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Stone Sour - Through Glass [OFFICIAL VIDEO] Hotney 5 Visualizzazioni • 3 anni fa

Stone Sour's music video for 'Through Glass' from the album, Come What(ever) May - available now on Roadrunner Records.

- CD: http://smarturl.it/StoneSourHOFBPT2CD
- iTunes: http://smarturl.it/hogabp2
- Stream: http://smarturl.it/HouseofGoldpt2Stream

Come What(ever) May on iTunes: http://smarturl.it/comewhatevermay
Subscribe: http://bit.ly/171a3Ya
Site: http://www.stonesour.com/
Facebook: https://www.facebook.com/stonesour
Twitter: https://twitter.com/WeAreStoneSour‎
Instagram: http://instagram.com/wearestonesour

LYRICS
I'm looking at you through the glass
Don't know how much times has passed,
Oh God it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head

Cause I'm looking at you through the glass
Don't know how much times has passed,
Oh God it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head

How do you feel? That is the question.
But I forget you don't expect an easy answer.
When something like a soul becomes initialized and folded up like
Paper dolls and little notes, you can't expect a bit of hope
So while you're outside looking in, describing what you see
Remember what you're starting at is me.

Cause I'm looking at you through the glass
Don't know how much times has passed,
Oh God it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head

How much is real? So much to question.
An epidemic of the mannequins contaminating everything
We thought came from the heart, but never did right from the start
Just listen to the noises - null and void instead of voices
Before you tell yourself it's just a different scene
Remember it's just different from what you see

I'm looking at you through the glass, don't know how much times has passed,
All I know is that it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head

And it's the stars, the stars that shine for you
And it's the stars, the stars that lie to you
And it's the stars, the stars that shine for you
And it's the stars, the stars that lie to you

I'm looking at you through the glass, don't know how much times has passed,
All I know is that it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head

Cause I'm looking at you through the glass
Don't know how much times has passed,
Oh God it feels like forever, but no one ever tells you that
Forever feels like home, sitting all alone inside your head

And it's the stars, the stars that shine for you
And it's the stars, the stars that lie to you
And it's the stars, the stars that shine for you
And it's the stars, the stars that lie to you

The Zenith Passage - Lexicontagion (OFFICIAL VIDEO) Hotney 5 Visualizzazioni • 3 anni fa

Order here: https://www.metalblade.com/thezenithpassage
While far too many progressive and technical death metal bands are happy to walk the same path and stick to a tried-and-true sound, on their second full-length The Zenith Passage forge new and exhilarating territory. From start to finish, Datalysium is driven by imagination, and played by artists who have full command of their instruments, creating something that stands out of any pack while maintaining what made them such a riveting proposition in the first place. When asked to describe the record, the band do so vividly: "Imagine if Necrophagist and Meshuggah were married, and Cynic and Extol got married, then years later they went to a swingers party to spice up their relationships, which then became a regular thing. From this, they all had a kid together, no one knows who the biological father is, but that's cool because they're co-parenting. That kid then grows up, idolizing David Lynch, Ridley Scott and film noir. He then goes to film school for a couple of years, but drops out because he'd rather play synth music, but ends up broke and homeless. Then Datalysium would be that kid."

The album was recorded between McKinney's home studio and Rydquist's apartment, with some vocals tracked at Flatline Audio with Dave Otero (Cattle Decapitation, WAKE), who also mixed the album. McKinney handled the tracking, while they brought in Ryan Williams (The Black Dahlia Murder, John Frum) to produce some of the bass and vocals. Having been friends with Williams for years, it felt natural to have him be a part of the recording process, while Otero also contributed profoundly. A longtime friend of McKinney, this is the first time they have actually collaborated on a record. "Dave is the kind of dude that just gets it, when going for the sound or idea we have in mind, even bringing an idea to light that we never even thought to do and collaborating and expanding on these ideas further. We were expecting some really epic stuff from Dave, but the end result of that has proved to be way more than those expectations."

THE ZENITH PASSAGE
Derek Rydquist: Vocals
Justin McKinney: Guitar
Chistopher Beattie: Guitar
Brandon Giffin: Bass

Directed & Edited by:
Vince Edwards

Lights & Laser Programming:
Sean Krell

Camera Operators:
Stephanie Cabral
Nicole Papastavrou

Grip / Hydro Tech:
Ryan Williams

LYRICS
Look into the eyes of a god, what is there to be seen?
A simple reflection of ignorance
An encoded message that doesn’t make sense
Suppression of cognition through a language that can’t be interpreted by lesser beings
Willing participants, blissed in their slavery
With empty promises, fervor unwavering
As stagnancy becomes weaponized
Wide aphasia
Vast veiled persuasion
Distracted by subduing sentiment
Conventions evolve within a ruling set
Obfuscated Revelation
Devoid of reason, follow to do what’s been foretold
The framework for all that’s known
Prolonging sufferance through the spreading of knowledge permitted outside of their reach
At the benighted ascendant’s behest
Diction trusted
Tainted influence
Controlled parsing
An obscured reference
Disillusioned
Wide aphasia
Vast veiled persuasion
Distracted by subduing sentiment
Conventions evolve within a ruling set
Disillusioned

#thezenithpassage #metalblade #technicaldeathmetal #datalysium

Keni Burke - Rising to the Top (Live) Hotney 5 Visualizzazioni • 3 anni fa

Keni Burke - Rising to the Top (Live)
at Baltic Soul Weekender 2011
Né à Chicago, Keni Burke a commencé sa carrière dans les années 1960 avec les frères James, Clarence, Dennis et sa sœur Alohe dans son groupe familial The Stairsteps.Keni était le bassiste et quand ils se sont séparés en 1971, il a déménagé à Los Angeles à la recherche de travaux de session.En 1974, il part en tournée avec Billy Preston qui était un ami de l'ancien Beatle George Harrison.George a rencontré Keni à un moment où The Stairsteps discutait d'un album de retrouvailles et a signé le groupe sur son label Dark Horse.Le résultat a été un album produit par Billy Preston «2nd Resurrection», y compris la chanson de Keni «Pasado» (enregistré plus tard par le groupe Pockets).En 1977, le groupe se sépare à nouveau, mais, déterminé à réussir en tant qu'artiste solo, Keni enregistre un album solo éponyme pour Dark Horse Records.

L'album 'Keni Burke' (1977), dont 'Keep On Singing' et 'You Are All Mine', n'a pas été un grand succès, alors Keni est retourné au travail de session avec sa guitare basse.Il a joué avec Smokey Robinson, Sly et The Family Stone ('On The Right Track', 1979), Terry Callier, Linda Clifford ('Runaway Love', 1978), Dusty Springfield, Diana Ross, Ramsey Lewis ('Routes', 1980 ), Gladys Knight, The Four Tops, Curtis Mayfleld, Eugene Record, The Emotions et Bill Withers parmi beaucoup d'autres.
Il a ensuite enregistré deux albums pour RCA, 'You're The Best' (1981), dont 'Let Somebody Love You', 'Gotta Find A Way Back In Your Heart', 'Paintings Of Love' et 'Never Stop Loving Me' ; et «Changes» (1982), dont «Hang Tight» et «One Minute More».
Ce dernier a également inclus `` Risin 'To The Top' ', qui est devenu une chanson culte sur la scène soul du Royaume-Uni, bien qu'il n'ait jamais figuré sur la carte (bien qu'il soit sorti deux fois en tant que single).La chanson a été utilisée comme échantillon sur de nombreux disques de rap, tandis que la ligne de basse pourrait bien avoir été l'influence du succès de Mary Jane Girls «All Night Long».

En tant qu'auteur-compositeur / producteur, il a travaillé avec The Jones Girls ('Keep It Comin' de 1984, y compris 'You Can't Have My Love' et 'Ah Ah Ah Ah'), The O'Jays ('Put Our Heads Together') , The Whitehead Brothers, Mavis Staples ('Chocolate City'), The Whispers (co-écrit 'Let's Go All The Way'), Perri (co-écrit 'I'm The One', jouant également de la basse sur 'The Flight' ), et Bill Withers, il a également travaillé avec le groupe Polygram The Drama Club en 1990.
D'autres sessions de basse comprennent l'album de George Howard «Steppin 'Out», tandis qu'il a également arrangé des voix sur «Positive» de Peabo Bryson.
Après de nombreuses années à retrouver Keni Burke, propriétaire du label britannique, Ralph Tee a persuadé Keni de retourner au studio d'enregistrement avec l'album résultant `` Nothing But Love ''.
L'album a été boudé par de nombreux critiques bien que la chanson «Indigenous Love» semble être destinée au statut "rare«groove" dans les années à venir.

Merci Keni, Personne généreuse, qui nous donne autant de bonheur depuis de nombreuse années.
Thank you Keni, generous person, who has given us so much happiness for many years.

Love & Devotion Bob Have Mercy