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AURORA - Nothing is Eternal (A Documentary) Hotney 4 Bekeken • 4 jaar geleden

Watch Nothing Is Eternal, The FADER’s Otherworldly Short Film About AURORA.

In Bergen, Norway, the pop artist shares the childhood secrets that helped to build her captivating musical world.

“Music is not something you should keep for yourself. It can’t be put in a cage, because it’s wild and alive.” So says AURORA, the 20-year-old Norwegian singer-songwriter behind fantastical, stampeding folk-pop songs like “Conqueror” and “Runaway.” AURORA’s music often looks at the everyday with a kind of wide-eyed wonder, and in this new documentary short Nothing Is Eternal — directed by Isaac Ravishankara, and produced by The FADER with YouTube Music — it’s plain to see that that this worldview is no performance. It’s simply how AURORA lives her life.

Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.

“When I first met you, I was like, ‘Oh my god, there’s a girl who’s magic,’” one of AURORA’s childhood friends remembers in a particularly endearing scene. The deeper this film goes into her lush and rose-tinted world, the harder it is to shake that feeling off.

http://www.thefader.com/2016/0....8/04/aurora-nothing-

Subscribe now for more The FADER http://bit.ly/XPZVfG

Read the FADER: http://www.thefader.com
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Director: Isaac Ravishankara
Produced by: The FADER
Produced In Association With: Anchor Light Productions
Producer: Mai Fujiwara
Executive Producer: Joseph Patel
Executive Producers for YouTube Music: Marly Ellis, Grace Lee & Eshan Ponnadurai
Executive Producers for The FADER: Jon Cohen, Andy Cohn, Anthony Holland, Rob Stone
Cinematographer: Kevin Hayden
Editor: Sean Patrick Leonard
Assistant Camera: Chauncey Tanton
Field Producer: Johan Moen
VFX: Zak Stolz
Sound Design: Unbridled Sound
Color: Derek Hansen at The Mill

The FADER
Producers: Monica Benitez & Rob Semmer
Production Coordinator: Madison LaClair
Post Production Supervisor: Christopher Jones
Marketing Manager: Jenny Peck
Editor-in -Chief: Naomi Zeichner
VP, Digital: Mark Oltarsh
VP, Integrated Marketing: Kate Carrington
Dir., Business & Legal Affairs: David Schrager
Associate Marketing Manager: Payton Anderson
Finance & Accounting: Chris Lanzaro & Craig Tamber
Design: Alberto Porto & Madison Bullard

Special Thanks: Geir Luedy, Per Mygland, Catherine Neumann-Fagereng, Rich Schaefer, Stephanie Shim

Palestine Underground | Hip Hop, Trap and Techno Documentary Featuring Sama' | Boiler Room Hotney 5 Bekeken • 4 jaar geleden

Palestine Underground by Boiler Room, 4:3 and Ma3azef documents the resilience of a burgeoning music scene undeterred and fuelled by political restrictions, building bridges through a shared sound and identity.

For the past ten years, Palestinian music collective Jazar Crew have been fostering a vibrant party scene in Haifa, as an alternative to the mainstream club scene in Israel.

Thanks to the internet, they've connected with artists in Ramallah, Palestine, and defied the separation wall to travel to the West Bank and organise events with Techno DJs Sama' Abdulhadi and Oddz, and members of the tantalising hip hop and trap scene, the collectives Saleb Wahad and Bltnm.

Palestine Underground follows a week in the life of these artists and friends, in the lead up to the first Boiler Room in Ramallah in June this year.

A part of Contemporary Scenes - uncovering underground collectives, artists and subcultures from across the world.
https://contemporaryscenes.boilerroom.tv/

► Listen to Boiler Room’s archive on Apple Music: https://apple.co/BoilerRoom
► Shop Boiler Room clothing: https://blrrm.tv/shop
► Subscribe to Boiler Room: https://blrrm.tv/YT

Dive into all the artists featured here:

Muqata’a http://muqataa.com/
Sama’ Abdulhadi https://soundcloud.com/sama_saad
Bltnm (Al Nather, Makimakkuk, Shabjdeed, Mukta-feen) https://soundcloud.com/bltnm
Dakn https://soundcloud.com/dakn-1
Julmud https://soundcloud.com/julmud-1
Haykal https://soundcloud.com/haykalonol
Oddz https://oddz.bandcamp.com/
Harara Records https://soundcloud.com/hararahaifa

Documentary Credits:

Jessica Kelly - Director
Anaïs Brémond - Producer / Edit Producer
Debora Ipekel - Assistant Producer / Researcher / Programmer
Nathan Greenwood - Editor
Joel Honeywell - Director of Photography
Ma'an Abu Taleb - Consultant - https://ma3azef.com/
Michael Zananiri - Assistant Camera
Ibrahim Zaher - Sound Recordist
Ashira Ramadan - Fixer
Nariman Youssef - Translator
Evan Campbell - Sound Designer
Dan Moran - Colourist
Zaghmouri a.k.a Mukta-feen - Designer
Jacob Chabeaux - Motion Graphics Designer
Stefan Iyapah - Senior Motion Graphics Designer
Joe Walker - Executive Producer
Joe Alexander - Head of Film
Stephen Mai - Chief Content Officer

WE CALL IT TECHNO! A documentary about Germany’s early Techno scene and culture Hotney 4 Bekeken • 4 jaar geleden

Inspired by new sounds, new technologies and the political events of the time, the early 90s sees the emergence of a scene that euphorically celebrates the dawning of a new era.
In Berlin, Frankfurt and many other German cities, activists tinker on a new music and club culture oriented around the coordinates Techno and House.
At Berlin's Love Parade in 1991, different local scenes congregate for the first time. The trend turns into a movement. A German Summer of Love, which changes whole lives overnight and kick-starts careers.
The basic principle of Techno stands for experimenting, crossing borders and DIY. Fans become DJs or party promoters. Labels are founded and record stores open up. The scene grows. An independent microcosm is created. Networks are formed away from established structures. For a moment everything seems possible…
WE CALL IT TECHNO! tells the story of a tempestuous phase in music history, the first time that pop culture was created significantly in Germany.
With exclusive interviews and comprehensive, mostly unreleased film and photo archive material from the years 1988-1994!

Incl. Statements from Ata, Cosmic Baby, Mijk van Dijk, Elsa for Toys, Hell, Mike Ink., Jürgen Laarmann, Mark Reeder, Tanith, Triple R, Upstart, Sven Väth, Wolle XDP and many more

“This music had such power that we left everything behind... We felt like a new age was starting and we were the first to notice.” (Upstart, Munich)

“It was like a dance on a vulcano. Like: technology brings us progress, but it’ll also destroy us. On the other hand: who gives a sh!t, first I’ll just dance.” (Wolle XDP, Berlin)

“We did a lot of space studies at the time. It all tended towards psycho-active stimulation with the aim of going up and it all never coming to an end. Actually, we tried the weirdest stuff. (Elsa For Toys, Berlin)

“1989, after the fall of the Wall, when the Techno movement in Berlin grew from one day to the next, we all felt like we could change the world.” (Cosmic Baby, Berlin)

“The Moment of unity was short, it lasted maybe one summer.” (Ralf Niemczyk, Cologne)

“It’s nice to see that many people in this context made it, that Techno and House isn’t just stupifying music connected to drugs.” (Frank Blümel, Berlin)

Subscribe to our channel: http://bit.ly/1BwzEZM

http://www.electronicbeats.net

ↈ Kraut & Rüben ~ German Krautrock ● Documentary [][Folge/Episode 2][Auf Deutsch] ↈ Hotney 5 Bekeken • 4 jaar geleden

Kraut und Rüben Folge 2 Es Muß Deutsch Sein
Uber die Anfange deutscher Rockmusik Doku WDR Rock

PLAYLIST https://www.youtube.com/playli....st?list=PL5CNL6pRqHY

Title means Cabbage and Beets
meaning
topsy-turvy {adj}idiom
higgledy-piggledy {adj} {adv}idiom

Referring to the fact that the times when the music was made was a topsy-turvy period
when things were not ordered Cabbages and Beets were not in their right place...

● Witthüser and Westrupp
● Bröselmaschine
● Floh de Cologne
● Franz K
● Tone Steine Scherben
● Ougenweide
● Achim Reichel
● Udo Lindenberg

All in German and no subs anywhere in any language but still worth seeing if you know no German or just a little like myself

Viel Spass Freunden!

PLEASE COULD SOMEONE DO SUBS IN ENGLISH
or any language or even German then could upload to CC

ALL ON ed2k Emule Amule etc

1 ↂ ed2k://|file|Kraut%20&%20Rüben_[Auf_Deutsch]%20-%20German%20Krautrock%20Documentary%20-%20WDR%202006%20-%20[episode%201].flv|234865874|BE2B714F10347D2A6012CAA1389F5DC3|/
2 ↂ ed2k://|file|Kraut%20und%20Rüben%20-%202v6%20-%20Es%20muss%20Deutsch%20sein%20-%20Über%20Die%20Anfange%20deutscher%20Rockmusik%20-%20WDR%20Rockpalast.avi|794830848|86D7F7E4F72CA67123BA8CF288BE60E4|/
and lesser quality but still ok [my copy]ed2k://|file|Kraut%20&%20Rüben_[Auf_Deutsch]-German%20Krautrock%20Documentary%20-%20WDR%202006%20-%20[episode%202].flv|248166849|D8480261594C4C343E5B5592619B7C98|/
3 ↂ ed2k://|file|Kraut%20Und%20Rüben%20Rueben%20-%203v6%20-%20Ab%20Ins%20Unbekannte%20-%20Über%20Die%20Anfänge%20Deutscher%20Rockmusik%20-%20Doku%20-%20Wdr%20Rockpalast.avi|798355456|F9E520DDAE470C36592B5928941698AC|/
and ed2k://|file|Kraut%20&%20Rüben_[Auf_Deutsch]%20-%20German%20Krautrock%20Documentary%20-%20WDR%202006%20-%20[episode%203][%20Can%20Xhol%20Caravan%20Guru%20Guru%20Amon%20duul].flv|199515518|6DBDD71E0104832E6A7D5F7DACCDE46E|/
4 ↂ ed2k://|file|Kraut%20Und%20Rüben%20Rueben%20-%204v6%20-%20Vorsicht%20Kunst!%20-%20Über%20Die%20Anfänge%20Deutscher%20Rockmusik%20-%20Doku%20-%20Wdr%20Rockpalast.avi|787630080|629B83F01A579508D4A20D533068D090|/
5 ↂ ed2k://|file|Kraut%20Und%20Rüben%20Rueben%20-%205v6%20-%20Harte%20Zeiten%20-%20Über%20Die%20Anfänge%20Deutscher%20Rockmusik%20-%20Doku%20-%20Wdr%20Rockpalast.avi|790239232|61A3055D073C369081BF0008A5A72767|/
6 ↂ ed2k://|file|Kraut%20&%20Rüben_[Auf_Deutsch]%20-%20German%20Krautrock%20Documentary%20-%20WDR%202006%20-%20[episode%206][%20Tangerine%20D,%20Klaus%20Schulze,%20Ash%20Ra,%20Neu,%20Cluster].flv|132963644|E2CED927542536DD3A374842F9BCE5AB|/"]

"Krautrock" nannten die Engländer abschätzig die Musik, die zu Beginn der 70er Jahre in Deutschland entstand. In der sechsstündigen Dokumentation wird diese Epoche erstmals im Deutschen Fernsehen aufgearbeitet. Alle stilprägenden Gruppen jener Jahre werden in Wort und Bild vorgestellt, darunter viele Aufnahmen, die seit ihrer Erstausstrahlung nicht mehr gezeigt wurden.

A$AP Bari Interview: Vlone, A$AP Rocky, A$AP Yams, Fashion, Playboi Carti, Virgil Abloh & More! Hotney 8 Bekeken • 4 jaar geleden

Sauntering in with a stitched Chome Hearts face covering, A$AP Bari’s presence is immediately felt. “I’m on my Ye shit,” he says with a smirk, as the word “architect” isn’t enough to describe the fashion designer, mogul and creative director. To be “different at all times” is what he set out to accomplish in life, and looking back, he’s done just that.

The A$AP co-founder and “Mr. Vlone” himself has played a huge part in the ascension of hip-hop’s current regime. Whether it be the clothes A$AP Rocky, Playboi Carti, Lil Uzi Vert, Travis Scott or Lil Yachty rock on the daily, Bari’s calling has always been to “influence the influencers” — emanating his streetwear sauce and refined “lifestyle” in every facet. “I’m like a fashion drug dealer… I sell clothes like drugs… I’m selling MY product.” he said, describing the exclusivity of his founded brands in VLONE and ENDLESS.

In his first-ever on-camera interview, Bari sat down with OGM host Hakeem Rowe to speak on his roots in Harlem, A$AP Mob's formation A$AP, Rocky, Yams, Playboi Carti, Lil Uzi Vert, Virgil Abloh, VLONE, the SoundCloud era and so much more in this extremely special Our Generation Music exclusive.

Be sure to LIKE, COMMENT & SUBSCRIBE! 🔰

FULL STORY 💻: https://bit.ly/3khPmYm

CREDITS:
Hosted by: Hakeem Rowe
Shot by: Saint Hillaire
Edited by: Sam Sikora
Produced by: Jon Barlas
Research by: Mateo Braxton

STAMPS:
0:00 - Intros
2:08 - Bari’s birthday message
2:42 - When did fashion become an interest for Bari?
3:37 - Brands he was up on early, fashion inspirations
4:40 - “The lifestyle of Lil Wayne,” his impact on Bari
5:55 - The fashion lifestyle, “military school,” inspired by Ye, Pharrell
7:36 - “I was a weirdo in the hood”
8:51 - “I’m like the fashion drug dealer”
9:45 - Early days of A$AP, how the group came together
11:15 - Meeting A$AP Nast, Jadakiss “Paper Towel Headband” influence
13:55 - Teenage years, Teyana Taylor, A$AP Yams
17:40 - “Home [Harlem] is the Hollywood of New York”
20:04 - “The first day I met Yams, he was my best friend.”
21:35 - Forming A$AP Mob, A$AP Rocky, the “crews” of Harlem
24:10 - Teyana Taylor being responsible for A$AP MOB’s inception
25:10 - Bringing Rocky into A$AP
27:28 - Rocky born to be a superstar: “Rocky didn’t have songs, he had freestyles. Who he was in the hood is who he is today.”
29:30 - A$AP inspired by Cash Money, Master P, Weezy, UGK
29:43 - ‘LIVE.LOVE.A$AP’ being timeless, how his first-ever project was accidentally deleted then reborn
31:48- Bari’s role in A$AP during their early years: Creative directing, Fashion. “Yams was the mogul. Rocky was the rapper.”
33:36 - Bari on life: “Being different at all times.”
34:18 - The impact of A$AP in the culture
35:18 - Bari on Playboi Carti
36:58 - Bari on Lil Uzi Vert
38:23 - Bari bringing Uzi and Carti together, 16*29
39:02 - Lil Yachty working for Bari before he rapped
39:38 - Bari’s impact on our generation of superstars
41:25 - Bari on Travis Scott, “Quintana” cameo: “Travis when always been crazy [talented]. He makes his own beats… He’s the vision, he’s smart as hell.”
44:41 - Early London drill, “I’m not rapper,” but his feature with Skepta went crazy. “‘It Ain’t Safe’ started drill music in London.”
47:44 - Bari on Skepta: “He’s such a f***ing visionary. He changed my life.”
48:49 - Bari’s “big moment”: Him forming and owning Vlone, the messaging behind the brand
50:50 - The exclusivity of Vlone: “It really became a lifestyle.”
53:18 - Vlone’s impact in the SoundCloud era, how it bred community, culture: “Vlone, live alone, die alone.”
55:12 - “I design for the people. I don’t design for me.”
56:00 - Vlone’s influence on the new form of fashion: “If it’s a lifestyle, imma live it.”
58:40 - Paris Fashion Show, Lil Peep walking for Bari’s line
1:00:15 - Why he didn’t put Vlone in stores: “I sell clothes like drugs… I’m selling MY product.”
1:03:33 - Bari being able to “influence the influencers.” Chrome Hearts, Virgil Abloh
1:06:00 - Its all a lifestyle for Bari
1:07:01 - Bari wearing MARNI and influencing the rap game… again
1:09:00 - “You let a GOAT be a GOAT”
1:09:45 - What makes Bari connected to clothes, his style: “This shit isn’t on me, it’s in me. It’s in my blood.“
1:12:28 - This is Bari’s first interview, most expensive piece
1:16:24 - Bari on Virgil: “An angel sent from heaven.” Comparisons to Tupac.
1:18:32 - What separated Virgil from everyone else, what he meant on Bari
1:20:54 - Ghost designing, Bari on Drake, Damien Hirst
1:27:12 - Bari on Kanye West
1:28:28 - Bari’s relationship with the “Drake of China” Edison Chen, the toll Yams’ funeral had on Bari
1:32:15 - Bari speaks on Vlone controversy, the future for him: “As a designer, I don’t drop albums, I dropped masterpieces.”
1:34:57 - Message for Our Generatio

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