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D.R.S Gangsta Lean Hotney 5 Просмотры • 3 лет тому назад

D.R.S
Gangsta Lean
Lyrics:

This songs dedicated
To my homiez in that gangsta lean
Whyd you have 2 go so soon
It seems like yesterday
We were hangin round da hood
Now im gonna
Keep you memory alive
Like a homie should

A lifetime of memories
Going down the drain
Id like to keep steppin
But I cant get past the pain

I tip my 40 to your memory
Take a drink, and I
Stop to think, and I
I know one day soon
We'll be, we'll be hangin out

[CHORUS:]
This is for my homies
This is for my homies, well well
See you when I get there
In that gangsta lean, that gangsta lean
This is for my homies
This is for my homies, well well
See you when I get there
In that gangsta lean, that gangsta lean

My god, my god
Could you pass on a message from me
Tell him put down those dice for a second lord
Listen to his homie
Could you tell him
Ill never let go of his memory
So his son will know
You dont have to cry no more
Coz Gods got his back, I said Gods got his back

A lifetime of memories
Going down the drain
Id like to keep steppin
But I cant get past the pain

I tip my 40 to your memory
Take a drink, and I
Stop to think, and I
I know one day soon
We'll be, we'll be hangin out

[CHORUS:]
This is for my homies
This is for my homies
See you when I get there
In that gangsta lean, that gangsta lean
This is for my homies
This is for my homies
You know I miss you, You know I miss you, my homie
See you when I get there
In that gangsta lean, in that gangsta lean

This song is decicated to homies in that gangsta lean
Tommie from masters touch
My boy Ybei
And my boy Eibere
And whoever else out there
Thats gotta homie thats in a gangsta lean
And also my boys in the Penn
That aint ever gonna see the street again
Coz you know what
It dont matter what they was doing while they was here
They couldve been bangin, slangin
But they aint here no more
And thats somebodys daddy
Somebodies baby, thats somebodies homie
So go on and let ém rest while they in that gangsta lean
You know what Im sayin
Thats on the real low

This is for my homies
I cant believe that your gone
See you when I get there
I'll see you, I'll see you, I'll see you
Illlll see you
This is for my homies
Now that your in that gangsta lean, well well well
See you when I get there
Im so sorry your gone but I've got to keep on
(This is for my homies)
I gotta keep movin, I gotta keep movin
I gotta keep movin, movin, movin, movin
(See you when I get there)
I'll see you, I'll see you
One day, someday, homie someday

This is for my homies
This is for my homies, yeyeah
See you when I get there

Adina Howard - Freak Like Me (Official Video) Hotney 5 Просмотры • 3 лет тому назад

Adina Howard - Freak Like Me (Official Video) from the album "Do You Wanna Ride?" (1995). Directed by Hype Williams.

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Lyrics:

Let me lay it on the line
I got a little freakiness inside
And you know that the man
Has got to deal with it
I don't care what they say
I'm not about to pay nobody's way
'Cause it's all about the dog in me
Mm-hmm
I want to freak in the morning
A freak in the evening just like me
I need a roughneck brother
That can satisfy me just for me
If you are that kind of man
'Cause I'm that kind of girl
I got a freaky secret, everybody sing
'Cause we don't give a damn about a thing
'Cause I will be a freak
Until the day until the dawn
And we can pump, pump
All through the night till the early morn
Come on and I will take you
Around the 'hood on a gangsta lean
'Cause we can pump, pump
Any time of day it's all good for me
Boy, you're moving kind of slow
You got to keep it up
Now there you go
There's just one thing that a man must do
Mm-hmm
I'm packing all the flavor you need
I got you shook up on your knees
'Cause it's all about the dog in me
I want to freak in the morning
A freak in the evening just like me
I need a roughneck brother
That can satisfy me just for me
If you are that kind of man
'Cause I'm that kind of girl
I got a freaky secret, everybody sing
'Cause we don't give a damn about a thing
'Cause I will be a freak
Until the day until the dawn
And we can pump, pump
All through the night till the early morn
Come on and I will take you
Around the 'hood on a gangsta lean
'Cause we can pump, pump
Any time of day it's all good for me
'Cause I will be a freak
Until the day until the dawn
And we can pump, pump
All through the night till the early morn
Come on and I will take you
Around the 'hood on a gangsta lean
'Cause we can pump, pump
Any time of day it's all good for me
One to the two, to the two, to the three
Adina, do you want to get freaky with me?

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PEOPLE'S PARTY WITH TALIB KWELI

People's Party is a weekly interview show hosted by Talib Kweli and Jasmin Leigh. Guests range from the biggest names in hip-hop, to global entertainers, to the most progressive minds moving our culture forward. The audio podcast is available on Apple and Spotify.

Shannon - Let The Music Play (Official Music Video) Hotney 5 Просмотры • 3 лет тому назад

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Shannon (born Brenda Shannon Greene,May 2, 1958) is an American singer. She is best known for her 1983 million-selling record, "Let the Music Play". The record re-defined the electro-funk sound that Arthur Baker and John Rocca (who produced "I.O.U" by Freeez) developed in 1982, which would eventually be called freestyle music.

In the spring of 1983, Greene was enrolled at York College and toured with the New York Jazz Ensemble. Quintin Hicks, an associate of the production team of Mark Liggett and Chris Barbosa, later saw Shannon singing with a live band in her cousin's recording studio. Shannon auditioned for Liggett and Barbosa with the song "She Can't Love You Like I Do". They introduced her to the track "Fire and Ice", which would later evolve into Shannon's signature song, "Let the Music Play". This title would also be applied to Shannon's debut album.

In July 1983, the "Let the Music Play" single was released and Shannon was invited back to record more songs with Liggett and Barbosa. The single reached #8 on the Billboard Hot 100 and #1 on the Billboard"s United States R&B and Hot Dance and Club Play Chart chart. Today, it is ranked #23 among Billboard's best dance songs of all time.

Her debut album, Let the Music Play, was released in February 1984. The follow-up single from the album was "Give Me Tonight", which hit the top spot on the Hot Dance, Club Play and R&B chart. It also became a significant hit on Urban radio. It was one of Billboard's top 30 dance songs for the year 1985. In the U.S., the third single was "My Heart's Divided", another Latin freestyle track, featuring Jimmy Choo as one of the back up vocalists. "Sweet Somebody", a mid-tempo soul effort, made the Top 20 in Europe.

Let the Music Play went on to sell over 2 million copies worldwide. Shannon was nominated for a Grammy and received numerous other awards, including the Dianah Washington (Jack the Rapper) Award, the Hall of Fame Award, the Gold Ampex Reel Award, a certified gold disc by the Recording Industry Association of America, and the Best Billboard Top 10 female R&B vocalist.

In 1985, Shannon released her second album, Do You Wanna Get Away, which sported a sound similar to that of her debut album. The title track became her third #1 on the Dance charts and became her third hit on the Billboard Hot 100. She scored three more dance hits from the album, including "Stronger Together", a cover of "Urgent" by Foreigner, and "Stop the Noise", with a video sponsored by Pepsi and Black Angus. Her third album was 1986's Love Goes All the Way. This album was not as successful as her previous LPs. Shannon was Executive Producer against all odds.

Shannon asked to be released from her recording contract with Atlantic Records in 1987. She recorded soundtracks and jingles, Criminal", for the movie Fatal Beauty and budweiser . While touring the world, Shannon attended and graduated from the American Academy of Dramatic Arts in New York City.

In the late 1990s interest in Shannon rekindled, when VH1 spotlighted her on their One Hit Wonders series. Entertainment Tonight also taped a special about her life. In 1998, she co-wrote and sang on multi tracks produced by Todd Terri, Tony Moran, Germany's Sash Les Rythmes Digitales Les Rythmes Digitales

In 1999, Shannon released her fourth studio album, The Best Is Yet to Come, on which she is credited as 50% writer of the album (contracted by BMG). Chris Barbosa was invited back as a producer, along with Andy "Panda" Tripoli and Tony Moran. A greatest hits album was released in November 2004 without Shannon's knowledge and agreement.

On April 20, 2006, Shannon participated in the Freestyle Extranvaganza concert along with Judy Torres, George Lamond, Cynthia, Lisette Melendez, Lisa Lisa and Cult Jam, The Cover Girls, Hanson and Davis, Coro, and Stevie B.. The event was sponsored by WKTU, WSKQ, and WCAA in New York.

A fifth studio album, "A Beauty Returns", was released in 2007 without the knowledge and agreement of Shannon.

Today Shannon is a voting member of the Grammy's (Recording Academy) touring the world (Kuwait, Badghdad and Iraq) with the US Soldiers. She is also in the studio working on new hits for the year 2010.

Laura Branigan - Self Control (Official Music Video) Hotney 5 Просмотры • 3 лет тому назад

You're watching the official music video for Laura Branigan - "Self Control" from the album 'Self Control' (1984). This cover of Raf's "Self Control" reached No. 4 on the Billboard Hot 100.

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Lyrics:
Oh, the night is my world
City light painted girl
In the day nothing matters
It's the night time that flatters
In the night, no control
Through the wall something's breaking
Wearing white as you're walkin'
Down the street of my soul

You take my self, you take my self control
You got me livin' only for the night
Before the morning comes, the story's told
You take my self, you take my self control
Another night, another day goes by
I never stop myself to wonder why
You help me to forget to play my role
You take my self, you take my self control

I, I live among the creatures of the night
I haven't got the will to try and fight
Against a new tomorrow, so I guess I'll just believe it
That tomorrow never comes
A safe night, I'm living in the forest of a dream
I know the night is not as it would seem
I must believe in something, so I'll make myself believe it
That this night will never go

Oh-oh-oh, oh-oh-oh
Oh-oh-oh, oh-oh-oh
Oh-oh-oh, oh-oh-oh
Oh-oh-oh, oh-oh-oh

Oh, the night is my world
City light painted girl
In the day nothing matters
It's the night time that flatters

You take my self, you take my self control
You got me livin' only for the night
Before the morning comes, the story's told
You take my self, you take my self control

I, I live among the creatures of the night
I haven't got the will to try and fight
Against a new tomorrow, so I guess I'll just believe it
That tomorrow never knows
A safe night, I'm living in the forest of a dream
I know the night is not as it would seem
I must believe in something, so I'll make myself believe it
That this night will never go

Oh-oh-oh, oh-oh-oh
Oh-oh-oh, oh-oh-oh
Oh-oh-oh

You take my self, you take my self control
You take my self, you take my self control
You take my self, you take my self control
You take my self, you take my self control

I, I live among the creatures of the night
I haven't got the will to try and fight
I'm living in the forest of a dream
I know the night is not as it would seem
It's my world
City light painted girl

You take my self, you take my self control
You take my self, you take my self control
You take my self, you take my self control
You take my self, you take my self control

**************************************************

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Sex Pistols: In Their Own Words | Music Documentary | Johnny Rotten | Sid Vicious Hotney 5 Просмотры • 3 лет тому назад

A deep dive into the history, influence, and music of the groundbreaking punk rock band, The Sex Pistols. Although their initial career lasted just two and a half years, they were one of the most important acts in the history of popular music and pop culture. Their fashion and hairstyles were a significant influence on punk image, and they are often associated with anarchism within music.

Included clips and performances of songs; Submission, No Fun, Pretty Vacant, Anarchy in the U.K., God Save the Queen, Problems, No Feelings, Bodies, Holidays in the Sun

The Sex Pistols were an English punk rock band formed in London in 1975. They were responsible for initiating the punk movement in the United Kingdom and inspiring many later punk and alternative rock musicians.
The Sex Pistols originally comprised vocalist Johnny Rotten (John Lydon), guitarist Steve Jones, drummer Paul Cook, and bassist Glen Matlock; Matlock was replaced by Sid Vicious in early 1977. Under the management of Malcolm McLaren, the band attracted some controversies that both captivated and appalled Britain. Through an obscenity-laced television interview in December 1976 and their May 1977 single "God Save the Queen", the latter of which attacked Britons' social conformity and deference to the Crown, calling the monarchy a "fascist regime". The release of the song popularised punk rock in the UK.

The Sex Pistols' only album, Never Mind the Bollocks, Here's the Sex Pistols (1977) — a UK number one — is a staple record of punk rock. In January 1978, at the end of their turbulent tour of the US, Rotten announced the band's break-up. Over the next few months, the three remaining members recorded songs for McLaren's film of the Sex Pistols' story, The Great Rock 'n' Roll Swindle.

The Sex Pistols have been recognized as an influential band. In 2004, Rolling Stone placed them No. 58 on its list of the "100 Greatest Artists of All Time". On 24 February 2006, the Sex Pistols—, also directly inspired the style, and often the formation itself, of many punk and post-punk bands during their first two-and-a-half-year run. The Clash, Siouxsie and the Banshees, the Adverts, Vic Godard of Subway Sect, and Ari Up of the Slits are among those in London's "inner circle" of early punk bands that credit the Pistols.

Among the many musicians of a later time who have acknowledged their debt to the Pistols are members of the Jesus and Mary Chain, NOFX, The Stone Roses, Guns N' Roses, Nirvana, Green Day, and Oasis. Tim Mohr links Western radio airplay of the Sex Pistols as helping create the whole East German punk movement. Calling the band "immensely influential", a London College of Music study guide notes that "many styles of popular music, such as grunge, indie, thrash metal and even rap owe their foundations to the legacy of groundbreaking punk bands—of which the Sex Pistols was the most prominent."

Director: Alastair Laurence
Stars: Glen Matlock, Don Letts, Alex Ogg, John Robb

Track list:
Submission
No Fun
Pretty Vacant
Anarchy in the U.K.
God Save the Queen
Problems
No Feelings
Bodies
Holidays in the Sun

Never Mind the Bollocks, Here's the Sex Pistols track list:
1. "Holidays in the Sun"
2. "Bodies"
3. "No Feelings"
4. "Liar"
5. "God Save the Queen"
6. "Problems"
7. "Seventeen"
8. "Anarchy in the U.K."
9. "Submission"
10. "Pretty Vacant"
11. "New York"
12. "E.M.I."
13. "No Feelings" (B-Side of A&M God Save the Queen)
14. "Did You No Wrong" (B-Side of Virgin God Save the Queen)
15. "No Fun" (B-Side of Pretty Vacant)
16. "Satellite" (B-Side of Holidays in the Sun)

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#SexPistols #music #documentary #rockandroll #TheStreamMovies

Talib Kweli & Masta Ace On 'Disposable Arts,' Rakim, Eminem, Doom, 'Crooklyn' Hotney 5 Просмотры • 3 лет тому назад

In this episode of "People's Party With Talib Kweli," Kweli sits down with rapper, writer, producer, and original member of the legendary Juice Crew:

MASTA ACE

Here's what we got into:

• Ace's bars exemplifying rhyme schemes that shaped Talib as an emcee.
• Rakim's innovations of rhyme patterns impacting how Ace approached writing.
• How the song, 'Crooklyn Dodgers' for the 1994 Spike Lee joint, 'Crooklyn' came together.
• Ace being fully immersed in the early stages of hip hop, growing up in Brownsville, BK.
• Going to Brooklyn's Sheepshead Bay High School and joining the football team.
• Working as a HS football coach for 11 years, while keeping his identity under wraps.
• Ace winning the first rap contest he entered himself in, in 1986.
• How Ace landed himself a spot on the Juice Crew and the song, 'The Symphony.'
• A young Ol' Dirty Bastard getting himself kicked off the Cold Chillin' tour.
• The impact of Ace's debut, 'Take A Look Around' and how he feels about it now.
• People thinking Ace's voiced impression of Biz was really him on, 'Me & The Biz.'
• Ace's song, 'Jeep Ass N*gga,' and how it was inspired by LL's, 'The Boomin' System.'
• Hearing how much Eminem was influenced by Ace's, 'SlaughtaHouse' album.
• Breaking down how 'Sittin' On Chrome' was Ace's "compromise album."
• His experience with Big Beat Records and how that album fell through.
• Being diagnosed with multiple sclerosis and keeping it private for 13 years.
• Forming the eMC crew with Wordsworth, Stricklin, and Punchline.
• How his 2001 tour in the UK inspired the penning of 'Disposable Arts.'
• The honesty of 'Dear Diary' and it's pointing to where battle rap was going.
• The song, 'Soda & Soap' with Jean Grae originally being written for Will Smith.
• Ace and Marco Polo's 'A Breukelen Story' leaning into Marco's life.
• How 'MA Doom: Son of Yvonne' was born from Ace's love of 'Special Herbs.'
• Unpacking, 'Home in America' about the impact of systemic racism.
• Ace's work on a hip hop musical based on three of his albums.
• What's next for Ace?

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ABOUT UPROXX VIDEO:

UPROXX Video celebrates Hip-Hop, Style, and Creativity through a mix of original shows and music videos from the biggest artists, entertainers, and innovators from our culture.

PEOPLE'S PARTY WITH TALIB KWELI

People's Party is a weekly interview show hosted by Talib Kweli and Jasmin Leigh. Guests range from the biggest names in hip-hop to global entertainers to the most progressive minds moving our culture forward. The audio podcast is available on Apple and Spotify.

Italy Music Records 1939 - relax/study to 📻 Old aesthetic sound Hotney 5 Просмотры • 3 лет тому назад

The pictures in the video are generated by me using Stable Diffusion AI, model Kenshi. Glory to Italy-chan!

Explanation: "1939 - relax/study to" is my series of videos with old music from the 1930s-1940s, parodying the popular "lo-fi girl relax/study to" videos.
"1939" and "relax/study to" are not the most compatible things, but please don't make too much of it. Enjoy the music.

Contacts:
https://www.deviantart.com/anothervidhub - You can find pictures from the video here. Check out the gallery.
https://boosty.to/anothervidhub - If you want to support me, you can do so here. My videos don't have YouTube monetization enabled.

00:00 - Lina Termini - Ma l'amore no
03:15 - Alberto Rabagliati - Tu musica divina
06:32 - Theo Mackeben - Cortini Viviani
10:06 - Silvana Fioresi - L'uccellino della radio
12:59 - Alberto Rabagliati - Mattinata firoentina
15:52 - Crivel e coro - Ritorna Il Legionario
18:47 - Ernesto Bonino - Musica Maestro
21:47 - ORCHESTRA FERRUZZI - Refr. CRIVEL - Dimenticatemi
24:45 - Quartetto Cetra - Crapa pelata
27:15 - Lina Termini - Lillì marleen
30:49 - Alfredo Clerici - T'ho vista piangere
34:00 - Francesco Albanese - Canzone Dei Sommergibilisti
36:22 - Orchestra Ferruzzi - Munchita
38:41 - Carlo Buti - Amore, Amore
41:28 - Daniele Serra Con Orchestra Dino Olivieri - Sul Lago Tana
44:35 - Meme Bianchi - Dove e quando
47:44 - Trio Lescano - Camminando sotto la pioggia
50:59 - Gianni Di Palma - Ultime foglie
54:23 - Oscar Carboni - La mia canzone al vento
57:04 - Trio Lescano - E' Arrivato L'ambasciatore
01:00:16 - Rico Bardi - Villanella (Dino Olivieri) - Canzone Tango
01:03:34 - Oscar Carboni - E zitto amore
01:06:59 - Lidia Martorana - Il mio amore sta in soffitta
01:09:56 - Trio Lescano - Tu Che Mi Fai Piangere
01:13:17 - Vittorio Belleli - Tchi-Tchi
01:16:38 - Fedora Mingarelli - Un'ora Sola Ti Vorrei
01:19:31 - Trio Lescano - Maramao perchè sei morto
01:22:42 - Trio Lescano - Pippo non lo sa
01:26:08 - Notte a Sorrento
01:29:13 - Un bacio al chiar di luna
01:32:12 - Per le strade del Mugello
01:35:07 - Mіscеl e Coro - Sordato Del Lavoro
01:38:06 - Dino Olivieri e la sua Orchestra, Tornerai
01:41:25 - E' Tardi, Amor - Orchestra M.o Dino Olivieri
01:44:05 - Ma guitare qui chante
01:46:58 - Orchestra del Microfono Dino Olivieri, Refrain Rossi, Notturno d'amore
01:50:31 - Violino tzigano - Francesco Albanese
01:53:24 - Dino Olivieri Orchestra, rit.voc. Rossi, Il più bel sogno
01:56:26 - Dino Olivieri Orchestra, F. Rossi, Chissa cosa penserai di me
01:58:59 - Dino Olivieri Orchestra, Passo di strada
02:00:55 - Orchestra Ceragioli, Refrain Bianca Bertolini, Cosi dolce
02:03:54 - Semprini e la sua Orchestra, Angelo Servida, Dammi del tu
02:06:30 - Dino Olivieri Orchestra del Microfono, canta F Rossi, L'uccellino della Radio
02:09:54 - Dajos Béla y su Orquesta, Tornerai (J'attendrai)
02:12:55 - Orch. Lamberto Strappini, canta E. Ferri in tedesco
02:16:18 - Banda Columbia, Signori io sono Douglas
02:19:28 - Lorenzo's Orchestra, Fragola, Black Bottom
02:22:05 - Orchestra Ferruzzi, Columbia, Hot Foxtrot
02:24:24 - Orchestra da Ballo Columbia, Dipsy Doodle
02:27:31 - Dino Olivieri e la sua Orchestra, Elettrotreno
02:29:56 - FACCETTA NERA - Orchestra Ferruzzi
02:32:30 - Gianna Pederzini canta L'addio del bersagliere
02:34:51 - AFRICANELLA - Marcia
02:37:52 - Angelo Servida - L'ultimo Pierrot
02:40:50 - Trio Lescano - Tulipan
02:44:05 - Trio Lescano - Camminando Sotto la Pioggia
02:47:11 - Nunzio Filogamo - Mi chiamo Viscardo
02:49:49 - Mille lire al mese Gilberto Mazzi
02:52:47 - Orchester Semprini - Questa Notte Saprai - Slowfox ca
02:56:04 - Pastorella abruzzese - Ernesto Bonino e Duo Fiorenza
02:58:48 - Alfredo Del Pelo - Sentinella

#relaxstudy #history #radio #musicrecords #lofi #italy #gramophone #1939

Rick Rubin: How to Access Your Creativity | Huberman Lab Podcast Hotney 5 Просмотры • 3 лет тому назад

My guest is Rick Rubin, one of the most renowned music producers of all time, known for his work with a wide range of artists, including Run DMC, Public Enemy, Beastie Boys, Red Hot Chili Peppers, JayZ, Adele, Johnny Cash, LL Cool J, Slayer, Neil Young, Ye (formerly Kayne West), Tom Petty, and many more. He is also the author of a new book, "The Creative Act: A Way of Being," which explores the creative process and how to access creativity. We discuss topics such as finding inspiration, the role of feelings as guideposts, learning from observing nature, balancing self-doubt and anxiety, and adopting new perspectives to channel the creative process. Rick also shares his thoughts on using deadlines, eliminating distractions, and how our experiences and emotions influence the creative process. Additionally, we discuss his love for professional wrestling. Our conversation can be applied to any activity or profession to access creativity.

#HubermanLab #RickRubin #Creativity

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Rick Rubin
The Creative Act: A Way of Being: https://amzn.to/3QFEuj9
Website: https://tetragrammaton.com
Twitter: https://twitter.com/RickRubin
Instagram: https://www.instagram.com/rickrubin

Other Resources
Monroe Institute Meditations: https://www.monroeinstitute.or....g/products/the-surgi

Timestamps
00:00:00 Rick Rubin
00:04:08 Maui Nui Venison, Thesis, WHOOP, Momentous
00:08:23 Creativity & Ideas, Cloud Analogy
00:12:26 Language & Creativity; Kids
00:17:36 Feelings & Creative Ideas
00:22:01 Rules, Choice & Art; Personal Taste & Other’s Opinions
00:30:20 Changing Perspective & Creativity
00:33:55 AG1 (Athletic Greens)
00:35:04 Scientific Knowledge; Opinions & Art
00:41:27 Finishing Projects; The Source & Nature
00:47:40 Perception Filters, Contrast & Novelty
00:58:42 Music & Identity, Evolving Tastes
01:03:03 InsideTracker
01:04:14 Focus, Disengaging & Subconscious; Anxiety
01:13:22 Collaboration, Art & Rigorous Work
01:18:26 Process & “Cloud”; Perception & Storytelling
01:29:13 Limited Resolution, Considering the Inverse
01:35:38 Wrestling, Energy & Reality; Dopamine
01:49:43 Wrestling, Style & Performance
01:52:40 Resetting Energy & Nature; Nostalgia
02:01:56 Sleep, Waking Up & Sunlight, Capturing Ideas
02:08:16 Creative Work Phases; Structure & Deadlines
02:15:32 Self-Doubt & Performance
02:19:13 Predictability & Surprise, Authenticity
02:25:02 Past Experiences, Other’s Opinions
02:29:42 Public Opinion & Science: Light, Acupuncture & Nutrition
02:39:44 “Look for Clues”, Belief Effects
02:46:25 Attention, Emotion & Art
02:48:07 Mantra Meditation, Awareness Meditation
02:57:33 Rick Rubin Questions, Zero-Cost Support, YouTube Feedback, Spotify & Apple Reviews, Sponsors, Momentous, Social Media, Neural Network Newsletter

Title Card Photo Credit: Mike Blabac - https://www.blabacphoto.com

The Huberman Lab podcast is for general informational purposes only and does not constitute the practice of medicine, nursing or other professional health care services, including the giving of medical advice, and no doctor/patient relationship is formed. The use of information on this podcast or materials linked from this podcast is at the user’s own risk. The content of this podcast is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical condition they may have and should seek the assistance of their health care professionals for any such conditions.

GINGER BAKER DRUM SOLO - MINDBLOWING !!!! Hotney 5 Просмотры • 3 лет тому назад

#GINGER #BAKER #DRUM #SOLO
GINGER BAKER DRUM SOLO, Peter Edward "Ginger" Baker
(19 August 1939 – 6 October 2019) was an English drummer and a co-founder of the rock band Cream.[1] His work in the 1960s and 1970s earned him the reputation of "rock's first superstar drummer," for a style that melded jazz and African rhythms and pioneered both jazz fusion and world music.[2]

Baker began playing drums at age 15, and later took lessons from English jazz drummer Phil Seamen.

Baker's drumming is regarded for its style, showmanship, and use of two bass drums instead of the conventional one. In his early days, he performed lengthy drum solos, most notably in the Cream song "Toad," one of the earliest recorded examples in rock music. Baker was an inductee of the Rock and Roll Hall of Fame as a member of Cream in 1993, of the Modern Drummer Hall of Fame in 2008,[4] and of the Classic Drummer Hall of Fame in 2016.[5] Baker was noted for his eccentric, often self-destructive lifestyle, and he struggled with heroin addiction for many years. He was married four times and fathered three children.
Peter Edward "Ginger" Baker (19 August 1939 – 6 October 2019) was an English drummer and a co-founder of the rock band Cream.[1] His work in the 1960s and 1970s earned him the reputation of "rock's first superstar drummer," for a style that melded jazz and African rhythms and pioneered both jazz fusion and world music.[2]

Baker began playing drums at age 15, and later took lessons from English jazz drummer Phil Seamen. In the 1960s he joined Blues Incorporated, where he met bassist Jack Bruce. The two clashed often, but would be rhythm section partners again in the Graham Bond Organisation and Cream, the latter of which Baker co-founded with Eric Clapton in 1966. Cream achieved worldwide success but lasted only until 1968, in part due to Baker's and Bruce's volatile relationship. After briefly working with Clapton in Blind Faith and leading Ginger Baker's Air Force, Baker spent several years in the 1970s living and recording in Africa, often with Fela Kuti, in pursuit of his long-time interest in African music.[3] Among Baker's other collaborations are his work with Gary Moore, Masters of Reality, Public Image Ltd, Hawkwind, Atomic Rooster, Bill Laswell, jazz bassist Charlie Haden, jazz guitarist Bill Frisell and Ginger Baker's Energy.

Baker's drumming is regarded for its style, showmanship, and use of two bass drums instead of the conventional one. In his early days, he performed lengthy drum solos, most notably in the Cream song "Toad," one of the earliest recorded examples in rock music. Baker was an inductee of the Rock and Roll Hall of Fame as a member of Cream in 1993, of the Modern Drummer Hall of Fame in 2008,[4] and of the Classic Drummer Hall of Fame in 2016.[5] Baker was noted for his eccentric, often self-destructive lifestyle, and he struggled with heroin addiction for many years. He was married four times and fathered three children.
Peter Edward "Ginger" Baker (19 August 1939 – 6 October 2019) was an English drummer and a co-founder of the rock band Cream.[1] His work in the 1960s and 1970s earned him the reputation of "rock's first superstar drummer," for a style that melded jazz and African rhythms and pioneered both jazz fusion and world music.[2]

Baker began playing drums at age 15, and later took lessons from English jazz drummer Phil Seamen. In the 1960s he joined Blues Incorporated, where he met bassist Jack Bruce. The two clashed often, but would be rhythm section partners again in the Graham Bond Organisation and Cream, the latter of which Baker co-founded with Eric Clapton in 1966. Cream achieved worldwide success but lasted only until 1968, in part due to Baker's and Bruce's volatile relationship. After briefly working with Clapton in Blind Faith and leading Ginger Baker's Air Force, Baker spent several years in the 1970s living and recording in Africa, often with Fela Kuti, in pursuit of his long-time interest in African music.[3] Among Baker's other collaborations are his work with Gary Moore, Masters of Reality, Public Image Ltd, Hawkwind, Atomic Rooster, Bill Laswell, jazz bassist Charlie Haden, jazz guitarist Bill Frisell and Ginger Baker's Energy.

Baker's drumming is regarded for its style, showmanship, and use of two bass drums instead of the conventional one. In his early days, he performed lengthy drum solos, most notably in the Cream song "Toad," one of the earliest recorded examples in rock music. Baker was an inductee of the Rock and Roll Hall of Fame as a member of Cream in 1993, of the Modern Drummer Hall of Fame in 2008,[4] and of the Classic Drummer Hall of Fame in 2016.[5] Baker was noted for his eccentric, often self-destructive lifestyle, and he struggled with heroin addiction for many years. He was married four times and fathered three children.

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