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Prince Jackson Opens Up: Michael Jackson’s Legacy, the Michael Movie & Moments Fans Never Knew Hotney 10 Streams • 5 months ago

Prince Jackson joins us for an emotional and insightful conversation about the new Michael movie, the legacy of Michael Jackson, and what it meant to see his cousin Jafar Jackson transform into the King of Pop on screen.

In this wide‑ranging interview, Prince shares never‑before‑heard stories from the making of the film, including powerful moments on set, emotional performances recreated for the big screen, and the responsibility he felt as an executive producer protecting his father’s legacy.

He opens up about the human side of Michael Jackson—his philanthropy, compassion, and impact on generations of fans around the world.

Prince also discusses:

- Watching the Michael movie for the first time
- Jafar Jackson’s dedication and performance
- Colman Domingo’s portrayal of Joe Jackson
- Michael Jackson’s influence on pop culture today
- Personal childhood memories, from toy store takeovers to quiet walks with his dad
- The mission behind Heal Los Angeles and continuing Michael’s humanitarian work
- What could come next in a potential Michael Part Two

This is a must‑watch conversation for Michael Jackson fans, music lovers, and anyone inspired by stories of legacy, family, and artistic greatness.

🎬 Watch, like, subscribe, and share with fellow MJ fans.

CHAPTERS:
00:00 – Prince Jackson’s Most “Michael” Childhood Memory
Toy store shutdowns, privacy, and growing up Jackson
02:01 – Seeing the Michael Movie on the Big Screen
Why IMAX matters and how emotional the experience was
03:14 – Jafar Jackson’s First Transformation Moment
The camera test that stopped Prince in his tracks
05:44 – Neverland, Havenhurst & Family Stories Fans Never Knew
The giraffe story, Disney inspiration, and MJ’s creative world
08:42 – How Jafar Perfected Michael’s Voice & Movement
Why Prince thought he was hearing unreleased MJ audio
11:31 – Michael Jackson’s Humanity & Philanthropy
The burn unit scenes and why they mattered most
14:14 – Why Michael Jackson Is Still the GOAT
40+ years later and still shaping music and culture
16:02 – Colman Domingo as Joe Jackson
A nuanced portrayal of a complicated figure
18:10 – Prince Jackson’s Role as Executive Producer
Protecting the legacy and ensuring authenticity
22:30 – What’s Next: Michael Part Two & Message to Fans
The future of the story and Prince’s words to MJ fans

#MichaelJackson #PrinceJackson #MichaelMovie #JafarJackson #KingOfPop #MusicLegend #Biopic #MJLegacy

STAY CONNECTED!!!
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#iHeartRadio

Kehlani - Out The Window [Official Music Video] Hotney 204 Streams • 11 months ago

Kehlani - Out The Window
Stream: https://kehlani.lnk.to/OutTheWindowID

DIRECTOR: GABE PHOENIX
DIRECTOR: TRAVIS COLBERT
PRODUCER: SAM KING
PRODUCTION COMPANY: PROJEKT STUDIOS
PRODUCTION SUPERVISOR: SINA PARS
ASST. PROD SUPERVISOR: CHLOE RUMBEL
1ST AD: RB
2ND AD: ARIEL WILLIAMS
2ND 2ND AD: ZIORTZA MORALES BARRIONUEVO
DIRECTOR OF PHOTOGRAPHY: BRIAN BECKWITH
STEADICAM OP: CHRIS PINTO
1ST AC: LUCA TURNER
2ND AC: JEWEL PEREZ
1ST AC BCAM: TEVIN TEIXEIRA
DIT: KALEN WOLF
TECHNOSCOPE OP: ELI FRANKS
HEAD TECH: RICHARD FINE
JIB OP: KIRK MORALES
VTR: ADRIEN MORALES
SOUND / PLAYBACK: GREGORIO WASHINGTON
GAFFER: JORDAN AV-TAL
GAFFER: ROB PADILLA
BEST BOY ELECTRIC: WESLEY AHARONI
BOARD OP: COLE EGILSSON
LED DESIGNER: WHALEN
ELECTRIC: JEFF KULIG
ELECTRIC: DAVID ADAM
KEY GRIP: SIMEON MIHAYLOV
RIGGING GRIP: CHRIS VAN LEITSHOUT
BEST BOY GRIP: SCOTT CHASE
BEST BOY GRIP: JAVUAN CRANE BONNELL
GRIP: DYLAN WHIDDON
GRIP: GAVIN SAMPLES
GRIP: MASON MCLAURY
PRODUCTION DESIGNER: VICTOR CAPOCCIA
ART COORDINATOR: GARY WARSHAW
SET DECORATOR: ALANA SHEA
SPFX: KEVIN WATSON
SPFX ASSIST: NATHAN SINDEL
SPFX ASSIST: MICHAEL CUEN
XR DESIGN: DANNY FIRPO
XR DESIGN: NICOLE PLAZA
XR DESIGN: PETER KELLY
MAKEUP (DANCERS): VICKY GARCIA
MAKEUP ASSIST: ALEX NAVARRO
MAKEUP ASSIST: SANDRA PEREZ
HAIR (DANCERS): AKISHA COX
HAIR ASSIST: DOMINIQUE HENSON
HAIR (KEHLANI): QURAN SMITH
MAKEUP (KEHLANI): TROYE BATISTE
STYLIST (KEHLANI): OTHTHAN BURNSIDE
STYLIST ASSIST: DOMINIQUE SAMANIEGO
STYLIST ASSIST: NELLY SANTIAGO
CHOREOGRAPHER: DARIO BOATNER
ASSIST CHOREO: JOYA JACKSON
ASSIST CHOREO: DOMINIQUE BATTISTE
DANCER: CHRISTIAN MOONEY
DANCER: EMILY IMAGNA
DANCER: IDALIZ CHRISTIAN
DANCER: JACKSON KOONCE
DANCER: SHAQUAN REED
DANCER: DOMINIQUE BATTISTE
WATER TRUCK: ROB MCLURE
SET MEDIC: MONICA RUST
CRAFT SERVICES: LESLIE PAZ
CRAFT SERVICES: GERARDO AGUIRRE
MANAGEMENT: DAVID ALI
MANAGEMENT ASSIST: TAYLOR GURUWAYA
PHOTOGRAPHER: BRIANNA AGCAOILI
PHOTOGRAPHER / VHS: JAMIE BOYD
ASSISTANT: SIERRA STEVENS
LABEL: ATLANTIC RECORDS
SR. DIRECTOR, CREATIVE: AMBER AJEE
VP MARKETING: LALLIE JONES
PRESIDENT OF CREATIVE: DAVE ROCCO
CO-PRESIDENT 300/ATLANTIC: RAYNA BASS
POST PROD. COMPANY: VH POST
EDITOR: VINNIE HOBBS
POST PROD. COMPANY: APOLLO
POST HEAD OF POST: ALEX PETERSON
POST PRODUCER: SEAN CARROLL
OFFLINE EDITOR: ZACKSTA
VFX: LE JUMPER
SOUND DESIGN: GABE PHOENIX
COLOR: COMPANY 3
COLORIST: BRYAN SMALLER
ASSOCIATE PRODUCER: CAMERON HIGARAVATHN
TITLES: TRAVIS COLBERT
VFX SUPERVISOR: MAX COLT
BEAUTY: DIGITALBEAUTYWORK
BTS: TYLER FUHRMEISTER
DIRECTOR'S ASSIST: TATUM COLBERT
DIRECTOR'S ASSIST: ZAIRE PHOENIX
PA: JOSE RAMOS
PA: OSCAR ARIAS
PA: LUIS QUITANA
PA: CHRIS CARTER
PA: TIANA PERINI
PA: YARA CORTEZ GUZMAN

Folded out now!
Stream: https://Kehlani.lnk.to/FoldedID

Follow Kehlani
https://www.kehlani.com/
https://www.tiktok.com/@kehlani
https://instagram.com/kehlani
https://x.com/Kehlani
https://facebook.com/Kehlani

#Kehlani #OutTheWindow #OfficialMusicVideo

From Gold Records to ROCK BOTTOM in Just 2 Years: Cold’s Tragic Story Hotney 9 Streams • 5 months ago

The story of Scooter Ward's band Cold best known for songs like Stupid Girl

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

Cold’s story is one of brutal bad luck, label disasters, and personal tragedy that nearly destroyed them.

The band began as Grundig in Jacksonville, Florida in the late 80s, with Scooter Ward, Sam McCandless, and Jeremy Marshall forming a moody, heavy “redneck goth” outfit inspired by everyone from Depeche Mode and Sade to Nirvana and Alice in Chains. They hustled hard, working day jobs, playing up to 100 shows a year, and sinking money into an 8-song demo that still left them thousands of dollars in debt. A move to Atlanta was supposed to bring them closer to the industry, but instead they found cliquish scenes, tiny hostile crowds, and mounting frustration, all while Ward battled Crohn’s disease and ended up hospitalized.

Their luck seemed to change when old friend Fred Durst, now fronting Limp Bizkit, reconnected with them. Durst produced a demo that impressed famed producer Ross Robinson and led to a six-album deal through Flip and A&M. Just as things were taking off, the German electronics company Grundig threatened to sue over their name, forcing a rebrand to Cold. Their 1998 self‑titled debut drew praise from Kerrang! and Guitar World, but radio support was spotty. Then disaster struck: A&M was dissolved in a major label merger, staff were cut, and Cold’s first album was essentially left for dead before being quietly shuffled over to Interscope/Geffen.

Cold regrouped with a stronger lineup, adding guitarist Terry Balsamo and crafting a darker, more melodic sound. Their 2000 album “13 Ways to Bleed on Stage” was a slow‑burn success, earning a gold certification on the back of relentless touring and singles like “No One” and “Just Got Wicked.” They followed it with 2003’s “Year of the Spider,” written amid personal tragedies: Ward’s sister’s ovarian cancer, a breakup, deaths in the band’s circle, and his struggles with substance abuse. The album debuted at number 3 on the Billboard 200, went gold, and produced their biggest hit, “Stupid Girl,” a song they hadn’t even wanted as a single.

At the peak of their success, everything unraveled. Cold clashed with Geffen over single choices and felt the label had stopped supporting them after recouping its investment. Guitarist Terry Balsamo left to join Evanescence, and Amy Lee’s public comments about Ward’s personal issues exposed his private struggles. Kelly Hayes soon exited as well. Ward’s sister’s cancer returned, his addiction worsened, and he spiraled to the point of not wanting to live. He found faith, bought his childhood home, and poured his pain into Cold’s fourth album, “A Different Kind of Pain,” a dark but hopeful record released through Lava in 2005. Yet label turnover and weak promotion echoed their earlier A&M nightmare, and the album underperformed.

By 2006, worn down by lineup changes and industry battles, Ward announced Cold’s breakup on MySpace, thanking fans but clearly exhausted. A few years later, fan demand and the enduring bond of the “Cold Army” pulled them back. The classic core regrouped, new guitarists came in, and Cold returned with albums like 2011’s “Superfiction” and 2019’s “The Things We Can’t Stop.” Their legacy became less about charts and more about survival: a band that kept getting knocked down by illness, addiction.

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