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What's behind the rise & fall of No Doubt? Was it Gwen's fault? I look at: No Doubt's early years as a ska band, Gwen Stefani and Tony Kanal dating, their breakthrough with "Tragic Kingdom," followup with "Rise Of Saturn," Gwen Stefani's solo career ("Hollaback Girl", "Let Me Blow Ya Mind"), their "Rock Steady" album, hiatus and Gwen Stefani on "The Voice." The rise and fall of No Doubt!
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0:00 Intro
2:37 The early years of No Doubt
8:52 Breakthrough with "Just A Girl" & "Don't Speak"
12:48 "Rock Steady" & Gwen Stefani's solo album
18:17 No Doubt's influence & impact
DONDA 2 Full album
I do not own any of these songs. If anyone from the holding groups would like this taken down just message me either on here or through instagram direct message via @EPMG.fiji. https://www.instagram.com/epmg.fiji/
This is a compilation of my favorite version of each song off DONDA 2 that is available on youtube. Massive admiration for the creators that shared their work and allow us to listen to DONDA 2. Full list of the individual songs used can be found below:
(00:00) TRUE LOVE https://www.youtube.com/watch?v=y5JPnIyM1SU
(03:42) BROKEN ROAD https://www.youtube.com/watch?v=HCnX_DiFz7Q
(06:19) GET LOST https://www.youtube.com/watch?v=vB7qHarq1kM
(08:53) TOO EASY https://www.youtube.com/watch?v=u0Jq9wr38bQ
(11:59) FLOWERS https://www.youtube.com/watch?v=EOFzepD1j8c
(14:52) SECURITY https://www.youtube.com/watch?v=rZKInLLMWlg
(17:00) WE DID IT KID https://www.youtube.com/watch?v=XhcH_sv8cBk
(20:16) PABLO https://www.youtube.com/watch?v=aOojYqp7uFw
(23:24) LOUIE BAGS https://www.youtube.com/watch?v=Zs7ih-9_49k
(27:04) HAPPY https://www.youtube.com/watch?v=kS31GIHf3Vo
(31:47) SCI FI https://www.youtube.com/watch?v=H6-141ItZQk
(35:00) SELFISH https://www.youtube.com/watch?v=yIh1OM7rnIs
(37:18) LORD LIFT ME UP https://www.youtube.com/watch?v=uTxaib4feBY
(39:28) CITY OF GODS https://www.youtube.com/watch?v=3sx1JuITgzg
(45:03) FIRST TIME IN A LONG TIME https://www.youtube.com/watch?v=7lZIMm-tlL4
(48:11) EAZY https://www.youtube.com/watch?v=gWtlBredOZQ
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#Kanye #Ye #KanyeWest #DONDA #DONDA2 #YEEZY #YZY #STEMPLAYER #ALBUM
Punk icon, suspected murderer and heroin addict Sid Vicious has just been released from Rikers prison in New York City. After a night of celebrating his freedom with friends and family, he wakes suddenly. Hell-bent on self-destruction, Sid ingests a massive amount of heroin into his recently drug free body. Sid is discovered dead the next morning. Final 24 delves into his past to uncover the series of events that led to Sid Vicious’ death and reveals for the first time a shocking revelation that sheds new light on his last day.
SE1 EP1
Directed by Mike Parkinson
2006
Dave McRae
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P!nk talks about living on a vineyard and making wine, having horses and chickens, her dog Habanero getting bitten by a coyote, her upcoming summer stadium tour, having her daughter Willow on the road when she was a baby, mastering a baby sleep schedule on tour and sharing it with her pop star friends, her crazy performance hanging off the side of a building, and doing a tribute to Olivia Newton-John at the American Music Awards.
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OG veteran rapper/actor Ice T taps in with the Holdin Court Podcast to talk about his illustrious career that spans almost 4 decades. Ice T talks about his early years growing up in the gang culture, to becoming who many would consider the Godfather of Gangsta Rap with several Gold and Platinum albums. He is also an accomplished actor having the longest running TV Show Law and Order. Ice T also talks about working with fellow actor/rapper Ice Cube as well as his highly successful rock band Body Count.
Big Court is a film producer/music exec and protege' of music mogul Master P and Lieutenant of No Limit Forever. Sit down with Big Court as he delivers a unique brand of unfiltered content joined by some of the hottest names in entertainment to discuss the rap game, the streets, music, TV, film, pop culture and so much more. Joined by Ken Schoech "Producer Ken" an industry executive and his partner in crime for more than 20 years, they Hold Court over the current state of entertainment in the industry.
Big Court got his first experience doing radio with his mentor Master P as co-host of Doin The Most on Playboy Radio. It was Master P that noticed Big Court's knack for insightful conversation and encouraged him to create a Podcast. Big Court's keen sense of wit coupled with his intellectual and introspective commentary sets this show apart from the rest. The Holdin' Court Podcast brilliantly blends the urban experience with current topics and popular culture as guests are able to document their journey on the show.
Big Court and Producer Ken’s intimate knowledge of the streets and entertainment lend credibility to the conversation as listeners walk away informed, inspired, and entertained.
"Holdin' Court Theme Song" Produced & Performed By: Suli4Q
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The award-winning singer talks about his coma and his legacy in an exclusive interview.
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http://KEXP.ORG presents Preoccupations performing live in the KEXP studio. Recorded October 28, 2022.
Songs:
Death Of Melody
Ricochet
Advisor
Tearing Up The Grass
Matt Flegel - Bass / Vocals
Scott Munro - Guitar / Synths / Vocals
Daniel Christiansen - Guitar / Keyboards
Michael Wallace - Drums
Host: Troy Nelson
Audio Engineers: Julian Martlew & Kevin Suggs
Audio Mixing & Mastering: Kevin Suggs
Cameras: Jim Beckmann, Carlos Cruz, Alaia D’Alessandro & Scott Holpainen
Editor: Jim Beckmann
https://preoccupations.ca
http://kexp.org
I have waited years to be able to have this conversation with Sting and longtime guitarist Dominic Miller. It was recorded at The Power Station Berklee NYC. Sting shares his thoughts on the creative process, songwriting and his music past, present and future. We discuss both The Police and his solo career as well as his influences from J.S. Bach to the Beatles.
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Best Songs Kool & The Gang - Kool & The Gang Greatest Hits Full Album - BEST FUNKY SOUL
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After a long hiatus, the best-selling Irish pop-rock band is about to return with a new album called Roses. But if this performance at the NPR Music offices is any indication, the group isn't afraid to dip into its arsenal of early hits.
Set List:
"Linger"
"Tomorrow"
"Ode To My Family"
"Zombie"
"Raining In My Heart"
For more videos and to subscribe to the Tiny Desk Concerts podcast, visit npr.org/tinydeskconcerts.
Clive Davis talks about David Hockney painting his portrait for the National Portrait Gallery, capturing the music and voice of Whitney Houston in his film, I Wanna Dance with Somebody, and the creative story behind the opening of I Will Always Love You.
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Clive Davis Reveals the Secrets Behind Whitney Houston's I Will Always Love You (Extended)
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Jack Harlow talks about performing with Lil Nas X, viral videos of himself, getting cast in the remake of White Men Can’t Jump and his album Come Home the Kids Miss You.
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Jack Harlow Talks Viral Emma Chamberlain Video and Come Home the Kids Miss You (Extended)
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"Janis Joplin was the undisputed queen of rock and roll, her powerful, bluesy vocals, unmatched. Final 24 traces the roots of her addiction and uses archive footage, dramatic reenactments and interviews with her closest companions – including her brother and former band mates - to piece together the last 24 hours of a voice of a generation.
S2 E04
Directed by Mike Parkinson
2007
Dave McRae
Edited for YouTube ad standards
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Morcheeba live | Rockpalast | 2018 | Setlist
1. Never Undo 00:00:00
2. Friction 00:04:01
3. Never An Easy Way 00:08:56
4. Otherwise 00:15:30
5. Part Of The Process 00:19:34
6. The Sea 00.24:59
7. Trigger Hippie 00:31:15
8. Blaze Away 00:36:50
9. Blood Like Lemonade 00:42:21
10. Slow Down 00:47:19
11. It’s Summertime 51:49
12. Don’t Let It Bring You Down 00:58:39
13. Blindfold 01:02:23
14. Let Me See 01:10:01
15. Sweet L.A. 01:17:55
16. Rome Wasn’t Built In A Day 01:23:19
Besetzung:
Skye Edwards – vocals
Ross Godfrey - guitar, backing vocals
Steve Gordon - bass, backing vocals
Richard Milner - keys, backing vocals
Jaega McKenna-Gordon - drums
Fotgalerie: https://www1.wdr.de/fernsehen/....rockpalast/bands/mor
Morcheeba, Mitte der Neunziger in London gegründet, sind seit „Blaze Away“ als Duo unterwegs. Nachdem Paul Godfrey die Formation verlassen hat, bleiben Ross Godfrey und Skye Edwards auch zu zweit dem Soundkonzept der Band treu. Stilistisch breit gefächert wie eh und je, haben TripHop-Klänge, Down- und Breakbeats bei Morcheeba weiterhin genauso ein festes Zuhause wie Pop, Dub und Soul. Das Besondere dabei: Inmitten der Kombination aus „echten“ Instrumenten und clever arrangierten Samples strahlt die Stimme von Skye Edwards mal so hell wie ein junger Sommermorgen – um ein paar Takte weiter so entrückt zu klingen, wie sich eine lange Nacht am Tresen einer Bar anfühlen kann.
Morcheeba sind seit über 20 Jahren im Geschäft und wissen, dass man auch als Routiniers eine alte Showbiz-Regel beherzigen sollte: Wer etwas aus dem Ärmel schütteln will, muss vorher etwas hineintun. Mit „Blaze Away“ haben sich Morcheeba wieder einmal daran gehalten.
Mehr zu den Leverkusener Jazztagen 2018:
https://www1.wdr.de/fernsehen/....rockpalast/leverkuse
Watch Part 8: https://goo.gl/7q4CQM
Part 7: https://goo.gl/xTqsyP
Part 6: https://goo.gl/Cw6DX5
Part 5: https://goo.gl/yUHNEb
Part 4: https://goo.gl/8SdRXQ
Part 3: https://goo.gl/HDTqEn
Part 2: https://goo.gl/RFqp3T
Part 1: https://goo.gl/Gz1XhC
_______________________
Ayanna Jackson chose to sit down with VladTV in her first ever on-camera interview more than 20 years after accusing 2Pac of sexual assault. During the hour conversation, Jackson revealed the details of meeting Pac, the breath of their "friendship", and the alleged assault by Pac and his associates weeks later at the Parker Meridien hotel in NYC.
Watch the full interview to hear what happened during the trial and how Ayanna now feels about the entire ordeal.
Matt is back for another talk: this time we go deep into his relationship with Jeff and why he chose to leave the band in 1996. Matt also talks about what he appreciated about Jeff Buckley as a composer and as a mentor. I also ask him some questions that our other guests had about Jeff: Was he shy? Was he worn down by the heavy emotional content of the songs? Matt always gives detailed answers, often using metaphors to get his points across. Any musician or Buckley fan will get a lot of of this candid and sometimes emotional conversation. Thanks Matt. It was honor! You are a legend!
Theme Music “Kanga Roo” Sydney September 1995
“Last Goodbye” Frankfurt February 1995
“Dream Brother” Chicago May 1995
"Grace" Bearsville Studio Fall 1993
Co-Edited by Konrad Meissner
Thank You to Mercedes Beene for consultations and your fabulous blog : https://notwithyoubutofyou.blogspot.com
and YouTube channel: @mercedesbeene9536
Most photos by Merri Cyr, but several from other greats 📸 (such as Renaud Monfourny!)
Hey! Did you know you can contact Matt for lessons or recordings (underdubbing)?
Click here to learn how to get in touch with him:
https://soundbetter.com/profil....es/182750-matt-johns
"From recording the seminal cult-creating album Grace with Jeff Buckley to years of touring with the beloved St. Vincent, I've worked with a wide spectrum of artists over the past two decades including Rufus Wainwright, Angus and Julia Stone, and recently Miike Snow.
I'm originally from Texas but living in New York City opened up the most opportunities for developing a drumming career. I've recorded and played with Rhodes, Jade Bird, Teddy Thompson, Jeff Taylor, John Mayer, Dan Mangan, Dean Wareham of Galaxy 500, Tal Wilkenfeld, Will Stratton, Elysian Fields, Cones, Dope Lemon, Martha Wainwright, The Walking Who, Gabriel Kahane, Chris Stills, Anna Calvi, Duncan Sheik, Vivian Bond, Harper Simon, Keren Ann, Gerry Leonard, Reeves Gabrels, Tom Freund, Beth Orton, Suzanne Vega, Rickie Lee Jones and Miirrors.
I have also have worked with great producers such as Marius Devries, Rick Rubin, Simone Felice, Andy Wallace, Eric J, Andrew Wyatt, John Agnello, John Alagia, Thomas Bartlett, Tony Buchen, Tony Visconti, Tony Berg, Ben Harper, Hod David, and Kieran Kelly.
Moving successively from NYC to Los Angeles, and then to Austin has allowed for an expanded studio setup that is ideal for remote recording. Signature drum parts, rhythmic hooks, hypnotic patterns, contrasting textures, and heavy grooves have always been my passion.
I'm looking forward to creative interfacing with great musical minds, either in person or across the world!"
Matt uses:
- Istanbul cymbals
https://istanbulcymbals.com
- Tama drums
https://www.tama.com/usa/
- Vater sticks
https://www.vater.com
- Evans heads
https://www.daddario.com/produ....cts/percussion/evans
“Everyone Has A Jeff Buckley Story” is created, recorded, edited and produced by Jeff Haley. Co-Produced by Konrad
Shine Light Podcasts is Executive-Produced by Chris via biointegrity.net
The BioIntegrity community has helped fund protection of more than 320,000 acres of old growth tropical forests since 2014. Those efforts are helping to save thousands of species from extinction, keep more than 85 million tons of greenhouse gasses out of the atmosphere (enough to offset Austin, TX's community carbon footprint for 5+ years), institute land occupation rights for more than 400 Indigenous communities around the world, keep the planet cool, and more. Chris is also co-founder, creator and executive editor of AllCreation.org, a living archive of faith and spiritual practice views on human relationships with Earth's other species and environment. AllCreation has more than 400 posts exploring sacred texts and contemporary views, and is currently read in +150 countries. Visit biointegrity.net and allcreation.org for more info.
https://allcreation.transistor.fm/
https://biointegrity.transistor.fm/
Bass – Steve Davis
Drums – Elvin Jones
Piano – McCoy Tyner
Soprano Saxophone – John Coltrane (tracks: A1, A2)
Tenor Saxophone – John Coltrane (tracks: B1, B2)
Recorded at Atlantic Studios, New York, NY
Track A1 on October 21, 1960
Track B1 on October 24, 1960
Tracks A2 & B2 on October 26, 1960
Engineer – Phil Iehle, Tom Dowd
Producer – Nesuhi Ertegun
A1 My Favorite Things 0:00
A2 Everytime We Say Goodbye 13:43
B1 Summertime 19:27
B2 But Not For Me 31:03
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
amigos aqui un fantastico documental de paul en su gira por estados unidos en 1976 ,ecenas ineditas de todo el viaje de paul y wings ......esta muy padre espero les agrade perteneciente a rockshow y a wings over the world 2013.....
ahi dejen su comentario ...
su Amigo de Siempre
RetrominD ....
Chris Brown - "Under The Influence" Out Now!
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'BREEZY' - Out Now!
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Lyrics:
Fuckin' Robitussin
I don't know why this shit got me lazy right now, yeah
Can't do Percocets or Molly (Molly)
I'm turnin' one, tryna live it up here right, right, right
Baby, you can
Ride it, ooh, yeah
Bring it over to my place
And you be like
"Baby, who cares?"
But I know you care
Bring it over to my place
You don't know what you did, did to me
Your body lightweight, speaks to me
I don't know what you did, did to me
Your body lightweight, speaks to me
Yeah
Yeah
I can make it hurricane on it
Hunnid bands, make it rain on it
Tie it up, put a chain on it
Make you tattoo my name on it, oh
Make you cry like a baby, yeah
Let's GoPro and make a video, yeah
Make you cry like a baby, yeah
Let's GoPro and make a video
Oh, yeah, yeah, yeah, yeah
Baby, you can
Ride it, ooh, yeah
Bring it over to my place
And you be like
"Baby, who cares?"
But I know you care
Bring it over to my place
You don't know what you did, did to me
Your body lightweight, speaks to me
I don't know what you did, did to me
Your body lightweight, speaks to me
#ChrisBrown #UnderTheInfluence #OfficialVideo
Check the full 2022 breakdown 🥂 https://tracklib.com/stateofsampling
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00:00 Future - Wait For U
1:35 Central Cee - Doja
2:08 Kendrick Lamar - Die Hard
2:52 Burna Boy - Last last
3:33 Nicki Minaj - Super Freaky Girl
4:38 JID - Surround Sound
5:26 Jack Harlow - First Class
6:15 Yung Gravy - Betty (Get Money)
#samplebreakdown #stateofsampling2022
Last Days Of George Michael.
I didn't get a chance to remove the adverts.
To all the complainers about these adverts/commercials. I didn't have video editing software at the time to remove the adverts from the UK channel. I cannot remove them. If I do, then I will remove the video and close down this post and you have nothing, so stop bloody complaining and just watch it and fast forward the adverts, simple as that.
This video is NOT monetized, so I AM IN NO WAY MAKING ANY MONEY out of these adverts, I wish I was. They are hard coded into the video.
PLEASE READ THIS BEFORE COMPLAINING!!
IF YOU STILL DO, THEN SIMPLY DON'T WATCH IT IF IT REALLY BOTHERS YOU THAT MUCH.
Here is the video without adverts/commercials:
https://youtu.be/NpQEva1EFck
This film celebrates the joyous and timeless music of Michael Jackson from his first recordings with the Jackson 5 through hit after hit from the seventies, the eighties and the nineties, right up to his most recent cuts, and in so doing tells the story of a true pop genius, the way it really happened. Featuring rare performance and interview footage of Michael and archive material.
From: Michael Jackson - Thank You For The Music: The Final Word
Content licensed from MVD. Any queries, please contact us at: owned-enquiries@littledotstudios.com
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http://KEXP.ORG presents CHVRCHES performing live, recorded exclusively for KEXP.
Songs:
Asking For A Friend
California
Final Girl
How Not To Drown
Violent Delights
Lauren Mayberry - Vocals
Iain Cook - Keyboards / Bass
Martin Doherty - Guitar / Keyboards
Jonny Scott - Drums
Session recorded at the Hollywood Palladium
Audio mixer: Paul Gallagher
Video: Jasmine Safaeian
https://chvrch.es
http://kexp.org
Seattle, Washington, 1984. A group of kids attending Shorewood High School formed a group called Sleze. And as the name suggests, they were a band of Motley Crue Wannabe’s mostly playing cover songs from some of the notable glam metal artists of the time. Sleze were looking for a singer and although Layne had already taken up playing the drums, his step-brother Ken Elmer thought he should audition so he spoke to the band's drummer to see if they would be interested.
#AliceInChains #ManInABox #Documentary
Layne Rutherford Staley was born on August 22nd, 1967 at Overlake Hospital in Bellevue to his father Phillip Blair Staley and mother Nancy Elizabeth Layne. They lived in Kirkland, a suburb East of Seattle. The pair had only been married 6 months prior, with Phil being 29 and Nancy was just 19 years old. Phil was a car salesman and Nancy was competing in Beauty Pageants.
Just a few years later, when Layne was only 7, his parents would divorce and Nancy would remarry in 1975 to Jim Elmer. This didn’t appear to affect Layne too much though as he would comment many years later “No deep dark secrets there”.
Layne was just like any other normal kid, he loved art and drawing and just doing what kids his age did. His love for music wouldn’t kick in for another few years, although he did attend his first big concert at the age of 8 years old when Elton John came to town and his new Step-Father Jim took him to the show.
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About DIVERSE MENTALITY:
A hip-hop enthusiast touching on various topics in everything hip-hop. From the latest Hip-Hop news, to major Hip-Hop beef documentaries to talking about rappers and singers that disappeared from the limelight to artists that are on the rise! It's all here hosted by Quake!
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The Notorious B.I.G. - Greatest Hits originally released on Bad Boy / Atlantic in 2007. Full track list below. Music inspired by the new Netflix documentary "Biggie: I Got A Story To Tell" is available now. Listen here https://Rhino.lnk.to/IGASTTID
Subscribe to Notorious B.I.G. channel https://Rhino.lnk.to/YTBiggieSubID
Track List:
1. Juicy 0:00:00
2. Big Poppa 0:05:01
3. Hypnotize (featuring Pam from Total) 0:09:11
4. One More Chance (Stay With Me Remix) (featuring Faith Evans & Mary J. Blige) 0:13:01
5. Get Money (with Junior M.A.F.I.A.) 0:17:29
6. Warning 0:22:04
7. Dead Wrong (featuring Eminem) 0:25:43
8. Who Shot Ya? 0:30:41
9. Ten Crack Commandments 0:35:58
10. Notorious Thugs (featuring Bone Thugs-N-Harmony) 0:39:22
11. Notorious B.I.G. (featuring Lil' Kim & Diddy) 0:45:30
12. Nasty Girl (featuring Diddy, Nelly, Jagged Edge & Avery Storm) 0:48:42
13. Unbelievable 0:53:29
14. N***as Bleed 0:57:09
15. Running Your Mouth (featuring Snoop Dogg, Fabolous, Nate Dogg & Busta Rhymes) 1:02:01
16. Want That Old Thing Back (featuring Ja Rule & Ralph Tresvant) 1:05:34
17. #!*@ You Tonight (featuring R. Kelly) 1:10:33
Follow The Notorious B.I.G. on Facebook https://www.facebook.com/NotoriousBIG/
More Videos and Playlists
Juicy ▶️ https://Rhino.lnk.to/YTJuicyID
Big Poppa ▶️ https://Rhino.lnk.to/YTBigPoppaID
Hypnotize ▶️ https://Rhino.lnk.to/YTHypnotizeID
Official Videography ▶️ https://Rhino.lnk.to/YTBiggieVideographyID
Stream more B.I.G. here https://Rhino.lnk.to/thenotoriousbigstrm
The Notorious B.I.G. channel is the official YouTube home of The Notorious B.I.G. featuring his catalog of official music videos. The Notorious B.I.G. is widely recognized as one of the world’s most influential rappers and has sold more than 17 million albums in the U.S. alone. Before his murder in 1997, Christopher Wallace recorded two classic albums as The Notorious B.I.G. His debut Ready to Die arrived in 1994 and helped revitalize the East Coast rap scene with massive hits like “Big Poppa” and “Juicy.” Life After Death was released in March 1997 just weeks after he was shot and killed in Los Angeles. The record topped the U.S. album charts and featured the hits “Hypnotize” and “Mo Money Mo Problems.” It remains one of the few hip-hop albums to ever achieve Diamond certification from the RIAA.
Nov. 27, 2017 | Stephen Thompson --Phoebe Bridgers' songs come laden with sly, finely detailed observations about unsuccessful flirtations with hypnotherapy, unsettling conversations about Jeffrey Dahmer, and everything in between. Her phrasing is impeccable — warm, cool, conversational, gently slurred — but her songs also swim in the self-aware obsessions and messy meanderings of an unquiet mind.
Joined by Ethan Gruska and Rob Moose, Bridgers popped up at the Tiny Desk a couple weeks after the release of her full-length debut, Stranger In The Alps. Together, they celebrated the occasion with languid renditions of three of the album's best songs: the sad and seductive "Demi Moore," a drastically muted "Motion Sickness" and a piano-driven take on Bridgers' first-ever single, "Killer."
Set List
"Demi Moore"
"Motion Sickness"
"Killer"
MUSICIANS
Phoebe Bridgers (vocals and guitar); Ethan Gruska (piano); Rob Moose (violin)
CREDITS
Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Bronson Arcuri, Alyse Young; Editor: Bronson Arcuri; Production Assistant: Niki Walker; Photo: Jennifer Kerrigan/NPR
For more Tiny Desk concerts, subscribe to our podcast.
Janet Jackson breaks down her most iconic music video wardrobes, from "Rhythm Nation" to "Scream." She explains everything from her futuristic video concepts, her favorite hair and makeup artists, and why it took her 11 hours to suit up for the "What's It Gonna Be" music video. Ms. Jackson explains the story behind her famous key earring and mixing masculine and feminine looks with badass choreography. She also tells us how she wound up working the register at a Guess jeans shop as a teen. Janet also talks about her love for tomboy styles and which legendary video looks she has since auctioned off.
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Bobby Carter | August 10, 2022
If you've heard a DOMi & JD BECK song or watched a performance online, expectations of catching brilliance when you witness the jazz duo in person are likely high. JD's drumsticks move faster than the brain can process. DOMi offers every appendage on her body to the keys. It's frantic but focused, and I can't stop watching. For as tight as the two artists are musically — and even physically; one of their few Tiny Desk requests was for the drums and keys to be set up as close as possible — they take silly self-deprecating jabs when they aren't playing. It's believable until they transform and the music starts.
The two musicians come from two completely different parts of the world. James Beck began cutting his teeth as young as eleven at jam sessions in Dallas. DOMi, aka DOMi Louna, was born in France and raised on jazz, and enrolled at the Conservatoire Régional du Grand Nancy at five. DOMi eventually made her way to the States via a Presidential Scholarship from the Berklee College of Music. The two met at a trade show in 2018 and have been inseparable since, playing sets on YouTube and driving the internet nuts. Before they knew it, they were rubbing elbows with the upper echelon in jazz, R&B, and hip-hop.
The duo's debut album, ironically titled NOT TiGHT, is a graduation of sorts with all of their OGs lending a hand — notably Anderson .Paak, who took DOMi and JD BECK under his wing and made the duo the first signee to his APES*** label. The two brought highlights from that album to the Tiny Desk, including the vines, turf and vibrant floral arrangements from the album cover. Before "U DON'T HAVE TO ROB ME," a true story turned comedy, they make another attempt at neutralizing the room. DOMi says, "We're gonna ruin it!" It's too late for all of that. We're already amazed.
SET LIST
"NOT TiGHT"
"SMiLE"
"U DON'T HAVE TO ROB ME"
"WHATUP"
MUSICIANS
DOMi: keys, vocals
JD BECK: drums, vocals
TINY DESK TEAM
Producer: Bobby Carter
Audio Engineer: Josh Rogosin, Jhair "Jha" Lazo
Director: Kara Frame
Creative Director: Bob Boilen
Editor: Joshua Bryant
Videographers: Kara Frame, Pierre Kattar, Joshua Bryant
Art Direction: Winston Studios, Carlos Lopez, Iman Jordan
Audio Assistant: Josephine Nyounai
Production Assistants: Jill Britton, Joby Tanseco
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Ashley Pointer, Maia Stern
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann
#TinyDesk #NPRMusic #DOMiandJDBECK
Official music video for “Anti-Hero” by Taylor Swift from the album ‘Midnights’.
Buy/Download/Stream ‘Midnights’: https://taylor.lnk.to/taylorswiftmidn...
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0:00 I’m the problem, it’s me
00:47 Join the #TSAntiHeroChallenge on YouTube Shorts
01:02 And share your anti-heroic traits
►Lyrics:
Written by Taylor Swift and Jack Antonoff
I have this thing where I get older but just never wiser
Midnights become my afternoons
When my depression works the graveyard shift
All of the people I’ve ghosted stand there in the room
I should not be left to my own devices, they come with prices and vices, I end up in crisis
Tale as old as time
I wake up screaming from dreaming one day I’ll watch as you’re leaving ‘cause you got tired of my scheming - for the last time
It’s me
Hi
I’m the problem, it’s me
At teatime
Everybody agrees
I’ll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero
Sometimes I feel like everybody is a sexy baby
And I’m a monster on the hill
Too big to hang out
Slowly lurching toward your favorite city
Pierced through the heart but never killed
Did you hear my covert narcissism I disguise as altruism like some kind of congressman
Tale as old as time
I wake up screaming from dreaming
one day I’ll watch as you’re leaving and life will lose all its meaning - for the last time
It’s me
Hi
I’m the problem, it’s me
At teatime
Everybody agrees
I’ll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero
I have this dream my daughter-in-law kills me for the money
She thinks I left them in the will
The family gathers ‘round and reads it
And then someone screams out
“She’s laughing up at us from hell!”
It’s me
Hi
I’m the problem, it’s me
It’s me
Hi
I’m the problem, it’s me
It’s me
Hi
Everybody agrees
Everybody agrees
It’s me
Hi
I’m the problem, it’s me
At teatime
Everybody agrees
I’ll stare directly at the sun but never in the mirror
It must be exhausting always rooting for the anti-hero
Director: Taylor Swift
Director of Photography: Rina Yang
Producer: Sara D'Alessio
Editor: Chancler Haynes
Production Designer: Ethan Tobman
1st AD: Anthony Dimino
Visual Effects: Parliament
Production Companies: Taylor Swift Productions & Revolution Pictures
#taylorswift #midnights #antihero
Music video by Taylor Swift performing Anti-Hero. © 2022 Taylor Swift
Official music video for “Bejeweled” by Taylor Swift from the album ‘Midnights’.
Buy/Download/Stream ‘Midnights’: https://taylor.lnk.to/taylorswiftmidn...
►Subscribe to Taylor Swift on YouTube: https://ts.lnk.to/subscribe
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►Lyrics:
Written by Taylor Swift and Jack Antonoff
Baby love, I think I’ve been a little too kind
Didn’t notice you walking all over my peace of mind
In the shoes I gave you as a present
Putting someone first only works
When you’re in their top 5
And by the way
I’m going out tonight
Best believe I’m still bejeweled
When I walk in the room
I can still make the whole place shimmer
And when I meet the band
They ask, “Do you have a man?”
I could still say, “I don’t remember”
Familiarity breeds contempt
Don’t put me in the basement
When I want the penthouse of your heart
Diamonds in my eyes
I polish up real
I polish up real nice
NICE!
Baby boy, I think I’ve been too good of a girl
Too good of a girl
Did all the extra credit then got graded on a curve
I think it’s time to teach some lessons
I made you my world
Have you heard
I can reclaim the land
And I miss you
But I miss sparkling …
Chorus
Sapphire tears on my face
Sadness became my whole sky
But some guy said my aura’s moonstone
Just ‘cause he was high
And we’re dancing all night
And you can try
To change my mind
But you might have to wait in line
What’s a girl gonna do?
A diamond’s gotta shine
Chorus
And we’re dancing all night
And you can try
To change my mind
But you might have to wait in line
What’s a girl gonna do?
What’s a girl gonna do?
I polish up nice
Best believe I’m still bejeweled
When I walk in the room
I can still make the whole place shimmer
Director: Taylor Swift
Director of Photography: Rina Yang
Producer: Sara D'Alessio
Editor: Chancler Haynes
Production Designer: Ethan Tobman
1st AD: Anthony Dimino
Visual Effects: Parliament
Production Companies: Taylor Swift Productions & Revolution Pictures
#taylorswift #midnights #bejeweled
Music video by Taylor Swift performing Bejeweled. © 2022 Taylor Swift
In recent years, the use of key changes in music has decreased significantly, leading to a more monotonous and predictable sound. This lack of tonal variation has made many popular songs uninteresting and unengaging. In this video, we explore how the disappearance of key changes has contributed to the current state of music.
BLACK FRIDAY SALE - ONLY $109 for all my educational products: https://beatoblackfriday.com
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Catherine Sundvall
Clark Griswold
Ryan Twigg
LAWRENCE WANG
Martin Small
Kevin Wu
Robert Zapolis
Jeremy Kreamer
Sean Munding
Nat Linville
Bobby Alcott
Peter Glen
Robert Marqusee
James Hurster
John Nieradka
Grey Tarkenton
Joe Armstrong
Brian Smith
Robert Hickerty
comboy
Peter DeVault
Phil Mingin
Tal Harber
Rick Taylor
Bill Miller
Gabriel Karaffa
Brett Bottomley
Frederick Humphrey
Nathan Hanna
Stephen Dahl
Scott McCroskey
Dave Ling
Rick Walker
Jason Lowman
Jake Stringer
Steven crawford
Piush Dahal
Jim Sanger
Brian Lawson
Eddie Khoriaty
Vinny Piana
J.I. Abbot
Kyle Dandurand
Michael Krugman
Vinicius Almeida
Lars Nielsen
Kyle Duvall
Alex Zuzin
tom gilberts
Paul Noonan
Scott Thompson
Kaeordic Industries LLC
Duane Blake
Kai Ellis
Zack Kirkorian
Joe Ansaldi
Pzz
Marc Alan
Rob Kline
Calvin Wells
David Trapani
Will Elrics
Debbie Valle
JP Rosato
Orion Letizi
Mike Voloshen
Peter Pillitteri
Support theartist
🥕 [BC] https://oscob.bandcamp.com/
💿 Tracklist
00:00 sol invictus
06:08 天照
13:07 our lord
20:45 a place beyond
26:14 the tale of igor's campaign
32:44 Дажьбо́г
39:23 aradia, or the gospel of the witches
46:09 we are amidst strange beings, in a strange land
51:22 the crucifixion of helios
59:17 he who goes before (titan)
1:12:25 three legged crow
1:20:40 for the fogs about the earth may weigh you down
1:31:14 take care, it’s a desert out there
Video for promotional purpose only.
Make sure to support the artists! :)
🐰
#vaporwave #barber_beats #barberbeats #downtempo #ambient #chillwave #chillstep #mallsoft
a new mix consisting of mostly unreleased material, as well as a few favourites of mine. thank you for listening and hope you enjoy.
Macroblank - MACABRE
https://macroblank.bandcamp.com/album/macabre
01. SIDE A 00:00
02. SIDE B 44:46
https://macroblank.bandcamp.com
https://twitter.com/macroblank
March 1, 2018 | Abby O'Neill -- Roy Ayers arrived at his Tiny Desk performance beaming with positivity. The 77-year-old funk icon and vibraphonist sauntered through the office with a Cheshire grin on his face, sharing jokes with anyone within earshot. Accompanying him was a trio of brilliantly seasoned musicians — keyboardist Mark Adams, bassist Trevor Allen and drummer Christopher De Carmine. Later during the performance, pride washed across Ayers' face as his bandmates took the spotlight. (Be sure to watch as Adams woos not just the room but brightens Ayers' face during his solo.)
The set began with one of Ayers' more recognizable hits: an extended version of "Searching," a song that embodies the eternal quest for peace and love. During "Black Family" (from his 1983 album Lots Of Love), you'll hear him call out "Fela" throughout. That's because Afrobeat legend Fela Kuti was a huge influence on Ayers in the late 1970s; the two eventually collaborated on an album, 1980's Music Of Many Colors. "Black Family" is, in part, a tribute to Fela, even if the original version didn't include his name.
Concluding this mini-concert, Ayers closed the set out with his signature tune, "Everybody Loves the Sunshine", a feel-good ode if there ever was one. The essence of this song flowed right through him and out to the NPR audience.
SET LIST
"Searching"
"Black Family"
"Everybody Loves The Sunshine"
MUSICIANS
Roy Ayers, Mark Adams (keyboards), Trevor Allen (bass), Christopher De Carmine (drums)
CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Kara Frame, Bronson Arcuri, Dani Lyman; Production Assistant: Joshua Bote; Photo: Jenna Sterner/NPR.
Madonna performing at Live Aid in front of 100,000 people in the John F. Kennedy Stadium, Philadelphia USA on the 13th July, 1985. The event was organised by Sir Bob Geldof and Midge Ure to raise funds for the Ethiopian famine disaster. Broadcast across the world via one of the largest satellite link-ups of all time, the concerts were seen by around 40% of the global population.
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Nearly everyone has been RickRoll’d. But few know the real story of the artist behind the 1987 hit “Never Gonna Give You Up” nor do they know about the mysterious origins of the viral RickRoll video meme that exploded in the mid-2000s. VICE meets Rick Astley and the creators of the song to learn about Rick’s meteoric rise to fame, sudden retirement, and surprising comeback. We also meet the creator of the popular RickRoll meme that cemented this persistent hit for generations to come.
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