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[Плейлист] Успокаивающий 24-часовой плейлист джазовой музыки и звуки дождя для работы ☕🎧 Hotney 4 Streams • 3 years ago

Это видео поможет вам расслабиться, учиться и работать под успокаивающую фоновую музыку, которая поможет вам оставаться сосредоточенным и продуктивным. Вы будете наслаждаться расслабляющими пейзажами вокруг вас с красивыми звуками природы, мирной фортепианной музыкой и успокаивающим голосом за кадром.

[Плейлист] Успокаивающий 24-часовой плейлист джазовой музыки и звуки дождя для работы ☕🎧

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«Relaxing Jazz Music» — расслабляющая инструментальная композиция с джазовым звучанием.
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В этом видео представлен плейлист с расслабляющей джазовой музыкой. Песни варьируются от легких для прослушивания до более оптимистичных и энергичных. Музыка доступна на Spotify и Apple Music.
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В этом видео мы рассмотрим джазовую музыку, которая является самой популярной формой афроамериканской музыки. Этот вид музыки уходит своими корнями в блюз, и его основным инструментом является саксофон.
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Джазовая музыка — это форма музыкального искусства из Америки. Он состоит из сочетания африканской и европейской музыки и исполнялся в начале 20 века. Джаз характеризуется импровизацией, синкопой и сложным тактовым размером.
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Джаз — музыкальный стиль, зародившийся в Новом Орлеане, США, в конце 19 — начале 20 веков. Джаз характеризуется свингом, импровизацией, синкопой и использованием аккордов, построенных на шкалах, отличных от диатонической шкалы, характерной для большей части западной музыки. Слово «джаз» можно использовать для описания музыки в

🎬 Software Video Editing : Adobe Premiere Pro CC
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📷 Software Photo Editing : Photoshop CC

Link Instagram : https://www.instagram.com/intherainchannel

🌞 Для связи и отправки музыки: (relaxingjazzz@gmail.com)
© ️ Все права принадлежат In The Rain.

Trina: Tiny Desk Concert Hotney 2 Streams • 3 years ago

Sidney Madden | April 7, 2023
"I wanna introduce you guys to the baddest bitch," Trina told the audience of her Tiny Desk. "The original baddest bitch." It's a title no one but the hip-hop icon herself could been able to claim at the Tiny Desk — and for good reason.

As a rapper, Trina has been pushing P since before her successors were even sitting up in Pampers and her wild ride of a Tiny Desk concert, 25 years after making her rap debut, only further proves why she is the blueprint.

Decked out in leather, diamonds and a wavy jet-black bussdown, the vet got comfortable behind the Desk quickly, ready to give fans the best of her sprawling discography. Trina temporarily fought back tears as she recited "Mama," a dedication to her late mother who died of cancer in 2019. The crew made the breakup anthem "Here We Go" feel even more aching. The energy in the space made a seismic shift when the band took on the bass-bumpin' classic "Da Baddest Bitch," infusing the live arrangement with nimble guitar, charismatic drums and background vocalists so entertaining, their delivery felt like epic narration from the chorus of an ancient Greek play or, just as epically, a group homegirls hyping up their friend at the function. In the middle of it all was the 305 Queen herself, killing her verses with breath control, authority and bougie hair flips.

"I believe in who I am. The game didn't make me; I made the game. I made it," the Diamond Princess declared in her Louder Than A Riot interview before recording this Tiny Desk concert. "I already came in with a motive and an initiative to know who I am from. That's why I breed a whole universe of bad bitches." To hear Trina's full interview, subscribe to NPR Music's Louder Than A Riot podcast.

SET LIST
"Mama"
"Da Baddest Bitch"
"Single Again"
"Here We Go"
"Nann N****"

MUSICIANS
Trina: vocals
Bigg D: guitar
Alton Coley: bass
Jon Anderson: drums
Cory Irvin: keys
Asher Makeba Williams: vocals
Nia McClain: vocals
Shannon McClain: vocals
Corey "C.O." Evans: vocals

TINY DESK TEAM
Producers: Sidney Madden, Bobby Carter
Director: Maia Stern
Audio Engineer: Josh Rogosin
Editor: Joshua Bryant
Creative Director: Bob Boilen
Videographers: Maia Stern, Joshua Bryant, Kara Frame, Sofia Seidel
Audio Assistant: Neil Tevault
Production Assistants: Jill Britton, Alanté Serene
Tiny Desk Team: Suraya Mohamed, Maia Stern, Marissa Lorusso, Hazel Cills, Ashley Pointer, Pilar Galván
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#NPRMusic #TinyDesk #Trina

Buddy Rich Big Band Live At The North Sea Jazz Festival • 15-07-1978 • World of Jazz Hotney 2 Streams • 3 years ago

Line up:
Buddy Rich (Drums)
Tom Warrington (Bass guitar)
Bob Kaye (Piano)
John Marshall, Mike McGovern, Mark Ohlsen, Chuck Schmidt (Trumpets)
Dale Kirkland, Glenn Franke, George Moran (Trombones)
Steve Marcus, Gary Pribeck, Chuck Wilson, Andy Fusco, Greg Smith (Saxes)

Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer and bandleader. Rich was billed as "the world's greatest drummer" and was known for his virtuosic technique, power, groove, and speed.
Rich was born in Manhattan, New York, to Jewish vaudevillians Bess (Skolnik) and Robert Rich.:6 His talent for rhythm was first noted by his father, who saw that Buddy could keep a steady beat with spoons at the age of one. He began playing drums in vaudeville when he was 18 months old, billed as "Traps the Drum Wonder." At the peak of Rich's childhood career, he was reportedly the second-highest paid child entertainer in the world (after Jackie Coogan). At 11 he was performing as a bandleader. He received no formal drum instruction, and went so far as to claim that instruction would only degrade his musical
talent. He also never admitted to practicing, claiming to play the drums only during performances and was not known to read music. He expressed great admiration for, and was influenced by, the playing of Chick Webb, Gene Krupa, Dave Tough, and Jo
Jones, among others.

Rich first played jazz w ith a major group in 1937 with Joe Marsala and guitarist Jack Lemaire. He then played with Bunny Berigan (1938) and Artie Shaw (1939), and even instructed a 14-year-old Mel Brooks in drumming for a short period when
playing for Shaw. At 21, Rich participated in his first major recording with the Vic Schoen Orchestra (the band that backed the Andrews Sisters).In 1938, he was also hired to play in Tommy Dorsey's orchestra where he met and performed with Frank Sinatra. In 1942, Rich left the Dorsey band to join the United States Marine Corps. He rejoined the Dorsey group after leaving the Marines two years later. In 1946, Rich formed his own band with financial support from Sinatra, and continued to lead different groups on and off until the early fifties.

The Buddy Rich Big Band in the 1940s In addition to Tommy Dorsey (1939–42, 1945, 1954–55), Rich also played with Benny Carter (1942), Harry James (1953-56–62, 1964, 1965), Les Brown, Charlie Ventura, and Jazz at the Philharmonic, as well as leading his own band and performing with all-star groups. In the early fifties Rich played with Dorsey and began to perform with trumpeter Harry James, an association which lasted until 1966. In 1966, Rich left James to develop a new big band. For most of the period from 1966 until his death, he led successful big bands in an era when the popularity of big bands had waned from their 1930s and 1940s peak. In this later period, Rich continued to play clubs and stated in multiple interviews that the great majority of his big band's performances were at high schools, colleges and universities, with club performances done to a much lesser degree. Rich also served as the session drummer for many recordings, where his playing was often much more understated than in his own big-band performances. Especially notable were Rich's sessions for the late-career comeback recordings of Ella Fitzgerald and Louis Armstrong, on which he worked with pianist Oscar Peterson and his famous trio featuring bassist Ray Brown and guitarist Herb Ellis.

Tracks:
01. Ya Gotta Try (Nestico-Banes Music Inc)
02. Little Train (Phillips-
03. Best Coast (La Barb era-Deaver Enterprises)
04. Grand Concourse (Kaye-Twenty Eightstreet M usic)
05. ‘Round Midnight Hanighan/Monk/Williams-Warner B ros Inc)
06. Birdland (Zawinul-Hendricks Music Inc)
07. Channel 1 Suite (Reddie-EMI U Catalog Inc)
08. Big Swing Face Potts-EMI U Catalog Inc)

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Bhaskara 86 (Indonesia) at the North Sea Jazz Festival • 13-07-1986 • World of Jazz Hotney 1 Streams • 3 years ago

Bhaskara is the name of a music group from Indonesia that plays musicin the Jazz-fusion genre. Formed in 1985, with the name Bhaskara 85, this group was listed as the first Indonesian music group that appeared at the prestigious arena of the North Sea Jazz Festival.

From Wikipedia Indonesia:
This music group appeared for the first time in Taman Ismail Marzuki, on July 2 - 3, 1985 with the initial formation: Kiboud Maulana (guitar), Udin Zach saxophonist, Bambang Nugroho and Didi Hadju as keyboard players, Karim Suweileh (drums), Perry Pattiselanno on bass, Luluk Purwanto (violin and voice), Dullah Suweileh (percussion), and the main vocalist is Nunung Wardiman who happened to study in France at the time.
They performed 12 songs, including "Live is too short to worry", "Japanese child", "Daughter", "Samba in Bali" and "Es Lilin" with a re-arrangement. Bhaskara's presence in the middle of 1985 was inextricably linked to the role of Black Maulana, who acted as the show and supervisor producer of the group.

In 1985 they left for the North Sea Jazz Festival in The Hague, the Netherlands under the responsibility of Peter F. Gontha of PT. Bhaskara music production. It turned out that the performance of Bhaskara '85 was reasonably successful until the chairman of the North Sea Jazz Festival, Paul Acket, asked the group to return to the festival next year. For the second time, the Bhaskara 86 formation has undergone a slight change. Fortunately, Bhaskara 86 got a broader stage than the previous year. Luluk is again the star of their performance. The compositions are considered the color of personality music that is typical of its elements in Indonesia. After the North Sea Jazz Festival Bhaskara went again to the recording studio, followed by shows in various cities in the country.

Personnel:
Joko WH, guitar
Mates, bass
Banbang Nugroho, keyboards
Didi Haju, keyboards
Udin Sach, saxophone & flute
Karim Suweileh, drums
Dullah, Percussion
Luluk Purwanto, violin, vocals
Vonny Sumlang, vocals

Recorded live by AVRO TV at the North Sea Jazz Festival, The Hague, The Netherlands 13 July 1986

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Ray Charles - How Long Has This Been Going - Live - 13 July 1980 • World of Jazz Hotney 2 Streams • 3 years ago

Ray Charles & The Raelettes perform "How long has this been going on" (George & Ira Gershwin) live in concert – 13 July 1980

Ray Charles, The Ray Charles Orchestra & The Raelettes live at the North Sea Jazz Festival 1980

Ray Charles Robinson (September 23, 1930 – June 10, 2004), known professionally as Ray Charles, was an American singer-songwriter, musician, and composer. Among friends and fellow musicians he preferred being called "Brother Ray". He was often referred to as "The Genius". Charles was blind from the age of seven.
He played several times at the North Sea Jazz Festival. This is the second concert that day in 1980.

Check the repertoire played at this second concert elsewhere on World of Jazz:

The Ray Charles Orchestra introduction;
'Metamorphosis' (Ray Charles Orchestra)
Ray Charles & Orchestra:
"Let the good times roll"; (Sam Theard, Fleecie Moore)
"Georgia On My Mind"; (Hoagy Carmichael, Stuart Gorrell)
"Oh what a beautiful morning"; (Richard Rodgers, Oscar Hammerstein)
"How long has this been going on"; (George & Ira Gershwin)
“Feel So Bad” (Chuck Willis)
"She knows"; (Renald Richard, Ray Charles)

Ray Charles & The Raelettes:
"I want your love" (The Raelettes ft. Estella Yarbrough) (Bernard Edwards, Nile Rodgers)
"Do it to me slow" (The Raelettes ft. Pat Peterson)
"Crying time" (Buck Owens) (ft.Madelyn Quebec; intro with 'There's A Long Long Trail A-Winding')
"You are my sunshine" (Jimmie Davis, Charles Mitchell) (ft.Trudy Cohran)
“Stormy Monday (T-Bone Walker)
"What’d 'I Say" (Ray Charles)

Ray Charles - vocals, piano, electric piano;
Mitch Manker, Doug Crescimano, Tom Swayzee, Doug Martin - trumpets;
Art Velasco, Dan Marcus, Papo Vázquez, Steve Davis - trombones; Ricky Woodard, Clifford Solomon, Ira Weinstein, Rudy Johnson, Mark Roland - saxophones;
Tony Mathews - guitar;
Curtis Ohlson - bass;
Peter Turre - drums;
James Polk - keyboards.
Raeletts: Estella Yarbrough, Pat Peterson, Madelyn Quebec, Trudy Cohran, Avis Harrell - vocals, background vocals.
With thanks to Bob Stumpel
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