Ortiz — Otra Borrachera [Versión Norteño Banda] (Official Video)
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Letra:
Otra borrachera más
¿Pa' qué me hago tonto? Si no he podido olvidarte
Es que tu recuerdo me lo encuentro en todas partes
¿Cómo le hago pa' olvidarte y de mi vida alejarte?
Tal vez a ti te da igual
Anoche tomando te llamé para escucharte
Y tú me colgaste y más me llegó el coraje
Te empeñas en ignorarme, ¿qué ganas con lastimarme?
Otra borrachera más
Y me está gustando, sólo así logro extrañarte
Después bueno y sano, me arrepiento al instante
Porque juré no buscarte y otra vez vuelvo a pistearme
Pa' poder justificarme
Y aquí sigo amanecido y no te olvido
¡Ahí nomás!
Ya te traté de olvidar
Nada es imposible y a esto si le encuentro el "pero"
Aunque me hago daño me perderé en los excesos
Del alcohol pa' estarte viendo, encontré un mal remedio
Otra borrachera más
Y me está gustando, sólo así logro extrañarte
Después bueno y sano, me arrepiento al instante
Porque juré no buscarte y otra vez vuelvo a pistearme
Pa' poder justificarme
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Official Music Video by Gerardo Ortiz performing “Otra Borrachera (Banda Version)” © 2020 Sony Music Entertainment US Latin LLC
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