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The Rich Homie Quan Interview: Rich Gang Break Up, If He Fell Off, ATL RICO’s & More Hotney 1 Просмотры • 4 лет тому назад

Rich Homie Quan talks about his rise, the ups and downs of being successful, YSL: Birdman's relationship, falling out with Thug, and much more!

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00:00 Intro
2:00 Rich Homie talks about getting on the track “My N****” with YG
3:00 Rich Homie on working with Jeezy
3:55 Rich Homie says the SoundCloud wave ruined the rap industry
9:43 First uploads on BearShare and LimeWire
12:45 Rich Homie on his grandma buying him his first full recording setup
14:19 Passion for baseball even though it wasn't as cool as rap
15:58 Seeing “The Rich Kids” made him believe in himself
16:53 Rich Homie on using his new setup to record other artists for income
18:30 Going to jail for 15 months helped him be more creative on a unique sound
22:05 Rich Homie admires “Too Many Years” by PnB Rock and how it was similar to recording songs that he created in jail
23:17 Rich Homie reading James Patterson and implementing that writing style in his own raps
24:20 Transitioning to the "Free World" after getting released
27:10 Feeling discouraged from music after Teezy got k*lled
34:07 Knowing that “Some Type of Way” was a hit immediately and how it changed everything
38:00 Living with his mom after “My N****” goes up and having to record a radio edited version
40:20 Getting hooked on Molly and taking it first thing in the morning
41:12 Birdman approached him to do “Get Tf Out My Face” with Young Thug
42:28 Birdman putting him in the studio with Young Thug to record more tracks together
44:10 Rich Homie talks about recording “Lifestyle” with Young Thug
45:58 Rich Homie talks about His relationship with Young Thug and how it fell apart
50:56 Rich Homie talks about his father bringing him up with morals
51:22 Falling into depression after leaving Rich Gang while seeing his peers blow up
57:45 Rich Homie talks about how the feature with NoCap came about
59:50 Not getting the recognition he deserves from the new generation
1:03:36 Rich Homie touches on all the RICO’s going on in Atlanta
1:05:22 Rich Homie talks about new project dropping: “Reloaded” on 11/18
1:06:20 Rich Homie gives his opinion on the new artists coming out now
1:08:40 Rich Homie talks about his kids teaching him about Tik Tok
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Mega Hits 2022 🌱 The Best Of Vocal Deep House Music Mix 2022 🌱 Summer Music Mix 2022 #19 Hotney 1 Просмотры • 4 лет тому назад

Mega Hits 2022 🌱 The Best Of Vocal Deep House Music Mix 2022 🌱 Summer Music Mix 2022
Mega Hits 2022 🌱 The Best Of Vocal Deep House Music Mix 2022 🌱 Summer Music Mix 2022
Mega Hits 2022 🌱 The Best Of Vocal Deep House Music Mix 2022 🌱 Summer Music Mix 2022

https://youtu.be/nxOb27kdz0g

All songs in this spotify playlist: https://spoti.fi/2TJ4Dyj
#BestOfVocalDeepHouse #SummerMusicMix #HotSummer #MixtapeClub #2022 #RelaxingMusic #HouseMusic

◢Follow Mixtape Club:
★ Youtube: https://bitly.com.vn
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🎬 Videos:
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➤Youtube: https://bit.ly/3a40wFj
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🌿Follow Deep Disco Records
➤ Spotify → (https://vibe.deepdiscomusic.com/deephouse)
➤ Apple Music → (https://vibe.deepdiscomusic.com/deephousemusic
➤ Soundcloud → https://soundcloud.com/deepdiscorecords
➤ Website → https://www.deepdiscomusic.com/

0. Pete Bellis & Tommy - Treat Me Right (Marc Philippe Remix)
https://vibe.deepdiscomusic.com/ddm
1. Marc Philippe - You Love Me Tonight (Pete Bellis & Tommy Remix) #DeepDiscoRecords
https://vibe.deepdiscomusic.com/motivationhouse
2. Marc Philippe - Dancer In The Dark (Original Mix)
https://vibe.deepdiscomusic.com/motivationhouse
3. GeoM - Back To You (Marc Philippe Remix)
https://vibe.deepdiscomusic.com/deephousemusic
4. Marc Philippe - We Were Younger (Original Mix)
https://vibe.deepdiscomusic.com/deephouse
5. Marc Philippe - I Wanna Be Somebody (Original Mix) #DeepDiscoRecords
https://vibe.deepdiscomusic.com/bestofdd
6. Pete Bellis & Tommy - Missing The Way (Original Mix)
https://vibe.deepdiscomusic.com/deephousemusic
7. Pete Bellis & Tommy - Looking for a New Home (Original Mix)
https://vibe.deepdiscomusic.com/dancehouse
8. Pete Bellis & Tommy - Do You Wanna Know (Marc Philippe Remix)
https://vibe.deepdiscomusic.com/deephousemusic
9. Marc Philippe - Is Someone Waiting For Me (Original Mix)
https://vibe.deepdiscomusic.com/motivationhouse
10. Marc Philippe - Summer Of Love (Original Mix)
https://vibe.deepdiscomusic.com/hits
11. Marc Philippe - September Rain (Original Mix)
https://vibe.deepdiscomusic.com/bestofdd
12. Housenick - I Am Ok (Pete Bellis & Tommy Remix) #DeepDiscoRecords
https://vibe.deepdiscomusic.com/bestofdd
13. Marc Philippe - Deepest Blue (Original Mix)
https://vibe.deepdiscomusic.com/hits
14. GeoM, Pete Bellis & Tommy - Love You Enough (Original Mix)
https://vibe.deepdiscomusic.com/deephousemusic
15. Dimitris Athanasiou - Middle Of Summer (Original Mix )
https://vibe.deepdiscomusic.com/hits
17. Dimitris Athanasiou - Around You
https://vibe.deepdiscomusic.com/ddm
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✔️ Mixtape Club is created to promote and support new artists, (musicians/labels, composers, producers, photographers/filmmakers) who want to create a fan base. Send your song or video on Queen House
If any producer, label, artist or photographer has an issue with any of the music or video uploads please contact us and we will remove your work immediately. Thank you!
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A Brief History of Rage Against the Machine Hotney 1 Просмотры • 4 лет тому назад

A not-so-brief documentary about Rage Against the Machine. Produced and written by Matt Beat. Check out @rageagainstthemachineofficial's music here: https://open.spotify.com/artis....t/2d0hyoQ5ynDBnkvAbJ
Related: Prophets of Rage - Topic, @AudioslaveOfficial, @RATMVEVO
My other channel: @iammrbeat
My band: https://open.spotify.com/artis....t/62BsMJGRfRgX5rmsSP

This video is dedicated to Nolan Rogers.

Sources/further reading:
https://www.ratm.com/bio/
https://www.britannica.com/top....ic/Rage-Against-the-
https://en.wikipedia.org/wiki/....Rage_Against_the_Mac
https://en.wikipedia.org/wiki/....Rage_Against_the_Mac_discography
https://musicianguide.com/biog....raphies/1608003295/R
https://www.allmusic.com/artis....t/rage-against-the-m
https://jhiblog.org/2020/04/22..../its-coming-back-aro
https://www.vulture.com/2016/1....1/rage-against-the-m
http://www.musicfanclubs.org/r....age/articles/kerrang
https://happymag.tv/engineerin....g-the-sound-rage-aga
https://faroutmagazine.co.uk/r....age-against-the-mach
https://www.billboard.com/musi....c/rage-against-the-m
https://ultimateclassicrock.co....m/rage-against-the-m
https://www.kerrang.com/featur....es/a-deep-dive-into-

#rage #musicdocumentary #ratm

Los Angeles, California
1991

Two friends who had known each other since the sixth grade, Zack de la Rocha and Tim Commerford, meet a drummer named Jon Knox. Knox told them that his old bandmate, Tom Morello, was looking to start a new band after their old band, Lock Up, had broken up. Morello invited de la Rocha and Commerford, as well as a drummer named Brad Wilk, for a jam session. De la Rocha and Commerford actually used to be in a band together back in junior high, but other than that, the four had never played together before. The jam session turned into multiple jam sessions, and the next thing ya know, they had a band. De la Rocha would be the vocalist and provide the lyrics, which would undoubtedly be politically charged most of the time. By the way, he had been in multiple bands before this. Morello would play guitar. Commerford would play bass. Wilk would play drums.

They named themselves “Rage Against the Machine.” Apparently that name was originally supposed to be the name of a song and album de la Rocha had written for his previous band, Inside Out. Apparently this dude named Kent McClard also coined the phrase in a 1989 article in his zine called No Answers. Regardless, over the years many of their fans would come to view “The Machine” as any system or organization that was responsible for injustice in the world. “Rage Against the Machine” ended up being a pretty fitting name.

Their first performance was in “somebody’s living room” in Orange County, California. After that, they quickly gained a following. Not wasting any time, they recorded a 12-song demo, releasing it on cassette tape in December 1991. Throughout early 1992, the band sold the tape for $5 at their live shows, eventually selling more than 5,000 copies of them. Oh by the way, if you have one of them, ya might want to hold on to it. I saw one sold online for hundreds of dollars.

Anyway, the artwork featured images of stock market reports with a single match. The band also printed the statement “No samples, keyboards or synthesizers used in the making of this recording,” which would be printed on all later recordings they released. In the liner notes, they also referred to themselves as “Guilty Parties,” which would also be printed for all later recordings they released.

Oh, and they also sent the demo album to many major record labels, and while several wanted to sign them, they ended up signing with Epic Records. In April, they recorded their debut album at Sound City Studios in L.A. They ended up re-recording seven of the twelve songs that were on their demo. De la Rocha wrote the lyrics, which were obviously politically motivated and attacked multinational corporations, cultural imperialism, and government oppression. They seemed to represent a leftist voice that had become less prominent in the 1990s. Tom Morello’s guitar work was inventive, to say the least. In the studio, he was constantly experimenting with the weird new sounds his guitars could make. Garth Richardson produced. After leaving the studio, the band hit the road, playing a notable show opening for Porno for Pyros at one of their first ever gigs. In October, they toured Europe, and by that time the hype for them was already building.

Epic released their self-titled debut studio album on November 3, 1992. The first single, “Killing in the Name” ended up being a huge radio hit.

Megan Thee Stallion: NPR Music Tiny Desk Concert Hotney 1 Просмотры • 4 лет тому назад

Watch Megan Thee Stallion play at the Tiny Desk Fest.

More from NPR Music:
Tiny Desk Concerts: https://www.npr.org/tinydesk
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

This Tiny Desk concert was part of Tiny Desk Fest, a four-night series of extended concerts performed in front of a live audience and streamed live on YouTube, Twitter and Facebook.

Dec. 2, 2019 | Sidney Madden -- "I'm gonna get real comfortable with y'all, so I'm need y'all to get real comfortable with me," Megan Thee Stallion told the excited Tiny Desk Fest crowd as soon as she assumed her position behind the desk. After promptly switching out her patent leather heels for some fuzzy Louis Vuitton slippers, she let the room know, "Now, don't be scared to get ratchet."

From there, the Houston rapper wasted no time demonstrating why she's a superstar in the making. Megan exuded irresistible charisma, cracking jokes with the crowd and rattling off explicit bars from her award-winning mixtape, Fever, for the live audience watching on YouTube and social media.

From "Hot Girl Summer" to the platinum-selling "Cash S***," Hot Girl Meg's raunchy hits took on new life thanks to a live backing band, Brooklyn's Phony Ppl, who seamlessly blend jazz, R&B and hip-hop. Midway through the spirited set, Megan and Phony Ppl surprised the audience by premiering an unreleased collaboration, a bouncy banger titled "F***** Around." After the first verse/chorus, the adoring crowd was singing along as if they'd known the song for years.

It was the first time Megan performed with a live band in public, but then again, there's been a lot of firsts over the past year. This time last fall, Megan was rapping her heart out at local shows, balancing classes at Texas Southern University and occasionally dropping a fire freestyle video from a suburban cul-de-sac driveway. Since then, the brilliant and bodacious rapper ascended to major festival stages, became one of the most sought-after features on other stars' songs, and electrified late-night television audiences.

Though she's dubbed herself a stallion because of her tall and voluptuous frame (Meg stands 5 feet 10 inches without heels,) the 24-year-old rapper has proven herself to be a workhorse when it comes to consistency. Her viral 2019 freestyles shot her online exposure through the roof and whichever alter ego she chooses in the moment — Tina Snow, Hot Girl Meg, Stalli — she's maintained the spotlight all year thanks to a steady stream of new music, an engaging personality and her own viral social media campaign, Hot Girl Summer.

Though she's usually known for extensive twerking during her stage performances, at the Tiny Desk, Meg played up a different skill set: impeccable timing and lung capacity. "Yall talk about Meg's knees but sis breath control is pretty impressive too," one viewer tweeted out during the live video stream.

Megan's lyrical content lies in subverting established sexual dynamics and no matter the level of raunch she deploys, empowering women remains the artist's manifesto. Co-signs from all across hip-hop, from Q-Tip to Nicki Minaj to Chance the Rapper, have only bolstered her appeal and validated her bars in the eyes of the genre's cultural gatekeepers.

SET LIST
"Realer"
"Freak Nasty"
"Cash S***"
"Big Ole Freak"
"Hot Girl Summer"
"F****** Around"
"Money Good"

MUSICIANS
Megan Thee Stallion: vocals; Elbee Thrie: vocal, percussion; Elijah Rawk: guitar; Maffyuu: drums; Aja Grant: keys; Bari Bass: bass; Ebony Joi: vocals

CREDITS
Producers: Sidney Madden, Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, James Willetts; Videographers: Morgan Noelle Smith, Maia Stern, Kara Frame, CJ Riculan, Jack Corbett; Associate Producer: Bobby Carter; Production Assistant: Tsering Bista; Executive Producer: Lauren Onkey; VP, Programming: Anya Grundmann; Photo: Laura Beltran Villamizar/NPR

More from NPR Music:
Tiny Desk Concerts: https://www.npr.org/tinydesk
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

Vince Staples: Tiny Desk (Home) Concert Hotney 1 Просмотры • 4 лет тому назад

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Bobby Carter | July 23, 2021
At the midpoint of Vince Staples' Tiny Desk (home) concert, he gazes through the sun-soaked windows of his Hollywood Hills location and pauses. "You should see this view – I don't live here," he exclaims with pride. "I would never live here." As to why he wouldn't give in to the spoils of success and relocate to a fancy spot in the Hills or Calabasas, he explains in the lyrics of the song that follows, "THE SHINING": I could never do it / I'm too active. That sentiment, the push-pull relationship with his North Long Beach home base, is a dominant theme of his new self-titled album, which he tells NPR is "the clearest expression yet of who he is."

Despite years-long demand from our audience on YouTube, this was the perfect time for a Vince Staples Tiny Desk performance. We've very rarely seen him perform with a band in the past. Then there's the sound of his new work – Kenny Beats, seen playing bass, handled the bulk of the production of the album, Staples' most melodic to date. The band, outfitted in blue khaki suits, was able to recreate the sound of Vince Staples seamlessly (it's mostly made up of players from the album), and coast wonderfully through this four-song set, punctuated by Vince's signature, tongue-in-cheek humor between songs. Always willing to share the spotlight with future stars (see Snoh Aalegra), he closes with the assistance of another on the horizon, the singer Fousheé, on "TAKE ME HOME."

SET LIST
"LAW OF AVERAGES"
"SUNDOWN TOWN"
"THE SHINING"
"TAKE ME HOME" (featuring Fousheé)

MUSICIANS
Vince Staples: vocals
Kenny Beats: bass
Gio "Dutchboi" Ligeon: guitar, vocals
Reske: keys, vocals
David Meyers Jr.: drums
Fousheé: vocals

CREDITS
Video: Keaton Kinnaman, Jak Bannon, and Jess Colquhoun
Audio: Tyler Page
Executive Producer: Corey "Blacksmith" Smyth
Producer: Emily Hillgren
Creative Directors: Travis Brothers and Bryan Rivera
Director of Photography: Charlie Owens
Production Assistants: Meghan Matthews and Colin Martin

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Maia Stern
Audio Mastering: Alex Drewenskus
Tiny Production Team: Bob Boilen, Kara Frame, Josh Rogosin, Gabrielle Pierre
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #vincestaples

Olivia Rodrigo: Tiny Desk (Home) Concert Hotney 1 Просмотры • 4 лет тому назад

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Sofie Hernandez-Simeonidis | December 7, 2021
Stepping into a DMV when you're about to take your first driver's test, while nerve wracking, is something of a milestone. And Olivia Rodrigo has been hitting milestones with frequency this year: her first album SOUR debuted at the top of the charts in May after the success of three previously released singles, most notably the viral "drivers license" (hence the DMV locale and its "interesting vibes.") Her pop stardom may seem sudden, but Rodrigo has been entranced by music and songwriting for the majority of her 18 years, as if she's been observing the right moves from the backseat of the car until it was time for her to get behind the wheel.

Rodrigo and her band take on the Tiny Desk mentality as they experiment with arrangements throughout this performance, embracing new sounds for her songs. The set begins with an acoustic version of the pop-punk-ish single "good 4 u," and a similar setup continues with the addition of an echoey, electric guitar in "traitor." "drivers license" features only Rodrigo and her keyboard, a shift from the recorded version well-known for Dan Nigro's production and the ever-present beeping of a car door sensor. "deja vu" starts softly with just an acoustic guitar until the chorus ramps up to a full band after she exclaims, "Do you get deja vu, huh?"

SOUR tells the story of a first heartbreak, one that inspires an intense anguish most accessible when you're a teenager. That open wound, empty-chest feeling of a breakup, especially when you're as young as Rodrigo, is difficult to shake. The album allowed listeners to bask in Rodrigo's heartache as if it were their own, but as she dances around an empty DMV and laughs along to a song about betrayal, she proves that time heals all wounds.

SET LIST
"good 4 u"
"traitor"
"drivers license"
"deja vu"

MUSICIANS
Olivia Rodrigo – vocals, guitar, keys
Heather Baker - guitars
Hayley Brownell - drums, guitars
Arianna Powell - guitars
Moa Munoz - bass, guitar

CREDITS
Video: David Clair, Joe McGarry
Audio: Paul Hager
AP: Derek Griesbach
Director of Photography: Matthias Schubert
Camera Operator: Stephen St. Peter
Gaffer: Joe Escandell
Color: Henry Santos

TINY DESK TEAM
Producer: Bob Boilen
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Tiny Production Team: Bobby Carter, Kara Frame, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #oliviarodrigo

King Princess: Tiny Desk Concert Hotney 1 Просмотры • 4 лет тому назад

Hazel Cills | November 2, 2022
There is a sly, casual sense of humor that permeates the music of Mikaela Mullaney Straus, who writes and performs as King Princess. Her songs mix the emotions of crushing love and lust with playful asides of self-deprecation, all of which make for a unique, self-assured style. And that self-assuredness is on full display in the indie pop singer's Tiny Desk concert, featuring King Princess performing three songs from her most recent album, Hold On Baby.

Lyrics like, "You look the same. Did you stop smoking weed? Or trying to please your dad?" from the opening "Cursed" — an ode to the difficulties of encountering an old, toxic friend — burn a little brighter in the naked, largely acoustic sound of King Princess' set. Partway through the next song, the loving "Winter is Hopeful," explicitly inspired by the artist's girlfriend, she takes a beat to laugh at a set of bar chimes being rung to perfection. "I love that," she says, before returning to sing, her voice vibrating with a soulful urgency.

"If you're feeling saucy today, you can join in with the band," King Princess says before her finale, "Let Us Die," a punchy, fuzzed-out pop-rock song on the record that transforms here into a guitar-strummed jam session. "If the only way to love you is to let us die," she sings, her lyrics pulling together images of a break-up that's like a car driven off a cliff, poison-drinking and fingers stuck in sockets, "I will if I have to." Is this girl for real? If the gut-punching confidence with which King Princess sings here is any indication, yes, she is.

SET LIST
"Cursed"
"Winter is Hopeful"
"Let Us Die"

MUSICIANS
King Princess: vocals, acoustic guitar
Antoine Fadavi: drums
Kaela Sinclair: keyboards, vocals
Logan McQuade: bass
Zack Page: guitar
Asaf Rodeh: guitar, vocals
DJ Balint-Dickson: percussion

TINY DESK TEAM
Producer: Bob Boilen
Director/Editor: Maia Stern
Audio Engineer: Josh Rogosin
Series Producer: Bobby Carter
Videographers: Maia Stern, Joshua Bryant, Michael Zamora, Elizabeth Gillis
Audio Assistant: Natasha Branch
Production Assistant: Jill Britton
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Kara Frame, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #kingprincess

Feid: Tiny Desk (Home) Concert Hotney 1 Просмотры • 4 лет тому назад

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Anamaria Sayre | April 22, 2022
From the line up of traditional Colombian instruments to the card playing interlude, every second of Feid's Medellín, Colombia pool hall performance invokes the feeling of charlando and cantando, chatting and singing, with friends.

Seamlessly anchoring all five tracks with a bass-emulating acoustic guitar and cajón-driven dembow, the new guard reggaeton royal brings unique instrumentation and culturally significant visuals to this Tiny Desk (home) concert for a deeply authentic portrait of a star on the rise baring a sonic piece of his soul to the world.

Flexing his multi-instrumentalist background, Feid brings in a new instrument for each arrangement of his hit tracks to represent the five different regions of Colombia in a comprehensive homage to his home. He opens with su propio region, using a tiple guitar from the Andean region on "JORDAN IV." Moving to the Llanos, his band breaks out a harp for a beautiful rendition of "TE MATA." He pulls in a tambor alegre on "VACAXIONES" to represent cumbia from the Caribbean region. Pausing for quick brindis, taking a shot, he closes out the show with two heartfelt numbers: First, an accordion-backed, vallenato version of "AMOR DE MI VIDA" for the Atlantic coastal region, and then a final pivot to the Pacific coastal region he mixes in a marimba de chonta on "SI TÚ SUPIERAS," before leaving the hall and riding off on a motorcycle.

The Colombian artist utilizes his full 15-minute set to depict an artistic and intentional musical image of his home and its rich sonic diversity, bringing the people, place and spirit behind a global genre center stage.

SET LIST
"JORDAN IV"
"TE MATA"
"VACAXIONES"
"AMOR DE MI VIDA"
"SI TÚ SUPIERAS"

MUSICIANS
Feid: vocals
Pedro Mejía: Music Director, guitar
Nicolás Guevara: cajón
Angel "Arpangel" Rodriguez: harp
Daniel Uribe: tiple
Mateo Morales: tambor alegre
Kike Riascos: marimba
Luis Javier Hernandez: accordion

CREDITS
Director: Sebastian Sánchez
Executive Producer: Feid, Sebastián Arango
Project Manager: Albert Piedrahita
Production Coordinator: Fernando Ríos
Personal Manager: Luis Villamizar
Assistant Director: Ana Isabel Duque
Director of Photography: unmojigato
Audio Engineer: Miguel Mass
Assistant Audio: Estefania Giraldo
1st AC: Camilo Gutierrez
2st AC: Lukas Restrepo
Ronin: Sebastián Escobar Gil
VHS Camera: Felipe Molina
DIT: Santiago Arango
Gaffer: Julián Echavarría
Lighting Engineer: Carlos Beltrán
Electric: Nilson Florez
Assistant Lights: Jhonatan Satizabal, Arnulfo Villada
Production Design: Camila Agudelo
Assistant Art: Elizabeth Rendón, John Esteban Isaza

TINY DESK TEAM
Producer: Anamaria Sayre
Video Producer: Michael Zamora
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Joshua Bryant, Maia Stern, Ashley Pointer
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

Karol G: Tiny Desk (Home) Concert Hotney 1 Просмотры • 4 лет тому назад

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Anamaria Sayre | May 27, 2021
Colombian reggaetonera Karol G floats between styles on this wistful Miami set with the breeziness of a pop star who knows no boundaries – or maybe it's the calculus of an artist who has built a career on subverting them. Her personal, unapologetic flourish has allowed her to top the Billboard charts of a genre with limited female participation, and even less superstardom.

Her signature bichota energy is subtle, yet pervasive in her stripped-down Tiny Desk (home) concert. Flanked by an illuminated all-women band, Karol G's authentic command of the intimate moment and its intended audience is unmistakable. She's stepping down from atop the glossy sets and sparkly stages to share secrets — lessons learned during her sudden ascent about humility, grace and empowerment — with the millions of niñitas who will watch this concert, enraptured by her effortless confidence and smooth Spanish bars.

Without a doubt, Karol G strikes a perfect balance here of vulnerability and star power, taking us on a journey through her many iterations. She deftly moves from a ballad-like rendition of urbano mash-up "Créeme/A Ella" to a soulful performance of trap corrido "200 COPAS" (her proclaimed favorite song at the moment) with Mexican Regional cariño Danny Felix. Closing with a first-ever live performance of the dreamy duet "CONTIGO VOY A MUERTE," she marks the end of the concert with a nod to her roots. Intertwined with fellow Colombiano Camilo, Karol G expresses gratitude and pride; she is the unguarded depiction of a superstar eternally enamorado with her fans and her country.

SET LIST
"Créeme/A Ella"
"200 COPAS"
"CONTIGO VOY A MUERTE (feat. Camilo)"

MUSICIANS
Karol G: vocals
Sus Vasquez: guitar
Anastasiia Zaichenko: bass
Guilliana Merello: drums
Bryn Bliska: keyboard
Camilo: vocals
Danny Felix: guitar

CREDITS
Video: José Emilio Sagaró, Chris Cabrera
Audio: John Buitrago, Will Madera, Fernando Argento

TINY DESK TEAM
Producer: Abby O'Neill
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Associate Producer: Bobby Carter
Tiny Production Team: Kara Frame, Bob Boilen, Gabrielle Pierre
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #karolg

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