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Rage Against The Machine RATM X Factor Humiliation Of Simon Cowell Hotney 3 Bekeken • 4 jaar geleden

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Today we take a look at the 2009 infamous battle between the band Rage Against the Machine and the horrible reality show the X-Factor and creator Simon Cowell. Every year since 2005 the winner of the X-Factor always had the number 1 single come Christmas time, but in 2009 things changed. A grassroots campaign started by a UK DJ got people to buy the Rage Against the Machine song "Killing In the Name" from the group's debut record.

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#RATM #xfactor #simoncowell

Now, released in November of 1992, the band's first commercial single, Rage Against the Machine's song, "Killing in the Name" would become the group's signature track. The guitar riff and expletive laden outro of the song made it memorable. It would be inspired by the deadly LA riots of 1992 as well as the Rodney King beating. The song would take aim at institutional racism and the brutality of the police. As you would expect, the large amount of expletives in the song's outro prevented it from achieving much airplay in the United States.

The band found a huge following across the pond in Europe. The song would chart in the UK in 1993, peaking at number 25. It would be strange that 15 years later, the song would make a return to the UK charts but this time at the number 1 spot. It was something that was really unthinkable and shocked a lot of people but how did it happen? Stay tuned to find out.

Christmas time is a big moment for musicians in the UK. It's a general rule of thumb in the country that whatever song tops the charts during the holiday season, will go on to become the biggest selling song of the year. This is a tradition that dates back 50 years to the 70s when rock bands would put out Christmas theme songs or covers.

Come 2005, things started to change a bit in the UK. Now reality TV has been one of the many scurges that has plagued television over the past 20 years and music shows especially have exploded since American Idol's inception in the early 2000s. One of those music shows was the Simon Cowell created X-Factor, which originally started in the UK and migrated across the pond to America in the later part of the decade.

In the UK from 2005 to 2008, each season's winner of The X-Factor would always have the number one song in the country come Christmas time. It was almost like figuring out who was going to win the election of North Korea.

In 2008, radio DJ, John Mortar was sick of Simon Cowell's [bullshit] and launched an online campaign to prevent that year's winner, Alexandra Burke from taking the number one spot. He would urge people online to buy the Rick Astley song, "Never Gonna Give You Up" but the campaign would ultimately fail. Astley's song would not even crack the top 50 in the UK, peaking at number 73. Burke's cover of "Hallelujah" easily took the Number 1 spot that year and became the biggest selling holiday single of all time in the UK.

Come 2009, things would change. In early December of 2009, the same DJ and his wife, Tracy would launch a group on Facebook encouraging people to buy the song, "Killing in the Name" before Christmas in order to prevent the winner of The X Factor that year from taking the Number 1 spot. The campaign would ask people, "Fed up of Simon Cowell's latest karaoke act being Christmas' Number 1? Me too. So who's up for a mass purchase of the track, Killing in the Name" as a protest to the X-Factor monotony?"

The X-Factor winner that year was the person named Joe McElderry who covered the Miley Cyrus song, "The Climb".

Now, the X-Factor song was promising to donate some of their profits to charity, while Rage Against The X Factor campaign encouraged supporters to also give to charity. In fact, a Just Giving page was created to raise money for the homeless charity and shelter, which by December 20th of 2009 had already raised over $100,000 US in funds.

By the middle of December, the group reportedly had over 700,000 members on Facebook and the campaign even caught the attention of Rage Against the Machine guitarist, Tom Morello who lent his support saying, that achieving the Christmas Number 1 would be, as he put it, "A wonderful dose of anarchy," and Morello even planned to donate royalties from the sales of the song to charity.

Morello wouldn't be the only high-profile musician giving their support to the campaign as Dave Grohl, Them Crooked Vultures, Muse and even The Prodigy also voiced their support for the campaign. Also lending their support was heavyweight, Paul McCartney who coincidentally, also appeared on The X Factor with the finalists.

Simon Cowell, for his part, apparently responded to the campaign reportedly calling it "stupid and cynical," but one thing that went unnoticed was that both, the X Factor and Rag

Mother Love Bone: The Tragic Death of Andrew Wood, Malfunkshun & The Story of 'Apple', Hotney 3 Bekeken • 4 jaar geleden

Mother Love Bone: The history of the band and death of Andrew Wood

Nirvana-Pearl Jam Feud
https://www.youtube.com/watch?v=jY08x1asWNw&t=331s

Temple of the Dog Video
https://www.youtube.com/watch?v=nKw32zR_Kzo&vl=en

0:00 - Andrew Wood's Early Life
1:34 - Malfunkshun
5:37 - Green River
7:40 - Mother Love Bone Formation
11:15 - Major Label Deal/Andy's Problems
14:25 - Andy's Death

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#motherlovebone #andrewood

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Andy Wood would be Born to a close knit family in columbus, mississippi, 1966. Throughout his childhood his family moved around a lot as his father was in the military. They would live in san antonio texas in the mid 70’s before relocating to bainbridge island in the 80’s, which is a short ferry ride away from Seattle. In his youth, Andrew Wood would find solace in Elton John, Kiss, and T-Rex a sign of what was to come in his musical career. By the time he was in elementary school Andy already started dabbling in drugs, something which would lead to his downfall.
Known for his charismatic style, Andy originally wanted to be a radio DJ even winning a contest in the sixth grade to host a show on a local seattle radio station KZOK called ‘Your mother won’t like it.” It was during this show Andy hosted a three hour program where he told stories, jokes and did comedy bits in addition to playing music. Dave Rees who would be Andy’s bandmate in the band Malfunkshun would recall in the book Everybody loves our town “i remember talking to andy after that and he seemed a little disappointed because he wanted to be a dj but he realized that there was no immediate feedback. There was no audience. And that really bummed him out. He actually told me. Well now i’m gonna have to be a rockstar. According to Kevin Wood, Andy’s older brother it would be a concert andy saw in middle school where cheap trick opened Kiss that made Andy want to become a rockstar.
Before we can talk about Mother Love Bone, we have to talk about another band that preceded it Malkfunkshun. Andrew Wood would form the band with his older brother kevin when he was just 14 . The brothers would end up recording their first demo tape during easter sunday in 1980 when they were left home alone while their family was at their grandmothers house. His brother Kevin used to work as a dishwasher at a restaurant and remembered seeing a sign above the dishwasher that said ‘report malfunction’ before the name got trimmed down to malfunkshun with an alternative spelling. Originally malfunkshun was a four piece, but was scaled down to a three piece with Andy playing bass and doing vocals while his brother kevin played guitar and they enlisted punk drummer Regan Hagar. Dave Rees who was Malfunkshun’s original bassist for a short period of time said in the book Grunge is Dead: “Malfunkshun was the loudest and most entertaining band I’d ever seen. Yes, they were louder than motorhead.”
Andy’s brother Kevin would recall in the same book “everyone had a good time at a malfunkshun show. It was an open minded sort of feeling. I was afraid first of offending the sensibilities of the punk rockers. But they welcomed us with open arms. I think we opened up doors for bands to just come out, be themselves and play. It’s kind of what started the whole evolution of the punk turns into the rock
While many associate grunge with flannel, one of the earliest so called grunge bands was Malfunkshun, which didn’t wear flannel. Wood would model his stage persona after theatrical performers including Marc Bolan, Freddie Mercury, Elton John and Prince. He would take the stage name L’Andrew The Love Child while his brother would take on the name Kevin stein and their drummer Regan Hagar would become THundarr. Unlike a lot of his peers Andy wanted to be a big star, perform in arenas and create music that appealed to the masses. Andy was so single minded in his pursuit of success that according to Kerrang he said he would even open for Warrant.
Andy’s on stage persona became the stuff of legends in seattle, telling jokes in between songs, one story had him even making a san

Sources:

Books: Grunge Is Dead, Everybody Loves Our Town
https://www.latimes.com/archiv....es/la-xpm-1990-09-23
2005 documentary Malfunkshun: The Andrew wood
https://www.independent.co.uk/....arts-entertainment/m

The Who: The Tragic Death of Keith Moon Hotney 3 Bekeken • 4 jaar geleden

The Who: Keith Moon, the tragic death of the drummer.

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#thewho #keithmoon #drummer

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Keith Moon played a crucial role in the Who’s early success. But as much as he’d receive acclaim for his distinctive drumming, he’d also gain notoriety for his self-destructive behavior. In fact, Moon would die in 1978 at the young age of 32 as a direct result of such behavior, right as the band were celebrating the release of their seminal eighth album, Who Are You. Today, we’ll explore the life and death of Keith Moon, the Who’s best-known drummer.
Keith Moon was born in 1946 in London, England, and raised in Wembley. Moon was thought to have a restless imagination as a child, and took a strong liking to British radio comedy, while music resonated with him just the same. Moon grew up in a post-World War 2 environment, and like many children at the time, was oblivious to the anxieties that remained prevalent. On an episode of the docuseries Living Famously, music journalist Tony Fletcher would surmise how Moon, as well as other children, processed the world around them, saying,
“The kids who grew up…don’t have their parents’ experiences of the war. They don’t understand their longing for this peaceful, quiet life, and to be quite honest, they’re bored; that’s the bottom line,” adding, “You throw Keith into this, and there really can’t be any question that he would’ve qualified these days as being hyperactive.”
By 1961, rock music expanded its reach worldwide. Moon was a teenager at this point, often performing poorly in school, and as a way to channel his hyperactivity, he started taking drum lessons at age 14. During one of The Who’s first visits to America, Moon would recall his initial experience with playing drums before the lessons took place,
“It’s too far back to remember, but I can talk about when I first got interested in wanting to play an instrument. [It] was the Beach Boys who really started me playing drums. I hadn’t really thought about playing an instrument until I heard music that I wanted to play [along to]. I’d have a kit and just play along with a record in my room, and then I’d join a group and do some stuff with them,” he’d say.
When asked if he’d played along to other records besides the Beach Boys, Moon would respond:
“Yeah, I liked Eddie Cochran and Dionne [Warwick]. There were mainly American groups in those days, because Britain wasn’t really playing a lot of stuff. There were a few English [acts] then, but they didn’t impress me; I can’t remember any. It was like that until the Beatles came along, and then I started to have a serious outlook on playing.”
Moon’s drum tutor would be Carlo Little, who was well-known as the drummer for the musician Screaming Lord Such, and who’d profoundly influence Moon’s playing, as he taught him the unrestrained, hard-hitting style he’d become famous for.
Little would comment on just how intense their lessons would get, even to the point of going overtime. “Instead of an hour, or an hour and a half, [they] would be three or four hours. Sometimes, we’d have the amplifiers going so loud that we started to see the ceiling crack, and bits of plaster falling off the walls,” he’d say.
After several years playing professionally, Moon became competent in his musicianship, and by 1964, he’d audition for The Who. Prior to his joining, he was drumming for another band, The Beachcombers. Meanwhile, The Who were an up-and-coming R&B cover band consisting of frontman Roger Daltry, guitarist Pete Townshend, bassist John Entwistle, and an indefinite replacement for previous drummer Doug Sandom, who was normally the peacekeeper in the band. Townshend discussed in a 1975 interview how Moon auditioned for the band, and was taken aback by his appearance, saying,
“Keith Moon rolled up one day, ginger all over – ginger shoes, ginger corduroy trousers, ginger jacket, and his hair died ginger, holding a glass of brown ale – this complete ginger vision.”
“[He’d come] up and say, ‘I can play better than him.’ [He was] this horrible impudent…got up on the drummer’s drum kit, and practically smashed it to pieces.”
“We thought, ‘This is the man for us,’” he’d say.
As mentioned in the 2014 book Rockin’ In Time, Moon was quoted with explaining the experience in further detail, saying,
“I got behind this other guy's drums and did one song, 'Roa

Rockstars & Celebrities Who Can't Stand BILLY CORGAN of The Smashing Pumpkins Hotney 3 Bekeken • 4 jaar geleden

Rockstars and celebrities who can't stand Billy Corgan

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#billycorgan #thesmashingpumpkins

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Soundgarden, Courtney love, pavement,

The smashing pumpkins frontman and leader billy corgan has feuded with many bands and musicians over the years. Today let’s take a look at some of his more notable feuds that don’t involve ex-bandmates and if i’ve missed any put them in the comments section below.

Collective Soul

Collective Soul ascended to prominence in the mid 90’s with their 1994 hit single Shine from their debut album. The song was a huge hit topping the US Mainstream rock charts and it was also a crossover hit peaking at number 11 on the US billboard hot 100.

It was during that the time that Shine took off, The Smashing Pumpkins frontman Billy Corgan slammed Collective Soul in the press referring to Frontman Roland as a "shameless rip off artist" According to Cleveland.com Corgan was upset over how similar the song sounded to the smashing pumpkins track, Drown. Corgan was so upset that he sued Collective Soul in the mid 90’s but Roland was able to produce a demo of the song that dated back to 1989, which predated the formation of the Smashing Pumpkins. It was rumored that Collective Soul for their second album, which was self titled and came out in 1995 wrote a diss track about corgan in 1995 called Smashing Young Man. While Corgan isn’t named in the track there are lyrics like "synthetic-like," and saying he lives in a "self-lit spotlight

And as recently as 2020 Ed Roland gave an interview to Cleavland.com where he clarified what the song was about saying

everyone thought that because he was busy smack-talking about us all the time -- which didn't bother me at all. It's just a fun song, and the next thing you know Billy starts coming at me again and I'm like, "Dude! No, no no..." And finally, there was one point where I just said, "Yeah, it was written about him, sure. Whatever he wants to think, I don't care." But I love Smashing Pumpkins. If I ever met Billy, I'd tell him what a great musician, great songwriter he is. I've got nothing negative to say. I've got other things to do in my life than to bitch about people
The Smashing Pumpkins would surprisingly cover “Shine” at a show in 2010 briefly and heres what happened..” Whoa, heaven let your light shine down. I hate that song. What a rip off of my band. Fast forward to
2019 and Billy Corgan was answering fan questions on Instagram when one fan asked the frontman if he ever made peace with collective soul to which he responded ‘F*** Collective soul, now and always.’

Soundgarden
Billy Corgan gave an interview in 2012 with Philstar just before playing a show in the Philippines where he singled out the band Soundgarden who he labeled as a nostalgia act for making money off playing their old tunes. Soundgarden would reunite in 2010 after a 13 year break. Corgan would say there are bands that are essentially coming back to only make money playing their old albums &maybe somewhere in the back of their minds they are thinking that their might be a future. I'm not in that business obviously. .I condemn anybody whose in that business, but doesn't admit he's in that business. When Soundgarden came back and they just played their old songs. Great! Iwas a fan of Soundgarden. But call it for what it is. They are just out to have one more round at the till he'd say.

The same month Corgan appeared on a a radio station and seemed to indicate that it was Soundgarden frontman Chris Cornell who started the feud the frontman told an interviewer in 2007 that he didn't consider the Smashing Pumpkins reunion at that point in timeas he put it to be legitimate. In 2007 Corgan had reunited with original drummer Jimmy Chamberlin but not the rest of the original band, leading many in the press and in their fanbase to criticize Corgan. Corgan would claim in that same interview

An Cornell would retaliate a few months later in 2012 telling ABC Radio
"When Billy Corgan was completely broke, I got him a movie deal with [director] Cameron Crowe where he made $40,000. He was very happy about that, and he was specifically happy about the $40,000. So

2Pac - I Ain't Mad At Cha (Music Video) HD Hotney 3 Bekeken • 4 jaar geleden

Music video to 2Pac performing I Ain't Mad At Cha featuring Danny Boy. From the album All Eyez On Me © 1996 DRR

Lyrics:
Now we was once two brothas of the same kind
Quick to approach a ghetto cutie with the same line
You was just a little smaller but you still roll
Got stretched to Y.A. and hit the hood swoll
'Member when you had a jheri curl never quite learn
Drinking 90 proof on the roof trippin' off sherm
Collect calls to the till, sayin' how ya changed
Oh you a Muslim now, no more dope games
I just got the phone call, heard you got bail
Wanna go to the Mosque, No time for females
I’m losing touch with my homie he’s a changed man
He hit the pen and now no sinnin' is the game plan
When I say I’m living large, all you see is the struggle
When I say I’m still thugging, all you see is the trouble
Congratulation on the weddin', I hope your wife know
She got a playa for life, and everybody miss ya
I know we grew apart, you probably don’t remember
I used to fiend for your sister, but never did get with her
And I can see us after school, we’d BOMB
On the first playa hatas with the wrong set on
Now the whole things changed, ‘cause we don’t even kick it
Got a big money scheme, and you ain’t even with it
Hmm, knew in my heart you was the same young brotha that
When it’s time for war go toe to toe we’ll watch a brotha’s back
I can’t even lie, 'cause I ain't laughin' at cha
You tryin' hard to maintain, but go ahead
'Cause I ain’t mad at cha
(Hmm, I ain’t mad at cha)

[Hook: Danny Boy]
I ain't, mad, at cha
I ain't mad at cha
I ain't, mad, at cha

[Verse 2: 2Pac]
We used to be like distant cousins, fightin', playin' dozens
Whole neighborhood buzzin', knowin', that we wasn’t
Used to catch us on the roof or behind the stairs
I’m gettin' blitzed and I reminisce on all the times we shared
Besides bumpin' 'n' grindin' wasn’t nothin' on our mind
In time we learned to live a life of crime
Rewind me back, to a place was much too young to know
I caught a felony lovin' the way the guns blow
And even though we seperated, you told me you’d wait
Don’t give nobody my lovin' while I be locked up state
I kiss my Mama goodbye, and wipe the tears from her lonely eyes
Said I’ll return but I gotta fight the fate’s arrived
Don’t shed a tear, 'cause Mama I ain’t happy here
I’m through trial, no more smiles, for a couple years
They got me goin' max, I’m knockin' busters on they backs
In my cell, thinkin', “Hell, I know one day I’ll be back”
But as soon as I touch down
I told my girl I’ll be there, so prepare, to get loved down
My homies wanna kick it, but I’m just laughin' at cha
Y'all play too many games, but I ain’t mad at cha

[Hook: Danny Boy]
I ain't, mad, at cha
I ain't mad at cha
I ain't, mad, at cha

[Verse 3: 2Pac]
Father forgive us for livin' while all my homies stuck in prison
Barely breathin' believin' that the world is a prism
It's like a ghetto we can never leave
A broken rose givin' bloom through the cracks of the concrete
So many other things for us to see
Things to be, our history so full of tragedy and misery
To all my homies never made it home
The dead peers I shed tattooed tears for, when I'm alone
Picture us inside a ghetto heaven, a place to rest
Findin' peace through this land of stress
In my chest I feel pain come in sudden storms
Life full of rain in this game watch for lead thorns
Our unborn never got to grow, never got to see what's next
In this world full of countless threats
I beg God, to make a way for our ghetto kids to breathe
Show us sign, make us all believe
'Cause I ain't mad at cha

[Hook: Danny Boy]
I ain't, mad, at cha
I ain't mad at cha
I ain't, mad, at cha
I ain't, mad, at cha
I ain't mad at cha
I ain't, mad, at cha

#2Pac #2Pac2020 #Tupac

How SEVEN NATION ARMY Became A Stadium Chant Hotney 3 Bekeken • 4 jaar geleden

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-------------------------------

Seven Nation Army has one of the most recognizable riffs of all time. It’s melody has become a global sports anthem. And while it might sound like it’s played on a bass guitar that sound is created by Jack White's semi-acoustic guitar brought down an octave by a guitar pedal. The band never used a bass guitar until the album that followed. And that had to do in part with the band’s obsession with the number three.

- They only ever used three colours on their album covers, promotional materials and on stage.
- Their third album was recorded in three days
- Jack White likes to throw the number onto the end of his name.
- His record label is Third Man Records
- He wrote a song for Loretta Lynn that was exactly 3 minutes and 33 seconds long…

Alright I might be stretching it with that last one. But where The Stripe’s rule of three was most evident was in their sound. Since they played as a two-piece on stage, aside from vocals, each of them could only play one instrument at a time. The group would add more elements to their minimalist composition over time, but always came back to rock’s three main ingredients of:

Guitar, drums and vocals.

They found liberation in limiting themselves. It forced them to be creative with a small tool kit. And there is a quality in that simplicity. Seven Nation Army has become timeless. There are more people who know the tune than those who even know it’s authors. Making Seven Nation Army The Last Great American Folk Song.

-------------------------------

Who did seven nation army?
The White Stripes

When did seven nation army come out?
2003

What album is seven nation army on?
The White Stripe’s 4th LP Elephant

Is seven nation army played with a bass? Does seven nation army have bass?
No, it’s played on a Kay Hollowbody with the whammy pedal set an octave down. The band never used a bass guitar in their earlier records.

why seven nation army chant
how seven nation army sports
why seven nation army football
seven nation army we will rock you

Written, Voiced and Edited by Frank Furtado
Music by Epidemic Sound: http://epidemicsound.com
#thewhitestripes #jackwhite #sevennationarmy #middle8

Pink Floyd - The Dark Side Of The Moon (50th Anniversary) [2023 Remaster] {Full Album} Hotney 3 Bekeken • 4 jaar geleden

50th anniversary of Pink Floyd's 'The Dark Side of the Moon' celebrated with new box set available March 24. Out now: https://pinkfloyd.lnk.to/DarkSide50th

*TRACKLISTING*
0:00 Speak To Me
1:11 Breathe (In The Air)
3:57 On The Run
7:30 Time
14:35 The Great Gig In The Sky
19:19 Money
25:48 Us And Them
33:33 Any Colour You Like
36:59 Brain Damage
40:49 Eclipse

*50TH ANNIVERSARY OF PINK FLOYD‘S ‘THE DARK SIDE OF THE MOON’. OUT MARCH 24*
Announcing the release of Pink Floyd’s ‘The Dark Side Of The Moon’ as a deluxe box set to celebrate 50 years since the release of one of the best-selling albums of all time. Newly remastered, the box set will be released on 24th March 2023.

One of the most iconic and influential albums ever, Pink Floyd’s ‘The Dark Side Of The Moon’ continues to find new audiences globally. The album was partly developed during live performances, and the band premiered an early version of the suite at London’s Rainbow Theatre several months before recording began. ‘The Dark Side Of The Moon’ is the eighth studio album by Pink Floyd, originally released in the US on 1 March and then in the UK on 16th March 1973. The new material was recorded in 1972 and 1973 at EMI Studios (now Abbey Road studios) in London. The iconic sleeve, which depicts a prism spectrum, was designed by Storm Thorgerson of Hipgnosis and drawn by George Hardie. ‘The Dark Side Of The Moon’ has sold over 50 million copies worldwide.

The new deluxe box set includes CD and gatefold vinyl of the new 2023 remastered studio album and Blu-Ray + DVD audio featuring the original 5.1 mix and remastered stereo versions. The set also includes additional new Blu-ray disc of Atmos mix plus CD and LP of ‘The Dark Side Of The Moon - Live At Wembley Empire Pool, London, 1974’. For full details see listing below.

THE DARK SIDE OF THE MOON STUDIO ALBUM CREDITS:
1 SPEAK TO ME (Nick Mason)
2 BREATHE (IN THE AIR) (Roger Waters, David Gilmour, Richard Wright)
3 ON THE RUN (David Gilmour, Roger Waters)
4 TIME (Nick Mason, Roger Waters, Richard Wright, David Gilmour)
5 THE GREAT GIG IN THE SKY (Richard Wright - Vocal composition on The Great Gig In The Sky by Clare Torry)
6 MONEY (Roger Waters)
7 US AND THEM (Roger Waters, Richard Wright)
8 ANY COLOUR YOU LIKE (David Gilmour, Nick Mason, Richard Wright)
9 BRAIN DAMAGE (Roger Waters)
10 ECLIPSE (Roger Waters)

DAVID GILMOUR Vocals, Guitars, VCS3
NICK MASON Percussion, Tape Effects
RICHARD WRIGHT Keyboards, Vocals, VCS3
ROGER WATERS Bass Guitar, Vocals, VCS3, Tape Effects

Produced by PINK FLOYD
Recorded at Abbey Road Studios, London, between May 1972 and January 1973
Engineer Alan Parsons
Assistant Peter James
Mixing supervised by Chris Thomas
Remastered by James Guthrie

Saxophone on ‘Us And Them’ and ‘Money’ Dick Parry
Vocals on ‘The Great Gig In The Sky’ by Clare Torry
Backing Vocals by Doris Troy, Lesley Duncan, Liza Strike, Barry St John

Original Cover Design & Photography by Hipgnosis
Graphics & Artwork by George Hardie N.T.A.
Heartbeat Graphic from an idea by Roger Waters
Prism Photography by Tony May & Storm Thorgerson
Reissue design by Peter Curzon / StormStudios

All Lyrics by ROGER WATERS

Tracks 1,5 and 8 published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights
Limited for the World excluding USA & Canada. USA & Canada: TRO-Hampshire House Music Publishing Corp.
Tracks 2,3,4 and 7 published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights
Limited / Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the World excluding USA & Canada. USA & Canada: TRO-Hampshire House Music Publishing Corp.
Tracks 6,9 and 10 published by Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the World excluding USA & Canada. USA & Canada: TRO-Hampshire House Music Publishing Corp.

Original UK release date: March 1973

*PINK FLOYD SOCIAL MEDIA*
YouTube http://PinkFloyd.lnk.to/OfficialYouTube
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Apple Music http://PinkFloyd.lnk.to/AppleMusic

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