Jadakiss and Beanie Sigel had one of the most legendary beefs in the rap game. They sent crazy diss tracks at each other, but most fans have no idea how deadly it almost became - so today we’re breaking down why Jadakiss and Beanie Sigel are both lucky to be alive.

Head Above Water out now: https://avrillavigne.lnk.to/HeadAboveWaterAlbumID

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Directed By: Elliott Lester

Executive Producer: Ted Robbins
Line Producer: Eric Watson
Video Commissioner: Melinda Kelly
Production Company: Chromista

I’ve gotta keep the calm before the storm
I don’t want less
I don’t want more
Must bar the windows and the doors
To keep me safe to keep me warm

Yeah my life is what I’m fighting for
Can’t part the sea
Can’t reach the shore
And my voice becomes the driving force
I won’t let this pull me overboard

God keep my head above water
Don’t let me drown
It gets harder
I’ll meet you there at the altar
As I fall down to my knees
Don’t let me drown
Don’t let me drown

So pull me up from down below
‘Cause I’m underneath the undertow
Come dry me off and hold me close
I need you now I need you most

God keep my head above water
Don’t let me drown
It gets harder
I’ll meet you there at the altar
As I fall down to my knees
Don’t let me drown
Don’t let me drown
Don’t let me drown
Keep my head above water above water

And I can’t see in the stormy weather
I can’t seem to keep it all together
And I can’t swim the ocean like this forever
And I can’t breathe

God keep my head above water
I lose my breath at the bottom
Come rescue me
I’ll be waiting
I’m too young to fall asleep

God keep my head above water
Don’t let me drown
It gets harder
I’ll meet you there at the altar
As I fall down to my knees
Don’t let me drown
Don’t let me drown
Don’t let me drown
Keep my head above water above water

Listen to "Back in the Saddle" out now: https://LC.lnk.to/BITS

Follow Luke:
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Lyrics:
I’ve been gone for a little too long
I’ve been waitin’ on a drummer to kick off a comeback song
I’ve been waitin’ in the wings like a dog on a chain

I can feel this fire building up a little wild in it
Went and checked the wire, sure enough there’s live in it
Try to stop it but I can’t, it’s callin’ my name

‘Cause I’m back in the saddle like some old cowboy
Who dug his way out of his grave
Pulled up his boots, put his pistol on his hip
Climbed up and took hold of the reins
Don’t worry where I’ve been
I’m back in the saddle again

This time I’m takin’ what’s mine
Like a long lost out west outlaw outta his mind
I’m ridin’ into town, no turnin’ back now

‘Cause I’m back in the saddle like some old cowboy
Who dug his way out of his grave
Pulled up his boots, put his pistol on his hip
Climbed up and took hold of the reins
Don’t worry where I’ve been
I’m back in the saddle again

‘Cause I’m back in the saddle like some old cowboy
Who dug his way out of his grave
Pulled up his boots, put his pistol on his hip
Climbed up and took hold of the reins
Don’t worry where I’ve been
I’m back in the saddle again

Don’t worry where I’ve been
I’m back in the saddle again

Check out this in depth documentary on Ottawa rapper/ writer BELLY! The Crazy Story Of Belly & XO | Canada's Biggest Before Drake. Subscribe 🙏https://www.youtube.com/@WeLoveHipHopNetwork416
reactions or feedback about this video topic, please comment below.

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Produced By Kofi "Friday" Carmichael For We Love Hip Hop Network/ A.W.O.L. Records Inc.

The Crazy Story Of Belly & XO | Canada's Biggest Before Drake

#belly #drake #welovehiphop

Powered by Quarterlab

00:00 Introduction
01:17 Belly's early life
03:16 Tony Sal's early life
04:41 Cash's early life
06:46 CP records on the rise
07:40 Massari back story
10:23 CP Records start up money
11:24 Belly taking over the scene
12:18 Underground love & hate
13:29 The Kamikaze beef
17:11 Massari leaves CP Records
18:04 Belly drops 1st album
18:35 Belly's home gets raided
19:36 Working with young Drake
20:32 Belly & CP Records go BTS
21:03 Belly's hidden writing skill
21:28 Getting The Weeknd's music
22:00 Creating XO Records
22:30 Belly's new wind with The Weeknd
23:26 Belly signs to Rocnation
24:51 Writing for Beyonce
25:27 Canada Day Drama
27:44 The Coachella lawsuit
29:00 Love for his homeland
29:41 Conclusion

Frederick Theodore Albert Delius, CH (29 January 1862 – 10 June 1934), originally Fritz Delius, was an English composer. Born in Bradford in the north of England to a prosperous mercantile family, he resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation. He soon neglected his managerial duties and in 1886 returned to Europe.

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Prelude to Irmelin (1890-92)

Royal Philharmonic conducted by Sir Thomas Beecham

Irmelin is an opera in three acts with music by Frederick Delius. Composed between 1890 and 1892, it was the first opera which he finished. But it wasn't premiered until 1953, nearly twenty years after his death. The libretto was by the composer, and weaves together two mythical stories. Philip Heseltine described the opera as a "fairy-tale of quite ordinary kind" and "its form dramatically rather below the level of the conventional operatic text. Though the music was much praised by Grieg and Messager... its performance was never seriously contemplated by the composer". Delius had however assimilated Wagnerian influence in his music, with use of key motifs and a sense of flow through the three acts.

Performance history
Sir Thomas Beecham directed the British premiere at the New Theatre Oxford on 4 May 1953; the costumes were by Beatrice Dawson and choreography by Pauline Grant. Beecham's advocacy of the score and "care with which he realizes each detail, the beauty of sound he elicits from his orchestra", were praised by the Opera critic, along with Dennis Arundell's production.

Florent Schmitt arranged the piano scores of Delius's first two operas, Irmelin and The Magic Fountain, but the first full Irmelin score was a vocal score compiled by Dennis Arundell in 1953.

Ice Cube Picks Favorite Hip Hop Songs to Perform

Ice Cube joined Big Boy in August of 2025 with an all NEW podcast interview. BIG Moments Include:
Ice Cube describes his Mount Rushmore of Ice Cube Songs
Ice Cube Tells us about the Big 3 2025
Ice Cube Speaks on recruiting Dwight Howard
Ice Cube Speaks on Xzibit
Ice Cube Tells us about his upcoming Los Angeles Concert September 28, 2025
Ice Cube describes his next concert as his biggest production EVER
Is Next Friday really happening?
Ice Cube explains his performances
Ice Cube Remembers Cursing out Big Boy on stage
Ice Cube and Big Boy rap together
Ice Cube disses Big Boy in Players Club
Ice Cube Speaks on Laurence Fishburne
Will Big Boy be in Last Friday?
Ice Cube Plays Big Boy's 7-7 Game (and loses)
Ice Cube Insults Big Boy's Games
Ice Cube and Big Boy argue over Mac and Cheese
Why does Ice Cube like the Dukes of Hazzard?

@IceCubeCubevision

This Ice Cube NEW Episode is a special part of our Big Boy 2025 Season! Big Boy is celebrating 2025 with over 30 years as a Legend in Hip Hop Culture and Entertainment and all the stars come here to chat and have fun with Big!!

Thanks for watching Big Boy TV on YouTube and for more clips, previous interviews and highlights, subscribe to all 4 channels - Big Boy TV, Big Boy TV Plus, Big Boy UNCUT and Big Boy's Neighborhood. Watch the full Big Boy interview collections exclusively on BigBoyTV.

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Reble – live from Boiler Room x Ballantine's True Music Studios in Delhi NCR (Gurgaon).

► Enjoy Ballantine's: www.ballantines.com
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⁣SZA – “Shirt” Out Now! https://sza.lnk.to/Shirt

Starring: SZA & LaKeith Stanfield

Director: Dave Meyers
Director Rep: Jamie Rabineau
Producer: Nathan Scherrer & Roisin Audrey Moloney
Production Co: Freenjoy
Cinematographer: Scott Cunningham
Production Designer: Kate Bunch
Stylist: Alejandra Hernandez
Editor: Nathan Rodgers & David Baum
Final Mix: Jeff Malen
Colorist: Stefan Sonnenfeld
VFX: Foreign Xchange
Casting by East Tenth Casting & Esprit Casting

Follow SZA:
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#SZA #Shirt #OfficialVideo

#motorhead #metallica #heavymetal
Listen, watch or buy ‘Enter Sandman’ here : https://motorhead.lnk.to/EnterSandmanyv
Subscribe to the official Motörhead YouTube Channel: https://motorhead.lnk.to/subscribeYD

Follow Motörhead:
Facebook: https://motorhead.lnk.to/followFI
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This is Motörhead’s little heard cover of Metallica’s huge global hit, ‘Enter Sandman’ - a loving homage to arguably the most recognizable heavy metal song of all time.

The video created by Mulberry Creative - https://mulberrycreative.co
Director - Marta Brodacka
Illustration & Animation Kat Kaczmarek & Kamil Wójcik
Colour grade - Szymon Kraszewski Lunapark

Lyrics:
Say your prayers, little one, don't forget, my son
To include everyone
I tuck you in, warm within, keep you free from sin
'Til the Sandman, he comes

Sleep with one eye open
Gripping your pillow tight

Exit light
Enter night
Take my hand
We're off to never-never land

Something's wrong, shut the light, heavy thoughts tonight
And they aren't of Snow White
Dreams of war, dreams of liars, dreams of dragons' fire
And of things that will bite, yeah

Sleep with one eye open
Gripping your pillow tight

Exit light
Enter night
Take my hand
We're off to never-never land
Yeah-hah

Now, I lay me down to sleep (Now, I lay me down to sleep)
Pray the Lord my soul to keep (Pray the Lord my soul to keep)
If I die before I wake (If I die before I wake)
Pray the Lord my soul to take (Pray the Lord my soul to take)
Hush, little baby, don't say a word
And never mind that noise you heard
It's just the beasts under your bed
In your closet, in your head

Exit light
Enter night
Grain of sand

Exit light
Enter night
Take my hand
We're off to never-never land

Dance Gavin Dance's new single "Space Cow Initiation Ritual is out now. Buy/stream at DanceGavinDance.lnk.to/SCIR.

The band's forthcoming album 'Pantheon' is out 9/12 via Blue Swan/Rise Records. Pre-order now at https://dancegavindance.lnk.to/Pantheon.

Animator: Dima Drjuchin
Intro Directed/ Filmed/ Edited: Paris Arianna

Follow Dance Gavin Dance:
https://dancegavindanceband.com/
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Lyrics:
Headache out of control
I can’t just sit alone
Working over the phone is so impersonal
I need a little rise
Try on something my size
I just wanna look good at the funeral

I look at the clock
A tick and a tock
Don’t stop ’til you drop that acid on top
Can’t wait to get off
And turn your brain off
Turn up don’t stop
’Til you’re blasting the block

Hey mother sucker do you wanna funk?
Don’t stop til you funk n’ bump
C’mon mother sucker do you wanna funk?
Don’t stop til you funk n’ bump

Mingus Space Cow:

1st time

No more milk
Sent the cows to the moon
Now Fly em towards the sun
Lets have some fun

I been shocked, you took your face off
The words lost, a pissed off, rip off

Try harder not to be a little baby bitch
Try harder not to slip and fall and kill your kids

You wanna party while your best friends go on vacation
Blowing your money like a lit fuse

You wanna party with all your best friends
But all your best friends, have given up

They’ve given up

Shoulda know that you’d be a failure
Shoulda know that you’d be the last one up

Bong the Gong
And you can gimme that clock
Its goes on the song
Until you’re spitting out rocks

In the calm of dawn
You hear this really loud pop
Now the right and wrong
Is really long gone

Eat it Feed it
Now you’re grown
If you think I’m Kevin
Then your home alone
If you need a

Baby
Battle dome
For your prawns
You bought alotta shrimps gone wrong

Zebra striped space ships
Cows never comin home again
They all got lasers beams
Good night sweet dreams

Your fake resume, the world is getting bored
I die anyway and leave the place I left before

You wanna party with you
Like you never never touched it
I know I said it before
You wanna party

The brain is rattled
Shit those riffs
I said if all y’all cattle then
Moo moo move it

Sigue a Nathan Galante aquí:
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Escucha “Ayer Me Encontré A mi Ex” de Nathan Galante: https://fonovisa.lnk.to/AMEAME
Escucha más de Nathan Galante aquí: https://nathangalante.lnk.to/dsps
#NathanGalante #AyerMeEncontréAmiEx #Banda

Kevin Gates - Bread Straight (Official Music Video)
'Luca Brasi 4' OUT NOW - https://laylo.com/kevingates/766GiGAD

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Shot by @bandcamp.global

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#KevinGates #BreadStraight #LucaBrasi4

#MemphisBleek pulls up to #DrinkChamps and gets real about everything. He breaks down his loyalty to #Jay-Z and why he'd still look out for #DameDash despite their issues. Bleek tells the wild story about hunting down #TheGame in Miami with just a knife after all those diss records. He talks about the Roc breakup and how it affected his career when he was only 24. They talk about Jim Jones saying he's better than Nas and whether that beef is real. Plus he discusses his Roc Solid podcast taking off and getting advice from Russell Simmons about carrying guns. Bleek keeps it 100 about everything from Bad Bunny's Puerto Rico residency to getting smoked out by Snoop Dogg twice 😂 Make sure you tune in.

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Like most life summaries, this Marv Johnson biography is a linear, birth-to-death account and, by merely existing, deems its subject worth remembering. Although few today would utter the R&B singer's name in the same breath as other Motown stars, his early success helped take the company forward as an R&B and pop-soul force. A mere 20 years after his birth on October 15, 1938, Marvin Earl Johnson had already sung with Detroit's Junior Serenaders at public events, played piano, and incorporated a gospel and bluesy jazz background into both. By 1958, he was ready to record "My Baby-O" and "Once Upon a Time" and bounce back from their failure when songwriter Berry Gordy offered to produce his music.

With that, Marv Johnson joined the then-regional Tamla label and became Motown's first company artist. His own composition, "Come to Me," impressed Gordy and partner Raynoma Liles so much that it became Tamla's first record. If that was exciting, then its national release through United Artists--plus Top 10 and 30 spots for R&B and pop--must have been utterly exhilarating! And so, Motown was on its way. As was Marv Johnson, to United Artists, and into greater soul music circles that included Jackie Wilson and Sam Cooke. Yet he remained a Motown ally, both as a performer on its tours and producer-manager Berry Gordy's responsibility. In fact, Johnson's early tracks featured the heavy-beat, well-defined vocals that were fast becoming Motown specialties.

If United Artists had spread out such hits over years instead of months, then Marv Johnson might have gotten more fans with stronger, longer-term memories. As it was, the streak above ended by 1961, two or three years before Motown got really huge and its artists got pop music historians panting.

For the second time in this Marv Johnson biography, the soul singer joined Motown in 1965 after United Artists let him go. It was apt that he issued one song called, "I Miss You Baby." That single did okay. More significantly, 1966's "I'll Pick a Rose for My Rose" renewed his popularity in the U.K. in 1968. The end of that decade, however, also marked his last original recordings. Instead of giving up on Motown altogether, Johnson refreshed his relationship to it by working in sales. Despite his loyalty, that community disregarded his musical contributions in 1983's Motown 25 special. Another dismissal by old supporters.

Fortunately, he wasn't quite history. After lying dormant into the late 1980s, the performance bug bit him once more. He sang live on Motown oldies tours, and under producer Ian Levine's guidance, re-cut tracks from his and other artists' repertoires. He kept going until May 16, 1993. A stroke during a Columbia, South Carolina show gave him no further chances to remind audiences of his talents.

As I conclude this Marv Johnson biography, his influence as Motown's original R&B/pop star still barely registers on the public's radar screen. Maybe it's time to come full circle and hail his music--and legacy--once again.

SOURCE: http://www.soullyoldies.com/ma....rv-johnson-biography

PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.co....m/page/John1948%27s+

SixTONES
13thシングル「GONG/ここに帰ってきて」
2024.7.10 Release

田中樹出演
日本テレビ系日曜ドラマ『ACMA:GAME アクマゲーム』挿入歌　　

-----
– 見下ろされたって　
蹴落とされたって　
睨みつけんだ –

大きな壁にも立ち向かう勇気をくれる、ミクスチャー・ファイトソング！
-----

交差点・高架下・路地など6人が異なるシチュエーションから始まる本作は、ドローン・360度カメラ・ズームレンズ・ハンディカメラに加え、3D CGの最新カメラ技術を用いて撮影された。

ユニークなカメラアングルで個性溢れるアクションを繰り広げながら、1人ずつクローズアップされる瞳には、内なる情熱と強い意志を感じ取れる。
光に向かって疾走し、全員でたどり着いたのは巨大な倉庫。
まるで戦っているかのようなエナジー溢れるダンスシーンに加え、後半の見どころはバンドとオーディエンスが一体化したライブシーン。
6人がマイクを握れば、無機質な倉庫は一変して熱量を帯びたライブ会場へと変貌する。
初の生バンド演奏を取り入れて開催されたドームツアー「VVS」期間中に撮影された本作だからこそ、よりリアリティのあるシーンに仕上がったと言えるだろう。

暴れだす衝動に身を任せた6人のパフォーマンスにより、最高にヤンチャで、ロックな作品が完成した。

#SixTONES_GONG #SixTONES #アクマゲーム

--

SixTONES
13th Single「GONG/KOKONI KAETTEKITE」
2024.7.10 Release

- Even when looked down
or kicked down
will glare back -

A mixture fight song that gives you the courage to face even the biggest walls!


▶SixTONES 13th シングル「GONG/ここに帰ってきて」DISCOGRAPHY
https://www.sixtones.jp/discography/d021/

▶ご予約はこちらから
https://sixtones.lnk.to/GONG_KokoNiKaettekite_CD

▶SixTONES Official web site
https://www.sixtones.jp/

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Video Oficial "Pa Ti" de Bad Bunny, Bryant Myers

Available in / Disponible en:
Spotify: http://spoti.fi/2wlnIi1
iTunes: http://apple.co/2x9sBI3
Deezer: http://www.deezer.com/track/139304183
Google Play Music: http://bit.ly/2w7qkAj
Amazon: http://amzn.to/2w7wJve

Siguenos:

Dj Luian:

INSTAGRAM: https://www.instagram.com/djluian/
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TWITTER: https://twitter.com/DJLUIAN
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Mambo Kingz:

INSTAGRAM: https://www.instagram.com/mambokingz/
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TWITTER: https://twitter.com/MamboKingz
SPOTIFY: http://spoti.fi/2uNCb6G
APPLE MUSIC: http://apple.co/2uNr261

© 2017 Hear This Music under exclusive license to Rimas Entertainment

Close your eyes and listen, and you might imagine someone who looks a bit like Otis Redding. Open them, and you're likely to see someone who looks more like your neighborhood bank teller.

That man standing on my desk in the golden shoes is Paul Janeway. He was, in fact, a bank teller in Alabama not long ago — and this stupendous seven-piece band from Birmingham has only been doing this since 2012. But take a look at this Tiny Desk Concert and you'll see why St. Paul And The Broken Bones' music is so winning. It's got heart and soul and flair, with a well-worn sound buoyed by strong, fresh songwriting. -- BOB BOILEN

Set List:
"Half The City"
"Call Me"
"Broken Bones And Pocket Change"

Credits:
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Becky Lettenberger, Colin Marshall, Maggie Starbard; Assistant Producer: James Clark; photo by James Clark/NPR

The world of music was shaken to its core on July 20, 2017, when news broke of the untimely death of Chester Bennington, the lead vocalist of the iconic rock band Linkin Park. Chester's tragic demise not only left a void in the hearts of millions of fans but also raised questions about the struggles he faced in his final days. This video aims to delve into the circumstances surrounding Chester Bennington's death, shedding light on the challenges he battled and the impact his loss had on the music industry.

If you are in crisis, please call 1-800-273-8255 or text “CONNECT” to 741741


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