Deep house music by Future House Radio. If you want more Deep House Music, subscribe to the channel and like this stream for more Deep house!

Follow our Deep House Spotify playlist!
➥ https://www.futurehouseradio.com/deephouse

What is Deep House?
Deep house is a subgenre of house music. It originated in the 1980s, initially fusing elements of Chicago house with 1980s jazz-funk and touches of soul music.

Why do you promote Deep House?
We usually dont promote Deep House, however, we're making an exception now :)

-------------------------------------------------------------------------------------------------------------------------------------------------------------------

●Q&A●

How many songs are in the stream?
➥ As of 3/27/2019, 403 tracks are currently present in the live stream.

How long will the stream last?
➥ Huh, 24/7 of course! :)

Can I get my song on the livestream?
➥ Of course you can! Just submit your song to our channel!

Can I donate to the stream?
➥ Of course! http://donate.futurehouseradio.com/

-------------------------------------------------------------------------------------------------------------------------------------------------------------------

💥If you have any problem with us using your future house songs or mixes, please send us a message and we will reply to you as soon as possible!

From Sept. 15 through Oct. 15, Tiny Desk is celebrating Latinx Heritage Month with an "El Tiny" takeover, featuring Jessie Reyez, Susana Baca and more musicians from all corners of Latinidad.

Felix Contreras | September 19, 2022
Having played the music myself, I have always lovingly referred to Mexican Regional music as “cowboy hats and accordions.” But this is not your grandparents’ Mexican Regional. Younger musicians today are rejecting the restrictions of that industry-imposed title and adding contemporary sounds like hip-hop and trap while still maintaining the emotional spirit and rough edges of the genre.

Then there’s Carin León — a game changer if there was one. His Tiny Desk (home) concert is a deep dive into this moment in time as the genre actually changes. He starts with a traditional bolero “El Amor De Tu Vida” but the second song, “Alguien Mejor,” is an example of how he and his amazing group are changing things. It starts with a traditional bajo sexto guitar as he raps and sings the lyrics, but when the mournful strains of a pedal steel guitar popular with trad country music enters the arrangement, the cross cultural reality of life along the border where this music comes from springs to life with the passion of both genres and cultures.

It’s an exciting moment from a four song performance that beautifully represents how a culture changes and develops as outside influences become part of its aesthetic. The music’s rustic roots are on display in the barroom set, complete with strategically placed bleached-out cattle skulls. You still see accordions and cowboy hats in this video but you hear so much more — you can actually hear a society in transition.

SET LIST
“El Amor De Tu Vida”
“Alguien Mejor”
“No Es Por Acá”
“La Primera Cita”

MUSICIANS
Carin León: vocals
Orlando Aispuro: guitars, bajo sexto, keys
Abraham Noe Reyes: guitars
Luis Carlos Perez: drums, percussion
Martin Caro: percussion, octapad
Antonio Z. Rivera: bass, tuba
Leonardo Barahona: tololoche
Luis Araujo: accordion
Cheché Ávila: trumpet
Abel Anguiano: trombone
Alan Ortega: pedal steel, dobro, lapsteel

CREDITS
Video: Orlando Aispuro, Kran Rosas, Kevin Rosas, Yerick Johnsson
Audio: Alberto Medina, Baruc Llamas, Salatiel Granillo
Diego Valenzuela: photographer
Emilio Moreira: gaffer
Angel Moreno: gaffer
Diego Hernandez: gaffer
Jesus Eden Camacho: engineer
Jesus Valdez: stage manager
Israel Aispuro: stage tech, guitar tech, recording assistant
Manuel Valverde: guitar tech
Ramon Herrera: rhythm tech
Uzziel Hernandez: video tech
Ivan Villa: lightning tech

TINY DESK TEAM
Producer: Anamaria Sayre, Felix Contreras
Video Editor: Kara Frame
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Bobby Carter, Joshua Bryant, Marissa Lorusso, Hazel Cills, Maia Stern, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann


#TinyDesk #ElTiny #carinleon

In this episode of People's Party, Talib Kweli and co-host Jasmin Leigh sit down with Grammy Award-winning record producer and pioneer of the "Trap Music" sound -- Zaytoven. This in-depth interview gives us great insight on how Zay became one of the biggest names in the industry, starting with his beginnings living in the Bay during the 90's perfecting his craft under legends like JT The Bigga Figga and E-40, then moving to Atlanta to produce and help shape the careers of so many Trap Music icons, including Lecrae, Gucci Mane, Migos, and countless others. As the interview progresses, Zaytoven opens up about the church's influence on his music, and how he balances his deep-rooted faith, while operating in the Trap world.

Kweli, Jasmin, and Zaytoven go on to discuss his talent as a barber, and how that skill helped contribute to his level of success. (Along with why he kept a steady gig, even when he had hits.) Talib and Zaytoven trade stories of their first interactions with Gucci Mane, and the lead up to their collaboration on the record "Poltergeist." Zay also shares how he met Migos and Usher, and details the awe he experienced watching Future at work in the studio.

As the interview comes to a close the trio discusses contrasting strategies on staying relevant with today's fickle fan-bases, producers not getting their due props in the Spotify era, and what Zaytoven has in store for us down the line.

Check out the audio podcasts here:

Apple - https://applepodcasts.com/peoplesparty

Spotify - https://open.spotify.com/show/72bYFZB...

Soundcloud - https://soundcloud.com/peoplesparty

Google Play - https://play.google.com/music/m/Ieugq...

Interview timing:

1:45 -- Talib asks Zaytoven how he made it from the Bay Area, Cali to Atlanta, GA.

3:18 -- Zaytoven speaks on his early start working with Bay hip-hop greats such as JT The Bigga Figga, Messy Marv, San Quinn, and E-40 while still in high school.

4:56 -- The trio discuss the Bay Area and ATL connection, with all their similarities in relation to hip hop culture.

7:36 -- Zaytoven tells about learning multiple instruments with his church band and quickly gravitating towards the piano and organ. Also, how his faith influenced his sound, and in turn, even the tone of lyrics laid down from those he collaborates with.

10:32 -- Zaytoven and Talib share their stories of making their parents fans of hip-hip through their success.

14:59 -- Zaytoven talks about his talent in cutting hair, being his first real hustle, and how it's been an instrumental part of his success in regards to networking and social skills.

18:42 -- Talib asks Zaytoven about his opinion on those making Trap music, but not living the lifestyle they portray on their records.

19:43 -- Talib and Zaytoven discuss their first impressions meeting Gucci Mane and how Kweli was surprised by Gucci's reaction to him, which led to their collaboration on "Poltergeist."

22:26 -- Zaytoven then tells the story of how he first met Gucci Mane, how he started making beats for Gucci to rap over, and the story behind "So Icy." He also expands on what it was like making songs for the club and the streets as well as Gucci's intelligence and confidence in what they were doing. And finally they dive into the Gucci Mane clone rumors and what it is that started the "Gucci Mane Clone" theory online.

29:36 -- Zaytoven details how he linked up with Migos to produce their huge hit recording "Versace" making their mark in the industry.

33:05 -- Zaytoven explains how he balances his Christian faith with making trap music and working with some of the hardest artists in the game, complete with an anecdote about how Gucci Mane introduces him to people. This leads into a discussion on the sound of the club in Atlanta and how that led Zaytoven to working with Usher and his experience there.

37:00 -- Zaytoven speaks on his working relationship with Future and his amazement watching him operating in the studio.

38:24 -- Zaytoven and Talib discuss rapper, Lecrae's ability to successfully carry Christianity in the vein of Trap without compromising his creative integrity.

41:03 -- Talib asks Zaytoven, what are the things about an artist like Lil' Uzi Vert that a hip-hop purist should respect and appreciate.

44:58 -- Zaytoven and Talib discuss the differing strategies, balances, pros and cons of staying relevant in the modern-era of music by releasing lots of content vs. less, keeping people in anticipation of every release. Zaytoven also gives producers some advice on how to get more recognition in the music streaming age, where they are rarely given full credit.

50:16 -- Talib: "Tell us what's in the future for Zaytoven, besides you, and me working together". Jasmin also asks Zaytoven about Atlanta's "Trap Round Table" event.

More Jasmin Leigh:

https://www.youtube.com/jasminleigh

https://www.instagram.com/realjasminl...

#TalibKweli #Zaytoven #PeoplesParty #UPROXXVideo

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Abby O'Neill | August 31, 2020

For her Tiny Desk (Home) Concert, Tiwa Savage returned, from London, to her birthplace of Lagos, Nigeria. She and The Alternative Sound band set up at the beautiful Jazzhole, a historic vinyl shop well-regarded among record collectors for the rarities within.

"As much as I would have loved to have performed at Bob's desk," she wrote to us in email afterwards, "I am really honored to have captured my session in my home city of Lagos, Nigeria. The Jazzhole is a happy place for me and always feels like home." With floor-to-ceiling shelves packed with books and albums as a backdrop, it certainly seems familiar to us, too — reminiscent of our performance cubicle at NPR HQ.

Tiwa, a veteran R&B and Afrobeat singer who began her career at age 11, has an enthralling elegance — both with the soft tonality of her voice and her striking natural beauty. On "Dangerous Love" she speaks to matters of the heart, takes a detour to the Reekado Banks single "Like" that she featured on, before wrapping the set with her newest single, "Koroba," which blends her native Yoruba language with Nigerian Pidgin English, underpinned by a catchy, feel-good rhythm.

SET LIST
"Dangerous Love"
"Attention"
"Like"
"Koroba"

MUSICIANS
Tiwa Savage: vocals; Stanley Unogu: drums; Gospel Obi: keys; Orowo Ubiene: keys; Phillip Akinkuande: guitar; Kenneth Ogueji: bass

CREDITS
Video by: JM Films; Audio by: Michael 'Mystro' Ajayi; Producer: Abby O'Neill; Audio Mastering Engineer: Josh Rogosin; Video Producer: Maia Stern; Associate Producer: Bobby Carter; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann

September 26, 2016 by BOB BOILEN • They came, they measured, and they returned to perform a show like no other. It was the great NPR Tiny Desk Takeover by Blue Man Group.

If you've not seen this performance ensemble and their production in New York, Las Vegas, Orlando, Boston, Chicago or Berlin, then you've missed a night of magical fun. These Blue Men may never say a word, but the performances make for poignant looks at who we are as humans. They also make unusual music on instruments of their own design.

Josh Rogosin, our engineer for the Tiny Desk, first saw them in their early days, some 25 years ago at New York's Astor Place Theatre. He told me how the Blue Men would retrofit some of their theatrical magic — including their custom-made instruments, confetti cannons and streamers — to fit this small desk space.

Every band that plays the Tiny Desk must work within the restrictions of the space. So instead of installing their entire signature PVC instrument, what ended up behind the desk was about a third of it. On the right side of the desk, their Shred Mill makes its internet debut: It's a drum machine triggered by magnets that changes rhythm depending where they are placed on the home-made variable-speed conveyor belt. They also invented something called a Spinulum, whose rhythmic tempo is controlled by rotating a wheel that plucks steel guitar strings. (You can read a full description on the instruments below.)

In the end the Blue Men and their dressed-down accompanists performed a Tiny Desk concert like no other. I've been familiar with their music since my days as director of All Things Considered in the 1990s, when I would play their tunes between news stories. Seeing all this come to life (and I know this is true for Josh, as well) was simply unforgettable. From the unique sounds of the PVC to the strumming sounds of the Spinulum to their "Meditation For Winners" mantras, you'll get a taste of why this troupe's art is so universal and so much fun.

THE INSTRUMENTS

(as told to us by the Blue Man Group)

Chapman Stick: A combination of a guitar, a bass guitar, and a washboard, the Chapman Stick is 10 strings and all neck. While it can be played with fingers, we often bow the Stick with a bass string. This method, pioneered by Blue Man Group, is called the Mandelbrot Stick Technique.

Cimbalom: An old hammered chromatic string instrument from Hungary that we gave a plywood update to. It's normally played gently with soft mallets, but Blue Man Group hits it aggressively with drumsticks.

Shredmill: Making its internet debut, this new Blue Man Group creation is a treadmill-shaped, electro-mechanical sequencer that a Blue Man (or anyone else) can use to create rhythmic patterns. Placing and/or moving the Shred Mill's tiny little magnets in order to change the sequence ("shredding") is dangerously addictive. If you are ever presented with the opportunity to shred, proceed at your own risk.

Spinulum: Have you ever watched Wheel of Fortune and thought to yourself, "I wonder what would happen if I took that wheel, shrunk it down to about a foot in diameter, mounted it to a stand, and replaced that little white flipper with steel guitar strings?" Us too! The Spinulum is a brand new Blue Man Group instrument that is part slide guitar, part bicycle wheel, and 100 percent dynamite!

PVC: Blue Man Group's signature instrument is comprised of several lengths of polyvinyl chloride pipe that make an almost synthesizer-like sound when struck with a closed-cell foam rubber paddle. This performance only includes the center, high-octave section of the PVC. This is not because we have a problem with the other sections of the PVC. We actually really like them. There just wasn't enough space. It's a tiny desk.

MIDI PVC: The signature Blue Man Group PVC instrument shrunk down and electrified.

SET LIST:
"Vortex"
"The Forge"
"Meditation For Winners"

Blue Man Group's Three is available now:
iTunes: https://itunes.apple.com/us/al....bum/three/id10866038
Amazon: https://www.amazon.com/Three-B....lue-Man-Group/dp/B01

CREDITS:
Producers: Bob Boilen, Josh Rogosin, Niki Walker; Blue Man Group Producer: Anita Shah; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, Colin Marshall, Nick Michael, Kara Frame, Claire Hannah Collins; Blue Man Group Music & Creative Director: Jeff Turlik; Blue Man Group Director: David Bray; Production Assistant: CJ Riculan; Special Thanks: Blue Man Group Crew; Photo: Claire Harbage/NPR.

For more Tiny Desk concerts, subscribe to our podcast: http://www.npr.org/podcasts/51....0292/tiny-desk-conce

In episode 44, DJ Premier takes us through the process of how "Tonz 'O' Gunz", from Gang Starr was created.

Watch the full So Wassup series: https://bit.ly/SoWassupYouTube

Subscribe to DJ Premier’s Youtube here: http://bit.ly/Subscribe-to-Preem

Connect with Preemo:
▶ Instagram - http://instagram.com/DJPremier
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#DJPremier
#SoWassup

BECOME A MEMBER FOR EARLY ACCESS TO MY EXPERT OPINION EPISODES AND NEW SHOWS ON THE WAY!!! https://bit.ly/JOINMATHHOFFATV
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⁣A$AP ROCKY’S “Shittin’ Me”: https://asaprocky.lnk.to/ShittinMe
OFFICIAL VIDEO FOR ”Shittin’ Me” BY A$AP ROCKY

THE OFFICIAL THEME SONG FOR EA'S “NEED FOR SPEED”

LISTEN TO A$AP ROCKY: https://AsapRocky.lnk.to/listenYD

Created by Grin Machine
Directed by Dan Streit & Cole Kush
Producers - Andy Ruse & David Kim
Director of Photography - Tanner Hall
Rocky Prop Fabricator - Eris Deo
Editor - Dan Streit
VFX & AI - Dan Streit, Cole Kush, Lou Rosenbaum
Colorist - Dylan Hagemann, Sebastian Allen
1st Assistant Director - Linda Marian
Production Manager - Sofie Warshafsky
Production Designer - Ava Villafañe
Leadman - David Ochmanek
Set Decorator - TJ Hamouzas
Set Dresser - De’lon Isaacs
Art Assistant - Jack Gewant
Camera Operator - Adam Hull
2nd AC - George Arevalo
Gaffer - Dimitri Christoforidis
BBE - Jackson Mach
Electric - Ryan Walters
Electric - Cole Egilsson
Key Grip - Zachary Trout
BBG - Conor Soules
Grip - Andrew Soltay
HMUA - Tanya Kazak
Wardrobe - Ksenia Sharanova
Stunt Coordinator - Vladimir Tevlovski
Production Assistants - Tommy Murray, Leigh Murray, Brandon James

Cast :
A$AP Rocky
Kelvin Krash
A$AP Lou
ICYTWAT
Thoto

FOLLOW A$AP ROCKY:
FACEBOOK: https://AsapRocky.lnk.to/followFI
INSTAGRAM: https://AsapRocky.lnk.to/followII
TWITTER: https://AsapRocky.lnk.to/followTI
WEBSITE: https://AsapRocky.lnk.to/followWI

Robert Glasper - keys
Casey Benjamin - sax & vocals
Derrick Hodge - bass
Mark Colenburg - drums

In this video I am taking you with me to record a song that I wrote. Subscribe and enjoy :)

Follow me on SoundCloud: https://soundcloud.app.goo.gl/eLf7TebdgN1qz8GQ9

Connect with me
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RARE Selena video, not seen in more than 20 years was found and digitized by the Smithsonian’s National Museum of American History. This footage of Selena on the program “Tejano USA” was found in a TV camera donated to the museum’s Spanish-language television project by Univision, the parent company of San Antonio’s KWEX-TV, Channel 41. The station’s production manager put an unlabeled ¾ inch tape in the camera to show what format that camera used.

When the museum digitized the video this summer, the Selena footage was discovered. The production manager, who actually directed the segment with Selena, tells the museum that after Selena passed away in 1995, he had looked everywhere for the video with no luck. The video resurfaced just as the museum planned to open a display on Hispanic Advertising that includes the Tejana artists’ work as a spokesperson for Coca-Cola.

The video was taken at Hemisfair Park, San Antonio Texas, April 1994 just before Selena performed at the “Texas Live” Music Festival sponsored by Coca Cola.

Turn Me Up In The Headphones debuted during Season 8 of Wild ‘N Out, and since then we’ve gotten to see the cast do their best impressions of celebrities, musicians, and, of course, each other. Here’s every single time they played the game.

TURN UP! Wild ‘N Out is now streaming on Paramount+ 🙌 http://www.paramountplus.com/?ftag=PPM-05-10aeh6h #ParamountPlus

#WildNOut #MTV

Subscribe to stay updated on the newest content! http://goo.gl/YuLQAo

Want even more Wild ‘N Out? We’re pulling up to a city near you. Grab your tickets here 👉 http://livemu.sc/WildNOut2020

Get ready to take your Wild ‘N Out obsession to new heights cause WE JUST DROPPED MERCH 👉 http://bit.ly/3841mRL

More from Wild 'N Out!
Official Wild 'N Out Website: http://www.mtv.com/shows/nick-....cannon-presents-wild
Wild 'N Out Twitter: https://twitter.com/wildnout
Wild 'N Out Instagram: https://www.instagram.com/mtvwildnout/
Wild 'N Out Facebook: https://www.facebook.com/nickcannonwildnout/

Nick Cannon Presents: Wild 'N Out delivers lightning-fast improv and head-to-head battles, helmed by the master of ceremonies, Nick Cannon. The stakes are high as teams face off in a series of visceral, hip-hop-edged comedy showdowns, all culminating in a rap battle for the championship belt.

We're back open for business. Grab a seat and join rap phenom Gunna, WNBA star A'Ja Wilson, hip-hop legend Rick Ross, business mogul Steve Stoute, marketing executive Paul Rivera, entrepreneur Maverick Carter, and NBA superstar LeBron James. Gunna reveals the true definition of Pushin' P, Rick Ross shares the story behind working with Kanye on My Beautiful Dark Twisted Fantasy, LeBron reveals who he wants to play with most in today's NBA, A'Ja discusses breaking the glass ceiling during contract negotiations, and Steve provides his outlook of the music industry moving forward. Kick up your feet and remember...in the barbershop you can't lie.

UNINTERRUPTED The Shop is presented by Grey Goose.

In LeBron James' words..."Everything happens in The Shop." The Sports Emmy Award-winning series UNINTERRUPTED The Shop is back for Season 5! Join us each month for new episodes featuring the biggest names in the game for unfiltered talk about sports, music, and culture.

💈 Subscribe for new episodes every month: https://bit.ly/SubscribeToUN
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💈 Learn more about the show: https://bit.ly/TheShopShow
💈 Tap in for more Shop talk: #TheShop

(0:00) - Intro
(1:20) - A’ja Wilson On Her New Max Contract
(4:38) - Rick Ross' Passion For The Game
(5:50) - Gunna on how Rick Ross’ Crib Inspired Him
(11:00) - Rick Ross & LeBron On Inspiration
(12:25) - Gunna explains Pushin' 🅿️
(16:10) - A’Ja On Being Marketable In The WNBA
(18:40) - Rick Ross On Becoming An Independent Artist
(20:50) - Steve Stoute on record labels not being a key factor to artists
(25:25) - Rick Ross on working with Kanye
(29:25) - LeBron on wanting to play with Bronny & Steph

Pull up a chair and catch up on Season 5 of The Shop: https://bit.ly/TheShopPlaylist

Stay connected with #UNINTERRUPTED:

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They were four ordinary teenagers from the dirty south but, they each had the talent, passion and determination to make it in the cutthroat world of music. After one life changing audition, they were set on the path to platinum record selling and Grammy winning success. However, major drama behind-the-scenes between the members would eventually cause everything to come crashing down. Let’s find out what happened to American R&B group 112.

#112








SOURCES:
https://www.youtube.com/watch?v=g2UAmChpQPE
https://www.youtube.com/watch?v=9763GWmcdNU
https://www.youtube.com/watch?v=6TudfOu1rDU
https://www.youtube.com/watch?v=bsRBSNOyFDU
https://www.youtube.com/watch?v=nIgWyXMhfAg
https://www.youtube.com/watch?v=mwnMMQ82r-0
https://www.youtube.com/watch?v=OtY7y6Fx_0Q&t=176s
https://nymag.com/news/feature....s/scandals/p-diddy-2
https://thisisrnb.com/2014/08/....listen-wqrl-wingo-q-
https://www.complex.com/music/....2020/05/two-112-memb
https://bossip.com/1661260/112....s-q-daron-sue-slim-f
https://bossip.com/1727726/112....s-slim-sues-ex-band-









C O N N E C T W I T H M E!

I N S T A G R A M || http://instagram.com/genuinelygenevieve

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INTRO & OUTRO:
Music by Ryan Little - Think About You - https://thmatc.co/?l=3E1027AA
VIDEO:
Music by Ryan Little - Lovesick. (Nomad's Heart) - https://thmatc.co/?l=7ED08450
Music by Mark Generous - Only You - https://thmatc.co/?l=5209E841




ABOUT LET'S GET TO THE ROOT
Hi! I'm Genevieve and this is my second channel. I'm a lifestyle blogger who's obsessed with skincare, self love, 90's r&b music and anything chocolate! Don't forget to check out my main channel, Genuinely Genevieve!

Let's Get To The Root lives up to its name by going beyond just the surface. This channel takes a deep dive into all the interesting and shocking information about all your favourite Hollywood celebrities, entertainers, social media personalities, public figures, movies, television shows and more from back in the day to the present. You'll get all the nostalgic feels and find out what your favs have currently been up to. The answers to all your burning questions and extra juicy details you never knew before are all right here!

British pop star Boy George recalls, revisits and assesses how the 1970's moulded the person and artist he has become. This is his musical, social and sexual coming of age, when he discovered the power of his own sexuality before setting about turning that persona into a popstar. Set against a backdrop of social discord, disenfranchisement and sexual repression, the seventies was also conversely the decade that revelled in colour and creative chaos, giving the world glam rock, disco and punk, and the young George O'Dowd was at the birth of them all. The documentary includes contributions from contemporaries like Martin Degville (Sigue Sigue Sputnik), Andy Polaris (Animal Nightlife), DJ Princess Julia and popstar Marilyn. This is, as George said, 'the last ever bonkers decade', and it totally and completely shaped him.

Boy George says: 'I think of the 70's as being this glorious decade where I discovered who I was and discovered all these amazing things - punk rock, electro music, fashion, all of that. And yeah of course there was that dark side to the 70's, the rubbish, the strikes, the poverty, and I'd get chased and confronted for the way I looked. But I was a teenager. I didn't have any time for misery. I was just having a great time with my friends!

For more about Boy George and Culture Club, visit http://boygeorgeitalia.weebly.com .

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Created around a conversation with his brothers, Alfa blends melancholy Jazz harmony with alternative hip-hop and soul.
To Support The Artist Purchase The Record here
https://alfamist.bandcamp.com/album/antiphon
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https://twitter.com/alfamist
Full Tracklist:
1.Keep On 00:01
2.Potential 10:50
3.Errors 15:56
4.Breathe (Feat. Kaya Thomas-Dyke) 26:00
5.7th October 33:24
6.Kyoki 37:34
7.Nucleus 43:40
8.Brian 50:22

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Mansur Brown – live from Barbican Main Hall in London.

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When Eiffel 65 released 'Blue (Da Ba Dee),' it was a flop. They sold around 200 records, shrugged it off as a loss, and forgot about it. But in a wild turn of events, the track got picked up by a small local station before getting airplay on one of the biggest radio stations in Italy—and within days, it was steamrolling its way to becoming one of the biggest hits of the late 1990s, taking the electronic music group touring around the world as their song shot up the charts.

We met up with the members of Eiffel 65—Jeffrey Jey, Maurizio “Maury” Lobina, and Gabry Ponte—to find out the origin story behind "Blue," and hear what it was like to become international superstars in the blink of an eye.

WATCH NEXT: The Story of Darude - 'Sandstorm' -- https://www.youtube.com/watch?v=NsGrfU5buKc&list=PLDbSvEZka6GH6jrqvMbW0AcQF6Dh8X1Ld&index=2&t=0s

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James Brown had an influence on early hip hop in many ways, but the most obvious way is how early hip hop DJ's sampled his music. But was this… purely coincidence? Or was this a calculated move by the Godfather of Soul to GET people to sample his music? Was he trying to expand his Godfather title to encompass other genres of music? Had he tried this before? What does Disco have to do with any of this?

Today I'm talking all about James Brown, his influence on hip hop, and how his failed attempt to claim he invented a completely different genre of music set him up to be the Godfather of Hip Hop.

Stream the Spotify Listening Guide, which includes every song mentioned in this video: https://open.spotify.com/playl....ist/5zAaQTA84jTmdY2J

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https://www.rollingstone.com/m....usic/music-news/jame
https://www.thecurrent.org/fea....ture/2020/02/11/prid
https://www.whosampled.com/Jam....es-Brown/Funky-Drumm
https://www.liveabout.com/how-....james-brown-influenc
Clyde Stubblefield saying he hates Funky Drummer: https://youtu.be/J9CQn_aC9Pk?t=82
An incredible video (and terrible audio) of JB talking about Hip Hop and saying "It's something the lawyers are going to discuss, I'm very happy they love me": https://www.youtube.com/watch?v=VQyEVtveb9k

Topics covered:

James Brown
Godfather of Soul
Godfather of Hip Hop
Funky Drummer
Give it up or Turn it a Loose
Get on the Good Foot
DJ Kool Herc
Grandmaster Flash
Early Hip Hop
Old school hip hop
drum samples
hip hop sampling
Disco
The Original Disco Man
Rapper's Delight
Bee Gees
Stayin' Alive
Heist
In The Jungle Groove
I'm Real
Public Enemy
NWA
LL Cool J
Digable Planets
The Pharcyde

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The Ghetto (Live at the Troubador, Los Angeles, CA) · Donny Hathaway

Live

℗ 1995 Atco Recording Corporation for the United States and WEA International for the world outside.

Tuba: Aaron Dodd
Alto Saxophone: Clifford Davis
Additional Trumpet: Cyril Touff
Alto Saxophone: Donald Myrick
Bass Guitar: Donny Hathaway
Electric Piano: Donny Hathaway
Vocals: Donny Hathaway
Trumpet: Gary Slavo
Congas Drums: Henry Gibson
Trombone: John Avant
Trumpet: John E. Howell
French Horn: John Lounsberry
Tenor Saxophone: Johnny Board
Tenor Saxophone: Lenard S. Druss
Solo Guitar: Marshall Hawkins
Trombone: Morris Ellis
Drums: Morris Jennings
Trumpet: Oscar Brashear
Guitar: Philip Upchurch
Percussion: Ric Powell
Trumpet: Robert A. Lewis
Additional Saxophone: Willie Henderson
Writer: Donny Hathaway
Writer: Leroy Hutson

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Songwriter and bass connoisseur Thundercat takes an in-depth look at some of his favorite bass lines of all time. From Cream's "Sunshine of Your Love" to The Brothers Johnson's "Strawberry Letter 23," Thundercat breaks down just what makes them so spectacular.

Thundercat's new album "It Is What It Is" is out April 3rd.

Featuring:
D'Angelo - Lady
The System - You Are in My System
Bernard Wright - Haboglabotribin
Cream - Sunshine of Your Love
Graham Central Station - Hair
Herbie Hancock - Chameleon
Jaco Pastorius - Portrait of Tracy


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Thundercat Breaks Down His Favorite Bass Lines | Under the Influences | Pitchfork

Lauryn Hill garnered mainstream attention as a member of the Fugees, before branching off on a solo career. The 1998 release of her debut solo album, The Miseducation of Lauryn Hill, infused reggae, with hip-hop, and neo-soul. It was certified eight-times platinum and Lauryn snagged five Grammy awards, including Best New Artist.

Hollywood came knocking, but as the industry attempted to push her further and further into the limelight, Lauryn became even more uncomfortable with her celebrity status. More than 20 years after her album’s release, we’re still waiting for the follow-up. How did her career get derailed so drastically? Let’s find out as we explore what really happened to Lauryn Hill.

#LaurynHill #WyclefJean #Fugees

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https://www.essence.com/news/they-call-me-ms-hill/
https://www.rollingstone.com/m....usic/music-news/the-
https://www.theatlantic.com/en....tertainment/archive/
https://www.rollingstone.com/m....usic/music-news/laur
https://www.nydailynews.com/en....tertainment/gossip/l
http://www.mtv.com/news/142922....2/lauryn-hill-gives-
https://people.com/archive/wha....tever-happened-to-la
https://medium.com/@Ms.LaurynH....ill/addressingrobert
https://www.huffpost.com/entry..../wyclef-jean-lauryn-
https://archive.voice-online.c....o.uk/article/rohan-m
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Original Soul Train dance Sally Achenbach was known for her sexy moves! Watch as she shares how she shut down anyone who thought her sexy moves would leave the Soul Train dance floor and more stories from her 8-year career!

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This documentary tells all about rapper, record producer and songwriter Marshall Bruce Mathers III, commonly known as Eminem was born in 1972 in Kansas City, USA. Having sold over 100 million albums worldwide, he is regarded as one of the best selling artists in the world and has been previously ranked as the best selling artist of the 2000's. The often misunderstood major talent has given white rappers credibility with his string of Grammy nominations, his critically acclaimed film 8 mile and three multi-platinum studio albums. Aside from Eminem's musical success, he has continually hit headlines with his turbulent relationship with Kimberley Ann Scott and ongoing legal disputes with his own mother. This film takes an intimate look into the life and career of this bad boy rapper including interviews with industry experts and unseen footage and clips from his most popular hits.

#music #rap #eminem #freefilm #documentary

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Bobby Carter | December 14, 2022
Westside Boogie's obscure declaration before the final song of his set indicated his detailed knowledge of Tiny Desk concerts. "I gotta be the first person to bring kids to NPR, right? No, I'm not," he exclaims. "I gotta be the first one with kids in costumes, though." He's correct. American Football brought a children's choir to the Desk in 2019, so Boogie added flair to that idea for the climactic end to his show. The "superheroes" accompanying him for "Silent Ride" are local Washington D.C. children representing the future. The vulnerable and solemn nature of this Compton poet's music required minimal adjustment to fit into our space.

"Oh My," the song that reeled us back to 2015, was atypical of what he does naturally in the booth. He finds comfort in laying bare vivid images of his personal life, much of which delves into his relationship struggles yet beams with self-awareness and self-criticism. The title of his latest project, More Black Superheroes, is in part dedicated to two recurring themes in his music: his neighborhood and his son. For his Tiny Desk, he played songs from that album , including "NONCHALANT," featuring former Tiny Desk Contest contestant Mamii and other highlights from his catalog. After the performance, in a full circle moment, Boogie signed a poster from our 2015 SXSW showcase, which he was part of, telling us it was his first paid show.

SET LIST
"N*** Needs"
"Lolsmh"
"STUCK"
"NONCHALANT"
"Silent Ride"

MUSICIANS
Westside Boogie: vocals
Mamii: vocals
Slimwav: keys, musical director
Andre Brown: bass
Marlon Allen: guitar
Jordan Hemby: drums
Monroe Grant: choir
Kamiya Washington: choir
Kamille Washington: choir
Donell Jones: choir
Jace Price: choir
Jordan Perkins: choir
Jaxon Staley: choir

TINY DESK TEAM
Producer: Bobby Carter
Director: Maia Stern
Audio Engineer: Josh Rogosin
Creative Director: Bob Boilen
Editor: Sofia Seidel
Videographers: Maia Stern, Beck Harlan, Sofia Seidel, Pierre Kattar
Audio Assistant: Kwesi Lee
Production Assistants: Jill Britton, Alanté Serene
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Kara Frame, Joshua Bryant, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #westsideboogie

My profile on one of hip hop’s most influential rap groups of the golden age.

ABC News’ Phil Lipof sits down with Def Leppard drummer Rick Allen and discusses the car accident that took his arm and his continued drumming for the band.

ABC News Live Prime, Weekdays at 7EST & 9EST

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#2pac #biggiesmalls #thuglife

0:00:00-0:02:31 sounds, intro
0:02:32-0:07:10 Red Bull Music Festival 2019 - London trk1 ("unreleased afx”)
0:06:23-0:10:01 Leo Anibaldi - Muta B2
0:07:23-0:12:29 [+ live drums by afx]
0:10:01-0:11:07 [+ vocals and melodies]
0:11:06-0:13:56 Quartz - Meltdown (remix?)
0:13:27-0:15:45 Equation- The Answer (Frankie Bones Long Division Mix)
0:14:28-0:16:55 Bang The Party - Rubba Dubb (Prelude)
0:16:16-0:19:11 Renegade Soundwave - The Phantom (It's In There)
0:17:34-0:20:26 [+ sounds, drum break]
0:19:58-0:23:53 The Octagon Man - Free-er Than Free
0:23:36-0:26:28 Shadows J Hip This House (The Leon Lee Special)
0:25:50-0:28:00 Exocet - Lethal Weapon
0:27:43-0:31:03 D-Shake - Techno Trance (Paradise Is Now)
0:30:32-0:32:53 John + Julie - Circles (Round And Round) Hyperactive Mix
0:31:55-0:32:58 [+ additional drums]
0:32:43-0:34:21 The Unknown - Put Your Fuckin Hands In The Air
0:34:08-0:37:39 Trigger - Stratosphere
0:37:20-0:40:41 The Future Sound of London - Pulse State
0:40:03-0:42:10 2 Kilos ? - The Dream
0:41:47-0:46:40 GESCOM- D1 (+manipulation)
0:45:28-0:47:48 Psychic TV - Joy
0:46:51-0:49-37 The Holy Ghost Inc - Mad Monks On Zinc
0:49:37-0:52:12 Underground Resistance - UR My People
0:52:02-0:56:09 Bizarre Inc. - Plutonic
0:55:14-0:58:44 Ye Gods - Becoming
0:57:19-0:59:46 Hound Scales - A Clique of Tough Women [Yuji Kondo Remix]
0:59:30-1:02:37 Yuji Kondo - Chambara
1:01:11-1:06:02 HVL - Sallow Myth
1:04:29-1:07:15 Martyn Hare - Is This Happening?
1:07:05-1:09:12 [+ live, 'aggressive'?]
1:08:34-1:12:18 user18081971 - Fork Rave
1:11:02-1:14:10 Aphex Twin - T16.5 MADMA with nastya+5.2 (+live elements
1:12:56-1:15:51 The Octagon Man - Vidd
1:15:23-1:18:41 ZULI - Trigger Finger
1:17:58-1:20:10 Stanislav Tolkachev - Disposable Killer
1:19:19-1:20:38 Katsunori Sawa - Pluralism
1:20:27-1:22:43 AFX - Umil 25-01 (live version?)
1:22:44-1:26:46 [Red Bull Music Festival 2019 - London trk2 "mini live set" (pt1)]
1:26:47-1:28:50 [Red Bull Music Festival 2019 - London trk3 "mini live set" (pt2)]
1:28:50-1:30:49 [Red Bull Music Festival 2019 - London trk4 "mini live set" (pt3)]
1:30:50-1:33:47 [Red Bull Music Festival 2019 - London trk5 "mini live set" (pt4) lush]
1:33:48-1:37:45 [AQXDM - 12 November (unreleased)]
1:37:14-1:41:04 Unknown Artist - Untitled (GBBL01 A1)
1:39:45-1:43:16 [Squarepusher - Unreleased]
1:41:27-1:45:18 Aphex Twin - Stone In Focus
1:44:25-1:48:39 DJ SS - Black
1:47:04-1:51:09 Torn - Dance On The Bones
1:50:07-1:54:19 The Higher - Stick 3
1:52:20-1:55:56 Fusion - Truth Over Falsehood
1:55:18-1:57:04 Chatta B - Bad Man Tune
1:56:45-1:59:33 Current Value - Dead Communication (feat DR & Lockjaw)
1:59:08-1:59:43 . . . - avearro
1:59:44-END [live modular noise]

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💿 Tracklist
00:00 sol invictus
06:08 天照
13:07 our lord
20:45 a place beyond
26:14 the tale of igor's campaign
32:44 Дажьбо́г
39:23 aradia, or the gospel of the witches
46:09 we are amidst strange beings, in a strange land
51:22 the crucifixion of helios
59:17 he who goes before (titan)
1:12:25 three legged crow
1:20:40 for the fogs about the earth may weigh you down
1:31:14 take care, it’s a desert out there

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Mind Altering Demented Lessons In Beats

Bobby Carter | August 10, 2022
If you've heard a DOMi & JD BECK song or watched a performance online, expectations of catching brilliance when you witness the jazz duo in person are likely high. JD's drumsticks move faster than the brain can process. DOMi offers every appendage on her body to the keys. It's frantic but focused, and I can't stop watching. For as tight as the two artists are musically — and even physically; one of their few Tiny Desk requests was for the drums and keys to be set up as close as possible — they take silly self-deprecating jabs when they aren't playing. It's believable until they transform and the music starts.

The two musicians come from two completely different parts of the world. James Beck began cutting his teeth as young as eleven at jam sessions in Dallas. DOMi, aka DOMi Louna, was born in France and raised on jazz, and enrolled at the Conservatoire Régional du Grand Nancy at five. DOMi eventually made her way to the States via a Presidential Scholarship from the Berklee College of Music. The two met at a trade show in 2018 and have been inseparable since, playing sets on YouTube and driving the internet nuts. Before they knew it, they were rubbing elbows with the upper echelon in jazz, R&B, and hip-hop.

The duo's debut album, ironically titled NOT TiGHT, is a graduation of sorts with all of their OGs lending a hand — notably Anderson .Paak, who took DOMi and JD BECK under his wing and made the duo the first signee to his APES*** label. The two brought highlights from that album to the Tiny Desk, including the vines, turf and vibrant floral arrangements from the album cover. Before "U DON'T HAVE TO ROB ME," a true story turned comedy, they make another attempt at neutralizing the room. DOMi says, "We're gonna ruin it!" It's too late for all of that. We're already amazed.

SET LIST
"NOT TiGHT"
"SMiLE"
"U DON'T HAVE TO ROB ME"
"WHATUP"

MUSICIANS
DOMi: keys, vocals
JD BECK: drums, vocals

TINY DESK TEAM
Producer: Bobby Carter
Audio Engineer: Josh Rogosin, Jhair "Jha" Lazo
Director: Kara Frame
Creative Director: Bob Boilen
Editor: Joshua Bryant
Videographers: Kara Frame, Pierre Kattar, Joshua Bryant
Art Direction: Winston Studios, Carlos Lopez, Iman Jordan
Audio Assistant: Josephine Nyounai
Production Assistants: Jill Britton, Joby Tanseco
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Ashley Pointer, Maia Stern
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#TinyDesk #NPRMusic #DOMiandJDBECK

Janet Jackson breaks down her most iconic music video wardrobes, from "Rhythm Nation" to "Scream." She explains everything from her futuristic video concepts, her favorite hair and makeup artists, and why it took her 11 hours to suit up for the "What's It Gonna Be" music video. Ms. Jackson explains the story behind her famous key earring and mixing masculine and feminine looks with badass choreography. She also tells us how she wound up working the register at a Guess jeans shop as a teen. Janet also talks about her love for tomboy styles and which legendary video looks she has since auctioned off.

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Janet Jackson Breaks Down Her Most Iconic Music Videos | Allure

Nov. 27, 2017 | Stephen Thompson --Phoebe Bridgers' songs come laden with sly, finely detailed observations about unsuccessful flirtations with hypnotherapy, unsettling conversations about Jeffrey Dahmer, and everything in between. Her phrasing is impeccable — warm, cool, conversational, gently slurred — but her songs also swim in the self-aware obsessions and messy meanderings of an unquiet mind.

Joined by Ethan Gruska and Rob Moose, Bridgers popped up at the Tiny Desk a couple weeks after the release of her full-length debut, Stranger In The Alps. Together, they celebrated the occasion with languid renditions of three of the album's best songs: the sad and seductive "Demi Moore," a drastically muted "Motion Sickness" and a piano-driven take on Bridgers' first-ever single, "Killer."

Set List

"Demi Moore"

"Motion Sickness"

"Killer"

MUSICIANS

Phoebe Bridgers (vocals and guitar); Ethan Gruska (piano); Rob Moose (violin)

CREDITS

Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Bronson Arcuri, Alyse Young; Editor: Bronson Arcuri; Production Assistant: Niki Walker; Photo: Jennifer Kerrigan/NPR

For more Tiny Desk concerts, subscribe to our podcast.

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What's behind the rise & fall of No Doubt? Was it Gwen's fault? I look at: No Doubt's early years as a ska band, Gwen Stefani and Tony Kanal dating, their breakthrough with "Tragic Kingdom," followup with "Rise Of Saturn," Gwen Stefani's solo career ("Hollaback Girl", "Let Me Blow Ya Mind"), their "Rock Steady" album, hiatus and Gwen Stefani on "The Voice." The rise and fall of No Doubt!
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0:00 Intro
2:37 The early years of No Doubt
8:52 Breakthrough with "Just A Girl" & "Don't Speak"
12:48 "Rock Steady" & Gwen Stefani's solo album
18:17 No Doubt's influence & impact

Billy Corgan lead singer, songwriter and guitarist of The Smashing Pumpkins reflects on the songwriting and recording process of one of the most important bands in rock music history. Corgan has been at the forefront of the alternative rock music scene for over three decades. His distinct voice and guitar playing, as well as his often-provocative lyrics, have made the Smashing Pumpkins one of the most influential bands of their generation. Here is my interview.

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Stream/Buy ‘Wishbone’ Out Now: https://ConanGray.lnk.to/Wishbone

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Lyrics:
Well, in the moment
You weren’t all that kind
You with your wide-eyed grin’s all I can see
When I think of that time

Promises spoken
All coming back as lies
But you with your soft, sweet kiss is all I miss
In the back of my mind

Did me wrong in the past
And I know it was bad
But you burn inside my memory so well
You caramel
You’re caramel

Your cigarette breath
Thick on your open mouth
Maple and amber clouds and coffee grounds
When I think of it now

Oh
And all the nights with your friends around
Ignoring me so they won’t find out
You can act real cool ‘cause it’s over now
But man, you cried when it all went down
And no one believed me, you gaslighted feelings
’Til you had me thinking that I was the reason
That I was fucking losing my mind

It was love at the worst
It was what we deserved

Yeah, you burn inside my memory so well
You caramel
You’re caramel

And the longer burn, the sweeter that you smell
You caramel
You’re caramel

Sweet taste in my mouth
I can’t get it out
I want you back now
And we’re making out
Drunk, sleeping on my couch
Now when I hear you’re in town
I just want caramel
Ooh
I heard you’re in town
I want you back now
Come over to my house
There’s space on my couch

Yeah, you burn inside my memory so well
You caramel
You’re caramel

Directed by Danica Kleinknecht @moonshynin
Produced by Iconoclast @iconoclast.tv + Side Label @side.label

Executive Producer: Hope Gettler @hget
Producer: Wilkins @justwilks
Production Manager: Meredith Fischer @meredithleefischer

DP: Emerson Duggan @embo920
1st AC: Ryan Sax @ryansax
Loader: Adam Lichtenberger @adamlichtenberger
Steadicam: Garet Jatsek @steadi.g

Key Grip: MJ Marcinik
Gaffer: Colin Sherr

Edit: Danica Kleinknecht + Lorin Askill @ Exile Edit @lorinaskill @exileedit
Exile Producer: Dylan Majerus @dylanmajerus
Color: Sofie Borup @ Company 3 @sofie_borup @company_3
Company 3 Producer: Shannen Troup @shannentroup

Sound Op: Greg Armstrong @streeetch_armstrong

PA - Camera: Mark Cesares @yourchampion
Key PA: Nick Corey
Office PA: Vivienne Foster @vivienneaubreyfoster

Manager: Eddie Wintel @eddiewintle
BTS: Dillon Matthew @dillonmatthewc
Label: Republic Records @republicrecords @drew.gleas

#ConanGray #Caramel #Wishbone

Music video by Conan Gray performing Caramel.© 2025 Conan Gray, under exclusive license to Republic Records, a division of UMG Recordings, Inc.

In this year's final episode of Rap Life Review, Ebro, Nadeska, Lowkey, and Eddie sit down together to review their personal Apple Music Replays and discuss the best and worst hip-hop music of the year.

The team reflects on the multiple superlatives, like Best Album of the Year, Worst Album of the Year, Best Comeback, and more. The group predicts what changes will be seen in the upcoming year. The group closes out the show by responding to comments about Eddie officially becoming the fourth member of Rap Life Review.

Listen to Rap Life on Apple Music: https://apple.co/-RapLifeYT

00:00 - Intro and Apple Replay
2:24 - 'Honestly, Nevermind' by Drake
3:15 - 'Mr. Morale and the Big Steppers' by Kendrick Lamar
4:17 - Pusha T and “Coke Rap”
9:08 - Rapid Fire Questions
12:09 - Hip-Hop Album of the Year
15:04 - Reviewing Playlists
17:33 - Responding to Comments

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