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DON OMAR x NIO GARCIA - SE MENEA (Official Music Video) Hotney 7 Ansichten • 3 Jahre vor

Don Omar x Nio García "Se Menea" ya está disponible en todas las plataformas 👉 https://donomar.lnk.to/SeMeneaID

Escucha Aquí “Se Menea” en tu plataforma favorita 🎶

➤Spotify: https://donomar.lnk.to/SeMeneaID/spotify
➤Deezer: https://donomar.lnk.to/SeMeneaID/deezer
➤Apple Music: https://donomar.lnk.to/SeMeneaID/applemusic
➤Tidal: https://donomar.lnk.to/SeMeneaID/tidal
➤Amazon Music: https://donomar.lnk.to/SeMeneaID/amazonmusic
➤Youtube Music: https://donomar.lnk.to/SeMeneaID/youtubemusic
➤ Pandora: https://donomar.lnk.to/SeMeneaID/pandora

✅ Suscríbete para ver nuevos videos Aquí:
https://donomar.lnk.to/SubscribeOnYTID

🎶 Encuentra más de mi música en esta playlists 🎶
➤This Is Don Omar:
https://open.spotify.com/playl....ist/37i9dQZF1DWYBUdc

💿 Encuentra Mi discografia completa aquí 💿:
https://open.spotify.com/artis....t/33ScadVnbm2X8kkUqO

Sígueme en mis Redes Sociales:
➤Instagram 👉 https://www.instagram.com/donomar/
➤Facebook👉 https://www.facebook.com/donomar
➤Twitter 👉 https://twitter.com/DONOMAR
➤ Web 👉 https://www.donomar.com

📩 Management Team & Bookings:
@arielrivas
bookings@donomar.com

Creditos

Directors: Gus Camacho / Mastermind
Producers: Ariel Rivas, Gus Lopez

Don Omar x Nio García "Se Menea" Lyrics

Tú viniste aquí, (Di,Di) con lo mismo que yo ohh.
Es sábado y está dejá (¡Don!), dice que se le dio ah y que hoy no le importa na’ (¡El Rey!).

Y se menea pa’ que yo la vea, se pegó a besarme pero se voltea.
Me dejó con las ganas, pero no me gana.
Le gustan los mayores, esa va pa’ mi cama (Di, Di, Di).

Y se menea pa’ que yo la vea, se pega pa’ besarme pero se voltea.
Me dejó con las ganas, pero no me gana.
Aunque yo sea menor, mejor ella se va pa’ mi cama.

Bebe me tienes dando vuelta detrás de ti.
Yo loco por pillarte, tú na’ de na’.
Pide otra botella, vámonos de aquí.
Déjate llevar, yo sé dónde irla a pasar.
Bajo la luna y frente al mar sentí tu frenesí.
Y pensar que bailando te conocí.
Bebe dame una noche, dime que sí.
Deja de cotizarte, no seas así.

Por ti yo me fajo, me busco un trabajo.
Tenía una baby, la mandé pal’ carajo.
Que ella me tiene envuelto, no quiere dueño.
Yo vi su culo y me llevó quien me trajo. (¡Rey!)

Baby por ti me fajo, me voy hasta abajo.
Si se ponen brutos yo mismo los trabajo.
Chulita no tiene dueño, me tiene envuelto.
Yo vi todo eso y me llevó quien me trajo.

Si tú la vieras como ella se menea pa’ que yo la vea, se pega pa’ besarme pero se voltea.
Me dejó con las ganas, pero no me gana.
Aunque yo sea menor, mejor ella se va pa mi cama (¡Don!).

Y se menea pa’ que yo la vea, se pegó a besarme pero se voltea.
Me dejó con las ganas, pero no me gana.
Le gustan los mayores, esa va pa’ mi cama.

Y ella no cree en amarre, suelta como gabete.
Me besa tan dulce, que ya me dio diabetes.
Quiero ser un avión y tú un aeropuerto, pa yo viajar el mundo y aterrizar en tu puerto.

Por ti yo me fajo, me busco un trabajo.
Tenía una baby, la mandé pal’ carajo.
Que ella me tiene envuelto, no quiere dueño.
Yo vi su culo y me llevó quien me trajo.

Baby por ti me fajo, me voy hasta abajo.
Si se ponen brutos yo mismo los trabajo.
Chulita no tiene dueño, me tiene envuelto.
Yo vi todo eso y me llevó quien me trajo.

Si tú la vieras como ella se menea pa’ que yo la vea, se pega pa’ besarme pero se voltea.
Me dejó con las ganas, pero no me gana.
Aunque yo sea menor, ella se va pa mi cama (¡Rey!).

Y se menea pa’ que yo la vea, se pegó a besarme pero se voltea.
Me dejó con las ganas, pero no me gana.
Le gustan los mayores, esa va pa’ mi cama.

¡Sencillo!, dile a los nenes
¡I’m back!
¡Rey!
¡Nio García!
¡Flow la movie!
¡DON!

Worldwide recognized as The King

#DonOmar #NioGarcia #SeMenea #SabanMusicGroup

Mother's Finest - Live At Rockpalast 1978 (Full Concert) Hotney 7 Ansichten • 3 Jahre vor

Get your CD/DVD Boxset or stream the album here: https://bfan.link/Mother-s-Fin....est-Live-at-Rockpala

By the 1970s, taboos were beginning to fall from society, but many taboos were still firmly in place.

In 1977 Mother’s Finest released their now much-sought after album “Mother’s Finest” that included the song “Niggizz Can’t Sing Rock And Roll”. This title shocked and scandalized the church community:

An influential and powerful preacher read the band the riot act and so they decided to remove the song from their live act.

The song, however, exactly expressed what the group felt: The band founders wanted to create a mixture of black funk and white rock ‘n’ roll, so as to win over black and white audiences.

Sitting in Christian Wagner’s car (Christian Wagner was Rockpalast’s director from the very start) we heard their song “Fire” (1976) on the radio for the first time and we decided that this band has to perform at Rockpalast.

In the night between 15 and 16 February 1978 we received the written okay in a discotheque in Atlanta, Georgia.

The boxing match of the previous evening also involved the hopes of blacks and whites: Muhammad Ali had lost his world champion title to Leon Spinks. The spirit of the times can be best described by my experience in a bar in Atlanta where I was watching the transmission: The white “redneck audience” was glad that the loudmouthed boxer they still enjoyed calling by his slave name Cassius Clay, was beaten.

Not really the best conditions for the success of a band made up of black and white musicians.

When Mother’s Finest opened the second Rockpalast Night on 4 March 1978 at the Grugahalle in Essen, they were completely unknown in Europe.

That evening, however, they achieved cult status – a status they have kept until today.

Mother’s Finest overwhelmed the unsuspecting audience with songs typical for their style: “Give You All The Love” (1977), “Baby Love” (1977) and “Mickey’s Monkey” (1978), the last a cover of the Holland/Dozier/Holland song which Smokey Robinson & The Miracles made popular in 1969.

It is played at every concert of Mother’s Finest and shows the band’s deep roots in that kind of black music, which was mainly released by Tamala-Motown at that time.

Years full of changes followed. In 1984 the band split up.

Joyce Kennedy went on to a successful solo career. 25 years after their legendary conquest of Europe, Mother’s Finest once again performed at Rockpalast – and almost with the same line up.

On 20th July 2003 they played a concert at Satzvey Castle which included classics as well as exiting new numbers.
Both of these concerts are presented here in full!

#concert #livemusic #fullconcert

Naomi Sharon - Push ft Omah Lay (Official Video) Hotney 7 Ansichten • 3 Jahre vor

#NaomiSharon #Obsidian #omahlay

Listen to Obsidian: https://ovo-naomisharon.ffm.to/obsidian

Follow Naomi Sharon:
►Instagram: https://www.instagram.com/naomisharon/
►Facebook: https://www.facebook.com/naomisharonw
►Twitter: https://twitter.com/NaomiSharon
►TikTok: https://www.tiktok.com/@naomisharon
►YouTube: https://www.youtube.com/@naomi....sharon7653?sub_confi

Director: Giancarlo Sanchez Commissioner: Louise Clarke Producer: Sahar Driessen
Production: Charlotte van Remmen & Tamara Janson
1st AD: Hidde Niels
D.O.P: Christiaan Compaan
1st AC: Maxime van Erp
Gaffer: Jan Nelemans
Best Boy: Mees
Electrician: Jurian de Graaf
Art Director: Rosa Kater
Art Assistants: Lieve Postulart, Greta Wegmann, Giovanni Valaythen
Stylist: Max Heuvelman
Styling Assistant: Jozef Wright
Make-Up Artist: Thirza King
Make-Up Assistants: Candle & Bjorn
Hair Artist: Keanna Williams
Hair Assistant: Yara

Production team Brussels:
D.O.P: Derek Zomer |
1st AC: Daan Hettinga |
Gaffer: Daan Strampels

Post Production Company - Double East
Post Producer: Kevin Camphuis
Editor: Kevin Camphuis
Assistant Editor: Boni Dewanti
VFX Studio: De Bont Digital
VFX Supervisor: Remco de Bont
Compositors: @remcodebont, @bramcardon, Dario Indaco, Nick van Heugten
Colorist: Davey Anthony

Choreographer: Malou Linders
Dancers: Juliette Von Grumbkow, Nathalie Chaves, Dewi Dihal, Anna-Maria Laius

Special thanks to: Emerich, Ammar, Osayi, Olympia, Joey, Thijs, Daphne, Jan, Hader, Gabriela, Justin, Laura, Marieke, Tishano, Whitney, Emile, Igor, Benjamin, Eva, Zella, Sammie, Julia, Danni, Juno

Push Lyrics

A woman’s intuition is heavy like the snow
Come and lets my grass grow
Watch me lose control
When you touch my body
I feel it in my soul
Come give me this fever
I wanna feel it in my bones
Mmm

Push it, push it, push it, push it, push it, push it, push it, push it, watch me
Push it, push it yeah, push it, push it watch me push it, push it, push it, push it

V2 (Omah Lay)

Pushing
I wanna see you today tomorrow
I wanna see you baby
I wanna know what’s your potential
I’m in love with you

I don’t wanna hear something fucked something up
So baby I’m coming to you
I just wanna come and mess up your make up
You know my attitude

Push it, push it, push it, push it, push it, push it, push it, push it, watch me
Push it, push it yeah, push it, push it watch me push it, push it, push it, push it

I wanna see you today tomorrow
I wanna know what’s your potential
I don’t wanna hear something fucked something up
I just wanna come and mess up your make up

Push it, push it, push it, push it, push it, push it, push it, push it, watch me
Push it, push it, push it, push it watch me push it, push it, push it, push it

Fanny - Hey Bulldog (1971) | LIVE Hotney 7 Ansichten • 3 Jahre vor

LYRICS (elyrics.net)
----------------------------------------------------
Sheepdog
Standing in the rain
Bullfrog
Doing it again
Some kind of happiness is measured out in miles
What makes you think you're something special when you smile?

Child-like
No one understands
Jack knife
In your sweaty hands
Some kind of innocence is measured out in years
You don't know what it's like to listen to your fears

You can talk to me
You can talk to me
You can talk to me
If you're lonely you can talk to me

Hedgehog
Living in the sand
Leapfrog
Giving him a hand
Some kind of attitude is measured out inside
You think you're going but you haven't got a ride

You can talk to me
You can talk to me
You can tal to me
If you're lonely you can talk to me
Big man
Walking in the park
Wigwam
Frightened of the dark
Some kind of solitude is measured out in you
You think you know me but you haven't got a clue

You can talk to me
You can talk to me
You can talk to me
If you're lonely you can talk to me

Wahoo woof! Woof!
Hey bulldog! Hey bulldog!
Hey bulldog! Hey bulldog!

Hey man, what's that boy?
Woof!
What do you say?
I said "woof!"
You know anymore?
Wooaah ha ha ha!
You've got it, that's it, you had it!
That's it, man, woo!
That's it! You've got it!
Don't look at me man, I only have ten children
Ah ho! Ha ha ha ha ha ha!
Quiet boy, quiet!
Okay
Quiet!

Hey bulldog!
Hey bulldog!

------------------------------------------------------------

Fanny was an American all-female band, active in the early 1970s. They were one of the first notable rock groups to be made up entirely of women, the third to sign with a major label (after Goldie & the Gingerbreads and the Pleasure Seekers), and the first to release an album on a major label (in 1970). They achieved two top 40 singles on the Billboard Hot 100 and released five albums.

Sisters June Millington (born April 14, 1948, Manila, Philippines) and Jean Millington (born May 25, 1949, Manila, Philippines) moved with their family from the Philippines to Sacramento, California in 1961. In high school they formed an all-girl band called the Svelts with June on guitar, Jean on bass, Addie Lee on guitar, and Brie Brandt on drums. Brandt was later replaced by Alice de Buhr (born September 4, 1949, Mason City, Iowa). When the Svelts disbanded, de Buhr and Lee formed another all-female group called Wild Honey. The Millington sisters later joined this band, which played Motown covers and eventually moved to Los Angeles.

In January 1970, Nickey Barcley was asked to join Fanny as a singer and keyboardist. She was one of the main songwriters and lead singers in the group, and appeared on all their albums, adding soul, blues and funk influences to the group's overall sound.