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Pieces|Dancehall Masicka Video Mix Raw2023-Dancehall Video Mix 2023 Best Of Maiskca Hotney 3 vistas • 3 años hace

#masicka #pieces #djwantedmixtapes #kraff #valiant #skeng

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DO NOT OWN the song/songs or the materials use in this video, they do belong to their respective owner/owners. So please support the Artist/Artists and Musicians by Purchasing Their Song /Songs or Albums. THIS CHANEL IS FOR PROMOTIONAL PURPOSES ONLY$$$$, NO COPYRIGHT INTENDED THANK FOR YOUR CORPORATION.

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NO ES PROPIETARIO la canción / canciones o los materiales utilizados en este video, pertenecen a sus respectivos propietarios / propietarios. Así que por favor apoye al artista / artistas y músicos comprando sus canciones / canciones o álbumes. ESTE CANAL ES PARA PROPÓSITOS PROMOCIONALES SOLO $$$$, SIN COPYRIGHT PREGUNTADO GRACIAS POR SU CORPORACIÓN

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MY MUSIC PRODUCTIONS:

IMAGE BOSS-IDOL(OFFICIAL MUSIC VIDEO):https://youtu.be/PXH9BiWULFk

LUMINOUS-LIVE LARGE(OFFICIAL MUSIC VIDEO):https://youtu.be/tsrgs4-b8XE

STOCK BOSS-RAMPAGE(OFFICIAL MUSIC VIDEO):https://youtu.be/MFUEiZ4ZLzw

ABULANI-KNOCK U HEAD(OFFICIAL MUSIC VIDEO):https://youtu.be/_nElLA3ir3U

KAY TENDANESS-FUN):https://youtu.be/Is01xC88C8o

SULLY SULFA-ZOOM OUT):https://youtu.be/Wu7xmVmt5dI

SWAGG BOSS-PACKAGE):https://youtu.be/v0LWbg5xzi8

CURTISY-CHOPPA GIANT):https://youtu.be/Z2CDr0-ycOs

MILITANT-MORAL OF THE STORY):https://youtu.be/fipnopQW3sQ

ZaY3-BOP IT):https://youtu.be/a-q5Sw4Ys3k

KAY TENDANESS-RIDE OUT):https://youtu.be/ggcAE_D401s

LANZ-CAREFUL):https://youtu.be/yhdr2e9xpqI

CLOODNINE,LUMINOUS-STOCKS UP):https://youtu.be/iC2qggAdkdI

KAY TENDANESS-FRESH MONEY):https://youtu.be/-t2cHqETMBw

SULLY SULFA-CALM AND EASY):https://youtu.be/YEqOwEMGx-M

BAZZA T-PRAY FOR ME):https://youtu.be/kRj2SYT2oCc

BLACK DIAMOND PROJECT JUGGLING)https://youtu.be/aIf47EUKAVE

BRIGHT SHOOTING STAR PROJECT:https://youtu.be/pz3K1B0Ecus

SHYNE STUNNA-BORN AS A STAR):https://youtu.be/x3vpHTgV6Aw

家入レオ - ｢Winter｣（Music Video） Hotney 4 vistas • 3 años hace

家入レオ
「Winter｣（Music Video）
https://jvcmusic.lnk.to/leo_Naked

7th Album「Naked」　2023.02.15 Release
https://jvcmusic.lnk.to/Naked_package
【初回限定盤A：CD +DVD】　VIZL-2146　￥5,500（税込）
【初回限定盤B：CD＋DVD】　VIZL-2147　￥4,620（税込）
【通常盤：CD】　VICL-65773　￥3,300（税込）
【ビクターオンラインストア限定盤：CD】 NZS-905　¥4,180（税込）　※10インチ紙ジャケット仕様

【初回限定盤A】
＜CD＞
1. Winter
作詞：家入レオ・Kanata Okajima　作曲：久保田真悟(Jazzin'park)・家入レオ　編曲：久保田真悟(Jazzin'park)

2. 悩みたいだけ
作詞：家入レオ　作曲：久保田真悟(Jazzin'park)・家入レオ　編曲：久保田真悟(Jazzin'park)

3. レモンソーダ
作詞：家入レオ　作曲：須藤優・家入レオ　編曲：須藤優

4. I don’t like you
作詞：家入レオ・Kanata Okajima　作曲：久保田真悟(Jazzin'park)・栗原暁(Jazzin'park)　編曲：久保田真悟(Jazzin'park)

5. 奇跡が足りない
作詞：家入レオ・Kanata Okajima　作曲：久保田真悟(Jazzin'park)・家入レオ・Kanata Okajima　編曲：久保田真悟(Jazzin'park)

6. 嘘つき
作詞：家入レオ・石崎光　作曲・編曲：石崎光

7. Pain
作詞：家入レオ　作曲・編曲：新井弘毅

8. Hikari
作詞：家入レオ・Maika Loubté　作曲・編曲：Maika Loubté

9. 愛は鎖じゃない
作詞：家入レオ　作曲・編曲：新井弘毅

10. 君に未練はないけど、恋に未練がある
作詞：家入レオ・栗原暁(Jazzin'park)　作曲：久保田真悟(Jazzin'park)・家入レオ　編曲：久保田真悟(Jazzin'park)

11. かわいい人
作詞：下村亮介・家入レオ　作曲・編曲：下村亮介

12. Boyfriend
作詞・作曲：家入レオ　編曲：宗本康兵

＜DVD＞
“Billboard Live 〜10th Anniversary〜”を完全収録
花束／a boy／Second Dream／この世界で／Silly／未完成／奇跡が足りない／ずっと、ふたりで／Spark／サブリナ／空と青／Hello

【初回限定盤B】
＜CD＞
初回限定盤A＜CD＞と同内容

＜DVD＞
“Music Video集”
レモンソーダ(Music Video)／Pain(Music Video) ／Pain(Music Video -Another Version-)
かわいい人(Music Video) ／嘘つき(Music Video)／Winter(Music Video) ／嘘つき(Making Movie)／Winter(Making Movie)

【通常盤】
＜CD＞
初回限定盤A＜CD＞と同内容

【ビクターオンラインストア限定盤】※10インチ紙ジャケット仕様
＜CD＞
初回限定盤A＜CD＞と同内容

＜GOODS＞
「Naked」オリジナルカレンダーポスター（720mm×480mmサイズ）

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Noah Kahan - Doors (Live | Presented by Spotify) Hotney 9 vistas • 3 meses hace

"Doors (Live | Presented by Spotify)"

Stream The Great Divide: The Last Of The Bugs out now: https://noahkahan.lnk.to/thegreatdivide/spotify

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Lyrics:
I grew up pretending sticks were little guns
I would point ‘em at my dad and he’d get mad 'cause God forbid I hurt someone
I’d hurt anyone I could
Anyone who got too close and anyone who wouldn’t look
I was born into a one-hundred-year storm
Foot of ice across Vermont, and in that dark, and in that frost a heart was formed
Malcontented and unwarm
You were unsuspecting, not unwarned

That I’m the trouble ahead
That I scream in my sleep
You’re putting money on red, I’m a sure bet at a losing streak
I keep showing you doors, but you can’t open them up
Cuz it gets harder to see me the closer you try to look
I just live here babe, but you’re the one who decided to knock
You knocked

Have you ever stared directly at the sun?
Have you ever shared some closeness, so exposed, to have it spit back by someone
So forgive me if I jump
At the rattle of your keys, oh are you leaving, no babe I’m just waking up
And now what
I’m left staring at the ceiling, listing reasons you should pack all your shit up

That I’m the trouble ahead
That I scream in my sleep
You’re putting money on red, I’m a sure bet at a losing streak
I keep showing you doors, but you can’t open them up
Cuz it gets harder to see me the closer you try to look
I just live here babe, but you’re the one who decided to knock
You knocked

I’ll be gone so long before the anger comes
I’ll be only what you’ve known of me ‘til now
Oh how I hope you’re moving on

'Cause I’m the trouble ahead
And I scream in my sleep
You’re putting money on red, I’m a sure bet at a losing streak
I keep showing you doors, but you can’t open them up
Cuz it gets harder to see me the closer you try to look
I just live here babe, but you’re the one
I just live here babe, but you’re the one
I just live here babe, but you’re the one

#TheGreatDivide #NoahKahan

Music video by Noah Kahan performing Doors (Live | Presented by Spotify).© 2026 Mercury Records, a Division of UMG Recordings, Inc.

She Made Her Label $170M, All She Got Was $1900…. Hotney 7 vistas • 3 meses hace

The story of Alannah Myles, best known for the song Black Velvet

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

Title: The Tragic Story of The One-Hit Wonder Who Wasn't

Some songs are like time machines. In 1990, one of them was “Black Velvet,” a smoky, blues‑rock track that turned Canadian singer Alannah Myles into a global star. The song hit number one on the Billboard Hot 100, won a Grammy for Best Female Rock Vocal Performance, and helped her debut album sell millions worldwide. By all accounts, she should have been set for life.

Instead, the industry that finally embraced her nearly destroyed her. Behind the scenes, Myles had signed a brutal contract loaded with “recoupable” expenses for recording, videos, touring, and marketing — debts she had to pay back before seeing real royalties. She later estimated the label earned well over a hundred million dollars from her records, while she struggled to pay rent and took side jobs just to get by. She has said she didn’t receive a meaningful royalty check for “Black Velvet” until 2008, almost two decades after the song topped the charts.

Her path to that hit had been long and stubbornly independent. Born Alannah Byles in Toronto, she grew up comfortable but determined to make it on her own. She wrote songs as a teenager, played grimy Southern Ontario clubs, and rebranded herself as Alannah Myles while doing modeling, makeup work, and small acting roles to fund her music. Partnering with songwriter Christopher Ward and producer David Tyson, she chased a blues‑rock identity that Canadian labels repeatedly rejected. A three‑song demo to Atlantic in New York finally landed her a six‑album deal in 1987.

Her 1989 debut album was huge at home, producing multiple Top 40 hits and becoming the best‑selling debut album in Canadian history. “Black Velvet” – written by Ward and Tyson as an Elvis Presley tribute after Ward rode a fan bus to Memphis – was the track that broke her internationally. Released in the U.S. after “Love Is,” it climbed slowly before exploding to number one and going top ten in over a dozen countries. At the same time, her label angered her by commissioning a competing country version by Robin Lee, which muddied her ownership of the song in the public eye.

The pressure for a repeat was immediate. Her 1992 follow‑up, Rockinghorse, underperformed in the U.S. but went multi‑platinum in Canada, giving her another number‑one single and a second Grammy nomination. Still, label politics, media stories painting her as “difficult,” and the strain of constant touring took a toll. She cancelled tours for health reasons, cycled through managers, and watched as her momentum faded internationally.

Myles eventually left Atlantic in the late ’90s and signed with Miles Copeland’s Ark 21, gaining more creative control but far less commercial visibility. For years she survived through smaller‑scale releases, overseas deals, television work, and live shows, even as “Black Velvet” kept spinning on radio without truly enriching her. A libel suit against a major Canadian newspaper over claims of cocaine addiction was settled in 2001, reportedly with a substantial payout — ironically one of the biggest financial wins of her career.

When her contract finally allowed it, she re‑recorded “Black Velvet” for her independent album Black Velvet and later retooled it again on 85 bpm, finally owning versions of the song that paid her directly. Chronic health problems, including serious spinal damage and autoimmune issues, have since limited her ability to tour, but she continues to write and record on her own terms.

Calling Alannah Myles a “one‑hit wonder” misses the point. She had multiple Canadian hits, a second Grammy‑nominated album, and a career that’s lasted decades. “Black Velvet” was a phenomenon so huge it obscured the rest of her work — and a song that nearly ruined her even as it made her immortal. In 2021, it was inducted into the Canadian Songwriters Hall of Fame, cementing its place in rock history and her legacy as far more than a trivia‑question one‑off.

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From Gold Records to ROCK BOTTOM in Just 2 Years: Cold’s Tragic Story Hotney 8 vistas • 2 meses hace

The story of Scooter Ward's band Cold best known for songs like Stupid Girl

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

Cold’s story is one of brutal bad luck, label disasters, and personal tragedy that nearly destroyed them.

The band began as Grundig in Jacksonville, Florida in the late 80s, with Scooter Ward, Sam McCandless, and Jeremy Marshall forming a moody, heavy “redneck goth” outfit inspired by everyone from Depeche Mode and Sade to Nirvana and Alice in Chains. They hustled hard, working day jobs, playing up to 100 shows a year, and sinking money into an 8-song demo that still left them thousands of dollars in debt. A move to Atlanta was supposed to bring them closer to the industry, but instead they found cliquish scenes, tiny hostile crowds, and mounting frustration, all while Ward battled Crohn’s disease and ended up hospitalized.

Their luck seemed to change when old friend Fred Durst, now fronting Limp Bizkit, reconnected with them. Durst produced a demo that impressed famed producer Ross Robinson and led to a six-album deal through Flip and A&M. Just as things were taking off, the German electronics company Grundig threatened to sue over their name, forcing a rebrand to Cold. Their 1998 self‑titled debut drew praise from Kerrang! and Guitar World, but radio support was spotty. Then disaster struck: A&M was dissolved in a major label merger, staff were cut, and Cold’s first album was essentially left for dead before being quietly shuffled over to Interscope/Geffen.

Cold regrouped with a stronger lineup, adding guitarist Terry Balsamo and crafting a darker, more melodic sound. Their 2000 album “13 Ways to Bleed on Stage” was a slow‑burn success, earning a gold certification on the back of relentless touring and singles like “No One” and “Just Got Wicked.” They followed it with 2003’s “Year of the Spider,” written amid personal tragedies: Ward’s sister’s ovarian cancer, a breakup, deaths in the band’s circle, and his struggles with substance abuse. The album debuted at number 3 on the Billboard 200, went gold, and produced their biggest hit, “Stupid Girl,” a song they hadn’t even wanted as a single.

At the peak of their success, everything unraveled. Cold clashed with Geffen over single choices and felt the label had stopped supporting them after recouping its investment. Guitarist Terry Balsamo left to join Evanescence, and Amy Lee’s public comments about Ward’s personal issues exposed his private struggles. Kelly Hayes soon exited as well. Ward’s sister’s cancer returned, his addiction worsened, and he spiraled to the point of not wanting to live. He found faith, bought his childhood home, and poured his pain into Cold’s fourth album, “A Different Kind of Pain,” a dark but hopeful record released through Lava in 2005. Yet label turnover and weak promotion echoed their earlier A&M nightmare, and the album underperformed.

By 2006, worn down by lineup changes and industry battles, Ward announced Cold’s breakup on MySpace, thanking fans but clearly exhausted. A few years later, fan demand and the enduring bond of the “Cold Army” pulled them back. The classic core regrouped, new guitarists came in, and Cold returned with albums like 2011’s “Superfiction” and 2019’s “The Things We Can’t Stop.” Their legacy became less about charts and more about survival: a band that kept getting knocked down by illness, addiction.

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姜濤 Keung To《作品的說話》Official Music Video Hotney 5 vistas • 3 años hace

#作品的說話 #姜濤 #MIRRORweare
《作品的說話》解說：

「用作品說話」，姜濤常掛口邊一句。
對，作品裡，永遠有說話。
每件藝術作品，莫論好壞，都總有話要說。
目的只為沉默地欣賞著作品的人，漸於心裡也都有話想說。
以下作品，可曾於你心裡留下什麼千言萬語？

"Let the song speak for itself'" as Keung To often says. Yes, there is always a message within a song. A work of art always has something to say, regardless of its quality. When one quietly enjoys a work solely for the purpose of appreciation, he/she will also have something to say by and by. Have the following works of art overwhelmed you with a thousand words in heart?

於1945年拍攝，廣島原爆後那幀經典黑白照片。
於1971年灌錄，John Lennon那首反戰名曲《Imagine》。
於1947年以荷蘭文出版，Anne Frank憋於密室中撰寫的《安妮日記》。
於1989年塌下，但至今仍於柏林圍牆遺址延綿萬里的七彩塗鴉。
於1958年誕生，Gerald Holtom利用旗語來設計，後來成為反戰象徵的著名反核符號。

The black-and-white classic photo shot in 1945, depicting the atomic bombing in Hiroshima.
"Imagine", the legendary anti-war song recorded in 1971 by John Lennon.
"Diary of Anne Frank", written by Anne Frank cooped up in a secret cell, was published in 1947.
The colouful graffiti art featuring ruins of the vast Berlin Wall demolished in 1989.
Created in 1958, the Nuclear Disarmament logo, designed by Gerald Holtom using the flag semaphore alphabet, later became an international peace symbol.

究竟是什麼，令我們心懷仇恨？
又是什麼，導致我們手執武器？
善惡是種選擇，如果所有藝術作品都能從愛出發，那麼，我們：
可否放下那張刀，用一雙手去拍一張照片？
可否放下那手槍，用一雙手去寫一闋樂曲？
可否放下那子彈，用一雙手去撰一部小說？
或，可否拆下你胸口珍貴的軍官勳章，去兌換一幅純真的兒童畫，並掛於人類文明的迴廊上，展示愛的真貌？

Why do we harbour hatred? And why do we take up arms? Good and evil is a choice. Should all works of art be borne out of love, shall we then: drop the sword and shoot a picture with the hands, put down the gun and write a song with the hands, leave aside the bullet and pen a novel with the hands？Or, could you take away your treasured officer medal in exchange for an innocent child painting to be erected at the civilisation corridors of mankind, showing the genuine face of love?

九胎《鏡中鏡》是姜濤了解並尋回內在自我的過程；
十胎《作品的說話》是他向外界呼喊及勸勉的心聲。
九胎是與自己和解；
十胎是盼世界和解。
從Verse的散亂及完全不押韻，到Pre-Chorus局部押韻，再到副歌的完全工整押韻――象徵著世界從混沌中逐漸邁向和平，於漫長文明旅途上逐漸明心見性。
也是希冀，也是關懷；
破鏡重圓，繼續說話。

"Spiegel im Spiegel", the ninth baby, offers Keung To a journey to understand and find his inner self, whereas in the tenth baby, "What The Work Says", Keung appeals to the outer world. The ninth makes peace with himself and the tenth is a wish for world peace. From the totally unrhymed opening verses, to the partly rhymed pre-chorus and the perfectly-rhymed, symmetrical chorus, the lyric pattern symbolises the transition from turmoil to peace of the world. Inner peace is found after traversing the long winding road of civilisation. It is a wish and a concern. The broken mirror has been mended and we will continue to speak up.

《作品的說話》
"What the Work Says"

曲：Gareth.T
詞：小克
編：Gareth.T
監：Edward Chan / Gareth.T

可記得
見證半個廣島　炸碎了　那張照片
勸你去猜想　世界無國界　那一闋歌
少女困斗室　晦暗裡記載　那一本書
有這些作品

你再置身事外　但是活在這地球
循環千秋萬代　善或恨原是自由
用我手中　一張相
換你手中　一張刀
用我手中　一首歌
換你手中　一把槍
愛真的面貌　用藝術呈現莫負擅長
只希望　默默地提示人類善良
用我手中　一本書
換你手中　一子彈
用我手中　一幅畫
換你手中　一勳章　去　說　明

燒毀　的小教堂響起　鐘聲
鐘聲　撫慰　雙方的　傷兵
傷兵　一眾　差不多　年齡
本應　相對　如男孩　友情
家鄉　的信　家鄉的　心聲
心聲　想你　烽煙中　細聽
簡單　的愛　簡單的　和平
才是　以後　路　　　　程

可記得
曾融和天與地　東跟西　繪於一面圍牆　的噴畫
圓圈裡那　撇與捺　加多一戙而成　的標誌
誰　曾肩負重任　用力地唱　盡力拍
落力畫滿　合力地說　但願沒有　世界大戰

你再置身事外　但是活在這地球
循環千秋萬代　善或恨原是自由
用我手中　一張相
換你手中　一張刀
用我手中　一首歌
換你手中　一把槍
愛真的面貌　用藝術呈現莫負擅長
只希望　默默地提示人類善良
用我手中　一本書
換你手中　一子彈
用我手中　一幅畫
換你手中　一勳章　去　喊　停

燒毀　的小教堂響起　鐘聲
鐘聲　撫慰　雙方的　傷兵
傷兵　一眾　差不多　年齡
本應　相對　如男孩　友情
家鄉　的信　家鄉的　心聲
心聲　想你　烽煙中　反省
簡單　的愛　簡單的　和平
才是　以後　　路　　　程

燒毀　的小教堂響起　鐘聲
鐘聲　撫慰　雙方的　傷兵
傷兵　一眾　差不多　年齡
本應　相對　如男孩　友情
家鄉　的信　家鄉的　心聲
心聲　想你　烽煙中　細聽
簡單　的愛　簡單的　風景
藏著　　　　　　性　　命

翻新　的小教堂響起　歌聲
歌聲　擁抱　家鄉的　孤嬰
孤嬰　怎會　懂得這　文明
幾番　波折　才從頭　建成
天真　的笑　天真的　哭聲
哭聲　想你　於心中　見性
一體　的愛　一體的　心境
人類　　　　　　　　有靈

All Instruments by Gareth.T except
Guitars by Sam Best / Teddy Fan

Backing Vocal Arranged by Gareth.T / 吳林峰
Backing Vocal by Maggie Tsoi / moon tang / Nic Tsui / Gareth.T / 吳林峰
Backing Vocal Recorded by King Kong / Anson Chan /吳林峰@nova

Protools Editing by Edward Chan / Gareth.T / 吳林峰 / Anson Chan / King Kong / Y.Siu / Kelvin Au
Recorded by Edward Chan@nova
All Vocals Premixed by Edward Chan / King Kong
Mixed by Matthew Sim
Mastered by Alexis Psaroudakis

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