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'You Had ONE Job!' How Powerman 5000 FUMBLED a Platinum Future Hotney 6 Streams • 7 months ago

The complete history of Powerman 5000.

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Powerman 5000’s story begins with Michael Cummings (Spider One), younger brother of Rob Zombie, growing up in a normal Massachusetts home obsessed with TV, comics, and music. He drifted from Elton John and The Beatles into punk and hardcore, getting inspired by bands like The Clash and Black Flag. Dropping out of art school in Boston, he became MC Spider, making sample‑heavy tapes that blended rap and industrial sounds, earning local recognition and a “Best Rap Act” award. Wanting a full band, he teamed with drummer Al Pahanish, bassist Dorian Heartsong, guitarist Adam Williams, and percussionist Jordan Cohen to form Powerman 5000 in 1991, carving out a weird, energetic niche in the Boston scene.

Their early releases on indie label Curve of the Earth, including the EP True Force and the album The Blood-Splat Rating System, built a cult following with a chaotic “action rock” sound and high‑energy shows. This buzz led to A&R interest, Ozzfest slots, and even a cameo on Beverly Hills, 90210, though that TV exposure didn’t translate into big sales. A DreamWorks deal followed, and the band’s debut was remixed and reissued as Mega!! Kung Fu Radio, sharpening their industrial, sci‑fi‑tinged direction and landing them tours with acts like Marilyn Manson, Korn, and Kiss.

Everything peaked with 1999’s Tonight the Stars Revolt!, a retro‑futuristic, hooky sci‑fi metal record that went platinum. Anchored by “When Worlds Collide” and “Nobody’s Real,” the album put them into heavy MTV and radio rotation and onto huge tours, their matching space outfits and visual world becoming part of the appeal. Despite the family connection, Spider tried to keep Rob Zombie out of the marketing narrative, insisting PM5K’s success came from years of grinding, not nepotism.

The turning point came with the follow‑up, Anyone for Doomsday?. With lead single “Bombshell” already gaining traction and a tour booked, Spider abruptly shelved the finished album, feeling it was too much of a retread of Tonight the Stars Revolt! and choosing artistic change over playing it safe. The decision, made shortly before 9/11, devastated internal morale: longtime members Dorian Heartsong and Al Pahanish quit, the band’s momentum evaporated, and their relationship with DreamWorks deteriorated.

Spider rebuilt the lineup and returned in 2003 with Transform, ditching the space‑suit aesthetic and much of the electronic sheen for a rawer, punk‑influenced sound rooted in his early heroes like The Clash and Sex Pistols. Lyrically, he doubled down on themes of class, culture, and resistance to manufactured pop culture, but label upheaval and DreamWorks’ sale meant the album received little support before the band was dropped. In the years that followed, PM5K survived on smaller labels and DIY approaches, cycling through members and sounds: punkier on Destroy What You Enjoy, then re‑embracing sci‑fi and electronics on records like Somewhere on the Other Side of Nowhere, Builders of the Future, New Wave, The Noble Rot, and Abandon Ship.

Your script frames their history as a clash between art and commerce: a band that chose not to repeat its biggest success, imploded at its commercial peak because of that choice, but kept evolving on its own terms. It ends by asking whether shelving Anyone for Doomsday? was a brave artistic stand or a self‑inflicted wound that cost them their shot at lasting mainstream stardom, while acknowledging their three‑decade longevity and Spider’s stubborn, rebellious drive.

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Shanice | True Story of “I Love Your Smile,” Singing For Michael Jackson & Ella Fitzgerald Hotney 14 Streams • 5 months ago

See Shanice as Michelle Obama in 44: The Musical: https://44theobamamusical.com/

Shanice sits down with Shawn Stockman for a deep, story-filled conversation that feels like an R&B history lesson and a behind-the-scenes masterclass. She takes us back to the moment “I Love Your Smile” became a global hit, including the label decisions she fought for and the ones she wishes had gone differently. The conversation also comes full circle with the childhood dream she spoke out loud as a kid—wanting to meet Michael Jackson—and how that dream later became reality when she ended up singing background vocals on several of his records.

Along the way, Shanice shares incredible “Easter egg” moments from her career: booking a commercial at just nine years old alongside Ella Fitzgerald, winning Star Search, and navigating the unpredictable realities of the music industry. She also opens up about losing her record deal while five months pregnant, a moment that revealed how labels treated female artists at the time. From unexpected collaborations to legendary industry connections—including stories involving Justin Timberlake, Babyface, and Barbra Streisand—this episode is packed with music history, honesty, and unforgettable moments.

00:00 Welcome to On That Note with Shanice
03:32 Motown Memories with Boyz II Men, Johnny Gill & Stevie Wonder
06:11 Why the 90s Was the Greatest Era of Music
08:39 Streaming, Algorithms & What Happened to the Industry
18:31 HIT SONG: The Real Story Behind “I Love Your Smile”
23:02 Growing Up a Child Prodigy in a Musical Family
26:39 BREAKTHROUGH: Singing with Ella Fitzgerald & Winning Star Search
29:35 Signing Her First Record Deal at Just 11 Years Old
32:07 MICHAEL JACKSON: The Studio Connection & Background Vocals
35:47 Industry Lows, Missed Singles & Label Decisions
41:36 Image Pressure, Rumors & Industry Expectations
43:40 BABYFACE: Hidden Credits & Barbra Streisand Sessions
44:53 PRINCE: Inside Paisley Park Studio Memories
45:42 Quiet Industry Success You Didn’t Know About
48:49 The Song Shanice Sang on Her Wedding Night
01:01:18 Playing Michelle Obama on Broadway
01:07:43 PERSONAL: Shanice’s Breast Cancer Survivor Story
01:15:23 Shanice’s Top Five Vocalists of All Time
01:22:57 The Advice She’d Give Her Younger Self

Kehlani - Next 2 U [Official Music Video] Hotney 10 Streams • 2 years ago

Kehlani - Next 2 U
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The official YouTube channel of Atlantic Records artist Kehlani.

It doesn’t really need an explanation—you know exactly what Kehlani means when she sings. Without sugarcoating or softening a word, the Bay Area-born two-time GRAMMY® Award-nominated multiplatinum songstress will drop a hard truth in one breath and flip a middle finger in the next. She may extend a seductive invitation or an empathetic plea before leaving you in your thoughts and feelings. Either way, she finds a way to consistently relate without filter. With each move, she strengthens this connection to listeners everywhere. Kehlani’s 2015 breakout mixtape You Should Be Here received a 2016 GRAMMY® Award nod in the category of “Best Urban Contemporary Album.” On its heels, her 2017 full-length debut SweetSexySavage bowed at #3 on the Billboard Top 200 and eventually went gold. Between selling out dates on the SweetSexySavage Tour, the record closed out the year on Pitchfork’s “The 50 Best Albums of 2017” and Rolling Stone’s “20 Best R&B Albums of 2017.”

Along the way, she contributed to Suicide Squad: The Album and The Fate of the Furious: The Album and guested on Cardi B’s double-platinum “Ring,” Kyle’s platinum “PLAYINWITME,” and Justin Bieber’s “Get Me,” to name a few. By 2020, she picked up three gold solo singles—"You Should Be Here,” “Honey,” and “Distraction,” for which she received her second GRAMMY® nomination for Best R&B performance. In addition, four platinum singles—“Gangsta,” “The Way” [feat. Chance the Rapper], “CRZY,” and “Nights Like This” [feat. Ty Dolla $ign] and streams in the billions. Not to mention, Billboard Women In Music honored her with the “Rule Breaker Award” as she gathered nominations at the Soul Train Awards and the American Music Awards. Plus, she made show-stopping appearances at Voodoo Music + More, Coachella, and beyond. In the aftermath of 2019’s chart-topping While We Wait mixtape, everything changed. She became a mom. As such, parenthood left an indelible imprint on her second full-length, It Was Good Until It Wasn’t. Out May 8th, It Was Good Until It Wasn’t is described by Kehlani as her most mature body of work, featuring songs based on her own real experiences including recently released “Toxic” and “Everybody Business.” In the end, you’ll know exactly what’s on Kehlani’s mind, heart, and soul on It Was Good Until It Wasn’t.

#Next2U #Kehlani

Sample Breakdown - The Main Ingredient [1994] | Pete Rock & CL Smooth Hotney 7 Streams • 2 months ago

[Release Date]
The Main Ingredient is the second album by Pete Rock & CL Smooth, released on October 8, 1994. It would become their last album together.

[Music]
Characterized by sultry soul and jazz samples, The Main Ingredient saw a more polished sound than the duo’s debut, building on the praise that they had already garnered. The album is notable for its snappy, crispy drums and extensive use of vocal scratches, usually from songs by Biz Markie. Although missing a centerpiece on the scale of "They Reminisce Over You (T.R.O.Y.)", the album contains some of the duo's best known work, in the form of tracks such as the upbeat "In The House", and the catchy "Sun Won't Come Out", which features a lush vocal sample from the song of the same name by Harvey Scales.

Continuing a theme initiated by Mecca and the Soul Brother, brief instrumental interludes are placed at the beginning and end of songs. With the exception of just a few tracks, this feature is recurrent throughout the album. In addition, The Main Ingredient saw Rock fleshing out and defining his trademark production style, which is now recognized for often containing smooth basslines, swirling horns, filtered samples, and spacious grooves. The production on this album proved to be influential upon a legion of latter day producers.

[Reception]
Though overlooked at the time of its release, the album has since been re-evaluated with high critical acclaim. AllMusic's Stanton Swihart called it "an album that is far more focused" and "just as good as the first record, perhaps an even more satisfying single listen." Swihart described Rock's production work as "among some of the most seductive in hip-hop", and CL as "lyrically on point, spitting out intellectual rhymes and narratives that are just as propulsive and engaging as the music."

"I Got A Love" was the album's lead off single, followed by "Take You There" and "Searching", released in 1995. That same year, the duo appeared in a well received Sprite commercial; however, they soon announced their breaking up citing creative differences, although both parties have since admitted that an unstable working relationship was the main cause of their split. The album was a favorite of the late producer J Dilla, who played it while meeting with Pete Rock to record Slum Village's "Once Upon A Time" for the album, Fantastic, Vol. 2 in 1998.

#PeteRock
#CLSmooth
#Samples

[MV] Zion.T(자이언티) _ Yanghwa BRDG(양화대교) Hotney 5 Streams • 2 years ago

[MV] Zion.T(자이언티) _ Yanghwa BRDG(양화대교)

*English subtitles are now available. :D
(Please click on 'CC' button or activate 'Interactive Transcript' function)

There is no thrilling chorus that shakes the flow of the entire song, but Zion.T shows his feelings with the most pure power, ‘Family’.

It’s a family story that compares his father’s path to ‘Yanghwa BRDG’. Although this is a personal story of Zion.T, it goes out to everyone, including sons, daughters, fathers and mothers. Like the stories told to best friend, and putting out words from your diaries, all the lyrics in the song can be objects of sympathy. So it is a comfort and happy song for fathers, sons, and all families. Although he doesn’t show ‘too much’ emotions, he shows his feelings in his own way.

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曲の流れを覆すほどの刺激的なサビはないが、ジャイアントティは最も純潔な力で‘家族’を歌って真心を伝える。
お父さんが生きてきた道を「ヤンファ大橋」に比喩して表現した家族の物語。ジャイアントティの個人的な話だが、この話を聴くすべての息子、娘、お父さん、お母さんのための歌だ。親友に打ち明ける話のように、あるいは自分の日記に書いておいた話を取り出したように歌の中のすべての言葉は、十分な共感の対象となる。結局、お父さんと息子、そしてすべての家族のための慰めであり、幸せのための歌だ。鬱憤を吐き出さなくても淡々と彼の情緒を表している。

곡의 흐름을 뒤엎을 만한 짜릿한 후렴구 하나 없지만, 자이언티는 가장 순결한 힘으로 ‘가족’을 노래하고 진심을 전한다.

아버지가 지나온 길을 ‘양화대교’에 빗대어 표현한 가족의 이야기. 비록 자이언티의 개인적인 얘기를 담았지만 이 이야기를 듣는 모든 아들, 딸, 아버지, 어머니들을 위한 노래다. 가장 친한 친구에게 털어놓는 말처럼, 혹은 자신의 일기장 구석에 써놓은 말을 어렵게 꺼내듯 노래 속 모든 말은 충분한 공감의 대상이 된다. 결국 아버지와 아들, 그리고 모든 가족에 대한 위로이자, 행복을 위한 노래다. 울분을 쏟아내지 않아도 담담하게 그만의 정서를 내비친다.

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