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The Supremes - Back In My Arms Again (Hullabaloo May 11, 1965) Hotney 4 المشاهدات • منذ 3 سنوات

The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop as soul in the Supremes' hits, that even some of their biggest hits could sound formulaic, and that they were probably the black performers who were most successful at infiltrating the tastes and televisions of middle America. This shouldn't diminish either their extraordinary achievements or their fine music, the best of which renders the pop vs. soul question moot with its excellence.

The Supremes were not an overnight success story, although it might have seemed that way when they began topping the charts with sure-fire regularity. The trio that would become famous as the Supremes -- Diana Ross, Mary Wilson, and Florence Ballard -- met in the late '50s in Detroit's Brewster housing project. Originally known as the Primettes, they were a quartet (Barbara Martin was the fourth member) when they made their first single for the Lupine label in 1960. By the time they debuted for Motown in 1961, they had been renamed the Supremes; Barbara Martin reduced them to a trio when she left after their first single.

The Supremes' first Motown recordings were much more girl group-oriented than their later hits. Additionally, not all of them featured Diana Ross on lead vocals; Flo Ballard, considered to have as good or better a voice, also sang lead. Through a lengthy series of flops, Berry Gordy remained confident that the group would eventually prove to be one of Motown's biggest. By the time they finally did get their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes," in late 1963, Ross had taken over the lead singing for good.

Ross was not the most talented female singer at Motown; Martha Reeves and Gladys Knight in particular had superior talents. What she did have, however, was the most purely pop appeal. Gordy's patience and attention paid off in mid-1964, when "Where Did Our Love Go" went to number one. Written by Holland-Dozier-Holland, it established the prototype for their run of five consecutive number-one hits in 1964-1965 (also including "Baby Love," "Stop! In the Name of Love," "Come See About Me," and "Back in My Arms Again"). Ross' cooing vocals would front the Supremes' decorative backup vocals, put over on television and live performance with highly stylized choreography and visual style. Holland-Dozier-Holland would write and produce all of the Supremes' hits through the end of 1967.

Not all of the Supremes' singles went to number one after 1965, but they usually did awfully well, and were written and produced with enough variety (but enough of a characteristic sound) to ensure continual interest. The chart-topping (and uncharacteristically tough) "You Keep Me Hangin' On" was the best of their mid-period hits. Behind the scenes, there were some problems brewing, although these only came to light long after the event. Other Motown stars (most notably Martha Reeves) resented what they perceived as the inordinate attention lavished upon Ross by Gordy, at the expense of other artists on the label. The other Supremes themselves felt increasingly pushed to the background. In mid-1967, as a result of what was deemed increasingly unprofessional behavior, Ballard was replaced by Cindy Birdsong (from Patti LaBelle & the Bluebelles). Ballard become one of rock's greatest tragedies, eventually ending up on welfare, and dying in 1976.

After Ballard's exit, the group would be billed as Diana Ross & the Supremes, fueling speculation that Ross was being groomed for a solo career. The Supremes had a big year in 1967, even incorporating some mild psychedelic influences into "Reflections." Holland-Dozier-Holland, however, left Motown around this time, and the quality of the Supremes' records suffered accordingly (as did the Motown organization as a whole). The Supremes were still superstars, but as a unit, they were disintegrating; it's been reported that Wilson and Birdsong didn't even sing on their final hits, a couple of which ("Love Child" and "Someday We'll Be Together") were among their best. In January 1970. Jean Terrell replaced Ross, and the group continued through 1977. ~ Richie Unterberger, All Music Guide

PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index

Travis Scott Tours a $65M Mansion, Talks Architecture, Movies, 'Utopia' Tour, & More | Hotney 7 المشاهدات • منذ 6 الشهور

For Rolling Stone's February 2026 cover story, #travisscott tours an 18,000-square-foot brutalist mansion in Beverly Hills owned by the founder of Oakley Sunglasses that's for sale for $65,000,000. One of rap's biggest superstars talks to Senior Music Editor Jeff Ihaza about his big plans for the future, his favorite movies, how #architecture inspires him (and his goals of studying it), and a lot more.

Travis Scott on his love for architecture: "I want to go to school eventually and study engineering and architecture. It's not even about the school, it's about learning. I thought about Berkeley or maybe like Harvard? They have a good architecture school. I like spaces. I love experiences. I love things that make you come alive. Certain things are inspirations, whether it's like cars, whether it's furniture, shoes, clothes, whatever. They're all inspiration and such. They can give you a drive or wake you up to push you to go do something."

Travis Scott on where his 'Utopia' world tour felt the craziest: "South Korea was crazy. Man, that was my first time I've ever been there, period. That shit was different. Johannesburg was fire. Europe, the whole Europe...every place was next level. South Korea, I said that because it took me by surprise. I didn't expect it. It was my first time being there. Fans were just going crazy. You would have thought you was in like Manchester or something, or London or something. Even like China, India, you know...nuts. Maybe I'm just saying that now because it was the last thing or most recent. South America was insane. Just seeing different walks of lives and people that just enjoy the same thing and idolize the same thing as you and other people as far as like music and experience. I know I just named nine different places, that's why it's not fair. We all won."

Travis Scott on keeping movie theaters open: "This is what I say to Ted [Sarandos, Netflix CEO]: You can't kill theaters man. I love watching movies at the house. It's cool for people, if you can't get to the theater, get it at the crib, it's something about being able to be at the house and being in your own little comfort sh*t. But the theaters is so important, it's like concerts is so important...Going and being able to get that surround. All the people that spend so much time: sound design, even just the visual coloring, the lenses...it's so much details that goes into shooting a film. I'm not saying that the TVs are taking that experience away but the whole theatrical experience, you need that."

Read the Rolling Stone cover story here: https://www.rollingstone.com/m....usic/music-features/

⸻

Talent — Travis Scott
Interviewer — Jeff Ihaza
Director of Social & Video — Waiss Aramesh
Shoot Director, Editor, Colorist — Mitch Saavedra
Executive Producer — Christopher Hwisu Kim
Senior Producer — Viviane Feldman
Video Director of Photography — Grant Bell
Camera operators — AJ Young, Ryan Leuning
Sound Engineer — Gray Thomas-Sowers
Production Assistant — Mykel Aguirre
UX Editor — Nicole Thompson
Creative Director — Joe Hutchinson
Executive Music Editor — Christian Hoard
Editors in Chief — Sean Woods & Shirley Halperin
CEO — Julian Holguin

https://www.youtube.com/user/rollingstone

Gunaah (Official Video) Sikandar | Gippy Grewal | Nimrat | Viyaah Kartare Da | New Punjabi Song 2026 Hotney 7 المشاهدات • منذ 5 الشهور

Gunaah from "Viyaah Kartaare Da" is an intense track that dives deep into themes of love and the consequences of heartfelt decisions. With powerful vocals and lyrics by Kulshan Sandhu and compelling music production by Kulshan Sandhu, the song blends raw emotion with a strong, contemporary Punjabi sound.

Listen to Gunaah on all audio platforms:
Spotify: https://bfan.link/gunaah-2/spotify
Apple Music: https://bfan.link/gunaah-2/appleMusic
JioSaavn: https://bfan.link/gunaah-2/jiosaavn
Amazon Music: https://bfan.link/gunaah-2/amazonMusic
YouTube Music: https://bfan.link/gunaah-2/youtubeMusic
Gaana: https://bfan.link/gunaah-2/gaana

Song Credits:-
Song - Gunaah
Movie - Viyaah Kartaare Da
Singer - Sikandar
Lyricist, Music Producer - Kulshan Sandhu

Movie Credits -

Dharma Productions, Humble Motion Pictures Fzco & Pitaara Talkies present
🎬 Viyaah Kartaare Da
Releasing worldwide in cinemas on 27th February 2026

#ViyaahKartaareDa #Releasing27Feb2026

Starcast - Gippy Grewal, Nimrat Khaira, Prince Kanwaljit Singh, Gurpreet Ghuggi, Deep Sehgal, Bn Sharma, Hardip Gill, Inaamul Haq, Rupinder Rupi, Jaggi singh, Bhana La, Gurmeet Sajjan, Honey Mattu, Jassi longowalia

Movie - Viyaah Kartaare Da
Prouced by - Karan Johar, Adar Poonawalla, Apoorva Mehta, Bhumika Tewari
Produced by - Gippy Grewal & Ravneet Kaur Grewal & Speed Records
Directed By - Smeep Kang
Story,Screenplay & Dialogue - Chanchal Dabra
Vocals - Gippy Grewal , Nimrat khaira & Sikandar
Lyrics - Happy Raikoti , Bunty Bains & Arjan Dhillon
Music Director - Kulshan Sandhu , Mxrci & Aagaaz
Editor - Rohit Dhiman
DOP - Sukh Kamboj
CO-Producer - Bhana LA
Executive Producer - Hardeep Dullat
Associate Director - Sukhi khaira & Sanju yadav
Digital Media & PR - Aman Mehta & Vishali Kotru
Line Producer - Avtar Singh ( Sarangpur )
Art Dir - Ritesh Kumar ( Pinky )
Post Production - Rabab Studios
Visual promotions - Hashtag#Studios(Pratham Verma)
Production Head - Akshay Rawat
Still Making - Daas films
Costume designer - Rakesh Chauhan ( Rocky)
Background Score - Salil Amrute

#ViyaahKartaareDa #Releasing27Feb2026

Enjoy & Stay connected with us!
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For Business Inquiries: humblemusic2@gmail.com

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► Digital Partner :- Believe Artist Services
► For Licensing inquiries:
Email:- sync-india@believedigital.com

#gippygrewal #nimratkhaira #arjandhillon #punjabisong

12 Most Played Songs From The 80s In Hip Hop History (They Built The Culture) Hotney 7 المشاهدات • منذ 4 الشهور

The 1980s. When hip hop went from block parties to MTV. From the Bronx to the world. These 12 songs built the culture.
In this video, you'll discover:

Walk This Way - Run-DMC & Aerosmith broke down the wall on MTV, changed music forever
The Message - Grandmaster Flash didn't want to record it, became most important song in hip hop
Fight the Power - Public Enemy made it for Spike Lee, FBI opened a file on them
My Adidas - 25,000 people held their shoes in the air, got a $1M endorsement deal
Planet Rock - Afrika Bambaataa & a borrowed 808 created the sound of the future
Paid in Full - Eric B. & Rakim recorded the greatest album ever in ONE WEEK
Rapper's Delight - Big Bank Hank rapped someone else's rhymes, sold 11 million copies
Straight Outta Compton - N.W.A. got banned, investigated by FBI, sold 3 million anyway
Push It - Salt-N-Pepa proved women could dominate hip hop
It Takes Two - Rob Base made a perfect song in 2 hours
Parents Just Don't Understand - Will Smith won the first rap Grammy, then boycotted it
The Breaks - Kurtis Blow became first rapper on major label, went gold

From Def Jam to Sugar Hill Records. From the Bronx to Compton. From battle rap to crossover hits.
This is how hip hop conquered the 1980s.
🎵 CHAPTERS:
0:00 - Introduction: How Hip Hop Conquered The 80s
0:40 - #12: The Breaks (First Rapper on Major Label)
1:55 - #11: Straight Outta Compton (FBI Investigated Them)
3:10 - #10: Parents Just Don't Understand (First Rap Grammy)
4:25 - #9: Push It (Women Proved They Could Dominate)
5:40 - #8: It Takes Two (Perfect Song in 2 Hours)
6:55 - #7: Paid in Full (Greatest Album Made in 1 Week)
8:10 - #6: Rock the Bells (LL Cool J Launched Def Jam)
9:25 - #5: My Adidas (25,000 Shoes in the Air, $1M Deal)
11:00 - MID-ROLL: The Songs That Changed Everything
11:15 - #4: Planet Rock (808 Created the Future)
12:30 - #3: Fight the Power (FBI Opened a File)
13:45 - #2: The Message (Most Important Song Ever)
15:00 - #1: Walk This Way (Broke Down The Wall)
16:15 - Outro: How Hip Hop Built The Culture
📚 SOURCES:
VH1 Hip Hop Honors
"Can't Stop Won't Stop" by Jeff Chang
Documentary footage and artist interviews
Billboard chart data and RIAA certifications
💬 Which 80s hip hop song defined the era for you? Drop it in the comments.
👍 LIKE if you lived through the 80s hip hop revolution
🔔 SUBSCRIBE for more hip hop history deep dives
📢 SHARE with anyone who remembers when MTV played rap
#RunDMC #WalkThisWay #GrandmasterFlash #PublicEnemy #80sHipHop #OldSchool #DefJam #MTV #HipHopHistory #TheMessage
#RunDMC #GrandmasterFlash #PublicEnemy #80sHipHop #OldSchool #ClassicRap #MTV #DefJam #HipHopHistory #GoldenAge
Niche Hashtags (Targeted):
#WalkThisWay #TheMessage #FightThePower #80sRap #OldSchoolHipHop #SugarHillRecords #Aerosmith #BronxHipHop #GoldenEraHipHop #HipHopCulture
Trending/Algorithm Hashtags:
#MusicHistory #80sMusic #Documentary #ClassicMusic #MTV80s #Nostalgia #TrueStory #LearnOnYouTube #DeepDive #CulturalHistory

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