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Yuridia - Para Que Seas Feliz | Video Oficial - En Vivo Desde la Plaza de Toros la México
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Letra / Lyrics
¡Y que comience la fiesta, chiquitones!
Dice
¡Esa gente allá arriba!
Para que encuentres todo
Lo que siempre has querido
Me quito del camino
Para que no te estorbe
Para que no te pese
Haberme conocido
Para que te liberes
Y rompas las cadenas
Que has llevado conmigo
Sin más, yo me hago a un lado
Para que no te estreses
Para que estés tranquilo
Nomás no se te olvide
Que de verdad te quise
Que fue por puro amor
Todo lo que te di y todo lo que hice
Nomás no te arrepientas
Porque quizás me canse
De ser tu sombra fiel
De amar como te amé y de tanto esperarte
Para que encuentres todo
Lo que siempre has querido
Para que seas feliz
Me quito del camino
(Ay-ay-ay, ¡rrr-ah!)
¡Y me vas a extrañar, bebé!
Ya verás, ya verás
¿Cómo estamos de este lado?
¿Esa gente?
Nomás no se te olvide
Que de verdad te quise
Que fue por puro amor
Todo lo que te di y todo lo que hice
Nomás no te arrepientas
Porque quizás me canse
De ser tu sombra fiel
De amar como te amé y de tanto esperarte
Para que encuentres todo
Lo que siempre has querido
Para que seas feliz
Me quito del camino
#Yuridia #ParaQueSeasFeliz #Monumental #EnVivo #DesdeLaPlazaDeTorosLaMéxico #PlazaDeTorosMéxico
(C) 2025 Sony Music Entertainment México, S.A. de C.V.
"Changes" out now: https://charlieputh.lnk.to/changes
Pre-order 'Whatever's Clever!' now: https://charlieputh.lnk.to/whateversclever
Lyrics:
VERSE 1
Lately there’s been something in the air
There’s been a lot of smaller talk
When we were younger we would share our fears
Now we’re afraid of being mocked
I still can hear you through all of the silence
Do you need any help calling like I did?
CHORUS
There’s been some changes in our life, oh
I can feel the distance
Space and time, has made everything different
Day and night, oh
Everything has changed and
I don’t know why
VERSE 2
I used to hear your voice inside my head
Now I forget what it sounds like
And all the things we used to leave unsaid
I wish they were said in hindsight
I still can hear you through all of the silence (all the silence)
Do you need any help calling like I did? (oh like I did)
CHORUS
There’s been some changes in our life, oh
I can feel the distance
Space and time, has made everything different (different)
Day and night, oh
Everything is changing
I don’t know why
BRIDGE
Maybe that’s (mm) just the way it is
No matter how matter how much you’re missing it
Sometimes the wind blows in different new directions and lessons are happenin’
Maybe that’s (mm) just the way it is
No matter how matter how much you’re missing it
No love lost, I know it’s innocent
It’s what you make of it
CHORUS
There’s been some changes (changes) in our life, oh
I can feel the distance (distance)
Space and time (time), has made everything different (different)
Day and night, oh
Everything is changing (changing)
I don’t know why (why)
There’s been some changes (changes) in our life, oh
I can feel the distance (distance)
Space and time (time), has made everything different (different)
Day and night, oh
Everything is changing (changing)
I don’t know why
Director: Charlotte Rutherford
Starring:
Charlie Puth
Brooke Puth
Production Company: Someday Studio
EP / Producer: Wyatt Whitaker
EP: Andrew Gallo
Creative Direction:
Crystalline Structures
Director of Photography: Joseph White
1st AC: Andrae Crawford
2nd AC: Kevin Sun
DIT: Bret Sudling
VTR: Robert Morales
Gaffer: Bradford Jamieson
Best Boy Electric: Christian Rice
Electric: Myles Jameison
Key Grip: Luke Poole
Best Boy Grip: Brandon Diaz
Grip: Gaither Narron
Stop Motion: Gustavo Soriano
Set Designer: Ryan Brennan
Leadman: Andrew Bond
Lead Assist: Matthew Willits
Set Dresser: Zoe Hazlett
Set Dresser: Greggory Falks
Wardrobe Stylist: Sean Knight
Wardrobe Assistant: Drew Hemnes
Groomer: Sydney Sollod
Craft Services: Yesenia Isamar Reyes-Chaidez
PA: Garrett Charbonneau
PA: Avalon York
PA: Matt Donovan
Post Producer: Patrick Armstrong at Sidekick.prod
On-set VFX supervisor: Ethan Feldbau
VFX: Ben Kadie
Claymation: Alistair Nicholls
Additional VFX: Alexis da Camara
Titles: Sean Armstrong
Editor: Anthony Miralles at Slips Studios
Editor Producer: Helen Sope
Colorist: Isac Hessellund at Copenhagen Visual
Colorist Producer: Carsten Dahl
Management:
Mikaela Puth
Ty Stiklorius
Bo Young Lee
Atlantic Records:
Amber Ajeé Baker
Jamie Wayne
Justin Horowitz
Dave Rocco
Marisa Aron
Whatever’s Clever Executive Produced by
BloodPop® & Charlie Puth
Creative Direction:
Crystalline Structures
Logos:
Timothy Luke
Special thank you to BloodPop® ♫
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#CharliePuth #Changes #WhateversClever
Add "Gone Gone Gone” by David Guetta, Teddy Swims, Tones and I to your Playlist ▶ :
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DIRECTOR: Hannah Lux Davis
PRODUCTION COMPANY: London Alley
EXECUTIVE PRODUCERS: Brandon Bonfiglio, Luga Podesta & Andrew Lerios
PRODUCERS: Lisa Arianna, Elisabeth Makitalo & Chuck Akin
DIRECTOR REP: Tommy Labuda
1st AD: Jonas Morales
DIRECTOR OF PHOTOGRAPHY Las Vegas & Los Angeles: Zayd Ezzeldine
DIRECTOR OF PHOTOGRAPHY Los Angeles: Andrey Nikolaev
POST SUPERVISOR: Ivan Ovalle
EDITOR: Graham Patterson
ASSISTANT EDITOR: Trevor Clifford
COLOR: Myles Bevan
TITLES: Quincy Banks
David Guetta, Teddy Swims, Tones And I - Gone Gone Gone
(David Guetta, Toni Watson, Jaten Dimsdale, Yarden “JORDi” Peleg, Naomi Robin (No/Me), Yuval Maayan, Jack LaFrantz, Ben Kohn, Julian Bunetta, Hector “Tor” Fernandez, Giorgio Tuinfort)
Produced by David Guetta & JORDi
Additional production by Timofey Reznikov
Mixed by Serban Ghenea at MixStar Studios, Virginia Beach, VA
Engineer: Bryce Bordone
Mastered by Chris Gehringer at Sterling Sound
Additional Mixing by Peppe Folliero at Musicology Studios, Naples Italy
A&R: Pamela Charbit & Aton Ben-Horin
Drums, piano, keyboard programming & string arrangement: JORDi
Programming: David Guetta, Timofey Reznikov
Additional Programming: Giorgio Tuinfort
Violin & Viola: Bar Markovich
Cello: Karin Markovich
Brass: The Jayhorns
Trombones: Jel Jongen
Trumpets: Serge Plume
Saxophones: Allard Buwalda
Brass Arrangement: Jel Jongen
Guitars: Pierre-Luc Rioux
Publishers: TBC
(P) & (C) 2025 What A DJ Ltd, Under License to Warner Music UK Limited
LYRICS
[Verse 1]
We were fire
Impossible to tame
Like oil in the ocean
No way to put out the flame
We were just running
Eyes closed in the dark
Headed for a wall full speed
It’s bound to leave a mark
[Pre Chorus]
Oh and it was freedom
You hold me, I screamed your name
Through all of the madness I take the blame
And I
And I
[Chorus]
I only want you when you’re gone gone gone
Playing like we’re done done done
I love your game
Drive me insane
I only want you when you're gone gone gone
Playing like we’re done done done
I love your game
Drive me insane
I only want you when you’re
I only want you when you’re
I only want you when you’re
I only want you when you’re
I only want you when you’re gone
[Verse 2]
We love a liar
Like a moth to a flame
But I knew that it was something special from the start
Had that good bad loving in my heart
And now I need a sequel
To the movie that we made
I keep on running the scenes of us acting reckless
I just love that loving pain
[Chorus]
I only want you when you’re gone gone gone
Playing like we’re done done done
I love your game
Drive me insane
I only want you when you're gone gone gone
Playing like we’re done done done
I love your game
Drive me insane
I only want you when you’re
I only want you when you’re gone
I only want you when you’re gone
I only want you when you’re gone
[Middle 8]
I only want you when you’re gone gone gone
I only want you when you’re done done done
I only want you when you’re gone gone gone
Want you when you’re done done done
I only want you when you’re gone
Yeah you know I love to scream your name
I love your game
Drive me in insane
I only want you when you’re……..gone
-----------
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The official video for Gunna's "wgft" featuring @BurnaBoy! Directed by Spike Jordan.
Stream "The Last Wun": https://gunna.lnk.to/thelastwun
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℗ 2025 Young Stoner Life Records / 300 Entertainment
#Gunna #wgft #BurnaBoy #OfficialVideo #TheLastWun
_
Lyrics:
It's so amazing what we've done,
riding the wave of life that's one.
Taking our time to feel the love.
We are a part of the love song.
We getting fucked tonight, We getting fucked tonight, We getting fucked tonight, We getting fucked tonight.
We getting fucked tonight We getting fucked tonight.
Run it back, Turbo.
We getting fucked tonight.
Who getting fucked tonight? Who getting fucked tonight? You getting fucked tonight, she getting fucked tonight.
She getting fucked tonight, she getting fucked tonight. She getting fucked tonight, she getting fucked tonight.
Stop calling her phone, she get fucked tonight.
Blowing down that line, you the buster type.
Knowing that you lying, we don't go for the hype.
Catch her from behind, niggas know I'm a snipe.
Second when I drive, baby know what I like.
Spread that pussy wide, let me go for a dive.
Who getting fucked tonight?
You getting fucked tonight.
Later tonight? I'll pay whatever the price and knock her down on my strike.
I want to feel it inside. Getting with me is enticing. Your pussy is my vice.
I see you, we gonna fight. You getting fucked tonight.
Who getting fucked tonight?
Take her off the list, if it's just tonight.
Happiest of my life turn up the heat and make your body feel it, turn up the place so I know shine.
I dive inside, pull me closer, I go be your controller, call me remote.
Push one button, off with her clothes, when she want good loving she call 'pon mi phone.
If I don't do nothing, I will do the most. Mi say, call me lazy stay with me my baby.
If you give me one time I could break your back.
I can't give you all my time, no my baby. Celebrate because tonight you're my baby.
We gettin' fucked tonight. We gettin' fucked tonight.
Celebrate because tonight you're my baby.
We getting fucked tonight, We getting fucked tonight, We getting fucked tonight, We getting fucked tonight.
We getting fucked tonight, We getting fucked tonight, We getting fucked tonight, We getting fucked tonight.
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Anita D, performing at IWPS 2019 in San Diego, CA.
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Button Poetry is committed to developing a coherent and effective system of production, distribution, promotion and fundraising for spoken word and performance poetry.
We seek to showcase the power and diversity of voices in our community. By encouraging and broadcasting the best and brightest performance poets of today, we hope to broaden poetry's audience, to expand its reach and develop a greater level of cultural appreciation for the art form.
Musical guest BTS performs "SWIM" at Guggenheim New York for The Tonight Show.
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The Tonight Show Starring Jimmy Fallon features hilarious highlights from the show, including comedy sketches, music parodies, celebrity interviews, ridiculous games, and, of course, Jimmy's Thank You Notes and hashtags! You'll also find behind the scenes videos and other great web exclusives.
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BTS: SWIM | The Tonight Show Starring Jimmy Fallon
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#BTS
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Zimbabwe's own SaintFloew teams up with South African hip hop icon Kwesta to bring you Bag raJahman. Brace yourself for this cross border collaboration that's set to dominate the charts. A perfect blend of hard hitting lyrics and explosive beats.
Album Presave Link- https://vmgafrica.lnk.to/TrapYevafundisiAr
Produced by :KayzMade It, Money Cure and Jamal No limits
Video Directed by Slowsman Films
Executive Producer : Nash TV
Thank you for watching, please subscribe to support the channel.
Connect on other platforms:
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#official #saintfloew #hiphop #zimbabwe #southafrica
Ras Kass sat down with N.O.R.E. and DJ EFN for a new episode of Drink Champs. He talked about having 36 albums out and what the music game is like now compared to when he first started. We got to hear some crazy stories about him living in the same apartment as Jay-Z and crashing with David Banner back in the day. He also shared his honest thoughts on ghostwriters in hip-hop and why he feels it is a completely different sport. The guys even got into his connections to the early days of the BMF movement and his advice to them. It was a really good talk that covered a ton of hip-hop history and gave a legend his flowers
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The story of Alannah Myles, best known for the song Black Velvet
Podcast on Apple Podcasts
https://podcasts.apple.com/ca/....podcast/the-rock-n-r
My second YouTube Channel
https://www.youtube.com/@RockNRollTrueStories2
Title: The Tragic Story of The One-Hit Wonder Who Wasn't
Some songs are like time machines. In 1990, one of them was “Black Velvet,” a smoky, blues‑rock track that turned Canadian singer Alannah Myles into a global star. The song hit number one on the Billboard Hot 100, won a Grammy for Best Female Rock Vocal Performance, and helped her debut album sell millions worldwide. By all accounts, she should have been set for life.
Instead, the industry that finally embraced her nearly destroyed her. Behind the scenes, Myles had signed a brutal contract loaded with “recoupable” expenses for recording, videos, touring, and marketing — debts she had to pay back before seeing real royalties. She later estimated the label earned well over a hundred million dollars from her records, while she struggled to pay rent and took side jobs just to get by. She has said she didn’t receive a meaningful royalty check for “Black Velvet” until 2008, almost two decades after the song topped the charts.
Her path to that hit had been long and stubbornly independent. Born Alannah Byles in Toronto, she grew up comfortable but determined to make it on her own. She wrote songs as a teenager, played grimy Southern Ontario clubs, and rebranded herself as Alannah Myles while doing modeling, makeup work, and small acting roles to fund her music. Partnering with songwriter Christopher Ward and producer David Tyson, she chased a blues‑rock identity that Canadian labels repeatedly rejected. A three‑song demo to Atlantic in New York finally landed her a six‑album deal in 1987.
Her 1989 debut album was huge at home, producing multiple Top 40 hits and becoming the best‑selling debut album in Canadian history. “Black Velvet” – written by Ward and Tyson as an Elvis Presley tribute after Ward rode a fan bus to Memphis – was the track that broke her internationally. Released in the U.S. after “Love Is,” it climbed slowly before exploding to number one and going top ten in over a dozen countries. At the same time, her label angered her by commissioning a competing country version by Robin Lee, which muddied her ownership of the song in the public eye.
The pressure for a repeat was immediate. Her 1992 follow‑up, Rockinghorse, underperformed in the U.S. but went multi‑platinum in Canada, giving her another number‑one single and a second Grammy nomination. Still, label politics, media stories painting her as “difficult,” and the strain of constant touring took a toll. She cancelled tours for health reasons, cycled through managers, and watched as her momentum faded internationally.
Myles eventually left Atlantic in the late ’90s and signed with Miles Copeland’s Ark 21, gaining more creative control but far less commercial visibility. For years she survived through smaller‑scale releases, overseas deals, television work, and live shows, even as “Black Velvet” kept spinning on radio without truly enriching her. A libel suit against a major Canadian newspaper over claims of cocaine addiction was settled in 2001, reportedly with a substantial payout — ironically one of the biggest financial wins of her career.
When her contract finally allowed it, she re‑recorded “Black Velvet” for her independent album Black Velvet and later retooled it again on 85 bpm, finally owning versions of the song that paid her directly. Chronic health problems, including serious spinal damage and autoimmune issues, have since limited her ability to tour, but she continues to write and record on her own terms.
Calling Alannah Myles a “one‑hit wonder” misses the point. She had multiple Canadian hits, a second Grammy‑nominated album, and a career that’s lasted decades. “Black Velvet” was a phenomenon so huge it obscured the rest of her work — and a song that nearly ruined her even as it made her immortal. In 2021, it was inducted into the Canadian Songwriters Hall of Fame, cementing its place in rock history and her legacy as far more than a trivia‑question one‑off.
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KIKAC MUSIC Presents the Official Music Video for BWIZA performing “ Gake Gake ”
Produced by Loader
Video Directed by @johnelarts
Connect with bwiza :
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Produced by Mixology Records:
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Connect with Amar Namir:
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Lyrics:
مودينا على فين
يابا دبا يابا دابا
وعلى فين ارضينا
يابا دبا يابا دبا
من الفرحة جرينا
ع طريقك يابا دبا
هاتينا وودينا
وارميلا بياضك
ده السفر زينة
كمل طريقك
من الهموم عدينا
شكينا وبكينا ياما
وادعولنا
نشوف الما شوفنا
دي عيوننا
للسفر والله عطشانة
مودينا على فين
يابا دبا يابا دابا
وعلى فين ارضينا
يابا دبا يابا دبا
من الفرحة جرينا
ع طريقك يابا دبا
هاتينا وودينا
وارميلا بياضك
عالنواصي إستنيناك
ماجيت ولا بعت جوابك
دي الحياه متستناك
والفرصة رحالة
ياباي ياباي يا
هيجن جناني
تحت ضي القمر
نحكي الحكاوي
جمع أحبابك وسوق
لم غرابك والدفوف
نقط ناقصها الحروف
شكلها على كيفك
ويلا
نلم الترحال
عالطريق
وما تسأل
مودينا على فين
يابا دبا يابا دابا
وعلى فين ارضينا
يابا دبا يابا دبا
من الفرحة جرينا
ع طريقك يابا دبا
هاتينا وودينا
وارميلا بياضك
CREDITS:
• Sung & Performed by MIXAT & Amar Namir
• Lyrics by Youssef Salama
• Creative Director/Producer: Youssef Salama
• 1st AD: Mohamed Ayman
• Cinematographer: Omar Moftah
• Cam Operator: Ahmed Essam, Mohamed Ayman, Aya El Laboudy
• Video Editor/Colorist: Bobos
• Art Director: Mohamed Abdel Mohsen
• Stylist: Nihal Sardina
• Makeup Artist: Sohaila Kassem
• Starring: Omar Yasser, Adham Issa, Mostafa Abdel Naby
• Choreographers: Sohaila Kassem, Nada Ahmed
• Production Assistant: Adham Issa
• Associate Producer: Omar Yasser
• Catering: El Ragol EL A5dar
• Music Production, Lyrics & Sound Design: MIXAT
©2022 Mixology. All rights reserved.
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Original song "I Knew It, I Knew You" by Taylor Swift from Disney and Pixar's Toy Story 5, in theatres June 19.
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#TaylorSwift #ToyStory5
The official halftime performance of Wu-Tang Clan at Game 4 of the Knicks NBA Finals run, live from Madison Square Garden.
Due to popular demand, Wu-Tang Clan will return to the road summer 2026 with Wu-Tang Forever: The Final Chamber Tour. The 26-city tour kicks off August 27 at Darien Lake Amphitheater in Darien Center, NY, making stops across the U.S. and Canada in Atlantic City, Toronto, Atlanta, Las Vegas, Phoenix, and more before wrapping up October 4 at Talking Stick Resort Amphitheatre in Phoenix, AZ. Tickets and VIP packages are available at https://thewutangclan.com
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#WuTangClan #Knicks #NBAFinals
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The JBP recaps their July 4th (26:28) before the room reacts to the video of Big Tigger hitting the internet as he steps away from his radio show (34:23). Marc Lamont Hill shares his feelings on Scottie Pippen dating a 23-year old (58:36), B.Dot’s new list consists of the top-10 rappers of 2026 so far (1:29:45), and Lance Rivera’s open letter to JAY-Z (1:41:09). Also, the JBP speculates how long it would take them to tell if their significant other was cheating (2:09:48), the latest on missing 18-year-old Nolan Xavier Wells (2:33:54), and much more.
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Daz Dillinger joins All The Smoke to break down his legendary career from working on The Chronic at 16 to reclaiming his music rights and defining West Coast hip-hop. He shares untold stories about stealing studio reels back from Suge Knight, watching Snoop buy Death Row, and his behind-the-scenes work on Doggystyle and Murder Was The Case. Daz opens up about why the West Coast still fights for respect in rap, his relationship with Ice-T, and stepping away from music before his powerful comeback. He also gives his take on Kendrick Lamar, the current state of beef, and how he's making smart business moves in real estate while sharing the secret to studio success.
#allthesmokeproductions #rap #AllTheSmoke #nba #dazdillinger
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(00:00:00) - How Daz got his music rights back
(00:02:25) - Why doesn’t the west coast get respect in rap?
(00:03:30) - Why Daz stepped away from rap & why he’s back
(00:06:26) - Snoop buying Death Row
(00:08:07) - Stealing reels back from Suge Knight
(00:09:26) - What’s the difference between Long Beach & LA?
(00:10:10) - Finding love for music
(00:11:18) - His cousins Ray-J & Brandy
(00:11:59) - Ricky Harris
(00:14:15) - Ice-T
(00:15:05) - Learning from Dr. Dre & Warren G
(00:18:19) - Working on The Chronic album at age 16
(00:19:50) - Origin of his name Daz
(00:20:40) - Working on Doggystyle & fighting Snoop one time
(00:24:45) - Producing Murder Was The Case
(00:26:40) - Relationship with Kurupt & falling out with Snoop
(00:32:46) - Meeting Tupac
(00:37:55) - Ad Break with DraftKings Pick 6,
(00:38:35) - Secret to success in the studio
(00:40:52) - Kendrick Lamar
(00:42:41) - Producing the Above the Rim soundtrack
(00:43:17) - The current state of beef
(00:44:57) - Showtime Lakers
(00:46:06) - Willie McGinest
(00:46:47) - Making real estate business moves
(00:53:51) - Quick Hitters
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