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HIRAES - We Owe No One (Official Video) | Napalm Records Hotney 11 Streams • 2 years ago

New Album, Dormant, out January 26, 2024 via Napalm Records!
Order "Dormant" here: https://lnk.to/HIRAES-Dormant

Concept & Idea: Britta Görtz
Production Company: GUP MEDIA
Directed by: LUCAS GÜNZEL & HIRAES
Produced by GUP MEDIA / LUCAS GÜNZEL, SIMON POHLMANN
Director of Photography LUCAS GÜNZEL / LISA ULFERTS
Edited by GUP MEDIA / LUCAS GÜNZEL
Mixed by Jens Bogren and Ricardo Borges at Fascination Street Studios
Mastered by Jens Bogren at Fascination Street Studios

The band comments about the track and video:
“Catchy – groovy – thrilling! Today we present you our rebellious anthem and second single "We Owe No One". Embedded in an intense sound and filled with anthemic melodies that will burn themselves into your brain, the song creates a gripping sense of unity that can be transferred to our entire metal community. The track goes straight to the front and in the video we have given free rein to our creativity together with the camera team. Put the song on continuous rotation, watch the video and don't forget: We Owe No One!“

Lyrics:
We Owe No One

Head‘s spinning
Choking on every breath
I want out, wanna run but fall
Oh, I‘m so done with it all

Sore knuckles meet cement
Broken shadows
Torn and bent
The situation‘s out of hand
Am I trying too hard
To make sense of the senseless?

We owe no one
Forged in the flames of conformity
Let‘s become
Our transformation has begun

We owe no one
Knots and ties have come undone
Come on strong
As we fall towards the sun

Now take a look
And tell me what you see
Naiveté rules over chaos
So fragile, so strong, oh I want it all
One promise and a chance to fail
Tight skin
Worn and pale
I‘ll take a breath before I leave
Set out for the new, the unseen, never been

Don‘t hold on, let go
This is where the journey starts
Every footprint, step by step
Until you‘re on the other side

We owe no one
Forged in the flames of conformity
Let‘s become
Our transformation has begun

We owe no one
Knots and ties have come undone
Come on strong
As we fall towards the sun

We only see what has been done
Our transformation has begun
We owe no one
We owe no one

We owe no one
Forged in the flames of conformity
Let‘s become
Our transformation has begun

We owe no one
Knots and ties have come undone
Come on strong
As we fall towards the sun
Towards the sun, towards the sun
We fall, we fall
Towards the sun

Follow HIRAES online:
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www.hiraes.com

The Adam & Wack Show #29 with Saviii 3rd Hotney 11 Streams • 2 years ago

Saviii got a few things to get off his chest regarding the Report Card, the unpaid music video bill allegation, and more.
-----
0:00 Intro
3:55 Wack reads off a list from the Cali-banging Reddit. Wack talks about watching the Hoovers and thinking it was over, but now they are stronger and bigger than ever.
6:45 Savii speaks about the report card and thinks that it is cool for the LA rap scene and also has controversy.
10:20 Adam speaks about how a report card grade shouldn’t matter. Savii speaks about not being on the second report card and not feeling a type of way. Wack says he thinks the report card guy is alright and Savii says he was tripping on the story that was on No Jumper about Savii not paying the camera crew.
14:20 Dejon calls in and explains why he blocked Savii because he doesn’t want to hear any negativity on his phone. Dejon says he made that post about Savii because he is not biased and that accusation happened about not paying for the music video.
17:23 Wack asks Dejon if he is feminine or **** and Dejon hangs up the phone. Savii talks about cash apping $400 to the director's lunch for the crew.
20:48 Adam texts Dejon to do an interview with Wack and Savii talks about the director throwing dirt on his name
24:30 Savii likes Insane Clown Posse and Savii explains that he is really bothered by the music video situation. Adam says that Cash Chang is the one who called out Savii and said that they were his favorite artist and Savii didn’t pay them.
27:20 Wack talks about how if Savii's music video was under contract that he wouldn’t be having this problem, Adam says he remembers when Savii signed to Wack and did an armed robbery then went to jail.
34:00 Savii said he would call a cigarette a Dw Flame and Savii showed the copyright removal receipts for his music video, Savii says he wants Adam to connect him with T___ T___.
42:13 Wack talks about when dealing with Cash Money there are no restrictions and no limits. 46:05 Savii speaks about hearing false allegations in the clubhouse for what he got arrested for.
57:00 Savii speaks about how Vince Staples is left out the conversation of who the king of Long Beach.
59:43 Wack says that Warren G is behind Snoop for the king of Long Beach
1:04:05 Wack considers Kendrick to be a quiet storm and can be gone for a couple of years but Drake is constantly doing something
1:10:55 Savii says that YBN Namir is from Long Beach now. Savii talks about how Chris Brown really stands on business and speaks about how it’s weird for people that hood hopping in their own city
1:14:13 Wack says that personally, he wouldn’t want to be put on Filthy’s. Savii tells Adam that the Illuminati would not accept him and Wack speaks about Puff looking rough now
1:18:03 Adam talks about how Lena got mad about not kissing her after ___ in her mouth. Savii speaks about wanting to host on Plug Talk and says he will go to Plug Talk if Adam’s in the room
1:22:07 Savii thinks about what if he took the R&B route and believes rappers shouldn’t be dancing cause it's zesty.
1:25:30 Adam and Savii doesn’t consider Lil Nas X a rapper
1:28:37 Savii speaks about losing his mom in 2022 and being a fundamentally different person from that moment
1:34:48 Savii says the top 5 in Long Beach are himself, Dw Flame, Rayvon, Vince, and Tapri Grams. Savii says that he got a whole tape with Rayvon and Adam speaks the idea of bringing the Insane Clown Posse to Long Beach.

-----
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Argy at Jungfraujoch - Top of Europe, Switzerland for Cercle Hotney 11 Streams • 2 years ago

Argy performs a DJ set 3,600 meters high at the Sphinx Observatory, Jungfraujoch - Top of Europe, Switzerland for Cercle.
An audiovisual experience supported by the audio brand Bang & Olufsen: https://on.beo.com/rlmrvL
The A5 speaker and the Beoplay EX earbuds were offered to Argy in the Mystery box.

☞ Join Cercle Odyssey immersive events: https://Cercle.lnk.to/CercleOdysseyID
☞ Join our next events: https://Cercle.lnk.to/Members
☞ Listen to our playlists, tracks & sets: https://Cercle.lnk.to/Playlists

______

☞ About the artist

Argy is a singular and innovative force in electronic dance music. His influential journey with Afterlife, marked by iconic releases like 'Tataki,' 'Pantheon,' 'Aria,' and 'Higher Power' with Anyma, has established his firm position on charts and award lists.
Listen to Argy, Baset - Sierra on Cercle Records: https://Cercle.lnk.to/sierraargy

☞ About the location

Nestled nearly 3,600 meters above sea level, the Sphinx Observatory is one of the highest scientific observation decks in the world. It offers ethereal views of the surrounding alpine relief and of the sky. Thanks to Jungfraujoch & Grindelwald for welcoming us and to Studio 12° for the beautiful scenography.

46°32'51.0"N 7°59'06.2"E

______

☞ Tracklist

00:00 Argy, Son of Son - Faust
03:31 Son of Son - Du Ska Inte
07:04 Argy, Baset - Sierra (Cercle Records)
10:38 Argy, Weekend Heroes - No Ones Coming
14:35 Omnya - Reflections (unreleased)
18:29 Argy, Cay - ID (unreleased)
21:45 Nick Matthew, Valano - Celestial Pulse (unreleased)
25:39 Jenia Tarsol & Jinga - Takadoom (Argy Edit)
30:25 Argy - All Day Long
33:50 Son of Son - Lost Control
37:44 Argy - Guru
41:35 Shinedoe - Phunk (Steve Angello Re-Edit)
45:40 Enai - Horus
49:59 Argy - Wilderness
54:00 Argy, Omnya - Aria
58:48 Monolink - Laura (Argy & Omnya Remix)
1:03:35 Argy - Dreamstates
1:08:26 Rabbit in the Moon - Deeper
1:12:38 Anyma, Argy, Magnus - Higher Power
1:16:35 Son of Son - Succession (unreleased)
1:19:49 Argy - Collision
1:23:51 Safri Duo - Played-A-Live
1:29:38 Interview with Argy
1:52:51 The Best Of Cercle Interviews

This artistic performance has been recorded live.

"PLAYED-A-LIVE (THE BONGO SONG)”
Interpreted by Safri Duo (P) 2000 Universal Music (Denmark) A/S
Authorized by Universal Music Publishing Film & TV
______

Follow us on http://www.cercle.io
#argy #cercle #afterlife

Sonny Fodera, Jazzy, D.O.D - Somedays - Live from Longitude Festival 2024 Hotney 11 Streams • 2 years ago

Stream/Buy: https://sf.ffm.to/somedays

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Lyrics

Some days
I wanna sail away
When the going gets rough When the going gets tough
Something
Deep inside my body says ‘You are more than enough So don’t give up’
Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving, keep it moving Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving, keep it moving Keep it moving on, yeah
Don’t stop now
Don’t give up
It’s your time, live your life Give your love
Keep it high
Up above
It’s your time, live your life Don’t give up
(Instrumental break) (yeah, yeah, yeah)
Some days
I wanna sail away
When the going gets rough When the going gets tough
Something
Deep inside my body says ‘You are more than enough So don’t give up’
Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving, keep it moving Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving, keep it moving Keep it moving on, yeah
And I can’t help But notice lately, Everything around is changing
And all the world
is going crazy
It’s gonna be alright yeah, yeah
It’s gonna be alright yeah, yeah It’s gonna be alright yeah, yeah It’s gonna be alright yeah, yeah It’s gonna be alright yeah, yeah
Don’t stop now
Don’t give up
It’s your time, live your life Give your love
Keep it high
Up above
It’s your time, live your life Don’t give up
Don’t-don’t-don’t give up Don’t give up, it’s your time Don’t-don’t-don’t give up Don’t give up, live your life Don’t-don’t-don’t give up Don’t give up, it’s your time Don’t give up, don’t give up
Some days
I wanna sail away
When the going gets rough When the going gets tough
Something
Deep inside my body says ‘You are more than enough So don’t give up’
Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving, keep it moving Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving on, yeah
Keep it moving, keep it moving Keep it moving on, yeah
It’s gonna be alright yeah, yeah It’s gonna be alright yeah, yeah It’s gonna be alright yeah, yeah It’s gonna be alright yeah, yeah

Charlamagne ADDRESSES Akademiks, RESPONDS TO Dame Dash & Jay-Z, Talks Podcast Money, YouTube &am Hotney 11 Streams • 5 months ago

Charlamagne Responds To Akademiks, Dame Dash & Jay-Z, Talks Podcast Money, YouTube & More

Charlamagne Tha God sits down with Loon on It’s Up There for a major conversation about Akademiks, Dame Dash, Jay-Z, podcast money, YouTube, ownership, Breakfast Club, iHeart, media value, and what the next generation of creators is getting wrong about the business.

Loon presses Charlamagne directly on Akademiks and the current conversation around hip-hop media. Charlamagne explains what he sees in Akademiks as a podcaster, why strong opinions matter, and why entertainment still has value — even when Loon challenges whether that value translates into comedy, business or long-term media power.

The conversation also goes into the famous Dame Dash ownership debate and how that moment shaped a generation of creators. Charlamagne responds to Dame’s “boss” message, explains where he agrees, where he thinks the market got confused, and brings in Jay-Z’s ownership logic to explain why having a piece of something real can be more valuable than owning 100% of something that cannot scale.

Loon and Charlamagne also break down YouTube, podcast money, fake market share, strategic partnerships, The Breakfast Club’s influence on urban podcasting, and why creators should stop confusing viral attention with actual business.

This is not just a podcast conversation. This is Charlamagne in the hot seat on the people, platforms and ideas shaping the future of Black media.

00:00 Charlamagne Pulls Up To It’s Up There
02:18 Why Loon Wanted This Conversation
05:05 Bad Game In The Marketplace
08:12 Hip-Hop Chasing Algorithms
11:20 Why Artists Still Need Radio
14:10 Labels Breaking Songs Instead Of Building Stars
17:35 Strategic Partnerships vs Internet Clout
20:42 YouTube, Ownership & Fake Market Share
23:55 Breakfast Club’s Real Market Share
26:44 Mess Brings Attention But Not Money

29:30 Loon Presses Charlamagne On Akademiks
32:18 Can Akademiks Really Do Comedy?
35:00 Charlamagne Explains Akademiks’ Podcast Value
38:05 Entertainment vs Real Media Business
40:50 The First Breakfast Club Viral Moment

43:12 The Dame Dash Ownership Debate
46:04 Charlamagne Responds To Dame’s “Slave” Comments
49:20 Jay-Z’s Ownership Lesson With Kevin Hart
52:05 100% Of Nothing vs A Piece Of Something Real
55:14 Why Strategic Partnerships Matter
58:02 Why iHeart Never Tried To Own It’s Up There
1:00:55 Getting In Position Before Helping Everybody

1:04:10 Confidence From Moncks Corner
1:06:45 Therapy, Anxiety & Ego
1:09:38 The Phone Call From His Wife That Changed Everything
1:12:30 God, Black Women & Therapy
1:15:22 Why Old Charlamagne Is Dead
1:18:05 Leonard vs Charlamagne

1:21:00 Calling Out Politicians vs Calling Out Rappers
1:23:50 Charlamagne’s Home Insurance Story
1:26:35 Breakfast Club’s Political Market Share
1:29:20 Farrakhan, Dick Gregory, Dr. Umar & Platform Responsibility
1:32:40 The Future Of Black Media
1:35:00 End

Join Our Its Up There Podcast Clip Channel now https://www.youtube.com/channe....l/UCEh6Wk40kcNcMJ4t_
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Myke Towers, Renn, Nio García, Yexel - MAQUILLAJE (Remix) Official Video Hotney 11 Streams • 2 years ago

#MaquillajeRemix #MykeTowers #MusicVideo

🎧

LYRIC - LETRA =

Que bonita te ves sin maquillaje
No necesita corcel,corona ni carruaje
Combinamos tan a la perfección
Sé cómo es la ropita que mejor te queda
Y cómo el vestido rojo que guarda' en el armario
No estamo' en tiempo de pirata y corsarios
Pero me la robé

Se ve más linda conmigo que con él
Y el estar a mi lao' eso le hizo tanto bien
No la busques por que dice que "está bien"
Nunca se había mojau' y yo la toco tan bien
Sacó su tiempecito pa' irse pal gym
Logró olvidarte y no te extraña ni un Tin
Siguió su vida por fin
Pasó la página ya te puso fin

No estés preguntando por ella ahora está mucho mejor de lo que tú la tenías
le pidió el deseo a una estrella pasó tiempo pero ya está con el que quería
es bonita sin maquillaje
no se pone panty ni brassieres si anda en traje Mami tú las tienes grande como Salma Hayek Apagamos las luces y se fueron con amague
Ponte en trajecito rojo que me hizo pegarteme
En la discotek
Morirán de envidia si saben lo rico que
Fue cuando yo te besaba lento y te toqué
Soñé anoche que estaba dándote en Saint-Tropez
Tú lo superaste sola dice que no complementa con cualquier persona
Si la miró a los ojos los nervios la traicionan
no la llamen que va a estar haciendo cardio conmigo unas cuantas horas
Cuántos besos le robé
Tú eres reina sin necesitar corona bebé
empezó de frente ahora me está perreando al revés
El maquillaje le regué en su sábanas me enredé el tráfico detiene cada vez que por la calle cruza tú te metiste a mi mente como una intrusa quiere que yo la esposecomo una reclusa

Se ve más linda conmigo que con él
Y el estar a mi lao' eso le hizo tanto bien
No la busqué por que dice que "está bien"
Nunca se había mojau' y yo la toco tan bien
Sacó su tiempecito pa' irse pal gym
Logró olvidarte y no te extraña ni un Tin
Siguió su vida por fin
Pasó la página ya te puso fin

No te pongas maquillaje tú no necesitas eso
Un Lipstick rojo para que marque tus besos
tú no eres santa y como quiera te rezo
El té calienta y yo te bajo el queso
Te voy a robar
es que tú brillas conmigo como Audemar
El pidiéndote que vuelvas como Don Omar el que la vio llorar fui yo su paño de lágrimas
Aunque tú vuelvas con él en la cama tú cuentas conmigo
Baby cada vez que salgo me preguntan pero yo siempre les digo

Se ve más rica conmigo que con él
Y el estar a mi lao' eso le hizo tanto bien
No la busquen por que dice que "está bien"
Nunca se había mojau' y yo la toco tan bien
Sacó su tiempecito pa' irse pal gym
Logró olvidarte y no te extraña ni un chin
Siguió su vida por fin
Pasó la página ya te puso fin

Vente conmigo que e' lo más sabio
Y en mi cuello marcao' tu pinta labios
Ay cómo yo te toco el nunca te ha tocao'
Ese culito e' mío rentau'

Vente pa' cá pa' darte uso,uso
Yo soy tu preso, tu recluso
No te gustaron las poses en que él te puso
Tu ere' mí sumisa te gusta el abuso
Que rico comerte y volver a comerte otra vez

Sé cómo es la ropita que mejor te queda
Y cómo el vestido rojo que guarda' en el armario
No estamo' en tiempo de pirata y corsarios
Pero me la robé

Se ve más linda conmigo que con él
Y el estar a mi lao' eso le hizo tanto bien
No la busquen por que dice que "está bien"
Nunca se había mojau' y yo la toco tan bien
Sacó su tiempecito pa' irse pal gym
Logró olvidarte y no te extraña ni un Tin
Siguió su vida por fin
Pasó la página ya te puso fin

How QUIET RIOT Got So POPULAR & Changed METAL Hotney 11 Streams • 2 years ago

the story of how 80's era rock band Quiet Riot made metal history in 1983 with their seminal album Metal Health

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#quietriot #randyrhodes

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

These videos are for entertainment purposes only. READ OUR DISCLAIMER https://rockandrolltruestories.....com/youtube-disclai

Founded in 1973 by guitar prodigy Randy Rhoads and his friend bassist kelly Garni, Quiet Riot was a band who struggled to get noticed. Record labels continually passed on the band associating their sound with dinosaur rock, but when the group was offered their first big break, it came with conditions they weren’t entirely happy about. So much so, they tried to sabotage it. Instead, it resulted in the band making music history and paving the way for other similar sounding bands to achieve success.. Today, let’s explore the dramatic rise and steep decline of Quiet Riot in just a few short years.

The history of Quiet Riot begins with guitarist Randy Rhoads and bassist Kevin Garni. The duo enlisted vocalist Kevin Dubrow in 1973 and formed a band named Mach 1 before changing their name to Little Women. Garni admitted in an interview with Metal Voice that himself and Rhoads were not really fans of Dubrow, but the frontman was very insistent and he was driven like them, so they decided to give it a shot. Dubrow by this point didn’t have a ton of experience, just singing in garage bands. He had seen the beatles in 1964 on th ed sullivan show and thats what kick started his interest in music followed by seeing rod stewart in the 70’s. As for Dubrow, he wasn’t very taken with Rhoads when he first met him telling the star tribune.

“I mean this guy was weird. I swear he looked like a girl with that long hair down to his waist.He had this incredibly long thumbnail on his left hand too. I didn’t know what to make of this guy. But once Rhoads started playing, Dubrow was stunned.

As for Garni and Rhoads not liking him, Dubrow admitted “Rhoads only wanted me to take up time between guitar solos.” Dubrow also added the pair wanted someone who was good with chicks, someone who wasn’t a pain in the ass and someone who wasn’t ugly. IT wasn’t uncommon for Dubrow to compare his appearance to Rod Stewart in interviews.They rounded out their lineup with drummer Drew Forstyhe and the band soon rebranded themselves Quiet Riot by 1975. This lineup of the band is sometimes referred to as Quiet Riot 1.

As for where the name Quiet Riot came from Dubrow claimed to the chicago tribune that musician Rick Parfitt from the british group status quo suggested the name Quiet Riot took inspiration from 60’s era british groups like humble pie, the who, the faces, and the beatles.

It wasn’t long before Quiet Riot became one of the hottest bands in LA scene alongside Van Haen bythe late 70’s, but record labels wouldn’t bite. Van Halen, however got a deal with Dubrow admitting they deserved it more, telling the record newspaper “they had a better rhythm section. Our original drummer was lousy.” He added that ‘we were so desperate to get a deal we were trying to adapt our sound towards what we thought record companies were looking for. Consequently it got to the point that we didn’t know what we were doing.

And record labels didn’t reject the Quiet Riot once, but several times. However,. Quiet Riot’s manager got the band a deal with Sony who who released the group’s first two records in Japan. - their self titled 1977 record and Quiet Riot 2 in the subsequent year. Dubrow shed some light on why they exclusively released their records n japan telling an interviewer “A lot of it has to do with image. The japanese people are really into the theatrical type of thing. We had a really pretty boy look in those days. The band was a lot younger and the japanese were very into that sort of thing.” You’er maybe wondering, why not just release the records in the US s well. Well, Sony, felt Van Halen was the official LA band. Despite this, the band did some exposure in LA. They were sometimes heard on radio program Rodney on the ROQ [Bingenheimer’s show on L.A. radio station KROQ] alongside punk bands like the Adolescents or the Circle Jerks or whatever. Rodney played “Slick Black Cadillac from their second record.

To support their first two albums, Quiet Riot toured with journey and black oak arkansas. Dubrow in 1983 looked back negatively on both albums telling an interviewer “Those albums were crap, Back then we were playing this hard crunching music in pers

The Smashing Pumpkins Show That ENDED In TRAGEDY! Hotney 11 Streams • 2 years ago

the Smashing Pumpkins show in Dublin, Ireland in 1996 that ended in tragedy

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#thesmashingpumpkins #bilycorgan #ireland

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The Smashing Pumpkins third release 1995’s Mellon Collie and the Infinite Sadness would represent a commercial high for the band, but the tour for the record was an emotional roller coaster. They would run into trouble with drummer Jimmy Chamberlin who was dealing with drug addiction and they would lose touring keyboardist Jonathan Melvoin to an overdose. The band’s turmoil wasnt just limited to their own bandmates, but also included their fans as well. During a Spring stopover in Dublin, Ireland, one of the concert goers would end up losing their life and to some fans the band have never been the same since.
Prior to the events in Dublin,, the Smashing Pumpkins were known to be a band who was against moshing and other ritualistic rock n’ roll behavior. From 1994 to 1996 there was a fair deal of press coverage on moshing with a big focus being on recent fans deaths and injuries. These events resulted in litigation against venues, promoters, and the artists themselves. In fact, the smashing pumpkins were known to be openly against moshing with Corgan being quoted as saying in the mid 90’s “”It’s time has come and gone. It’s ceased to be a spontaneous act.” A year prior to the Dublin show, Corgan was quoted by MTV as telling an audience in Chicago
I just want to say one thing to you, you young, college lughead-types. I've been watchin' people like you sluggin' around other people for seven years. And you know what? It's the same s***. I wish you'd understand that in an environment like this, and in a setting like this, it's fairly inappropriate and unfair to the rest of the people around you. I, and we, publicly take a stand against moshing!
The band’s show at the Point Theater in Dublin, Ireland took place on May 11, 1996. News reports have varied on the exact crowd size, but it seems to range anywhere from 7,000 to 8,500 fans. The concert promoters claimed the venue was within capacity requirements. There were about 110 security guards working the event for a gig that was general admission affair, meaning no chairs on the main floor.
Even before the band hit the stage, there seemed to be issues during Filter’s opening set. The police in Dublin held an inquiry following the tragic concert and heard testimony from concert goers. One concert named Robert Acton told the inquiry "A number of people were coming in. People were sitting in the balconies and they started moving down. This was when I started to worry. The security men were behind barriers. I was being squashed and crushed.
"A guy fell down. I put out my hand to help him up. The crowd was moving from side to side. I tell. I could see the crowd coming over my head and tramping my head and rib cage. Someone kicked me on the bottom of my nose and I lost consciousness. "Four guys were trying to lift me and get me to the Red Cross. I could not breathe, I'm slightly asthmatic. I asked for an inhaler. They did not have one, but they put me on a nebuliser."
Acton would reveal how he lost consciousness again, was given an injection and placed on a stretcher. After a period of time he returned to the crowd and people were now jumping up and down. He noticed a lot of people were now on the ground and he would find his friends and leave the show. He would visit the doctor the next day and got an x-ray that showed he had broken one of his ribs.
Another attendee for the inquiry would be quoted as saying "there was no room whatsoever for dancing. People were preoccupied with keeping themselves straight, and alive".
Throughout the Smashing Pumpkins set, the crowd was rowdy with Corgan having to stop the show several times. The first stoppage happened three songs into the set. Here’s what Billy Said. Then five songs later, Billy stopped the show again for six minutes to calm down the crowd.Five songs later, Corgan again stops the show with word getting to the band that a young girl was seriously injured. The band would cut their set short, playing an 11 song show that ended with Cherub rock. Here’s Corgan and bassist D’Arcy Wretzky addressing the crowd.

Some posters on the Ireland subreddit would describe the experience of attending the gig with one redditor writing