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Why Does Everyone Beef With The Black Keys? Even Pizza Hut Isn’t Safe! Hotney 7 Vues • 5 mois depuis

The story of The Black Keys feuds

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

From the garage rock revival of the early 2000s to arena-filling, Grammy-winning success, The Black Keys have carved out a unique place in modern music. Created in a basement in Akron, Ohio, Dan Auerbach and Patrick Carney built a career on a raw, blues-infused sound that felt both timeless and immediate. They are one of the last big rock success stories of their era.

But their journey is more than a tale of musical triumph. It is also filled with feuds, insults, and burned bridges. From a long-running rivalry with Jack White to public spats with pop stars, classic rock legends, brands, and even streaming services, The Black Keys have a knack for conflict. Are they misunderstood blunt Midwesterners in a fake-smile industry, or rock’s most confrontational band with a chip on their shoulder the size of Ohio?

The story begins in Akron in 2001. Auerbach had a gig but his band did not show, so he asked neighbor Patrick Carney, who was supposed to be recording, to play drums. They recorded a demo in a few hours and realized they had something special. They called themselves The Black Keys, inspired by a local outsider artist who used the phrase “black keys” for people who were not quite right. Their early albums, like The Big Come Up and Thickfreakness, were raw, lo-fi, and critically adored.

From the start, comparisons to The White Stripes followed them. Both were Midwestern guitar-and-drum blues-rock duos, and the press loved the narrative. Jack White drew lines in interviews, and rumors swirled when The Black Keys moved to Nashville. Things exploded when leaked emails from White’s divorce revealed harsh words about Auerbach and accusations of copying. Patrick Carney called the situation embarrassing but sympathized with White’s private comments being exposed. Later, a tense encounter in a New York bar led Carney to claim White tried to start a fight, before both sides publicly made peace.

Carney’s outspoken nature fueled other feuds. When asked about Justin Bieber not getting Grammy nominations, he replied that Grammys are for music, not money, and that Bieber was already very successful. Bieber fired back on social media, and his fans flooded Carney with insults. In later interviews, Carney did not soften his stance, further cementing his reputation as someone who speaks his mind regardless of the fallout.

The band also criticized posthumous Michael Jackson releases as a label-driven move, joked about ICP’s fanbase, and stayed off streaming services for years to protest low payouts. Eventually, they joined streaming platforms but remained critical of the model. More recently, a poorly handled arena tour, disputes with management, and a controversial “America Loves Crypto” performance led them to speak out against what they see as a consolidated, billionaire-driven industry.

So why do The Black Keys seem to fight with everyone? Part of the answer is Patrick Carney’s unfiltered candor. Part of it is the long shadow of the Jack White feud, which pushed them into a defensive posture early on. And part of it is their growing frustration with a music business they view as exploitative. Through it all, they have clung to a stubborn sense of authenticity, even when it costs them allies.

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#theblackkeys #danauerbach #patrickcarney

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Anthrax FIRED Him… He Ended Up MOWING LAWNS! Hotney 5 Vues • 5 mois depuis

The story of why Anthrax fired Joey Belladonna in 1992.

Anthrax-Public Enemy Bring the Noize collaboration
https://www.youtube.com/watch?v=lnnmeRTn8M0&t=30s&pp=ygUgcm9jayBuIHJvbGwgdHJ1ZSBzdG9yaWVzIGFudGhyYXjSBwkJBAsBhyohjO8%3D

Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r

My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2

What happens when you’re the voice of one of the biggest metal bands in the world, and then one day, it’s all gone? For Joey Belladonna, frontman of Anthrax, that was reality. He went from commanding tens of thousands of fans to mowing lawns at a horse barn, in one of the strangest rise-and-fall stories in metal.

By 1991, Anthrax were one of the “Big Four” of thrash alongside Metallica, Slayer, and Megadeth. Their dark, acclaimed album Persistence of Time hit number 24 on the Billboard charts, and they were co-headlining the massive Clash of the Titans tour. Fronting them was Joey Belladonna, whose melodic tenor stood out in a genre of guttural barkers. After he joined in 1984, their trajectory went vertical with Among the Living, followed by State of Euphoria and the Grammy-nominated Persistence of Time. From the outside, Anthrax looked bulletproof. Inside, things were cracking.

Their usual writing method had Charlie Benante on music, Scott Ian and Frank Bello shaping arrangements, Scott on lyrics, and Joey working out vocals. This time, it wasn’t clicking. The Persistence sessions felt strained. Scott’s lyrics were deeply personal, and he felt Joey’s interpretations didn’t match his intent. On top of that, the band had already confronted Joey about drugs and alcohol back in 1988 and quietly floated Armored Saint’s John Bush as a possible replacement.

During the “Bring the Noise” collaboration with Public Enemy, Scott saw Joey looking out of place while the rest of the band dove into rap-metal territory. It raised a hard question: where did Joey fit in the future of Anthrax? Meanwhile, money and tour offers were rolling in, but Scott felt the core of the band was “rotten.” Firing Joey became, in his words, a slow burn rather than a single explosion.

Complicating everything, Anthrax were in the middle of signing a huge deal with Elektra Records reportedly worth $10 million. They’d already decided to let Joey go, but feared telling the label. When they finally did, Elektra backed them, and Joey still received an equal share of the advance as recognition of his role in getting them there.

The actual firing was handled by their manager Jonny Z, something Scott later regretted not doing himself. Joey was blindsided. “I didn’t quit!” he said later. “It was unexpected and it wasn’t my idea.” The band moved on with John Bush, scoring their highest Billboard debut with 1993’s Sound of White Noise.

Joey’s path was very different. Instead of spiraling, he took a maintenance job at a horse barn with his wife. His main duty: mowing the massive grounds. He later said he didn’t need the money, but wanted purpose and structure. At the same time, he kept playing in his solo project and cover band Chief Big Way, staying musically active without bitterness.

Years later, the classic lineup reunited for tours and eventually brought Joey back permanently. Anthrax’s 2011 album Worship Music and 2016’s For All Kings proved the chemistry was still there. Yet for Joey, the past never fully disappeared. He’s admitted it’s hard being around people who once decided he shouldn’t be there at all. Still, he’s back where he always wanted to be—front and center with Anthrax, after one of the strangest detours in thrash metal history.

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The Rolling Stones - Jealous Lover (Official Video) Hotney 7 Vues • 3 mois depuis

Pre-order the new album Foreign Tongues out July 10: https://rollingstones.lnk.to/ForeignTongues

Listen to the new singles
In The Stars: https://rollingstones.lnk.to/InTheStars
Rough & Twisted: https://rollingstones.lnk.to/roughandtwisted

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Credits

Project Title: Jealous Lover
Artist: The Rolling Stones
Featuring: Anya Taylor-Joy & Charles Melton
Shoot Location: Los Angeles

Directors: Chris Barrett & Luke Taylor

EP: Medb Riordan
Producer: Lexi Kiddo
Prod Coordinator: Lola Panic

Label: Polydor Label Group
Creative Director: Emily Jeffery
Director of Creative Production: Kirstin Cruickshank

DOP: Larkin Seiple

Choreographer: Wynn Holmes

Production Designer: Tyler Evans
Art Director: Angus Bernsen

1st AD: Joe Suarez
Location Manager: Alison Dyer
1st AC: Evan Wilhelm
Key Grip: Chris Tonkovich
Gaffer: Julian Janigo
Steadicam : Brian Freesh
DIT: Earl Fulcher

Service Company: Virgin Soil Pictures
Service EP: Malcolm Duncan
Service EP: Fabien Colas
Service Producer: Benjamin Bernard
Service Prod Manager: JJ Calvo
Service Prod Coordinator: Florian Dieret

Dancer Casting Director: Ben Totty / Box Artist Management
Dancer: Freeda Electra
Dancer: Hanna Peddicord
Dancer: Lucy Valley
Dancer: Mia Seleno

Anya Stylist: Ryan Hastings
Anya Makeup Artist: Georgie Eisdell
Anya Makeup Assist: Ahna Ellis
Anya Hair Designer: Gregory Russell
Anya Hair Assist: Tommy Lee

Charles Stylist: Samantha McMillen
Charles Styling Assist: Ruby Solina
Charles Styling Assist: Melanie Bauer
Charles Groomer: Tim Nolan

Dancer Styling: Pénélope Strintz
Dancer Makeup Artist: Tami El Sombati
Dancer Hair Artist: Arianna Chaylene Blean

Editor: Vid Price
Edit house: Trim Editing

Post House: Colour Collective
Supervising Colorist: Alex Bickel
Colorist: Mike Howell

Post House: 1920
VFX Supervisor: Vivek Tekale
Artist: Rakhahari Ghosh
Executive Post Producer: Ross Culligan
Post Producer: Molly Russell

Audio Post House: Runamok Studios

#therollingstones #foreigntongues

Music video by The Rolling Stones performing Jealous Lover.© 2026 Promotone B.V., under exclusive licence to Universal International Music B.V.

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