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From Ashes To New ft Aaron Pauley from Of Mice & Men - One Foot In The Grave (Official Music Vid Hotney 12 Просмотры • 2 лет тому назад

From Ashes To New ft Aaron Pauley of Mice & Men - One Foot In The Grave

Listen to @FromAshesToNew ft Aaron Pauley from @OMandMTV here: https://fatn.ffm.to/onefootinthegrave

Pre-save/order the new From Ashes To New - Blackout (Deluxe) album, dropping Jun 7, here: https://fatn.ffm.to/blackoutdeluxe

Subscribe to the Better Noise Music Channel for more videos from your favorite bands: https://betternoise.ffm.to/bnmytsubscribe

Catch From Ashes To New on their Blackout Pt 2 Tour. Dates here: https://fatn.ffm.to/blackoutdeluxe/tourdates

Shop the latest merch from your favorite Better Noise Music bands here: https://betternoise.ffm.to/bandwear

Follow From Ashes To New:
Instagram: https://www.instagram.com/fromashestonew
TikTok: https://www.tiktok.com/@fromashestonewband
Facebook: https://www.facebook.com/FromAshesToNew
Twitter: https://twitter.com/FromAshestoNew
Merch Store: http://FATNmerch.myshopify.com

Credits:
Director & Producer: JOSIAHx

Lyrics:

You drag the whole world down inside your gravity
I’d rather watch you drown than live inside the flames

I wish I could write you something you could relate to
But with the shit you put me through I’m kinda afraid to
You push all the blame on me like it’s your way to
Escape from the reality that everyone hates you
No one can break through
And all you wanna do is evade truths
Lying through your teeth like you were selling some fake news
Hoping everyone will play your games and embrace you
But all we wanna do is find a way to escape you

So run away
You’ll never escape yourself
With one foot in the grave

You drag the whole world down inside your gravity
It’s a long way down from here
It’s a long way down from here
I’d rather watch you drown than live inside the flames
It’s a long way down from here
It’s a long way down from here

There ya go again always making the worst of it
You push away your friends and you’re always the first to quit
The thoughts in your head ain’t nothing but turbulent
Quit trying to pretend that your life hasn’t turned to shit
How did you forget what being a person is
And how can I respect you when you’re making it hurt like this
Karma’s a bitch, it’s what you deserve to get
If you made the fire then I think you should burn in it

So run away
You’ll never escape yourself
With one foot in the grave

You drag the whole world down inside your gravity
It’s a long way down from here
It’s a long way down from here
I’d rather watch you drown than live inside the flames
It’s a long way down from here
It’s a long way down from here

You feel it sinking in
Underneath the skin
You’re gone
So will you sink or swim
All alone again
So long

So will you sink or swim

So run, run away

You drag the whole world down inside your gravity
It’s a long way down from here
It’s a long way down from here
I’d rather watch you drown than live inside the flames
It’s a long way down from here
It’s a long way down from here

It’s a long way down from here
It’s a long way down from here

Down from here

It’s a long way down from here
It’s a long way down from here

#FromAshesToNew #OfMiceAndMen #OneFootInTheGrave #BlackoutDeluxe #BetterNoiseMusic

Gunaah (Official Video) Sikandar | Gippy Grewal | Nimrat | Viyaah Kartare Da | New Punjabi Song 2026 Hotney 7 Просмотры • 5 месяцы тому назад

Gunaah from "Viyaah Kartaare Da" is an intense track that dives deep into themes of love and the consequences of heartfelt decisions. With powerful vocals and lyrics by Kulshan Sandhu and compelling music production by Kulshan Sandhu, the song blends raw emotion with a strong, contemporary Punjabi sound.

Listen to Gunaah on all audio platforms:
Spotify: https://bfan.link/gunaah-2/spotify
Apple Music: https://bfan.link/gunaah-2/appleMusic
JioSaavn: https://bfan.link/gunaah-2/jiosaavn
Amazon Music: https://bfan.link/gunaah-2/amazonMusic
YouTube Music: https://bfan.link/gunaah-2/youtubeMusic
Gaana: https://bfan.link/gunaah-2/gaana

Song Credits:-
Song - Gunaah
Movie - Viyaah Kartaare Da
Singer - Sikandar
Lyricist, Music Producer - Kulshan Sandhu

Movie Credits -

Dharma Productions, Humble Motion Pictures Fzco & Pitaara Talkies present
🎬 Viyaah Kartaare Da
Releasing worldwide in cinemas on 27th February 2026

#ViyaahKartaareDa #Releasing27Feb2026

Starcast - Gippy Grewal, Nimrat Khaira, Prince Kanwaljit Singh, Gurpreet Ghuggi, Deep Sehgal, Bn Sharma, Hardip Gill, Inaamul Haq, Rupinder Rupi, Jaggi singh, Bhana La, Gurmeet Sajjan, Honey Mattu, Jassi longowalia

Movie - Viyaah Kartaare Da
Prouced by - Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari
Produced by - Gippy Grewal & Ravneet Kaur Grewal & Speed Records
Directed By - Smeep Kang
Story,Screenplay & Dialogue - Chanchal Dabra
Vocals - Gippy Grewal , Nimrat khaira & Sikandar
Lyrics - Happy Raikoti , Bunty Bains & Arjan Dhillon
Music Director - Kulshan Sandhu , Mxrci & Aagaaz
Editor - Rohit Dhiman
DOP - Sukh Kamboj
CO-Producer - Bhana LA
Executive Producer - Hardeep Dullat
Associate Director - Sukhi khaira & Sanju yadav
Digital Media & PR - Aman Mehta & Vishali Kotru
Line Producer - Avtar Singh ( Sarangpur )
Art Dir - Ritesh Kumar ( Pinky )
Post Production - Rabab Studios
Visual promotions - Hashtag#Studios(Pratham Verma)
Production Head - Akshay Rawat
Still Making - Daas films
Costume designer - Rakesh Chauhan ( Rocky)
Background Score - Salil Amrute

#ViyaahKartaareDa #Releasing27Feb2026

Enjoy & Stay connected with us!
Subscribe to Humble Music: http://bit.ly/HumbleMusicYT
Like us on Facebook: https://www.facebook.com/TheHumbleMusic
Follow us on Twitter: https://twitter.com/TheHumbleMusic
Follow us on Instagram: https://www.instagram.com/TheHumbleMusic
For Business Inquiries: humblemusic2@gmail.com

Team Believe Artist Services - https://linktr.ee/believeartistservicesindia

► Digital Partner :- Believe Artist Services
► For Licensing inquiries:
Email:- sync-india@believedigital.com

#gippygrewal #nimratkhaira #arjandhillon #punjabisong

YG Marley - Praise Jah In The Moonlight (Directed by Cole Bennett) Hotney 9 Просмотры • 2 лет тому назад

Lyrical Lemonade Presents
YG Marley - Praise Jah In The Moonlight (Official Music Video)

Directed and Edited by Cole Bennett
Head of Production: Krista Worby
Executive Producers: YG Marley and Ms. Lauryn Hill
Associate Producers: Joshua Boumel, Ray Brown, Suzette Williams, Joseph Rocha
Director of Photography: Brett Arndt
VFX Supervisor: Max Colt
VFX by Frender
3D Effects by Aid6n
Paper Film Print: Goood Dylan
Color Grade: Josh Bohoskey

Producers: Krista Worby and Carleene Samuels
Additional Footage by ProdByNick
1st AD: Jay Will
Production Coordinator: Lisa Smith
Casting: KBC
1st AC: Rand Francis
2nd AC: Jade Brown
Steadicam: Garreth Daley
DIT: Dandrew Richards
Lighting Technician: Neville Smith
Electric: Hasani Cole
Electric: Alvin Mclean
Key Grip: Kadri Samuels
Best Boy Grip: Kevin Stephenson
Grip: Cleveland McKenzie
Art Director: Rachelle Williams
Art Assist: Nicole Marsh
Art Assist: Nathaniel Catterall
Wardrobe Assist: Kaysian Wilson
MUA: Danielle Francis
Hair Stylist: Tamar Duncan
Location Manager: Ezra Tomlinson
Crafty: Vito Hope
Key PA: Zoe-Daniele Chin Sang
AD PA: Daniel Clarke
PA: Kalia Ellis
PA: Nicanor Gordon
PA: Kadeesha Pottinger
Transport Manager: Marlon McIntyre
Director & US Crew Driver: Glendon Newell
JA Crew Driver: Davian Ellis
Production Driver: Gavin Miller
Comfort Bus Driver: Shamari Buckley
Location/Prod Truck: Gifton Williams

Artist Team:
Makeup Artist: Alana Palau
Wardrobe Lead: Johanna Laracuente
Wardrobe Assistant Manager: Sallay Kanu
Hair Stylist + Wardrobe Lead: Raheem Robinson
Hair stylist + Groomer: Nigella Miller
Nail Artist: Kiara Hawkins with Nail Candy New York
Master Tailor: Nigel Ramsey
Production Coordinator + Personal Assistant: Iota Dick
Company - Dick & Co.
Logistics Coordinator + Remote Assistant to Ms. Lauryn Hill: Samuel Demey
Remote Assistance: Lynette Jones
Artist Logistics: Nico Marley
Remote Liaison (Jamaica): Mr. Rohan Marley
Artist Assistant: Christopher Cole
Tour Director/logistics: Jen Bui

Representatives for YG Marley and Ms. Lauryn Hill: Joshua Boumel and Suzette Williams

Representative for Cole Bennett: Ray Brown

Distributor: Hitmaker Distro

Female Lead:
Daija Wilson

Choir:
Jeshari Munroe
Cavene Ferguson
Nia Souden
Amanda Reid
Lilly-Bell Mclary
Sashone Mitchell
Sayuri Mcdonald
Jazzmine Bourke
Kaylee Rhoden
Jordiana Bell
Yanah Lawrence
Aiysha Hemmings
Michelle Richards
Eby Nelson
Roginea Dixon

--

Official Channel of Lyrical Lemonade

Subscribe for updates on music videos, interviews, performance videos, etc.

Lyrical Lemonade's Spotify Playlist:
https://open.spotify.com/user/....gh3vdz775oy18ah1wp9u

Lyrical Lemonade Socials:

http://www.twitter.com/lyricalemonade
http://www.instagram.com/lyricalemonade
http://www.facebook.com/lyricalemonade
http://www.lyricallemonade.com

Cole Bennett Socials:

http://www.twitter.com/_colebennett_
http://www.instagram.com/colebennett

LENNY ~ a hidden character representing happiness & good energy
http://instagram.com/lenny

Carly Pearce, Riley Green - If I Don't Leave I'm Gonna Stay (Official Music Video) Hotney 11 Просмотры • 4 месяцы тому назад

The Official Video for "If I Don't Leave I'm Gonna Stay" by Carly Pearce (ft. Riley Green)

GRAMMY, CMA & ACM Award-winning Country star Carly Pearce teams up with Riley Green for their epic new duet “If I Don’t Leave I’m Gonna Stay.” The song brims with will they/won’t they tension, following a magnetic pair who can’t quite seem to give each other up. The couple toys with the possibility of reverting back to square one, even though they know that the wine-induced, passion-filled reconciliation will only end in heartbreak.

Stream/download “If I Don't Leave I'm Gonna Stay"" here: https://CarlyPearce.lnk.to/IfIDontLeaveID

get to know carly:
instagram: https://www.instagram.com/carlypearce/
facebook: https://www.facebook.com/carlypearcemusic/
x: https://twitter.com/carlypearce
tiktok: https://www.tiktok.com/@carlypearceofficial
website: https://www.carlypearce.com/
shop official merchandise: https://carlypearce.lnk.to/shopvd
join the fan club: https://fanclub.carlypearce.com/join/

more content:
Official Music Videos https://youtube.com/playlist?list=PL_cFx6lRiXXSdWJO70ynZLkHScuGBG3Lk&si=kO3qnF_H4sFW3MtO
Live Performances: https://youtube.com/playlist?list=PL_cFx6lRiXXReMO_9RQt5bbFql-68ZyGs&si=d1bUM5xwAKK9L6B8
Behind The Scenes: https://youtube.com/playlist?list=PL_cFx6lRiXXSzkNTqsIw5LLxBw_aM669Y&si=ED51I4Z676WpQMCC

LYRICS:
Written by Devin Dawson, Seth Ennis, Jordan Minton, Jordan Reynolds

Two more glasses in the bottle
One more pour and I’m pretty sure I shouldn’t drive
I got church early tomorrow
And I can’t walk in all a mess in this dress I’m in tonight

By the minute, bad decisions start sounding good
Baby, I ain’t saying I should

Chorus
If I don’t leave, I’m gonna stay
If we don’t stop, we’re gonna start all over again
And if I bend, I’m gonna break
We’re gonna blame it on the rain, or on the wine
We’re getting close to losing clothes
I should go, look at the time, it’s getting late
If I don’t leave, I’m gonna stay

We’re so good at striking matches
But we’re no good at ever putting out the flame
We keep on dancing in the ashes
And baby isn’t doing this the definition of insane
Just say what you need to say

Repeat Chorus

We’re already past the point of turning around
But just to say I said it out loud

Repeat Chorus

© 2026 Devin Dawson Publishing Designee./ Seth Ennis Publishing Designee./ Jordan Minton Publishing Designee./ Jordan Reynolds Publishing Designee. All rights reserved. Used by permission.

Production Credits
“If I Don't Leave I'm Gonna Stay”
Produced by Ben West and Carly Pearce
Recorded by Aaron Sterling at Sterling Sound (Nashville, TN), Ben West at Stone Airplane (Birmingham, MI), Bryan Sutton at Sutton Home Recording (Nashville, TN), Nathan Dugger at Duggtown (Nashville, TN), Josh Matheny at DobroTunes Studios (Nashville, TN), Gideon Klein at 108 Recording (Gallatin, TN)
Carly Pearce Vocal Engineering by Dave Clauss at Santa’s Workshop (Nashville, TN)
Riley Green Vocal Engineering by Dann Huff at
Mixed by Dave Clauss at Santa’s Workshop (Nashville, TN)
Mastered by Adam Ayan at Ayan Mastering (Portland, ME)
Production Coordination by Kelsey Granda

Vocals – Carly Pearce, Riley Green
Acoustic Guitar, Resonator – Bryan Sutton
Electric Guitar, Pedal Steel Guitar, Mandolin – Nathan Dugger
Dobro – Josh Matheny
Bass, Wurlitzer, Hammond B-3 Organ – Ben West
Drums, Percussion – Aaron Sterling
Violin, Viola – Josee Klein
Cello – Gideon Klein
String Arrangement – Gideon Klein, Ben West

#CarlyPearce #IfIDontLeaveImGonnaStay #RileyGreen #MusicVideo #Country #CountryVideos #CountryMusic

Music video by Carly Pearce, Riley Green performing If I Don't Leave I'm Gonna Stay.© 2026 Big Machine Label Group, LLC

Eve: Tiny Desk Concert Hotney 5 Просмотры • 1 месяц тому назад

This Black Music Month, Tiny Desk celebrates the undeniable legacy of BET. Like the network that put Black artistry first, these sets reflect the essence of Black music.

Bobby Carter | June 16, 2026
As the first artist booked for this year’s Black Music Month celebration, Eve helped set the tone for our Tiny Desk tribute to BET’s cultural impact. One of the most successful women in hip-hop music, the Philly emcee occupies a unique space, connecting audiences who grew up watching Rap City with a younger generation that rushed home to catch 106 & Park. Although much of Eve’s set features songs that are more than 20 years old, the fresh arrangements, her commanding performance and the audience’s enthusiastic response shows that her music and influence remain timeless.

Since relocating to London over a decade ago and starting a family, Eve hasn’t put out much music. In 2024, she published a memoir chronicling her life and experiences navigating the music industry during the late ‘90s and early 2000s. Not only did she survive one of hip-hop’s most fiercely competitive eras, but she also emerged as one of its dominant figures — selling millions of records as the First Lady of Ruff Ryders Entertainment, and building a career in television and film.
For her Tiny Desk, Eve enlisted the music director Mare — who you may recognize from Tierra Whack’s Tiny Desk — making this a Philly affair. In celebration of the 25th anniversary of her second album, Scorpion, the set features standout tracks such as “Let Me Blow Ya Mind” and “Who’s That Girl,” alongside fan favorites from Let There Be Eve… and Eve-Olution.

SET LIST
“Satisfaction”
“What Ya Want”
“Gotta Man”
“Gangsta Lovin’ ”
“Let Me Blow Ya Mind”
“Tambourine”
“Who's That Girl”

MUSICIANS
Eve: vocals
Mare: keys, music director, background vocals
Anthony DeCarlo: guitar
Ali Bervine: bass
Mark Thomas: drums
Sheldon “Spazz” Robinson: percussion
Martin 2 Smoove: DJ
Brandon Pain: background vocals
Mimi: background vocals

TINY DESK TEAM
Producer: Bobby Carter
Director/Editor: Kara Frame
Audio Director/Mix: Josh Newell
Videographers: Kara Frame, Maia Stern, Joshua Bryant
Audio Engineer: Tiffany Vera Castro
Production Assistant: Ashley Pointer
Photographer: Alanté Serene
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton

#tinydesk #nprmusic #eve

Support for NPR Music comes from Capital One. Proud supporters of NPR Music and the Tiny Desk Contest. What's in your wallet? Learn more at Capital One dot com.

The Supremes - Back In My Arms Again (Hullabaloo May 11, 1965) Hotney 4 Просмотры • 3 лет тому назад

The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop as soul in the Supremes' hits, that even some of their biggest hits could sound formulaic, and that they were probably the black performers who were most successful at infiltrating the tastes and televisions of middle America. This shouldn't diminish either their extraordinary achievements or their fine music, the best of which renders the pop vs. soul question moot with its excellence.

The Supremes were not an overnight success story, although it might have seemed that way when they began topping the charts with sure-fire regularity. The trio that would become famous as the Supremes -- Diana Ross, Mary Wilson, and Florence Ballard -- met in the late '50s in Detroit's Brewster housing project. Originally known as the Primettes, they were a quartet (Barbara Martin was the fourth member) when they made their first single for the Lupine label in 1960. By the time they debuted for Motown in 1961, they had been renamed the Supremes; Barbara Martin reduced them to a trio when she left after their first single.

The Supremes' first Motown recordings were much more girl group-oriented than their later hits. Additionally, not all of them featured Diana Ross on lead vocals; Flo Ballard, considered to have as good or better a voice, also sang lead. Through a lengthy series of flops, Berry Gordy remained confident that the group would eventually prove to be one of Motown's biggest. By the time they finally did get their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes," in late 1963, Ross had taken over the lead singing for good.

Ross was not the most talented female singer at Motown; Martha Reeves and Gladys Knight in particular had superior talents. What she did have, however, was the most purely pop appeal. Gordy's patience and attention paid off in mid-1964, when "Where Did Our Love Go" went to number one. Written by Holland-Dozier-Holland, it established the prototype for their run of five consecutive number-one hits in 1964-1965 (also including "Baby Love," "Stop! In the Name of Love," "Come See About Me," and "Back in My Arms Again"). Ross' cooing vocals would front the Supremes' decorative backup vocals, put over on television and live performance with highly stylized choreography and visual style. Holland-Dozier-Holland would write and produce all of the Supremes' hits through the end of 1967.

Not all of the Supremes' singles went to number one after 1965, but they usually did awfully well, and were written and produced with enough variety (but enough of a characteristic sound) to ensure continual interest. The chart-topping (and uncharacteristically tough) "You Keep Me Hangin' On" was the best of their mid-period hits. Behind the scenes, there were some problems brewing, although these only came to light long after the event. Other Motown stars (most notably Martha Reeves) resented what they perceived as the inordinate attention lavished upon Ross by Gordy, at the expense of other artists on the label. The other Supremes themselves felt increasingly pushed to the background. In mid-1967, as a result of what was deemed increasingly unprofessional behavior, Ballard was replaced by Cindy Birdsong (from Patti LaBelle & the Bluebelles). Ballard become one of rock's greatest tragedies, eventually ending up on welfare, and dying in 1976.

After Ballard's exit, the group would be billed as Diana Ross & the Supremes, fueling speculation that Ross was being groomed for a solo career. The Supremes had a big year in 1967, even incorporating some mild psychedelic influences into "Reflections." Holland-Dozier-Holland, however, left Motown around this time, and the quality of the Supremes' records suffered accordingly (as did the Motown organization as a whole). The Supremes were still superstars, but as a unit, they were disintegrating; it's been reported that Wilson and Birdsong didn't even sing on their final hits, a couple of which ("Love Child" and "Someday We'll Be Together") were among their best. In January 1970. Jean Terrell replaced Ross, and the group continued through 1977. ~ Richie Unterberger, All Music Guide

PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index

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