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A FOR ARJAN (Full Album) Arjan Dhillon | New Punjabi Album 2022 | @MasterpieceAMan Hotney 1 Streams • 4 years ago

Presenting *A For Arjan (Full Album) By Arjan Dhillon* to Y'All...
New Punjabi Album 2022
Listen and Enjoy :)
Have A Good Day :)

Track List :
INTRO - 00:00
1. Milde - 00:03
2. High - 02:08
3. More Beautiful - 04:39
4. Sanu Teri Lod - 07:40
5. Don't Mind - 11:53
6. Please - 14:38
7. Tere Baad - 17:35
8. Mili Mili - 20:06
9. Reshmi Rumal - 22:00
10. Hurry Up - 26:34
11. Ohi Lagdi Aa - 28:37
12. Dil Toot Jayega - 33:05
13. Heer - 36:40
OUTRO - 39:17

┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉
#MasterpieceAMan #ArjanDhillon #Jalwa
#punjabisong2022 #newpunjabialbum #newsong2022
#SidhuMooseWala #KaranAujla #latestpunjabisongs
┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉

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⚠️NO COPYRIGHT INFRINGEMENT INTENDED⚠️
▶️Disclaimer: ONLY FOR PROMOTIONAL PURPOSES. I don't hold any copyrights of the songs, all rights reserved by the respective owners.
*Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.*

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(Disco Music Documentary/Film) The Secret Disco Revolution (Full HQ 2012 Movie) Hotney 1 Streams • 4 years ago

THE SECRET DISCO REVOLUTION - The Party That Changed The World.

A good documentary on 70's disco music made in 2012 on the disco era featuring interview with its key musicians.

==
Genre: Documentary, Musical & Performing Arts, Comedy, Special Interest
Written & Directed By: Jamie Kastner
Runtime: 1 hr. 24 min.
By Screen Media Films
====

The disco era, long dismissed as a time of hedonistic excess, has been gravely misunderstood. Revisionist historians now argue the era was in fact an important time of protest: liberating ****s, blacks and women.

The Secret Disco Revolution juxtaposes disco revisionists against revealing new interviews with the era's biggest stars: The Village People, Gloria Gaynor, Kool and the Gang... A goldmine of rarely seen stock footage, and enough disco hits to shake your booty straight back to 1978.

Interview Subjects Include:

Gloria Gaynor - (I Will Survive)
Village People (YMCA, In The Navy)
Robert “Kool” Bell – Kool and the Gang
Harry Wayne “K.C.” Casey – KC and the Sunshine Band
Thelma Houston – (Don’t Leave Me This Way)
Martha Wash – (Two Tons of Fun, It’s Raining Men)
Henri Belolo – Producer/Lyricist, Village People
Tom Moulton – Inventor: Disco Remix, 12" Single
Vince Aletti – Journalist, Rolling Stone, Record World
Alice Echols – Author “Hot Stuff: Disco and the Remaking of American Culture”
Peter Shapiro – Author “Turn the Beat Around: The Secret History of Disco”
Nicky Siano – DJ, The Gallery, Studio 54
Anita Pointer – Pointer Sisters
Larry Harris – VP, Casablanca Records, Author “And Party Everyday”
Maxine Nightingale – (Right Back Where We Started From)
Evelyn “Champagne” King – (Shame, Love Come Down)
The Trammps – (Disco Inferno)
Marc Benecke – Doorman, Studio 54
Carmen D’Alessio – Publicist, Studio 54
Joanne Horowitz – Publicist, Studio 54
====

Beschrijving:
The disco era, long dismissed as a time of hedonistic excess, has been gravely misunderstood. Revisionist historians now argue the era was in fact an important time of protest: liberating ****s, blacks and women. THE SECRET DISCO REVOLUTION juxtaposes disco revisionists against revealing new interviews with the era's biggest stars: Gloria Gaynor (I Will Survive), Village People (YMCA, In The Navy), Robert "Kool" Bell from Kool and the Gang, and Harry Wayne "K.C." Casey - KC and the Sunshine Band.

====
From: http://www.theguardian.com/fil....m/2012/oct/26/secret

So it turns out that disco was actually a revolutionary tool that ended the oppression of women and black and **** people in the US. Who knew?

Disco ... more than just a cheesy, glittery music genre, according to The Secret Disco Revolution.

I like disco as much as the next person, which is to say I like it at night, in moderate helpings, and only when accompanied by spirits. Disco has long been the musical genre to caricature rather than savour, best enjoyed in the background on hazy nights out rather than as a legitimate musical experience. So presented with the opportunity to sit through a two-hour disco documentary at the London film festival, I was a bit circumspect.

As you shimmy through the world of disco, you start to believe in its subversive nature. Finding its home in dark nightclubs where class, gender, race and sexual boundaries disappeared completely, early disco was the music that brought people together – all without the music industry's hegemony over the radio and Billboard charts.

Meanwhile, the likes of Gloria Gaynor, Thelma Houston, Martha Wash, KC from KC and the Sunshine Band and Kool from Kool and the Gang bring us back to the reality of being a disco musician, recalling riding the wave from being an underground hit to a record-industry product that was made cheap and sold big.

None of them see themselves as emissaries of the revolution, but by this point you feel a bit sorry for them for not understanding their political worth. KC takes himself particularly seriously, still bitter at the music moguls who tore him away from funk and pushed him to the beats of Get Down Tonight, only to be left to the dogs when rock came along.

As Secret Disco Revolution often reminds us, the kings and queens of the era rarely saw the political statement they were making, and it seems with the Village People, their fans didn't either. But change was happening all the same, and you can't help but respect disco's masterminds – whoever they were – for coming up with such a clever plan.

===
Credits:
===
A Cave 7 production for Telefilm Canada and the Rogers Group of Funds. Made through the Theatrical Documentary Program and in Association with Bell Media.
===

Brahms: Symphonies - Music Documentary 2/2 | Paavo Järvi and the Deutsche Kammerphilharmonie Bremen Hotney 1 Streams • 4 years ago

Paavo Järvi: The Estonian star conductor has rediscovered the four symphonies by Johannes Brahms. The film follows him and the orchestra at rehearsals, in the studio and at concerts and presents the highlights of the romantic masterpieces.
Part 1: https://youtu.be/B-K3Gan-NA0

Paavo Järvi is principal conductor at both the NHK Symphony Orchestra in Tokyo and the Tonhalle Orchestra Zurich - but his most intensive collaboration is with The Deutsche Kammerphilharmonie in Bremen. Their collaborations have already inspired both press and audiences with dazzling interpretations of the symphonies of Ludwig van Beethoven and Robert Schumann. Now the conductor and orchestra are focusing exclusively on the four symphonies of Johannes Brahms. "That music - because it is so great - somehow is a soundtrack not only to the time when it was written but it is actually quite a valid soundtrack to our times as well." Järvi says. The charismatic conductor conveys his enthusiasm for the masterpieces and gives important information for understanding them. "There are little hidden codes, which is up to us to figure out what they mean."

The conductor and orchestra take a lot of time to reinterpret these well-known symphonies. "When I conduct Kammerphilharmonie or have conducted them in the last couple of years it’s only been Brahms," he says. "And the focus is so concentrated that it has become a second nature. In fact it’s almost a kind of religious ritual for the orchestra: There is always rehearsal before the concert. It doesn’t matter how many times we have done the piece. And these are the moments where you tweak, you do little things, you fine-tune... It’s a luxury that so few orchestras have." Thus the rehearsals have become a musical laboratory.

The Brahms Code is director Christian Berger’s the third collaboration with The Deutsche Kammerphilharmonie Bremen and Paavo Järvi. The DW productions "Das Beethoven-Projekt” (2010) and "Schumann at Pier 2" (2012) have already delighted international audiences and won many awards.

At a glance:
(00:00) Introduction: Why is Johannes Brahms still relevant today?
(04:18) The Deutsche Kammerphilharmonie Bremen in Paris at the Théâtre des Champs-Elysées
(06:45) Symphony No. 3: 1st movement
(08:20) Symphony No. 3: 2nd movement
(12:51) Symphony No. 3: 3rd movement
(19:05) Symphony No. 3: 4th movement
(25:19) Symphony No. 4: 1st movement
(30:01) Symphony No. 4: 2nd movement
(31:45) Symphony No. 4: 3rd movement
(33:50) Symphony No. 4: 4th movement

Watch more Music Documentaries:
https://www.youtube.com/playli....st?list=PL_SdnzPd3eB

Listen and watch – your personal concert hall:
https://www.youtube.com/playli....st?list=PL_SdnzPd3eB

Subscribe to DW Classical Music: https://www.youtube.com/channe....l/UC_kqgIRwOD3XCZXXr

#brahms #paavojaervi #DeutscheKammerphilharmonieBremen #brahmscode