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Wham! - Last Christmas (Official Video)
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Lyrics
Last Christmas
I gave you my heart
But the very next day you gave it away
This year
To save me from tears
I'll give it to someone special
Last Christmas
I gave you my heart
But the very next day you gave it away
This year
To save me from tears
I'll give it to someone special
Once bitten and twice shy
I keep my distance
But you still catch my eye
Tell me, baby
Do you recognize me?
Well, it's been a year
It doesn't surprise me
Happy Christmas
I wrapped it up and sent it
With a note saying "I love you"
I meant it
Now I know what a fool I've been
But if you kissed me now
I know you'd fool me again
Last Christmas
I gave you my heart
But the very next day you gave it away
This year
To save me from tears
I'll give it to someone special
Last Christmas
I gave you my heart
But the very next day you gave it away
This year
To save me from tears
I'll give it to someone special
Oh, oh, baby
A crowded room
Friends with tired eyes
I'm hiding from you
And your soul of ice
My god, I thought you were someone to rely on
Me? I guess I was a shoulder to cry on
A face on a lover with a fire in his heart
A man under cover, but you tore me apart
Now I've found a real love. You'll never fool me again
Last Christmas
I gave you my heart
But the very next day you gave it away
This year
To save me from tears
I'll give it to someone special
Last Christmas
I gave you my heart
But the very next day you gave it away
This year
To save me from tears
I'll give it to someone special
A face on a lover with a fire in his heart
I gave you my heart
A man under cover, but you tore him apart
Maybe next year I'll give it to someone—
I'll give it to someone special
Special
Someone
Someone
I'll give it to someone—
I'll give it to someone special
Who give me something in return
I'll give it to someone—
Hold my heart and watch it burn
I'll give it to someone—
I'll give it to someone—
I'll give it to someone special
I thought you were here to stay
How could you love me for a day
I thought you were someone special
Gave you my heart
I'll give it to someone—
I'll give it to someone—
Last Christmas
I gave you my heart
You gave it away
I'll give it to someone—
I'll give it to someone—
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TV performance by The Outfield with 'Your Love' on Dutch popshow “Countdown”. The television show was broadcasted by Veronica from 1976 to 1993 and was "Europe's Number 1 Rock Show" with performances by the greatest artists from all over the world like Paul McCartney, David Bowie, Tina Turner, Janet Jackson, Stevie Wonder, The Rolling Stones, George Harrison, U2, The Police, Eric Clapton, Bruce Springsteen, Lenny Kravitz, Depeche Mode, New Order, Whitney Houston, Duran Duran, R.E.M., Frankie Goes To Hollywood, The Cure, Run DMC, Cyndi Lauper, Iron Maiden, New Kids On The Block, LL Cool J.
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====
OVER COUNTDOWN
====
Het Nederlandse televisieprogramma "Countdown" was van 1976 t/m 1993 “Europe’s Number 1 Rock Show” en werd uitgezonden bij Veronica. Later werd het programma ook uitgezonden in het buitenland en was het op z'n hoogtepunt in meer dan 20 landen op televisie te zien.
Gedurende deze 17 jaar muziekgeschiedenis zijn er opnames gemaakt met talloze internationale sterren, zoals Paul McCartney, David Bowie, Tina Turner, Janet Jackson, Stevie Wonder, The Rolling Stones, George Harrison, U2, The Police, Eric Clapton, Bruce Springsteen, Lenny Kravitz, Depeche Mode, New Order, Whitney Houston, Duran Duran, R.E.M., Frankie Goes To Hollywood, The Cure, Run DMC, Cyndi Lauper, Iron Maiden, New Kids On The Block, LL Cool J.
Uiteraard kwamen Nederlandse top-acts als Doe Maar, Andre Hazes, Herman Brood, Frank Boeijen, Spargo, Golden Earring, Time Bandits, De Dijk, De Raggende Manne, Hans de Booij, Gerard Joling, Drukwerk ook langs voor een optreden in Bussum.
Countdown werd gepresenteerd door oa Lex Harding, Erik de Zwart, Adam Curry, Simone Walraven Wessel van Diepen, Jeroen van Inkel, Rob Stenders, Simone Angel en Jasper Faber.
Het Countdown archief is vrijwel helemaal compleet en sinds 2017 eigendom van het Amerikaanse Reelin’ In The Years Productions (David Peck - https://reelinintheyears.com/) en Double 2 Hilversum (Jan Douwe Kroeske - http://www.double2bv.nl). Het archief bestaat uit meer dan 3.000 analoge mastertapes die allemaal gedigitaliseerd en gearchiveerd zijn. Indien u gebruik wilt maken van beeldmateriaal in een documentaire, tv-programma of andere mediaproductie neemt u voor een licentiedeal contact op met Double 2 BV via info@d2bv.nl. Beeldmateriaal wordt enkel verstrekt aan zakelijke projecten en niet aan particulieren.
#theoutfield #music
Tucker Carlson sits down with Ice Cube to discuss transgenderism and the perpetuating of racism in America.
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Text “TUCKER” to 44055 for exclusive updates
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Get the album 'higher' NOW at https://michaelbuble.lnk.to/higher
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From the album 'Christmas' (Deluxe Special Edition)
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Lyrics:
You better watch out
You better not cry
You better not pout
I'm telling you why
Santa Claus is coming to town
He's making a list
He's checking it twice
He's gonna find out who's naughty or nice
Santa Claus is coming to town
He sees you when you're sleeping
And he knows when you're awake
He knows if you've been bad or good
So be good for goodness sake!
You better watch out
You better not cry
You better not pout
I'm telling you why
Cause Santa Claus is coming to town
He sees you when you're sleeping
And he knows when you're awake
And he knows if you've been bad or good
So be good for goodness sake!
You better watch out
You better not cry
You better not pout
I'm telling you why
Santa Claus is coming to town
You better watch out
You better not cry
You better not pout
I'm telling you why
Santa Claus is coming
I mean a big fat man with a long white beard
He's coming to town
Michael Bublé - Santa Claus Is Coming To Town [Official HD]
Michael Buble
Christmas Songs
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Santa Claus Is Coming To Town · Jackson 5
Christmas Album
℗ A Motown Records Release; ℗ 1970 UMG Recordings, Inc.
Released on: 1970-01-01
Producer: The Corporation
Producer: Hal Davis
Associated Performer, Vocals: Sigmund Jackson
Associated Performer, Vocals: Tito Jackson
Associated Performer, Vocals: Jermaine Jackson
Associated Performer, Vocals: Michael Jackson
Associated Performer, Vocals: Marlon Jackson
Author: Haven Gillespie
Composer: J. Fred Coots
Composer Lyricist: John Reis
Composer Lyricist: Andy Stamets
Composer Lyricist: Peter Reichert
Composer Lyricist: Paul O'Beirne
Composer Lyricist: Adam David Willard
Auto-generated by YouTube.
Official music video for "The Christmas Song (Merry Christmas To You)" by Nat King Cole. Subscribe to never miss an update.
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Credits:
Roteiro: Thiago Jenné (Cabelo)
Direção: Thiago Jenné (Cabelo)
1º Assistente: Gabriel Ykeda
2º Assistente: Roberto Sang
3º Assistente: Pedro Drygala
Direção de Fotografia: Thiago Jenné (Cabelo)
Making Off: Matheus Mello
Fotografia Still: Téo Mafra
Imagens Aéreas: André Celante
Cenário: Scena D7
Locação: Estúdio Damas / Conjunto Nacional / Túnel Ayrton Senna
Produção: 8588 Studio
Direção de Produção: Raphaela Tamada
Produção Executiva: Raphaela Tamada
Assistente: Fernanda Klarge
Styling: Murilo Mahler
Assistente: Karina Berca
Make Up: Bruna Pezzino
Hairstylist: Rosângela Araújo
Catering: Belisa Ferigolli
Segurança: Phillip Park
Apoio: Colcci
Transporte: Branco Transportes
#Alok #JohnMartin #WhereverYouGo
Atlanta rapper Young Thug, born Jeffery Williams, faces multiple charges under Georgia's RICO Act. Williams, believed to be the leader of the YSL collective, supposedly operated a "criminal street gang" from outside his residence. Williams faces eight charges in a 65-count indictment. These charges include drug possession, possession with intent to distribute, and participating in criminal gang activity as an individual employed by a criminal street gang. Opening statements will take place on November 27.
Trial Moments:
ARGUMENTS OUTSIDE THE PRESENCE OF THE JURY
PROSECUTION OPENING STATEMENT BY ADRIANE LOVE CONTINUES
Court takes a break
Defense Attorney Max Schardt Gives his Opening Statement (Shannon Stillwell is his Client)
Jury being sent home to return at 10am ET (Start between 10-10:30am ET)
Court to Return at 9:30am ET
#YoungThug #JefferyWilliams #lawandcrime
Jury Makeup: 12 = 7 Black women, 2 Black men, 2 white women, 1 white man. Plus 6 alternates. 18 total jurors in the courtroom.
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Mario Montalvo, Jesús Balderas, Rodolfo Ivan Cantú, César Hernández, Ricardo Robles, Iván Alejandro Compian, Alec Ronaldo López, Roberto Monarrez, José Juan Martínez, Juan Benavides.
Productor Ejecutivo : Servando Cano ✞
Productor : Homero Hernández Jr
Ing Grabación : Sergio Vázquez/Héctor Miranda/Alfonso Valdez
Mix y Mastering Digital : Alfonso Valdez
Dirección de Video : Toño Tzinzun
Arte : Estefanía Salazar
Grabado : Domo Care
0:00 Los Dos Amigos
3:31 Enséñame A Olvidar
7:46 Corazón De Oro
11:36 Apenas Te Fuiste Ayer
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17:40 Reproches Del Viento
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36:57 Eslabón Por Eslabón
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54:52 Laurita Garza
58:52 Tragos Amargos
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You're watching the official music video for J.J. Fad - "Supersonic" from the album 'Supersonic The Album' (1988). "Supersonic" was nominated for the Grammy Award for Best Rap Performance and was sampled in Fergie's "Fergalicious".
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Chalino Sánchez Sus Mejores Canciones 2023 ~ Chalino Sánchez 2023 MIX ~ Top 16 Best Songs
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PLAYLIST
Teejay - Drift
Kaka Highflames - KAKA
Chronic Law - Badness Upgrade
Ryme Minista - Spin
1Skimask, Deno Crazy - SKi
Skeng X Jigsta - Smood Wid It
Najeeriii - BOB ROCK
Valiant, Tommy Lee Sparta - Guzu Bunx & Fada Rock
RajahWild - RajahWild - Wild Out
Najeeriii - PADDLE BOAT
Roze Don - Bakshat
Skeng - Shalalala
Valiant - Mad Out
Konshens - Dip suh
Kraff - Rum Behavior -
IWaata - Ten
Bayka - Watch It
Malie - Zero to 100
Skeng - Nah Go In
Najeeriii - PANTON
Byron Messia & Burna Boy - Talibans II
Tina (Hoodcelebrityy) "No Laugh" Talibans Remix
Young Devyn - Talibans [Bod Gyal Remix
Skeng X Jah Vinci - Seh Feh
Demarco - Jancrow
Alkaline - Nah Laugh
Intence - Freshhh
Valiant - Rasta
Likkle Vybz, Vybz Kartel - Lemonade
Malie - Little Miss Grippy
Chronic Law - Thug Life
Govana - XMan
Intence - Banquet
Roze Don - Summa Bun
Brukout x Supalyne - Good Vybz
Bayka - SIDUNG
Kraff - Ruff C
1Skimask - Dawkniss
Jahshii - Dream To Reality
Jahmiel - The Message
Chronic Law - Choke
Stalk Ashley - Dutty Casamigos
Valiant - Motorcade
Kraff - Audi
Pablo YG - Rich N Richer
Skeng x Yeng - Stick Talk (Rifle Bizniz)
Chronic Law - Rules of Life
Kraff - Lucid
#DancehallVideoMix
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The Breakfast Club has had a longstanding reputation as one of the most vital interview platforms in hip-hop today. Not least of all, because of their unique, often confrontational interview style leading to chaotic and often awkward interactions between them and their guests.
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"When I'm Sixty-Four" is a song by the English rock band The Beatles, written by Paul McCartney (credited to Lennon–McCartney) and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. McCartney wrote the song when he was about 14, probably in April or May 1956, and it was one of the first songs he ever wrote. The song was recorded in a key different from the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets (two regular clarinets and one bass clarinet) throughout.
Recording:
The Beatles recorded two takes of the song on 6 December 1966, during one of the first sessions for the as-yet-unnamed album that became Sgt. Pepper's Lonely Hearts Club Band. Martin produced, supported by engineers Geoff Emerick and Phil McDonald. McCartney overdubbed his lead vocal onto take two without the other Beatles present on 8 December. On 20 December, McCartney, Lennon and George Harrison overdubbed backing vocals and Ringo Starr added the sound of bells.
Martin made two reduction mixes (takes three and four) with the latter best. On 21 December, session musicians Robert Burns, Henry MacKenzie and Frank Reidy overdubbed two clarinets and a bass clarinet onto take four. Emerick later explained, "The clarinets on that track became a very personal sound for me; I recorded them so far forward that they became one of the main focal points." Martin recalled, "I remember recording it in the cavernous Number One studio at Abbey Road and thinking how the three clarinet players looked as lost as a referee and two linesmen alone in the middle of Wembley Stadium." On the same day, Martin remixed the song for mono three times, although this was only a demo version. He made four new mono mixes on 29 December.
On 30 December, unsatisfied with all of these attempts, McCartney suggested speeding up the track to raise it by around a semitone from its original key of C major to D♭ major. Martin remembers that McCartney suggested this change to make his voice sound younger. McCartney says, "I wanted to appear younger, but that was just to make it more rooty-tooty; just lift the key because it was starting to sound turgid." Martin, Emerick and Richard Lush made the sped-up remix from take four on 17 April 1967. Musicologist Michael Hannan comments on the completed track: "The rich timbres of the clarinets give the mix a fuller, fatter sound than many of the other tracks on the album."
Release:
The song was nearly released on a single as the B-side of either "Strawberry Fields Forever" or "Penny Lane". It was instead held over to be included as an album track for Sgt. Pepper's Lonely Hearts Club Band. Everett comments that the protagonist of "When I'm Sixty-Four" is sometimes associated with the Lonely Hearts Club Band concept, but in his opinion the song is thematically unconnected to others on the album.
According to author George Case, all of the songs on Sgt. Pepper were perceived by contemporary listeners as being drug-inspired, with 1967 marking the pinnacle of LSD's influence on pop music. Some fans viewed the lyric "digging the weeds" from "When I'm Sixty-Four" as a possible drug allusion. In August 1967, The Beatles Book published an article discussing whether the album was "too advanced for the average pop fan". One reader complained that all the songs except "Sgt. Pepper" and "When I'm Sixty-Four" were "over our heads", adding, "The Beatles ought to stop being so clever and give us tunes we can enjoy."
"When I'm Sixty-Four" was included in the Beatles' 1968 animated film Yellow Submarine. It was also used over the opening credits of the 1982 film The World According to Garp.
Giles Martin remixed the song for inclusion on the album's 50th anniversary release in 2017. Martin mixed the song from the original tapes rather than their subsequent mixdowns. Take 2 of the song was included as a bonus track on the deluxe edition.
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The Beatles performing “Penny Lane.”
Two days after recording some overdubs for 'A Day In The Life', The Beatles spent the afternoon in East London at Angel Lane, Stratford, filming scenes for the video of 'Penny Lane' with Scandinavian director, Peter Goldmann.
Shortly after the East London shoot, Goldmann and The Beatles headed to Knole Park, the grounds of a stately home in Kent, to film scenes of the band horse-riding in the countryside. Around this time, Goldmann and his crew (but minus The Beatles) travelled to Liverpool to shoot the sequences near to Penny Lane.
A few days before filming started for 'Penny Lane', Goldmann shot a promo for 'Strawberry Fields Forever'. Both shoots presented a challenge for everyone involved owing to the Musicians' Union ban on any action that could be construed as miming. Despite these limitations, both the films Goldmann made were so innovative that neither would have looked out of place on MTV a decade and a half later.
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The Beatles performing “We Can Work It Out.”
"In "We Can Work It Out, Paul did the first half, I did the middle eight. But you've got Paul writing, 'We can work it out, we can work it out' - real optimistic, y'know, and me impatient, 'Life is very short and there's no time for fussing and fighting my friend'." (John Lennon)
'We Can Work It Out' became The Beatles' sixth single in a row to top the US charts. At the time, no other band had achieved such success. The track took over 11 hours to perfect - up to this point, that was the longest period The Beatles had spent in the studio on a single song.
At Twickenham Film Studios, a little over three weeks after the single was recorded, The Beatles made three separate promo films for 'We Can Work It Out'. Like all the other films shot that day, the medium was two-inch black and white videotape, a relatively new format for the time. Many TV stations, however, weren't set up for videotape, so 16mm copies were made for distribution worldwide.
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The Beatles performing “Twist & Shout” Live On The Ed Sullivan Show 2/23/64.
For the many who witnessed The Beatles’ early appearances on British television, this song is synonymous with those exciting era–defining times. The power of the band’s performances and the recording owes so much to John’s searing vocal. For their debut album, John recorded his vocal in one take at the end of a marathon recording session on February 11th 1963.
In July 1963, ‘Twist And Shout’ became the title track of the band’s first EP to be released in the UK. According to the advert on the front of New Musical Express, it was “The record you’ve been asking for”. A week after Twist And Shout was released it made the EP best-seller list and a week after that topped the same chart staying there for ten weeks. This clip was videotaped in the middle of a six-night run at the Odeon Cinema in Llandudno, North Wales.
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The Beatles performing “I Want To Hold Your Hand Live On The Ed Sullivan Show 2/9/64.”
‘I Want to Hold Your Hand’ was the first Beatles’ record to top both the UK and the US charts. It was also their first to be recorded on a 4-track, as opposed to the usual 2-track, tape machine. The Beatles had the song well rehearsed when they made the first of 17 takes on October 17th 1963.
Following The Beatles’ historic appearance on The Ed Sullivan show on February 9th, the single – already at No.1 in the charts – gained further momentum. They taped a performance of the song earlier in the day of their live appearance and it was shown on the Sullivan show of February 23rd, which helped maintain the song’s popularity. This avalanche of publicity, engineered by Brian Epstein, helped the single to stay at the top for seven weeks, which made it the longest-running No.1 of their career to date (until ‘Hey Jude’).
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George Harrison - Got My Mind Set On You (Version II) [Official Music Video]
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Music video by George Harrison performing Got My Mind Set On You. (C) 2004 Umlaut Corporation, under exclusive licence to Calderstone Productions Limited, a division of Universal Music Group
From the Live Deluxe edition of Hackney Diamonds featuring the iconic New York launch show. Available on 2CD here:
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The brand new studio album from The Rolling Stones… Hackney Diamonds
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The Beatles performing “Come Together.”
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The Beatles performing “Hey Jude.”
Hey Jude topped the charts in Britain for two weeks and for 9 weeks in America, where it became The Beatles longest-running No.1 in the US singles chart as well as the single with the longest running time.
The Beatles did not record their promotional film until Hey Jude had been on sale in America for a week. They returned to Twickenham Film Studio, using director Michael Lindsay-Hogg who had worked with them on Paperback Writer and Rain. Earlier still, Lindsay-Hogg had directed episodes of Ready Steady Go! And a few months after the film for Hey Jude he made The Rolling Stones Rock and Roll Circus TV special that featured John and Yoko but wouldn’t be shown until 1996
To help with the filming an audience of around 300 local people, as well as some of the fans that gathered regularly outside Abbey Road Studios were brought in for the song’s finale. Their presence had an unlikely upside for The Beatles in their long-running saga with the Musicians’ Union in that the MU were fooled into believing the band were playing live, when in fact they were miming for the vast majority of the song. Paul, however, sang live throughout the song.
The video was first broadcast on David Frost’s Frost On Sunday show, four days after it was filmed. At that point transmission was in black and white although the promo was originally shot in colour. It was first aired in America a month later on 6 October 1968, on The Smotheres Brothers Comedy Hour.
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The Beatles performing “I Feel Fine.”
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The Beatles Songs Collection - The Beatles Greatest Hits Full Album 2023
The Beatles Songs Collection - The Beatles Greatest Hits Full Album 2023
The Beatles Songs Collection - The Beatles Greatest Hits Full Album 2023
The Beatles performing “Something.”
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The Beatles performing "Don't Let Me Down.”
Written by John as an expression of his love for Yoko Ono, the song is heartfelt and passionate. As John told Rolling Stone magazine in 1970, “When it gets down to it, when you’re drowning, you don’t say, ‘I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me,’ you just scream.”
During filming on the roof of Apple, two days after the recording of the track, the band played ‘Don’t Let Me Down’ right after doing two versions of 'Get Back’ and it led straight into 'I’ve Got A Feeling’. Michael Lindsay-Hogg was once again directing a Beatles’ shoot. He and Paul met regularly at the tail end of 1968, while Hogg was directing The Rolling Stones Rock and Roll Circus, to discuss the filming of The Beatles’ session in January. By the time that fateful Thursday came around, the penultimate day of January would be the last time The Beatles ever played together in front of any kind of audience.
This is not the version of ‘Don’t Let Me Down’ heard on the single but the version from the Let It Be… Naked album – a composite of both versions that were performed on the roof of Apple in Savile Row
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Phil Vassar's official music video for 'Just Another Day In Paradise'. Click to listen to Phil Vassar on Spotify: http://smarturl.it/PVSpot?IQid=PVDIP
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---------
Lyrics:
Well, it's ok. It's so nice
It's just another day in paradise
Well, there's no place that
I'd rather be
Well, it's two hearts
And one dream
I wouldn't trade it for anything
And I ask the lord every night
For just another day in paradise
Las Marías con el corrido "Cuerno De Chivo" autoria de Paulino Vargas bajo la editora de Universal Music-Z Tunes.
El video fue grabado en el rancho Los Ramones en el ejido El Campesino, Sinaloa, Mexico.
Bajo Quinto: Abraham cervantes
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acordeon: Oscar Valdéz
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Music video by Las Marías performing Libro De Recuerdos. Fonovisa; © 2021 UMG Recordings, Inc.
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Las Marías - Mejor Me Voy
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Las Marías -Busca Otro Amor
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Carlos Vives - Currambera (Official Video)
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Music video by Carlos Vives performing Currambera (Official Video). (C) 2022 Sony Music Entertainment US Latin LLC