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Artifacts - Wrong Side Of Da Tracks Hotney 8 Visualizzazioni • 2 anni fa

From the 1994 Album: "Between a Rock and a Hard Place"...(Click "show more" for artist info)...

Artifacts is a hip hop group consisting of El Da Sensei, Tame One and DJ Kaos. They hail from Newark, New Jersey and made underground music that paid homage to the four elements of hip hop. The Artifacts' most popular single "Wrong Side of Da Tracks" paid special homage to graffiti art, as they were graffiti artists themselves.

They released their first album, Between a Rock and a Hard Place on October 27, 1994. Well received by underground hip hop audiences, it featured b-boy and graffiti themes. The album's beats were produced by Buckwild (from the DITC crew) and T-Ray (from the Soul Assassins crew). The Artifacts' second album, That's Them was released on April 15, 1997. It featured similar material, but it did not receive as much recognition as their debut effort. The Artifacts split soon after the release of this second album.

Tame One and El Da Sensei have both continued to release music as solo artists. In 2003, Tame One joined the Weathermen, an underground rap group including Cage Kennylz, Camu Tao, Aesop Rock, and El-P. Soon after joining the Weathermen, Tame One and Cage released the album Waterworld under the name Leak Bros. In 2009, Tame ONe collaborated with another member of the Definitive Jux label, releasing the album Parallel Uni-Verses with Del the Funky Homosapien. El Da Sensei has released a number of solo albums and collaborated with the Polish rap group The Returners in 2008, as well as East Coast-based group, The Immortals Project in 2009.

In August 2009 at the Rock Steady Crew Anniversary Weekend in Newark, New Jersey, Artifacts briefly reunited during a performance by El Da Sensei. According to Tame One the duo have not reconciled their differences but when he heard the horn riff which introduces "Wrong Side of Da Tracks", he felt like performing it. The impromptu reunion has not led to any official reunion.

On August 2, 2010 at The Rock Steady Crew 33rd Anniversary Celebration in Newark, New Jersey, both El Da Sensei and Tame One along with DJ KAOS performed officially as The Artifacts. They performed several songs from their respective catalogs as well as Artifacts material at this show. It is confirmed that they are indeed back together and in the process of collaborating on a new Artifacts album.

Updated & Extended Info:
http://en.wikipedia.org/wiki/Artifacts_%28group%29

Kris Kristofferson - For the good times (1970) Hotney 8 Visualizzazioni • 2 anni fa

Fair use - no copyright violation intended

"For the good times" from Kris' debut album "Kristofferson".
It's so sad and beautiful at the same time...
Great lyrics as always, and this beautiful tune ... I love it!

Of course this song was not written about Rita and him,
but things always happen twice in one's lifetime...

It was Kris' first No 1 country hit as a writer in 1970
It was "Song of the Year" (and "Single Record of the Year") of the Academy of Country Music in 1970 -
(That was the first time a writer had won "Song of the Year" awards from both the Country Music Association - with "Sunday Mornin' comin' down"- AND the Academy of Country Music for different songs in the same year)

In 1971 Ray Price won a Grammy Award for "Best Male Country Vocal Performance" with it.

The scenes are from the movies
"The last honor of Kathryn Beck"- aka "Act of Passion" (1984) and
"Blood and Orchids" (TV, 1986).
Both movies are great to me and worth watching anyway, but only available on VHS tapes.
... The latter one is available on DVD now
http://www.amazon.com/dp/B0035QHNVU

Kris already began to write the song in 1968, in his Opel, on one of his endless rides from Nashville to the Gulf.
"I began a song about making love to a woman for the last time. After a while the melody really got to me. I couldn't wait to get to a guitar. I was riding along thinking about that part where it says, 'Hear the whisper of the raindrops blowin' soft against the window,' and I wondered if I could play it. I wrote only the first part of the lyrics then. A while went before I finished it, I can't remember how long.... But I do remember who I wrote it about." Probably it was inspired by the dying days of his relationship to Fran...
Now it's hard to believe that for a time some radio stations wouldn't play the original recording by Bill Nash because of its "overtly sexual content"; indeed for a brief time, Kris couldn't even find anyone who wanted to record the song... And then? A spokeman for Buckhorn Music, which published the song shortly before Kris switched to Combine Music, said later, "It's recorded by pretty much everyone who comes into town to do an album, Englebert Humperndinck, Dean Martin, Andy Williams, Chet Atkins, Loretta Lynn and many more."

For the good times

Don't look so sad, I know it's over
But life goes on and this old world
will keep on turning
Let's just be glad we had some time
to spend together
There's no need to watch the bridges
that we're burning

Lay your head upon my pillow,
hold your warm and tender body close to mine
Hear the whisper of the raindrops
blowin' soft against the window
And make believe you love me one more time
For the good times

I'll get along, you'll find another
And I'll be here if you should find
you ever need me
Don't say a word about tomorrow or forever
There'll be time enough for sadness
when you leave me

Lay your head upon my pillow
Hold your warm and tender body close to mine
Hear the whisper of the raindrops
Blowin' soft against my window
Make believe you love me
one more time
For the good times

For the good times (1968)

Schau nicht so traurig, ich weiß, es ist vorbei.
Aber das Leben geht weiter
und diese alte Welt wird sich weiterdrehen.
Lass uns einfach froh sein,
dass wir einige Zeit zusammen verbringen konnten
Wir müssen uns nicht die Brücken anschauen, die wir verbrennen.

Leg deinen Kopf auf mein Kissen,
halte deinen warmen und zärtlichen Körper
dicht an meinen
Hör das Flüstern der Regentropfen
weich gegen das Fenster schlagen
Und lass mich noch einmal glauben, dass du mich liebst -
wegen der guten Zeiten

Ich werd zurecht kommen,
du wirst einen anderen finden.
Und ich werde hier sein falls du je entscheidest, dass du mich brauchst.
Sag kein Wort über das Morgen oder das Fürimmer.
Es wird noch genug Zeit sein fürs Traurigsein
wenn du mich verlässt...

Lynyrd Skynyrd - Full Concert - 03/07/76 - Winterland (OFFICIAL) Hotney 8 Visualizzazioni • 2 anni fa

Lynyrd Skynyrd - Full Concert
Recorded Live: 3/7/1976 - Winterland (San Francisco, CA)

More Lynyrd Skynyrd at Music Vault: http://www.musicvault.com
Subscribe to Music Vault: http://goo.gl/DUzpUF

Setlist:
0:00:00 - Cry for The Bad Man
0:05:26 - Saturday Night Special
0:11:02 - Searchin'
0:14:55 - I Got The Same Old Blues
0:19:24 - Gimme Back My Bullets
0:23:27 - Tuesday's Gone
0:31:12 - The Needle And The Spoon
0:35:55 - Gimme Three Steps
0:40:30 - Call Me The Breeze
0:45:55 - Sweet Home Alabama
0:51:22 - T For Texas
1:01:06 - Free Bird

Personnel:
Ronnie Van Zant - vocals
Gary Rossington - guitar
Allen Collins - guitar
Billy Powell - keyboards
Leon Wilkinson - bass
Artimus Pyle - drums
JoJo Billingsley - backing vocals
Cassie Gaines - backing vocals
Leslie Hawkins - backing vocals

Summary:
After years of life on the road and with their role models, the Allman Brothers Band, struggling to survive the deaths of two of its most distinctively talented members, today Lynyrd Skynyrd has become the quintessential Southern Rock band. Under the leadership of frontman and primary songwriter Ronnie Van Zant, the group's melodic lyric driven ballads and power driven hard rockers would catapult the group into one of the most popular touring bands in the world. The group's distinctive guitar attack, combined with an overtly defiant and rebellious attitude, gave them a cultural identity that would help make songs like "Sweet Home Alabama" and "Free Bird" into anthems of American rock music and staples of FM radio right up to the present day.

Headlining a bill that also featured the Outlaws, this Winterland recording captures Lynyrd Skynyrd following the release of their fourth album, Gimme Back My Bullets. This was during a transitional phase for the band, following the departure of guitarist Ed King, but prior to his replacement, Steve Gaines, coming on board. The band was carrying on as a six-piece unit, augmented by the Honkettes on backing vocals.

This is an interesting time to hear the band live, as their trademark three-guitar attack was reduced by one guitar, leaving more room for keyboardist Billy Powell. On the ballads, like "Tuesdays Gone" and the pre-jam verses of "Freebird," Powell displays great creativity and expands the keyboard's role in these songs.

Otherwise, the band rocks as hard as ever, with a good selection of their most popular songs, sampling a bit from all four of their studio albums. The group's defiant Southern swagger, combined with an infectious guitar and piano driven groove, creates an irresistible combination that resonated far beyond the Southern states. Two of the standouts on this show are both well chosen covers, which the band redefines as their own; J.J. Cale's "Call Me The Breeze" and Jimmy Rogers' "T For Texas." Both of these are rearranged in classic Skynyrd style, with the latter closing the set and clearly displaying the root sound of the band at its best.

The audience demands an encore and the band obliges with a monumental "Free Bird." It begins as a plaintive slow ballad, with Van Zant's distinctively sad vocals over the melodic keyboard playing of Powell and delicate slide guitar ornamentation from Rossington. However, it is the second section, which becomes an up-tempo guitar boogie, that really hits home. Here the guitarists cut loose to create one of the most distinctive solos of all time. Rossington and Collins turn this section into a soaring jam that also features impressive melodic bass playing from Wilkeson and furious keyboards from Powell. Following a brief reprise of the song, they turn on a dime back into the groove of the jam before bringing it to a climactic close.

"Free Bird," more often than not, sarcastically, would become the most requested song of all time. For musicians, this inevitable request has become so tiresome, that the act of requesting it has become universally known as "the mantra of the moron." Still, this only goes to prove just how deeply this song has permeated American culture and is a testament to its enduring popularity, making it one of the true landmark rock songs of twentieth century music.

DaBaby Unfiltered: Why I Refuse to Sell My Soul | SWAY’S UNIVERSE Hotney 8 Visualizzazioni • 2 anni fa

Join the conversation on Sway In The Morning as DaBaby opens up in an exclusive interview on Sway’s Universe.

Dive deep into the mind of this Grammy-nominated artist as he discusses his refusal to sell his soul amidst industry pressures and controversies. Discover how DaBaby's journey through mental health, therapy, and personal accountability has shaped his music and life choices.

With appearances from icons like Stephanie Mills, this video is packed with authentic insights and groundbreaking revelations. Don't miss DaBaby's candid take on forming a new circle and launching a mental health initiative inspired by his late brother. Subscribe now for more exclusive interviews and compelling stories from the world of hip-hop and entertainment on Sway's Universe!

CHAPTERS:
00:00 - Intro
01:40 - DaBaby’s New Album Release
05:00 - Overcoming Adversity in Music
06:40 - DaBaby’s Controversies Explained
08:20 - Personal Growth and Transformation
10:00 - DaBaby’s Album: Dementia Insights
12:39 - Mental Health Awareness
16:48 - Survivor’s Remorse in the Spotlight
19:06 - Lyrical Breakdown of DaBaby’s Music
21:18 - Nightmares and Mental Health
22:11 - Call-ins: DaBaby with Zo and Warhead
22:30 - Warhead's Perspective from Michigan
23:51 - Zo’s Insights from Beaumont, TX
24:47 - BJ’s Thoughts from Texas
25:31 - Impact of Personal Growth on Relationships
27:52 - What Brings You Joy?
29:20 - Developing Your Signature Flow
30:16 - Handling Criticism in the Industry
32:35 - Best Artists of Your Era
34:35 - Navigating Cancel Culture
36:00 - Finding Blessings in Cancellation

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About SWAY’s UNIVERSE
Exclusive interviews from Sway Calloway and the Sway In The Morning/ SwaysUniverse.com team with some of today's biggest celebrities, like Kevin Hart, Kanye West, Eminem, Usher, Jessica Alba, Steve Aoki, Torey Lanez, Julia Stiles and so much more.

DaBaby Unfiltered: Why I Refuse to Sell My Soul | SWAY’S UNIVERSE
https://youtu.be/_Tn4BaRaIeA

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