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Fujii Kaze - Workin’ Hard（Official Video） Hotney 6 विचारों • 2 वर्षों पहले

▼ "Workin’ Hard" digital single
https://Fujii-Kaze.lnk.to/WorkinHard

Director：MESS

Director of Photography：Kohta Kimura
Camera Assistant：Kaito Furuyoshi
Drone Camera：Michito Tanaka
Lighting Director：Gen Kaido
Lighting Chief：Ryuji Nakano
Lighting Assistant：Namiko Watanabe
Coordinating Director：Rikii Ryu
Fixer Producer：Shih Hua Liu
Producer：Kiki Shih
Line Producer：Yi Li Chen
Location Manager：Jam Lee
On-set Producer：OA Chen
Craft Service：Amber Hsu
Production Assistant：Zi Rou Qiu
Coordinator Artist Team：Fu Ting Chang
Coordinator Camera & Lighting Team：Yamato
Casting Director：Benjamine ko
Casting Crews：Yun Ru Chen, Chow
R2 Operator：Lin Yu Cheng
2nd Assistant Camera：HongLing
Camera Equipment：To Go Film
Lighting Crews：Yong Hung Lin, Yuan Hao Hsu
Lighting Equipment：Zi Chuan Enterprise Co., Ltd
Technocrane Operator：Wei Ming Lu
Technocrane Technician：Xi Li Chiang, Hong Wei Wang
Grip Equipment：Lee Rong Film & TV Equipment CO.
Transportation：Sky, Bibo, Po Sung Shih, Ping Hsieh Wang, Chia Chn Li

Extra：
Yue E He／Yu Ying Lai／Guang Shu Li／Feng Jiao Lai／
Nong Neng Chen／Hui Qing Zhang／Mei Ying Wei／Hui Zi Ye／
Yun Zhen Li／Zhang Shi Hong／Ji Xian Chen／Song Hua Wu／
Chun Ting Kuo／Yun Ru Chen／Ming Hsin Kan／Yu Chun Hou／
Chien Yun Lin／Cheng Hsun Wu／Ping Hong Zhang／Tien Tsu Zhangg／
Ying Chien Li／Shih Chun Wei／Mei Chun Liu／Mei Hua Huang／
Hsien Mei Kuan／Chun Yu Cho／Pao Chu Zhang／Jui Jung Hsu／
Tai Chieh Chen／Pao Lien Tsai／Su Yu Zhang／Ching Shun Lin／
Ya Ru Zhang／Yueh Hsiu Yu／Hui Ling Yu／Yi Fan Chiu／
Hui Mei Yang／Mei Chi Huang／De Sung Lo／Yu Ying Chen／
Ching Man Sung／Hua Hsieh Tseng／Chieh En Chen／Hsin Shen／
Kuo Chung Hsu／Hui Chih Yeh／Yun Chen Li／Hui Ya Li／
Chieh Cheng Lo／Yu Jen Chen／Su Chun Feng／Hsiu Cheng Yeh

Hair＆Make Up：TAKAI, Aya Mishiro
Stylist：Tatsuya Shimada
Title Design：Rak
Design Assistant : Iori
Colorist：Sota Ito
Online Editor：Ryosuke Ichikawa (MARUNI STUDIO)
MA Mixer：Tomoaki Yokota (MARUNI STUDIO)
Production Manager：Yukari Itabashi (FAB)
Production Staff：Yusuke Namiki (FAB), Tamaki Ide (FAB), Yurika Ishihara (FAB), Nanami Sato (FAB), Masato Kudo (FAB)
Producer：Hazuki Hasegawa (FAB)
Label：Mitsuhiro Higashikosono (UNIVERSAL MUSIC), Daisuke Matsuyama (UNIVERSAL MUSIC)
HEHN RECORDS：Tomonori Kawazu, Mayuka Kobayashi

Workin' Hard
Written by Fujii Kaze
Produced by Dahi

Recording Engineer: Tyler Page
Recorded at Village Studios

Mix Engineer: Jeff Ellis Worldwide
Mixed at EastWest Studios

Mastering Engineer: Dale Becker
Mastered at Becker Mastering

Lyrics
English translation by Kaze

Nailed it
Left them in awe
Oh, this world is too damn easy

Trusted it
Completely relieved
Ouch, what a deep joy

What I’m fighting against
What I’ll knock out
Is weak ass self in me

I’ll do it thoroughly
With dignity
Then perish beautifully~

Y’all are doing really great
Working your asses off
I will do my best, too
Do whatever I could

Don’t need to have anything
To hell with the results

Better sit back
Take a deep breath
And you’ll know...

You’ve been workin’ hard
Workin’ hard
Maybe you don’t understand
But I know that you’re
Workin’ hard
Workin’ hard
Wish I could give you a hand
Baby you’ve been
Working hard
Working hard
Trust the process and be brave
You’ve been workin’ hard
God, you’ve been workin’ hard

Let’s sit back, time to relax
Dance freely to the beat of your heart
Bow down, show them respect
There’s no enemy or ally here
Sit back, time to relax
Dance freely to the beat of your heart
Bow down, show them respect
There’s no such thing as ‘friend or foe’

Y’all are doing really great
Working your asses off
I will do my best, too
Do whatever I could

Don’t need to have anything
To hell with the results

Better sit back
Take a deep breath
And you’ll know...

You’ve been workin’ hard
Workin’ hard
Maybe you don’t understand
But I know that you’re
Workin’ hard
Workin’ hard
Wish I could give you a hand
Baby you’ve been
Working hard
Working hard
Trust the process and be brave
You’ve been workin’ hard
God, you’ve been workin’ hard

All we gonna do is to make you happy
All we gonna do is to make you lucky
All we gonna do is
All we gonna do is to make you make you feel alive

What we gonna do is to make you feel good
What we gonna do is to make you feel ah
It’s all about others
It’s all about brothers
Together we can touch the sky

Cuz you’ve been workin’ hard
Workin’ hard
Maybe you don’t understand
But I know that you’re
Workin’ hard
Workin’ hard
Wish I could give you a hand
Baby you’ve been
Workin’ hard
Workin’ hard
Trust the process and be brave
You’ve been workin’ hard
God, you’ve been workin’ hard

Official APP: http://c-rayon.com/fujiikaze/
TikTok: https://www.tiktok.com/@fujiikaze1997
Instagram: http://Instagram.com/fujiikaze
Facebook: https://www.facebook.com/FujiiKazeofficial

iTunes Store: https://itunes.apple.com/jp/artist/%E8%97%A4%E4%BA%95-%E9%A2%A8/1486113150?app=itunes&at=10I3LI&ls=1
Spotify: https://open.spotify.com/artis....t/6bDWAcdtVR3WHz2xti

From Gold Records to ROCK BOTTOM in Just 2 Years: Cold’s Tragic Story Hotney 8 विचारों • 2 महीने पहले

The story of Scooter Ward's band Cold best known for songs like Stupid Girl

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

Cold’s story is one of brutal bad luck, label disasters, and personal tragedy that nearly destroyed them.

The band began as Grundig in Jacksonville, Florida in the late 80s, with Scooter Ward, Sam McCandless, and Jeremy Marshall forming a moody, heavy “redneck goth” outfit inspired by everyone from Depeche Mode and Sade to Nirvana and Alice in Chains. They hustled hard, working day jobs, playing up to 100 shows a year, and sinking money into an 8-song demo that still left them thousands of dollars in debt. A move to Atlanta was supposed to bring them closer to the industry, but instead they found cliquish scenes, tiny hostile crowds, and mounting frustration, all while Ward battled Crohn’s disease and ended up hospitalized.

Their luck seemed to change when old friend Fred Durst, now fronting Limp Bizkit, reconnected with them. Durst produced a demo that impressed famed producer Ross Robinson and led to a six-album deal through Flip and A&M. Just as things were taking off, the German electronics company Grundig threatened to sue over their name, forcing a rebrand to Cold. Their 1998 self‑titled debut drew praise from Kerrang! and Guitar World, but radio support was spotty. Then disaster struck: A&M was dissolved in a major label merger, staff were cut, and Cold’s first album was essentially left for dead before being quietly shuffled over to Interscope/Geffen.

Cold regrouped with a stronger lineup, adding guitarist Terry Balsamo and crafting a darker, more melodic sound. Their 2000 album “13 Ways to Bleed on Stage” was a slow‑burn success, earning a gold certification on the back of relentless touring and singles like “No One” and “Just Got Wicked.” They followed it with 2003’s “Year of the Spider,” written amid personal tragedies: Ward’s sister’s ovarian cancer, a breakup, deaths in the band’s circle, and his struggles with substance abuse. The album debuted at number 3 on the Billboard 200, went gold, and produced their biggest hit, “Stupid Girl,” a song they hadn’t even wanted as a single.

At the peak of their success, everything unraveled. Cold clashed with Geffen over single choices and felt the label had stopped supporting them after recouping its investment. Guitarist Terry Balsamo left to join Evanescence, and Amy Lee’s public comments about Ward’s personal issues exposed his private struggles. Kelly Hayes soon exited as well. Ward’s sister’s cancer returned, his addiction worsened, and he spiraled to the point of not wanting to live. He found faith, bought his childhood home, and poured his pain into Cold’s fourth album, “A Different Kind of Pain,” a dark but hopeful record released through Lava in 2005. Yet label turnover and weak promotion echoed their earlier A&M nightmare, and the album underperformed.

By 2006, worn down by lineup changes and industry battles, Ward announced Cold’s breakup on MySpace, thanking fans but clearly exhausted. A few years later, fan demand and the enduring bond of the “Cold Army” pulled them back. The classic core regrouped, new guitarists came in, and Cold returned with albums like 2011’s “Superfiction” and 2019’s “The Things We Can’t Stop.” Their legacy became less about charts and more about survival: a band that kept getting knocked down by illness, addiction.

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