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Mega Hits 2022 🌱 The Best Of Vocal Deep House Music Mix 2022 🌱 Summer Music Mix 2022 #19 Hotney 1 意见 • 4 年前

Mega Hits 2022 🌱 The Best Of Vocal Deep House Music Mix 2022 🌱 Summer Music Mix 2022
Mega Hits 2022 🌱 The Best Of Vocal Deep House Music Mix 2022 🌱 Summer Music Mix 2022
Mega Hits 2022 🌱 The Best Of Vocal Deep House Music Mix 2022 🌱 Summer Music Mix 2022

https://youtu.be/nxOb27kdz0g

All songs in this spotify playlist: https://spoti.fi/2TJ4Dyj
#BestOfVocalDeepHouse #SummerMusicMix #HotSummer #MixtapeClub #2022 #RelaxingMusic #HouseMusic

◢Follow Mixtape Club:
★ Youtube: https://bitly.com.vn
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🎬 Videos:
"🌿 Video by Sean Kitching:
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🌿Follow Deep Disco Records
➤ Spotify → (https://vibe.deepdiscomusic.com/deephouse)
➤ Apple Music → (https://vibe.deepdiscomusic.com/deephousemusic
➤ Soundcloud → https://soundcloud.com/deepdiscorecords
➤ Website → https://www.deepdiscomusic.com/

0. Pete Bellis & Tommy - Treat Me Right (Marc Philippe Remix)
https://vibe.deepdiscomusic.com/ddm
1. Marc Philippe - You Love Me Tonight (Pete Bellis & Tommy Remix) #DeepDiscoRecords
https://vibe.deepdiscomusic.com/motivationhouse
2. Marc Philippe - Dancer In The Dark (Original Mix)
https://vibe.deepdiscomusic.com/motivationhouse
3. GeoM - Back To You (Marc Philippe Remix)
https://vibe.deepdiscomusic.com/deephousemusic
4. Marc Philippe - We Were Younger (Original Mix)
https://vibe.deepdiscomusic.com/deephouse
5. Marc Philippe - I Wanna Be Somebody (Original Mix) #DeepDiscoRecords
https://vibe.deepdiscomusic.com/bestofdd
6. Pete Bellis & Tommy - Missing The Way (Original Mix)
https://vibe.deepdiscomusic.com/deephousemusic
7. Pete Bellis & Tommy - Looking for a New Home (Original Mix)
https://vibe.deepdiscomusic.com/dancehouse
8. Pete Bellis & Tommy - Do You Wanna Know (Marc Philippe Remix)
https://vibe.deepdiscomusic.com/deephousemusic
9. Marc Philippe - Is Someone Waiting For Me (Original Mix)
https://vibe.deepdiscomusic.com/motivationhouse
10. Marc Philippe - Summer Of Love (Original Mix)
https://vibe.deepdiscomusic.com/hits
11. Marc Philippe - September Rain (Original Mix)
https://vibe.deepdiscomusic.com/bestofdd
12. Housenick - I Am Ok (Pete Bellis & Tommy Remix) #DeepDiscoRecords
https://vibe.deepdiscomusic.com/bestofdd
13. Marc Philippe - Deepest Blue (Original Mix)
https://vibe.deepdiscomusic.com/hits
14. GeoM, Pete Bellis & Tommy - Love You Enough (Original Mix)
https://vibe.deepdiscomusic.com/deephousemusic
15. Dimitris Athanasiou - Middle Of Summer (Original Mix )
https://vibe.deepdiscomusic.com/hits
17. Dimitris Athanasiou - Around You
https://vibe.deepdiscomusic.com/ddm
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✔️ Mixtape Club is created to promote and support new artists, (musicians/labels, composers, producers, photographers/filmmakers) who want to create a fan base. Send your song or video on Queen House
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Megan Thee Stallion: NPR Music Tiny Desk Concert Hotney 1 意见 • 4 年前

Watch Megan Thee Stallion play at the Tiny Desk Fest.

More from NPR Music:
Tiny Desk Concerts: https://www.npr.org/tinydesk
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

This Tiny Desk concert was part of Tiny Desk Fest, a four-night series of extended concerts performed in front of a live audience and streamed live on YouTube, Twitter and Facebook.

Dec. 2, 2019 | Sidney Madden -- "I'm gonna get real comfortable with y'all, so I'm need y'all to get real comfortable with me," Megan Thee Stallion told the excited Tiny Desk Fest crowd as soon as she assumed her position behind the desk. After promptly switching out her patent leather heels for some fuzzy Louis Vuitton slippers, she let the room know, "Now, don't be scared to get ratchet."

From there, the Houston rapper wasted no time demonstrating why she's a superstar in the making. Megan exuded irresistible charisma, cracking jokes with the crowd and rattling off explicit bars from her award-winning mixtape, Fever, for the live audience watching on YouTube and social media.

From "Hot Girl Summer" to the platinum-selling "Cash S***," Hot Girl Meg's raunchy hits took on new life thanks to a live backing band, Brooklyn's Phony Ppl, who seamlessly blend jazz, R&B and hip-hop. Midway through the spirited set, Megan and Phony Ppl surprised the audience by premiering an unreleased collaboration, a bouncy banger titled "F***** Around." After the first verse/chorus, the adoring crowd was singing along as if they'd known the song for years.

It was the first time Megan performed with a live band in public, but then again, there's been a lot of firsts over the past year. This time last fall, Megan was rapping her heart out at local shows, balancing classes at Texas Southern University and occasionally dropping a fire freestyle video from a suburban cul-de-sac driveway. Since then, the brilliant and bodacious rapper ascended to major festival stages, became one of the most sought-after features on other stars' songs, and electrified late-night television audiences.

Though she's dubbed herself a stallion because of her tall and voluptuous frame (Meg stands 5 feet 10 inches without heels,) the 24-year-old rapper has proven herself to be a workhorse when it comes to consistency. Her viral 2019 freestyles shot her online exposure through the roof and whichever alter ego she chooses in the moment — Tina Snow, Hot Girl Meg, Stalli — she's maintained the spotlight all year thanks to a steady stream of new music, an engaging personality and her own viral social media campaign, Hot Girl Summer.

Though she's usually known for extensive twerking during her stage performances, at the Tiny Desk, Meg played up a different skill set: impeccable timing and lung capacity. "Yall talk about Meg's knees but sis breath control is pretty impressive too," one viewer tweeted out during the live video stream.

Megan's lyrical content lies in subverting established sexual dynamics and no matter the level of raunch she deploys, empowering women remains the artist's manifesto. Co-signs from all across hip-hop, from Q-Tip to Nicki Minaj to Chance the Rapper, have only bolstered her appeal and validated her bars in the eyes of the genre's cultural gatekeepers.

SET LIST
"Realer"
"Freak Nasty"
"Cash S***"
"Big Ole Freak"
"Hot Girl Summer"
"F****** Around"
"Money Good"

MUSICIANS
Megan Thee Stallion: vocals; Elbee Thrie: vocal, percussion; Elijah Rawk: guitar; Maffyuu: drums; Aja Grant: keys; Bari Bass: bass; Ebony Joi: vocals

CREDITS
Producers: Sidney Madden, Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, James Willetts; Videographers: Morgan Noelle Smith, Maia Stern, Kara Frame, CJ Riculan, Jack Corbett; Associate Producer: Bobby Carter; Production Assistant: Tsering Bista; Executive Producer: Lauren Onkey; VP, Programming: Anya Grundmann; Photo: Laura Beltran Villamizar/NPR

More from NPR Music:
Tiny Desk Concerts: https://www.npr.org/tinydesk
Twitter: https://twitter.com/nprmusic
Instagram: https://www.instagram.com/nprmusic

Karol G: Tiny Desk (Home) Concert Hotney 1 意见 • 4 年前

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Anamaria Sayre | May 27, 2021
Colombian reggaetonera Karol G floats between styles on this wistful Miami set with the breeziness of a pop star who knows no boundaries – or maybe it's the calculus of an artist who has built a career on subverting them. Her personal, unapologetic flourish has allowed her to top the Billboard charts of a genre with limited female participation, and even less superstardom.

Her signature bichota energy is subtle, yet pervasive in her stripped-down Tiny Desk (home) concert. Flanked by an illuminated all-women band, Karol G's authentic command of the intimate moment and its intended audience is unmistakable. She's stepping down from atop the glossy sets and sparkly stages to share secrets — lessons learned during her sudden ascent about humility, grace and empowerment — with the millions of niñitas who will watch this concert, enraptured by her effortless confidence and smooth Spanish bars.

Without a doubt, Karol G strikes a perfect balance here of vulnerability and star power, taking us on a journey through her many iterations. She deftly moves from a ballad-like rendition of urbano mash-up "Créeme/A Ella" to a soulful performance of trap corrido "200 COPAS" (her proclaimed favorite song at the moment) with Mexican Regional cariño Danny Felix. Closing with a first-ever live performance of the dreamy duet "CONTIGO VOY A MUERTE," she marks the end of the concert with a nod to her roots. Intertwined with fellow Colombiano Camilo, Karol G expresses gratitude and pride; she is the unguarded depiction of a superstar eternally enamorado with her fans and her country.

SET LIST
"Créeme/A Ella"
"200 COPAS"
"CONTIGO VOY A MUERTE (feat. Camilo)"

MUSICIANS
Karol G: vocals
Sus Vasquez: guitar
Anastasiia Zaichenko: bass
Guilliana Merello: drums
Bryn Bliska: keyboard
Camilo: vocals
Danny Felix: guitar

CREDITS
Video: José Emilio Sagaró, Chris Cabrera
Audio: John Buitrago, Will Madera, Fernando Argento

TINY DESK TEAM
Producer: Abby O'Neill
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Associate Producer: Bobby Carter
Tiny Production Team: Kara Frame, Bob Boilen, Gabrielle Pierre
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #karolg

John Leckie Part 1: Working with John Lennon, Pink Floyd, XTC, and Roy Harper Hotney 1 意见 • 4 年前

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John Leckie is an English record producer and recording engineer. His production credits include Magazine’s Real Life (1978), XTC’s White Music (1978) and Dukes of Stratosphear’s 25 O’Clock (1985), the Stone Roses’ The Stone Roses (1989), Radiohead’s The Bends (1995), Cast’s All Change (1995), Muse’s Origin of Symmetry (2001) and the Levellers’ We the Collective (2018).

Leckie began work at Abbey Road Studios on 15 February 1970 as a tape operator, later graduating to balance engineer and record producer. During his early career he worked as a tape operator with artists such as George Harrison (All Things Must Pass), John Lennon (John Lennon/Plastic Ono Band) and Syd Barrett (Barrett). He moved up to the desk to be balance engineer for Pink Floyd (Meddle and Wish You Were Here), for Mott The Hoople’s album Mott and Paul McCartney and Wings’ Red Rose Speedway and the single “Hi, Hi, Hi”. Other engineering sessions at Abbey Road at this time were with Roy Harper, Soft Machine, Sammy Hagar, Jack Rieley’s Western Justice album and the last recordings with Syd Barrett.

His first job as producer was Be-Bop Deluxe’s third album Sunburst Finish, a collaboration which continued with Modern Music, Live! In The Air Age and Drastic Plastic. In 1977 Leckie produced The Adverts’ Crossing the Red Sea with The Adverts, Magazine’s Real Life, and Doctors of Madness’ Figments of Emancipation.

Leckie left Abbey Road in 1978 and produced albums for Simple Minds (Life in a Day, Real to Real Cacophony and Empires and Dance). For Be-Bop Deluxe founder Bill Nelson, he produced the Red Noise album Sound on Sound and Nelson’s subsequent solo album Quit Dreaming And Get On The Beam (the latter unreleased until 1981). Leckie recorded the début single, Public Image for Public Image Ltd and produced The Human League’s Holiday 80 EP. Leckie’s work with XTC included producing their debut 3D single and EP, and first two studio albums, White Music and Go 2. He went on to produce 25 O’Clock and Psonic Psunspot, which XTC issued under the pseudonym The Dukes of Stratosphear in the mid 1980s.

In 1989 Leckie produced The Stone Roses’ debut album The Stone Roses. The album was voted the best record of all time on a music poll taken by BBC Radio 6 Music and features as Number 1 on the Observer Music Monthly’s June 2004 “100 Greatest British Albums”. Some months later he produced and mixed their single “Fools Gold”, which charted at No. 4 in the UK Singles Chart, and in early 1990 he produced and mixed the single “One Love” which also charted at no. 4 in UK. Leckie also worked on much of the recording the Stone Roses’ album Second Coming.

In 1994, Leckie produced and engineered Radiohead’s album, The Bends, and in 1995, he produced All Change by the Liverpool band Cast. It became the highest selling album in the history of the Polydor Label.

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