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Jason Aldean with David Lee Murphy - Dust on the Bottle (Official Lyric Video) Hotney 10 المشاهدات • منذ 6 الشهور

The official lyric video for Jason Aldean’s “Drinking About You” with David Lee Murphy (@officialdavidleemurphy) out now.

►Pre-order ‘Songs About Us,’ the new album from Jason Aldean coming April 24th: https://jasonaldean.lnk.to/songsaboutusID

►Watch the ‘Songs About Us’ album playlist: https://www.youtube.com/playli....st?list=PLl5Lr6OGa-y

►Watch the “How Far Does A Goodbye Go (Official Music Video)": https://youtu.be/3oeLxl3sjbk

►Watch the "How Far Does A Goodbye Go (Official Music Video) [Extended Edition]": https://youtu.be/4cRU4CLljpI

►Jason Aldean’s new single “Don't Tell On Me” is out now. Stream/download: https://jasonaldean.lnk.to/songsaboutusID

►Watch the “Don’t Tell On Me” (Fireside Sessions) performance video: https://youtu.be/dXiCwpboxYw

►See Jason Aldean on tour: https://www.jasonaldean.com/tour/

►Subscribe to Jason's YouTube Channel: https://jasonaldean.lnk.to/ytchnlsubscribe

►Shop Merch: https://store.jasonaldean.com

►Join the Mailing List: https://jasonaldean.lnk.to/signup

Follow Jason Aldean:
Website/Tour Dates/Aldean Army: http://www.jasonaldean.com
Facebook: https://www.facebook.com/jasonaldean
Instagram: http://instagram.com/jasonaldean
Twitter: https://twitter.com/jason_aldean
TikTok: https://www.tiktok.com/@jasonaldeanmusic

Lyrics:
Creole Williams lived down a dirt road
He made homemade wine like nobody I know
I dropped by one Friday night and said, "Can you help me, Creole?
I got a little girl waitin' on me and I, I want to treat her right"
He said, "I got what you need, son" as we stepped down in the cellar
He reached through the cobwebs as he turned on the light and said

There might be a little dust on the bottle
But don't let it fool ya about what's inside
There might be a little dust on the bottle
It's one of those things that gets sweeter with time

You were sittin' in the porch swing as I pulled up the driveway
My ol' heart was racing as you climbed inside
You slid over real close and we drove down to the lake road
Watched the sun fade in that big red sky

I reached under the front seat and said, "Now here's something special
It's just been waiting for a night like tonight" but

There might be a little dust on the bottle
But don't let it fool ya about what's inside
There might be a little dust on the bottle
It’s one of those things that gets sweeter with time

You're still with me, we've made some memories
After all these years, there's just one thing I've found
Some say good love, well it's like a fine wine
It keeps getting better as the days go by, but

There might be a little dust on the bottle
But don't let it fool ya about what's inside
There might be a little dust on the bottle
But it's one of those things that gets sweeter with time

There might be a little dust on the bottle
But don't let it fool ya about what's inside
There might be a little dust on the bottle
It's one of those things that gets sweeter with time

Don't let it fool ya

#JasonAldean #DavidLeeMurphy #DustontheBottle #SongsAboutUs #Country

Allison Russell - Nightflyer (Official Music Video) Hotney 27 المشاهدات • منذ 3 سنوات

"Nightflyer" is from Allison Russell's first ever solo project, Outside Child (produced by Dan Knobler). Stream/buy here: https://found.ee/AROutsideChild
"Nightflyer" is written by Allison Russell and Jeremy Lindsay aka JT Nero.

"When I was sixteen I read The Thunder: Perfect Mind for the first time - it’s an exhortatory poem discovered among the Gnostic manuscripts in the Nag Hammadi library in the 40’s. It has never left me. I’ve been meditating on the nature of resilience, endurance, and grace more deeply since becoming a mother. I was trying to bridge the divide and embrace shame and my inner divinity equally with this piece…"- A

Lyrics:
Yeah I’m a midnight rider
Stone bonafide night flyer
I’m an angel of the morning too
The promise that the dawn will bring you
I’m the melody and the space between
Every note the swallow sings
I’m 14 vultures circling
I’m that crawling, dying thing
I’m the smoke up above the trees, Good Lord
The fire and the branch that’s burning, Lord
Maybe you were sleeping, Lord,
But Mary she’s not weeping no more, no
Yeah I’m a midnight rider
Stone bonafide night flyer
I’m an angel of the morning too
The promise that the dawn will bring you
I’m the sick light of a hurricane’s eye
I’m a violent lullaby
I’m six fireflies, one streetlight
I’m a suffocating summer night hmm mmm
I’m each of his steps on the stairway
I’m his shadow in the door frame
I’m the tap tap of a lunar moth
I’m the stale beer on his breath hmm mmm

His soul is trapped in that room
But I crawled back in my mother’s womb
Came back out with my gold and my greens
Now I see everything
Now I feel everything good lord
What the hell could they bring to stop me Lord?
Nothing from the earth, nothing from the sea
Not a God Almighty thing
Yeah I’m a midnight rider
Stone bonafide night flyer
I’m an angel of the morning too
The promise that the dawn will bring you
I’m the wounded bird, I’m the screaming hawk
I’m the one who can’t be counted out
I’m the dove thrown into battle
I can roll and shake and rattle hmmm mmm
I’m the moon’s dark side, I’m the solar flare
The child of the Earth, the child of the Air
I am The Mother of the Evening Star
I am the Love that Conquers All
Yeah I’m a midnight rider
Stone bonafide night flyer
I’m an angel of the morning too
The promise that the dawn will bring you

#AllisonRussell #NightFlyer #OutsideChild

--
Produced by TIVURON
Director Silvia Grav
Producer Gon Tarragona
Cinematographer Adam Kolodny
Gaffer/Grip Andrew Zeiter
--

The Community of Artists in alphabetical order:
Jason Burger- drums, percussion, apple cider vinegar bottle
Steve Dawson- pedal steel
Jamie Dick- drums, percussion
Dan Knobler- guitars, slide guitar, banjo, synths, mellotron
Drew Lindsay- Rhodes, Wurlitzer, Mellotron, pump organ, organ, piano
Alfreda McCrary- harmony vocals
Ann McCrary- harmony vocals
Deborah McCrary- harmony vocals
Regina McCrary- harmony vocals
Chris Merrill- bass
Ruth Moody- harmony vocals
JT Nero- acoustic guitar, vocals, co-writing
Joe Pisapia- acoustic and electric guitars
Erin Rae- harmony vocals
Allison Russell- songwriting, writing, lead vocals, harmony vocals on Montreal and Nightflyer, clarinet, banjo
Jake Sherman- organ on 4th Day Prayer
Yola (appears courtesy of Easy Eye Sound)- harmony vocals on The Runner
Produced by Dan Knobler
Engineered by Kevin Sokolnicki & Dan Knobler
Recorded at Sound Emporium, Studio A, in Nashville - September 18-21, 2019
Assistant engineer: Zaq Reynolds
Additional recording at Goosehead Palace
Organ on "4th Day Prayer" recorded by Jon Seale at Mason Jar Music
Mixed by Dan Knobler
Mastered by Kim Rosen, Knack Mastering

Outside Child, an album by Allison Russell
1. Montreal
2. Nightflyer
3. Persephone
4. 4th Day Prayer
5. The Runner
6. Hy-Brasil
7. The Hunters
8. All of the Women
9. Poison Arrow
10. Little Rebirth
11. Joyful Motherfuckers

How One Power Ballad FROZE MTV Harder Than Your Dial-Up Connection - Cinderella’ Long Cold Winter Hotney 10 المشاهدات • منذ 10 الشهور

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#cinderella #tomkeifer #glam

In the mid-80s, Cinderella rose out of the Philly suburbs into full-on MTV glam dominance with their 1986 debut Night Songs, a triple-platinum smash driven by hits like “Shake Me” and “Nobody’s Fool,” heavy touring, and a fairy-tale boost from Jon Bon Jovi that landed them on the Slippery When Wet tour. Instead of safely repeating that success, frontman Tom Keifer grew restless; raised on bluesy, classic rock influences like the Stones, Zeppelin, Aerosmith, and Johnny Winter, he wanted something rawer and more organic than the polished “flavor of the day” sound that had made them stars.

For the follow-up, Long Cold Winter, Keifer wrote constantly on the road and poured new emotions from nonstop touring and seeing the world into the songs, aiming for less processing and more human feel with pianos, acoustics, dobros, and even brass woven into the arrangements. The band recorded at Bearsville Studios with producer Andy Johns, known for work with Led Zeppelin and the Rolling Stones, and brought in veteran drummer Cozy Powell (plus Denny Carmassi on one track) to cut most of the drums, as Fred Coury was considered too inexperienced for the studio demands at the time. The album opens with “Bad Seamstress Blues/Fallin’ Apart at the Seams,” beginning with harmonica and slide guitar that sound straight out of the Delta before crashing into a swaggering blues-rock groove, instantly signaling a break from the pure glam of Night Songs while still retaining enough crunch and hooks to connect with their fanbase.

Across the record, Cinderella balanced this new bluesy direction with arena-friendly rockers and a career-defining power ballad. Tracks like “Gypsy Road” and “The Last Mile” kept the fist-pumping, road-warrior energy alive, but now steeped in a grittier, rootsier sound. The centerpiece, “Don’t Know What You Got (Till It’s Gone),” a piano-led power ballad Keifer originally conceived around the Night Songs era, finally clicked for the band and became their biggest single, complete with a freezing-cold Mono Lake video shoot that literally lived up to the Long Cold Winter name and later earned pop-culture afterlife via South Park and Rock Band 3. The album also featured the acoustic-driven “Coming Home” and heavier cuts like “Fire and Ice,” showcasing a group expanding well beyond a simple glam template.

Released in summer 1988, Long Cold Winter was both a commercial and artistic vindication, hitting the U.S. top 10 and selling over three million copies while spinning off multiple hit singles across the Hot 100 and Mainstream Rock charts. The band’s tour escalated from opening for Judas Priest and AC/DC to headlining a massive 254-show run, complete with theatrical moments like Keifer descending to a white grand piano to play “Don’t Know What You Got,” and a high-profile appearance at the Moscow Music Peace Festival alongside Bon Jovi, Mötley Crüe, and Ozzy Osbourne. Initially, critics were mixed—Rolling Stone famously dinged the album for “influencitis”—but later reassessments have embraced it as Cinderella’s masterpiece and a key example of a so-called “hair band” earning real respect by leaning into blues-based rock.

Though they never quite reached the omnipresent arena dominance of peers like Bon Jovi or Mötley Crüe, in part because they avoided tabloid-ready personas and Hollywood-style spectacle, the success of Long Cold Winter solidified Cinderella’s reputation as serious musicians with depth. The MTV “Escape the Long Cold Winter” contest, which flew winner Denise Cook and her sister to Hawaii to vacation with the band, underscored how tightly they were woven into late-80s rock culture. Most importantly, the album set the blueprint for 1990’s Heartbreak Station, where they pushed even further into acoustic textures, horns, and gospel flavors. In an era that rewarded sticking to formula, Cinderella chose to risk their momentum in favor of artistic honesty, and Long Cold Winter stands as the moment where that gamble transformed them from glam darlings into a genuinely respected rock and roll band.

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