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Chill Synth / Synthwave / Chillwave Mix - Neon Paradise // Royalty Free Copyright Safe Music Hotney 6 Streams • 3 years ago

This track is 100% copyright safe to use in your visual projects, just credit "Karl Casey @ White Bat Audio" when you use it. Subscribe and hit the notification button for more free music in the styles of cyberpunk, darksynth, synthwave, metal and more!

Artwork by Skiegraphic Studio:
https://www.artstation.com/artwork/28L3PY

Listen to the mix on Spotify:
https://open.spotify.com/playl....ist/5u3x5ssRWSo90VTW

Tracklist:
1. Neon Breeze - 00:00
2. Endless Night - 03:42
3. Home - 07:51
4. Hackers - 12:17
5. Last Stop - 16:12
6. Moonlight - 19:48
7. Empty City - 23:12
8. Floating - 27:18
9. Voyager - 31:30
10. The Traveler - 34:48
11. The Drop - 39:12
12. Astronomy - 43:24
13. Black Rainbows - 47:18
14. Crystal Cola - 53:06
15. Leaving at Dawn - 57:00
16. Astral Projection - 01:00:48
17. Melt - 01:04:51
18. Headlights in the Fog - 01:09:08
19. Edge of Tomorrow - 01:13:12
20. Echoes - 01:17:48
21. The Saga - 01:21:12
22. Countach - 01:25:00
23. Lucid Dream - 01:28:48
24. New Beginnings - 01:32:42
25. Slice of Paradise - 01:35:51
26. Sentimental - 01:39:00
27. Digital Sunset - 01:42:32
28. The Showdown - 01:46:36
29. Heart of Night - 01:49:53
30. Arcadia - 01:53:27
31. Aurora - 01:57:00
32. Dangerous - 02:00:24
33. Afterglow - 02:04:06
34. Rain City- 02:07:35
35. The Heist - 02:12:12
36. Night Crawler - 02:16:23
37. Night Dweller - 02:21:12
38. Brave New World - 02:24:48
39. End Credits - 02:29:36
40. Miami Sky - 02:34:12
41. Nightscapes - 02:38:16
42. Sycophant - 02:42:29
43. Forgotten Planet - 02:46:00
44. VHS Memory - 02:49:35
45. Agent Cooper - 02:53:08
46. Alliance - 02:56:30

Download my music in bulk here:
https://karlcasey.bandcamp.com/

Business Email: karl@whitebataudio.com
**Please read the FAQ below before emailing me, I may have already answered your question. I won't respond to emails with questions that have already been answered.**

Instagram: instagram.com/whitebataudio

Check out my premium music packs here:
https://whitebataudio.com/product-category/store/

Go here if you want to donate to the channel:
https://www.paypal.com/biz/fund?id=C8WPFMNRKJN8L

Spin my music on Spotify:
https://open.spotify.com/artis....t/4oGlqi5TaK8r8K50fQ

Spotify Cyberpunk Playlist - 100% safe for streams:
https://open.spotify.com/playl....ist/1Vkhlvw9qT8Wy1o4

Check out my cyberpunk stoner/grunge band:
https://open.spotify.com/artis....t/6f8WNZvKV748QFC4TK

FAQ:

1. What kind of projects CAN I use White Bat Audio music in?
- Projects such as: films, animations, YouTube videos, live streams, video games and podcasts.
- My music is 100% copyright safe so you can use it in your creative/visual project, just credit me "music by Karl Casey @ White Bat Audio".

2. What can I NOT use White Bat Audio music in?
- Music projects such as: sampling my music and placing it in your song, recording vocals over my music, or re-releasing my music under a different name/title.
- If you use my music in your film or game, you CANNOT sell/distribute the soundtrack separately from the film/game. For example, you cannot upload the music soundtrack of your project to Spotify (or other audio streaming services) with my music included.

3. How do I credit you?
- "Music by Karl Casey @ White Bat Audio" is fine. You can put the song title too if you like.

4. Can I record vocals on your music and upload to Spotify, Apple Music etc.?
- No.

5. Can I use your music in videos/projects that are monetized?
- Yes!

6. Why did I get a copyright claim when using your music?
- It is either something else in your video, FB or Twitch being stupid and overly sensitive with their copyright detection software, or someone is making a fraudulent copyright claim on my music.
- If a person/company makes a false copyright claim on your project that uses my music, please dispute it and email me their information so I can take necessary action.

Travis Scott Tours a $65M Mansion, Talks Architecture, Movies, 'Utopia' Tour, & More | Hotney 7 Streams • 6 months ago

For Rolling Stone's February 2026 cover story, #travisscott tours an 18,000-square-foot brutalist mansion in Beverly Hills owned by the founder of Oakley Sunglasses that's for sale for $65,000,000. One of rap's biggest superstars talks to Senior Music Editor Jeff Ihaza about his big plans for the future, his favorite movies, how #architecture inspires him (and his goals of studying it), and a lot more.

Travis Scott on his love for architecture: "I want to go to school eventually and study engineering and architecture. It's not even about the school, it's about learning. I thought about Berkeley or maybe like Harvard? They have a good architecture school. I like spaces. I love experiences. I love things that make you come alive. Certain things are inspirations, whether it's like cars, whether it's furniture, shoes, clothes, whatever. They're all inspiration and such. They can give you a drive or wake you up to push you to go do something."

Travis Scott on where his 'Utopia' world tour felt the craziest: "South Korea was crazy. Man, that was my first time I've ever been there, period. That shit was different. Johannesburg was fire. Europe, the whole Europe...every place was next level. South Korea, I said that because it took me by surprise. I didn't expect it. It was my first time being there. Fans were just going crazy. You would have thought you was in like Manchester or something, or London or something. Even like China, India, you know...nuts. Maybe I'm just saying that now because it was the last thing or most recent. South America was insane. Just seeing different walks of lives and people that just enjoy the same thing and idolize the same thing as you and other people as far as like music and experience. I know I just named nine different places, that's why it's not fair. We all won."

Travis Scott on keeping movie theaters open: "This is what I say to Ted [Sarandos, Netflix CEO]: You can't kill theaters man. I love watching movies at the house. It's cool for people, if you can't get to the theater, get it at the crib, it's something about being able to be at the house and being in your own little comfort sh*t. But the theaters is so important, it's like concerts is so important...Going and being able to get that surround. All the people that spend so much time: sound design, even just the visual coloring, the lenses...it's so much details that goes into shooting a film. I'm not saying that the TVs are taking that experience away but the whole theatrical experience, you need that."

Read the Rolling Stone cover story here: https://www.rollingstone.com/m....usic/music-features/

⸻

Talent — Travis Scott
Interviewer — Jeff Ihaza
Director of Social & Video — Waiss Aramesh
Shoot Director, Editor, Colorist — Mitch Saavedra
Executive Producer — Christopher Hwisu Kim
Senior Producer — Viviane Feldman
Video Director of Photography — Grant Bell
Camera operators — AJ Young, Ryan Leuning
Sound Engineer — Gray Thomas-Sowers
Production Assistant — Mykel Aguirre
UX Editor — Nicole Thompson
Creative Director — Joe Hutchinson
Executive Music Editor — Christian Hoard
Editors in Chief — Sean Woods & Shirley Halperin
CEO — Julian Holguin

https://www.youtube.com/user/rollingstone

Sarah McLachlan: Tiny Desk Concert Hotney 6 Streams • 5 months ago

Ann Powers | February 12, 2026
During a Sarah McLachlan performance, the chills come when you least expect them. One of the most expressive singer-songwriters of her generation, McLachlan makes the goosebumps happen with her gloriously gentle, iridescent voice — particularly through her negotiation of the break between its registers. She does just that in the first song of this Tiny Desk, an almost country-fied version of her 1997 hit “Building a Mystery.” With Luke Doucet’s impossibly delicate guitar arpeggios as her guide, McLachlan takes the song beyond its edge at the very last minute, gliding into a high note that remains unresolved. It’s one of several moments here that feel miraculous.

McLachlan has long been a purveyor of such small graces. Despite her renown as founder of the Lilith Fair tour, she has been underestimated as a major player in the reinvention of pop balladry, when she updated a folk-based sound with modern-rock flourishes and a fresh, feminist perspective. Here, playing alongside her longtime collaborators Doucet and Melissa McClelland — a husband-wife duo who’ve made many beautiful albums under the name Whitehorse — she highlights the side of her art that’s grounded in deep feeling and unassuming virtuosity. At one point, she apologizes to those watching because her back is to them while she’s at the piano. But from whatever angle experienced, this is one of the Tiny Desk’s warmest and most poignant sets.

SET LIST
“Building a Mystery”
“Reminds Me”
“Only Human”
“Adia”
“Angel”

MUSICIANS
Sarah McLachlan: vocals, guitar, piano
Luke Doucet: guitar, background vocals
Melissa McClelland: bass, background vocals

TINY DESK TEAM
Producer: Mitra I. Arthur
Director/Editor: Kara Frame
Audio Director/Mix: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Kara Frame, Joshua Bryant, Maia Stern
Audio Engineer: Josephine Nyounai
Production Assistants: Dhanika Pineda, Dora Levite
Photographer: Michael Zamora
Tiny Desk Team: Ashley Pointer, Felix Contreras
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton

#tinydesk #nprmusic #sarahmclachlan

Support for NPR Music comes from Levi's. Behind the moments that matter, originals are out there, living the stories worth telling. What's yours? Live in Levi's.

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