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[FREE] Yn Jay Type Beat x Detroit Sample Type Beat - "BOUND 2" Hotney 18 Streams • 2 years ago

[FREE] Yn Jay Type Beat x Detroit Sample Type Beat - "BOUND 2"

💰 To buy this beat : Dm me on Instagram
💳 Buy 2 Get 1 FREE
Produced by : Manu Productions.

⛔ FREE FOR NON PROFIT non-purchased beats may only be used for soundcloud audio releases. (Prod. Manu Productions) MUST BE PUT IN THE TITLE.

📧 Email: manuproductionsmgmt@gmail.com
📸 Instagram: https://www.instagram.com/manugtb_/

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Colbie Caillat - Worth It (Official Music Video) Hotney 11 Streams • 3 years ago

The official music video for Colbie Caillat’s single, “Worth It” - available everywhere at http://colbiecaillat.com/worthit

Subscribe for more music: http://colbiecaillat.com/youtube
Watch the "I'll Be Here" music video: http://colbiecaillat.com/illbeherevideo
Watch the “Still Gonna Miss You” music video: http://colbiecaillat.com/stillgonnamissyouvideo
Watch the “Pretend” music video: http://colbiecaillat.com/pretendvideo
Watch the “Wide Open” music video: http://colbiecaillat.com/wideopenvideo

Pre-save ‘Along The Way’ - available this fall: http://lnk.dmsmusic.co/colbiecaillat_alongtheway
Pre-order the physical ‘Along The Way’ album - available this fall: http://www.colbiecaillat.com/store

Follow Colbie Caillat:
Instagram - http://instagram.com/colbiecaillat
TikTok - http://tiktok.com/@colbiecaillat
Twitter - http://twitter.com/colbiecaillat
Facebook - http://facebook.com/colbiecaillat
Website - http://colbiecaillat.com

CREDITS
Director: Patrick Tracy

LYRICS
There were more good days than bad
More smiles than tears
We were more happy than sad
When we were us we were fierce
Somewhere along the way
Lovers drifted apart
And even though I didn’t stay
You have a place in my heart
I know it wasn’t perfect
But lovin you was worth it
There’s still sweetness in the memories
Even after all the hurting
Even after all the long nights
Not quite
Knowin if it felt right
I wouldn’t change a thing
I know it wasn’t perfect
But lovin you was worth it
You’ll always be someone I miss
And never will regret
Every touch and every kiss
Were the kind you don’t forget
I can’t put my finger on
The reason it didn’t work
We didn’t do anything wrong
The fire just wouldn’t burn
I know it wasn’t perfect
But lovin you was worth it
There’s still sweetness in the memories
Even after all the hurting
Even after all the long nights
Not quite
Knowin if it felt right
I wouldn’t change a thing
I know it wasn’t perfect
But lovin you was worth it
Lovin you was easy
Lovin you was nice
But lovin you was one side of a life
Leavin was a heartbreak
Closing of a door
Can’t blame us for wanting something more
It wasn’t just me I did it for
I know it wasn’t perfect
But lovin you was worth it
There’s still sweetness in the memories
Even after all the hurting
Even after all the long nights
Not quite
Knowin if it felt right
I wouldn’t change a thing
I know it wasn’t perfect
But lovin you was worth it
Oooo
I know it wasn’t perfect, perfect, no
Oooo
I know it wasn’t perfect
But lovin you was worth it

#ColbieCaillat #WorthIt

http://vevo.ly/OUM8JX

Melting Winterland, KISS Alive in San Francisco 1975 (franKENstein Redux) Hotney 13 Streams • 2 years ago

Video: The video has been upscaled to 1080p. The source was the KISSology version. I did a shot-by-shot adjustment to the entire show. Since this was taped in B&W, I decided to approach as if it had been lit for B&W, with a more even brightness on the entire band. In order to correct for this, I used layers and masking throughout the entire show in order to even out the lighting. In the original, Peter especially often appeared very dark (and also members not directly in the spotlight). I made my best effort to bring him and the other guys out more without simply brightening the entire shot. I also decided to go with a more high-contrast overall look rather than the washed-out grey seen on most of the original concert. It's always a tradeoff between keeping as much detail as possible while making it look good as a whole. This show is a fan favorite and was always one of the very best, IMO. basically, in this era KISS "was" black and white, so the look of this show combined with the powerful performances by all of the members, makes for a great presentation of the young, hungry band in their pre-superhero years. They were darker, more sinister and this show demonstrates what a really great and evenly matched rock and roll band they really were in the beginning. That early chemistry is on full display in this concert. As much as I'd love to see a full-color multi-cam HTH show, for this era B&W totally works.

I also did a bit of "creative" editing, mostly to remove all of the videotape/camera glitches seen throughout the concert. Many songs would be dark for the first several bars of the song, so I tried to use what I could to eliminate all of that black space. I also split shots to make the pacing (hopefully) more enjoyable. For instance, if the camera was on Gene for the entire 1st chorus and then only on Ace & Paul for the entire 2nd chorus, I would split and swap pieces to make it appear that the camera was switching back and forth.

AUDIO: The audio was created using isolated tracks from KISS Alive! along the actual Winterland concert. My attempt was to bring the sound of Alive! (but totally remixed) to the show while maintaining every aspect and nuance of the original performance. My goal was not to change or necessarily "improve" the playing, but rather to re-create it with much better quality.

Drums: Along with the original Alive! tracks, I replaced Peter's kick and snare drum with polyphonic samples I crated from Pater's actual kit. I did not re-create Peter's performance note-for-note, but edited everything to match any time you can see him play something different (even when he drops a stick midway through Ace's solo in "NTL"). His entire solo in "100,000 Years" was done using his original Winterland drums combined with my samples to give it the same sound as the rest of the show.

Bass: All of Gene's parts come from Alive! with some added distortion to better match his live sound. I did use his Winterland bass for some things like in the blood-spitting bit before "100,000 Years" and the intro to "NTL" along with a few other bits.

Guitars: Most of the guitars come directly from Alive! with a few exceptions. Paul's guitar on "100,000 Years" comes from the "alternate" version which has better left/right separation than the album version. For Ace's solo's I kept him panned more to the right, replacing Paul's rhythm from other spots in the song. For Ace's guitar, is also comes from Alive! with the exception of any solos where he strays from the album version. For those songs, the solos are taken directly from the isolated Winterland track. His solo spot and the jam before it also come from the actual show.

Vocals: 99% of the vocals come directly from the Winterland show. The only exceptions are a few words here and there that do not come through clearly either due to the isolation software limitations or (mostly Paul) singing a bit off-mic. I also perfectly synced either the live album version or studio version of the vocals under the video and blend in only the high frequencies to bring good sibilance to the vocals to make them clearer. I corrected Gene's vocal flub in "Cold Gin" (sorry purists). I also blended a little bit of the Alive! vocals under the choruses of Parasite and Cold Gin because the audio wasn't very clear.

This concert cuts off mid-song during LMG,RnR, but there was enough to get all three verses with a bit of creative editing (since much of the parts repeat throughout the song). I used some of the middle jam for the credits and pieces together the ending just so we have a semi-cohesive full song.

As I always say, these shows are NOT for the purists. We will always have the originals for that. My goal is to make these shows as true to the original, but with much improved audio that is a realistic representation of the actual performance. These shows have taken many months and countless hours to assemble, so I do hope other KISS fans like myself enjoy them.

Gorillaz - The Mountain, The Moon Cave and The Sad God Hotney 8 Streams • 7 months ago

The Mountain, The Moon Cave and The Sad God.

Direction: Jamie Hewlett, Tim McCourt, Max Taylor
Sequence Director Jonathan Djob Nkondo
Producer Eva Dahlqvist
Art Director Eido Hayashi
Production Manager Michaela Dede
Animation Lead Xavier Ramonède
Assistant Animation Lead Seterah Erfan
Compositing Lead Freddie Lewis-wall

Production Coordinator Ekaterina Saiapina • Daisy Link
Production Coordinator for Eleven - Saskia Blow
Producer Cover Macarena Gaset • Adriana Piasek-Wanski
Production Assistant Ed Farish • Isabella Fitzsimons
Editor Peter Scott
Edit Assistant Ekaterina Saiapina

Storyboard Jamie Hewlett • Johnatan Djob Nkondo
Gaia Lamiot • Ayşe Aktaş • Jon Lam
Concept Artist Igor Piwowarczyk • Arnaud Tribout • Daniel Clarke • Eido Hayashi • Paul Sabado • Simon Masse • Johnatan Djob Nkondo
Colour Script Eido Hayashi
Character Design Jamie Hewlett • Julien Perron • Johnatan Djob Nkondo
Character Layout Jamie Hewlett • Julien Perron • Xavier Ramonède
Background Layout Simon Masse • Nicola Bernardi • Darina Lapkovskaya
Background Paint Eido Hayashi • Arnaud Tribout • Luc Courtois • Paul-Emmanuel Separi • Daniel Clarke
Animation Pierre Rutz • Robin Eide • Johnatan Djob Nkondo • Yagizhan Misirli • Felipe Almeida • Jamie Merry • Sarah Dhorne • Sergio Mateo • Peter Dodd • Gaelle Thierry • Gustavo Carvalho
• Kwok Fung Lam • Venla Linna • Juanpe Arroyo • Tim McCourt
FX Animation Erwin Rieffel • Lou Victor Karnas • Olivier Malric
Animation Assist Seterah Erfan • Christian Maymo • Krisi Zhupali • Ron Chevarie • Jonothan Wren • Daniel Morales • Clara Schildhauer • Judith Boor
Cleanup, Colour Outsource Amix • Pudoctopus
Graphics Design Max Taylor • Eido Hayashi
Compositing Freddie Lewis-Wall • Abel Kohen • Clarisse Valeix • Doru Ondun • Vincent E Sousa
Skye Van Der Walt • Natasha Francis • Patricia Andrades
Colour Grade Freddie Lewis-Wall
Sound Design, Mix Box of Toys
Animation Reference Actor Moss Taylor • Laurel Taylor • Nick Miller • Ekaterina Saiapina
• Eva Dahlqvist • Michaela Dede • Tim McCourt • Skye Van Der Walt

DOP Edward Tucker
Art Director Rosie Tonkin
Gaffer Pearce Crowley
Book Binders Wyvern Bindery

Head of Operations Anna Degenaar • Kallista Omotosho
Studio Coordinator Sophia Owen-Moulding
Marketing Manager Ella Johnston

Managing Director Laura Breaden
Executive Producer Tan Baptista
Head of CG Pete Addington
Head of Art Juancho Crespo
Head of Animation Kwok Fung Lam
Head of Production Nick Miller
Talent & Scheduling Coordinator Jesus Ovejero
@THELINEanimation

The Mountain feat. Dennis Hopper, Amaan and Ayaan Ali Bangash
Written by Damon Albarn, Ajay Prasanna, Anoushka Shankar
Produced by Gorillaz, James Ford, Samuel Egglenton & Remi Kabaka Jr
Vocals by Gorillaz
Spoken Word Dennis Hopper
Bansuri Ajay Prasanna
Sitar Anoushka Shankar
Percussion Viraj Acharya
Sarod Amaan and Ayaan Ali Bangash
Engineered by Samuel Egglenton
Mixed by Marta Salogni at Studio Zona
Mastered by Heba Kadry, NYC
Mastering Assistant, Jacob Clements
Published by Sony Music Publishing / Thirteen Limited, Copyright Control, Chester Music
Limited / A Wise Music Company
© Kong

The Moon Cave feat. Asha Puthli, Bobby Womack, Dave Jolicoeur, Jalen
Ngonda, Black Thought
Written by Damon Albarn, Dave Jolicoeur, Tariq L. Trotter & James Ford
Produced by Gorillaz, James Ford, Samuel Egglenton, Remi Kabaka Jr
Additional Production by Bizarrap
Vocals by Gorillaz, Asha Puthli, Bobby Womack, Dave Jolicoeur, Jalen Ngonda, Black Thought
Bansuri Ajay Prasanna
Sitar Anoushka Shankar
Demon Strings Izzi Dunn, Kotono Sato, Sarah Tuke & Ciara Ismail.
Harp Olivia Jageurs
Percussion Viraj Acharya
Engineered by Samuel Egglenton
Mixed by Marta Salogni at Studio Zona
Mastered by Heba Kadry, NYC
Mastering Assistant, Jacob Clements
Published by Sony Music Publishing / Thirteen Limited, 80's Kid Music (BMI),
ASCAP/Universal Music Publishing/Legendelphia Music, Universal Music Publishing
Jalen Ngonda appears courtesy of Daptone Records
© Kong

The Sad God feat. Black Thought, Ajay Prasanna and Anoushka Shankar
Written by Damon Albarn & Tariq.Trotter & Anoushka Shankar
Produced by Gorillaz and Samuel Egglenton & Remi Kabaka Jr
Vocals Gorillaz and Black Thought
French Horn Matt
Bansuri Ajay Prasanna
Sitar Anoushka Shankar
The Mountain Choir
Mixed by Marta Salogni at Studio Zona
Mastered by Heba Kadry, NYC
Mastering Assistant, Jacob Clements
Published by Sony Music Publishing / Thirteen Limited & ASCAP/Universal Music
Publishing/Legendelphia Music, Chester Music Limited / A Wise Music Company
©Kong

Gorillaz is managed by Eleven Management

Eleven Mgmt is: Niamh Byrne, Régine Moylett, Tanyel Vahdettin, Suzi Grossman, Ina Dubois, Saoirse Kavanagh, Ellie Nolan, Saskia Blow, Bolia Bamolende, Melody Perry, Bibiana Puglisi Atay Hassan and specialist consultants Selena Dion, Astrid Ferguson, Stars Redmond, Oluwakemi Davies, Molly Harris, Felicity Lotter, Ellie Thomson & Nadine Parker

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