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Gunna - idk nomore Hotney 1 Bekeken • 3 jaar geleden

Gunna's "idk nomore" from the new album ‘a Gift & a Curse’ - OUT NOW

Stream "idk nomore": https://gunna.lnk.to/agiftandacurse

Follow Gunna:
https://only1gunna.com/
IG: https://www.instagram.com/gunna/
TW: https://twitter.com/1GunnaGunna
FB: https://www.facebook.com/gunnaofficial/
SC: https://soundcloud.com/gunna

℗ 2023 Young Stoner Life Records / 300 Entertainment

#gunna #agiftandacurse #idknomore

LYRICS:
I don’t know no more
I don’t know no more
I can't put my finger on it
I don't know who to call
We was never use to money
They don’t know how to ball
They looking for me let em know I’m building a wall
Ducking the law I ain’t trusting no one at all
I know that when you shine, they wish some days a be dark
I ain’t know it a be time when you really show who you are.
We burn a bridge and cut the ties and we forever apart

I’m done with all these foes on my soul just forget them
ten months without no syrup it ain’t no codeine in my liver
why men acting like girls talking to Niggas like they sisters
and if you want to roll, you can go to roll with them
Looking through that peep hole better hope it ain’t a hitter
I could do that on my own I don’t want to fuck them niggas
I gotta big brother who love me a stone cold killer
If it's family, that meaning love Never ever ending

I don’t know no more
I don’t know no more
I can't put my finger on it
I don't know who to call
We was never use to money
They don’t know how to ball
They looking for me let them know I’m building a wall
Ducking the law I ain’t trusting no one at all
I know that when you shine, they wish days a be dark
I ain’t never know it a be time when you really show who you are.
We burn a bridge and cut the ties and we forever apart

niggas just ain't mad at that it’s really sum else too it
It's always been your plan
You just ain't had no way to do it
Remember We was cool.
I gave you shit when I didn't use it
Let me get that money back I hope you ain’t ran through it
Want to know how Wunna feel then listen to my music
talk about this shit I didn't know and I was clueless
Real life on this earth.
But shit it feel like a movie
I feel like just Don’t
Know no more what all this would do me

I don’t know no more
I don’t know no more
I can't put my finger on it
I don't know who to call
We was never use to money
They don’t know how to ball
They looking for me let them know I’m building a wall
Ducking the law I ain’t trusting no one at all
I know that when you shine, they wish days a be dark
I ain’t know it a be time when you really show who you are.
We burn a bridge and cut the ties and now we forever apart

We burn a bridge and cut the ties and now we forever apart
I ain’t know it a be time when you really show who you are
We was never use to money
They don’t know how to ball
They looking for me let em know I’m building a wall

Girl Ultra: Tiny Desk Concert Hotney 1 Bekeken • 4 jaar geleden

From Sept. 15 through Oct. 15, Tiny Desk is celebrating Latinx Heritage Month with an "El Tiny" takeover, featuring Jessie Reyez, Susana Baca and more musicians from all corners of Latinidad.

Stefanie Fernández | Sept. 21, 2022
Girl Ultra's music is never one thing for long. After coming up in Mexico City's alt R&B scene, Mariana de Miguel built on that premise with experiments in house, bolero, pop and punk, fused with her own distinct glint. Her El Tiny performance is an effortless flash of all she is capable of and of the commanding performance she's finessed over her career. Even the onomatopoeic chorus of house track "BOMBAY" translates seamlessly to the desk.

Slowed and acoustic as it is, the El Tiny version of "Punk" captures the frenetic rush of the original, itself an alt transfiguration of Gwen Stefani's "Bubble Pop Electric" that interpolates its pop chorus and tailors it to the allure of going out in the south side of Mariana de Miguel's hometown of Mexico City. "Dime tú que voy a hacer con este feeling," ("You tell me what I'm going to do with this feeling") she asks, ostensibly of the person she's singing about. But it's also a question that speaks to the mutability of her performance: effusive and commanding, but never lacking a controlled restraint as it evolves. As she sings in "DameLove," "feelings always come and go."

She begins her El Tiny performance of that song by playing a few moments of the recorded version. Cuco's voice and hers float in from the drum machine, warped, as she flutters her fingers in front of her face, cultivating mystery against the familiarity of the setting for a solo rendition of the song that feels even more intimate.

She describes the final song of her set, "Ella Tú y Yo" from 2019's Nuevos Aires, as "about finding a third one in a relationship – which is pretty common these days." Here, she reworks the R&B ballad into a simmering indie rock churn, its titular phrase whispered with a soft wince.

Just one album and an EP into her career, Girl Ultra has already commanded change — as necessary and sometimes difficult as it can be — as a driver of expression. Here, it's thrilling.

SET LIST
"BOMBAY"
"Punk"
"DameLove"
"Ella Tú y Yo"

MUSICIANS
Girl Ultra: vocals, guitar
Sami Mendoza: drums
Andrea Martínez: bass
Santiago Mijares: keys

TINY DESK TEAM
Producer: Anamaria Sayre
Audio Engineer: Natasha Branch
Audio Mix: Josh Rogosin
Director: Kara Frame
Creative Director: Bob Boilen
Series Producer: Bobby Carter
Editor: Michael Zamora
Videographers: Kara Frame, Joshua Bryant, Michael Zamora
Audio Assistant: Hannah Copeland
Production Assistant: Jill Britton
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Ashley Pointer, Maia Stern
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

Tems: Tiny Desk (Home) Concert Hotney 1 Bekeken • 4 jaar geleden

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Bobby Carter | November 4, 2021
From an elegant performance space in Lagos, Nigeria, Temilade Openiyi, aka Tems, adorns hues that recall the title of her latest EP, If Orange Was a Place. As she slips into performance mode, emoting with her eyelids drooped slightly, she begins "Found" in her upper register before switching to that unmistakably rich alto range. That's when the magic starts.

Her music aligns perfectly with the Tiny Desk aesthetic: Everything is stripped away to reveal the feels. Over the past couple of years, the Nigerian singer's star has been on a steady ascent, beginning with the release of her first couple of singles, "Try Me" and "Mr. Rebel." "Damages" (performed here) was huge in Nigeria and helped put her name on the U.S. map. That slow and steady approach led to features on two huge international hits: Drake's "Fountains," one of the standouts on Certified Lover Boy, and "Essence" by Wizkid featuring ahem ... starring Tems. Originally released last year, the latter was arguably the song of this summer (ask anyone who braved the nightclubs in 2021). Those two jams served as a gateway to what's becoming a substantial discography, and her Tiny Desk setlist tacitly implies, "I know you love those songs and you'll love these, too." She's right.

SET LIST
"Found"
"Free Mind"
"Looku Looku"
"Replay"
"Damages"

MUSICIANS
Tems: vocals
Nsikak David: guitar
Afolabi Adekomaiya: drums
Obinna Enwere: keys
Ayo Dele Owa: bass

CREDITS
Director: ua.x
Producer: Ebuka Nwobu.
Production Manager: Chisom Nwobu
DOP: FEDWORKS
Art Director: Desola Falomo
Associate Producers: Kenechukwu Nwobu, Adedamola Adetunji
Gaffer: Ekene Ucheonwu
Camera Operators: Gbolahan Inaolaji Quam, Folarin Oludare
Location Manager: Debo Johnson
Camera Assistants: Tobi Oloko
Editor: uaxstudio
Colorist: Eduvie 'Stedi' Emojevwe
Production Company: uaxstudio + Ladder, Lex & Booker

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Kara Frame, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #tems

JIMI HENDRIX - The Scandinavian Experience (1969) - Full Concert Hotney 1 Bekeken • 4 jaar geleden

Jimi Hendrix Experience - Live in Stockholm (1969) - Full Concert.

- Killing Floor
- Spanish Castle Magic
- Fire
- Hey Joe
- Voodoo Child (Slight Return)
- Red House
- Sunshine Of Your Love

Date: 1969-01-09.

Venue: Konserthuset, Stockholm, Sweden.

Jimi Hendrix - guitar, vocals
Noel Redding - bass guitar
Mitch Mitchell - drums, percussion

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American rock guitarist, singer, and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music".

Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the U.S. Army and trained as a paratrooper in the 101st Airborne Division; he was granted an honorable discharge the following year. Soon afterward, he moved to Clarksville, Tennessee, and began playing gigs on the Chitlin' Circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after being discovered by Linda Keith, who in turn interested bassist Chas Chandler of the Animals in becoming his first manager. Within months, Hendrix had earned three UK top ten hits with the Jimi Hendrix Experience: "Hey Joe", "Purple Haze", and "The Wind Cries Mary". He achieved fame in the U.S. after his performance at the Monterey Pop Festival in 1967, and in 1968 his third and final studio album, Electric Ladyland, reached number one in the U.S.; it was Hendrix's most commercially successful release and his first and only number one album. The world's highest-paid performer, he headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970 before his accidental death from barbiturate-related asphyxia on September 18, 1970, at the age of 27.

Hendrix was inspired musically by American rock and roll and electric blues. He favored overdriven amplifiers with high volume and gain, and was instrumental in utilizing the previously undesirable sounds caused by guitar amplifier feedback. He helped to popularize the use of a wah-wah pedal in mainstream rock, and was the first artist to use stereophonic phasing effects in music recordings. Holly George-Warren of Rolling Stone commented: "Hendrix pioneered the use of the instrument as an electronic sound source. Players before him had experimented with feedback and distortion, but Hendrix turned those effects and others into a controlled, fluid vocabulary every bit as personal as the blues with which he began."

Hendrix was the recipient of several music awards during his lifetime and posthumously. In 1967, readers of Melody Maker voted him the Pop Musician of the Year, and in 1968, Rolling Stone declared him the Performer of the Year. Disc and Music Echo honored him with the World Top Musician of 1969 and in 1970, Guitar Player named him the Rock Guitarist of the Year. The Jimi Hendrix Experience was inducted into the Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. Rolling Stone ranked the band's three studio albums, Are You Experienced, Axis: Bold as Love, and Electric Ladyland, among the 100 greatest albums of all time, and they ranked Hendrix as the greatest guitarist and the sixth greatest artist of all time.

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