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(FREE) Chris Stapleton x Morgan Wallen Type Beat - "Starting Over" - Country Type Beat 202 Hotney 8 Streams • 3 years ago

💸 FREE Download & Purchase Link: https://xzaviar.beatstars.com/....beat/starting-over-1

BUY 1 GET 1 FREE
BUY 2 GET 3 FREE

🎧 BEATS: https://xzaviar.beatstars.com/music/tracks

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🛠️ SERVICES: https://xzaviar.beatstars.com/services

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Follow Xzaviar:

https://linktr.ee/xzaviar
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(Prod. Xzaviar)

Key: Dm
BPM: 126

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This beat is for non-profit use only, unless purchased via the link above.

Any use of my beats require CREDIT in the title (Prod. Xzaviar). Any social media use of my beats also require CREDIT to my socials in the title (@xzaviarofficial). Thank you.

00:00 - intro
00:15 - verse
00:31 - verse
00:46 - pre chorus
01:01 - chorus
01:32 - verse
01:47 - verse
02:02 - pre chorus
02:17 - chorus
02:48 - bridge
03:03 - chorus
03:33 - outro

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Gorillaz - Cracker Island ft. Thundercat (Official Video) Hotney 13 Streams • 4 years ago

⁣Listen to Cracker Island: https://gorillaz.lnk.to/CrackerIsland
Join The Last Cult: https://thelastcult.org
Listen to Gorillaz: https://gorill.az/listen
Shop Gorillaz: https://store.gorillaz.com/

Follow Gorillaz:
https://instagram.com/gorillaz
https://tiktok.com/@gorillaz
https://twitter.com/gorillaz
https://facebook.com/gorillaz
https://gorillaz.com

#crackerisland #gorillaz #newmusic #newmusicvideo

Cracker Island

On cracker Island it was born
To the collective of the dawn
They were planting seeds at night

To grow a made up paradise
Where the truth was auto tuned (forever cult)
But it’s sadness I consumed (forever cult)
Into my formats everyday (forever cult)
in end I had to pay (what world is this)
In the end I had to pay (I purged my soul)
In the end I had to pay (I drank to riot)
Nothing more to say (I drank to riot)

They taught themselves to be occult
They didn’t know it’s many strategies x 2
Fantasies

What world is this? x2

On cracker island it was raised
By the collective from the grave
It only came out at night
It ate up their paradise (paradise)
Where the truth was auto tuned (forever cult)
And it’s sadness I consumed (forever cult)
Into my formats everyday (forever cult)
In the end I had to pay (what world is this)
Out there on my silverlake (I was not there)
In the end it will be great (beneath the hills)
I’m like a ship between the tides (I saw myself)
I held on I survived (there in the void)

They taught themselves to be occult
They didn’t know it’s many strategies x2
Fantasy

On cracker island It will die (forever cult)
Join the collective in the sky (forever cult)
And on a shining boat of light (forever cult)

Go up to paradise (what world is this)
Where the truth is autotuned (I purged my soul)
And it’s sadness I consume (I drank to riot)
Into my formats everyday (I drank to riot)
In the end I had to pay (forever cult)

In the end I’ll have to pay (forever cult)
In the end I’ll be ok (forever cult)

Nothing more to say x3

Credits:
Directors: Jamie Hewlett & Fx Goby
Executive Producers: Jamie Hewlett & Damon Albarn
Jamie Hewlett and Damon Albarn are managed by Eleven Management
A Nexus Studios & Gorillaz Production

Executive Producers for Nexus: Charlotte Bavasso & Chris O'Reilly, Mike Bell
CG Supervisors: Dave Hunt & Florian Caspar
VFX Supervisor & Compositing Lead: Germán Díez
DP: Ricky Patel
Editor: Dave Slade
Producer: Jo Bierton
Production Manager: Ruyi Meer
Production Coordinator: Tyler Antin
Production Assistant: Megan Silvester
Storyboard Artist: Rodrigo Aquino Verdun
Character Modeller: Andrew Hickinbottom
3D Generalist: Andy Spence
Rigging: Niko Rossi, Nayla Nassar
Modeller & Texture Artist: Catarina Loja
Pipeline TD: Tom Melson
Animators: Fabrice Fiteni, Marylou Mao, Tom Lowe, Fatih Dogan
Lead Lighter: Carl Kenyon
Lighting & Rendering: Pawel Adamiec, Rodi Kaya, Daniel Prince
Lead Compositor; Sacha Danjou
Compositors: Gareth Tredrea, Sander Saks, Hiral Kawa, Alexey Viatvud, Gourav Kumar, Simran Arora, Osman Baloglu
VFX Editors: Andrea Zantiras, Zaki Fulford
Designer & Matte Painters: Milan Baulard, Callum Strachan, Paul Campion
Designer: Ieuan Lewis
2D VFX ANIMATOR: Bethany Levy
3D VFX: Paul Mitcheson
Motion Graphics Designer: Nathan Bayliss
Head of Resources: Natalie Busuttil
Resource Manager: Gigi Kohut
Resource Coordinator: Meg Dupont
Marketing & PR: Valentina Tarelli, Nancy Edmondson, Isobel Wise, Steph Anjo

Archive Producer: Lisa Savage

Sound FX Designer: JM Finch

Grade Company: Black Kite Studios

Service Production Company - Tuna Icon

Hollywood® is the trademark and intellectual property of Hollywood Chamber of Commerce. All Rights Reserved.

CAST:
2D, Noodle, Russel Hobbs, Murdoc Niccals, Thundercat

Supporting cast:
Milica Tepavac, Sonja Vukicevic, Ivan Tomic, Rudolf Tsabalala, Vukasin Stanic, Ella Landesman, Sippa Hengprathom, Nani Pavlovic, Tea Simic, Snezana Radivojsa, Rajesh Kalhan, Roda Adan

Spanish Service Co: AzuL

Eleven Management are:
Niamh Byrne, Regine Moylett, Tanyel Vahdettin, Stars Redmond, Astrid Ferguson, Gabriele Power, Ellie Nolan, Aston New, Katherine Nash, Suzi Grossman, Selena Dion, Clare Moss, Hannah Norris

With thanks to:
Thundercat, Dom Smith, Alison Smith, Josh Berman

“The Pretty Reckless - For I Am Death // Life Evermore Pt.2 (Official Music Video) Hotney 8 Streams • 1 year ago

The Pretty Reckless - “For I Am Death”
Listen/Download the song: https://ffm.to/tpr_foriamdeath
Subscribe to Fearless Records: http://found.ee/fr_youtube

Shop The Pretty Reckless Merchandise
Band Store: http://found.ee/tpr_webstore
Label Store: https://found.ee/tpr_frmerch

Listen to "For I Am Death"
Apple Music: https://ffm.link/tpr_foriamdeath_apple
Amazon: https://ffm.to/tpr_foriamdeath/amazon
Spotify: https://ffm.to/tpr_foriamdeath/spotify
Pandora: https://ffm.to/tpr_foriamdeath/pandora
Bandcamp: https://ffm.to/tpr_foriamdeath/bandcamp

Stay connected with The Pretty Reckless
Website: https://found.ee/tpr_website
Facebook: https://found.ee/tpr_facebook
Instagram: https://found.ee/tpr_instagram
Twitter: https://found.ee/tpr_twitter
YouTube: https://found.ee/tpr_youtube
TikTok: https://found.ee/tpr_tt

Stay connected with Fearless Records
Website: http://www.fearlessrecords.com/
Facebook: https://found.ee/FearlessFB
Instagram: https://found.ee/FearlessIG
Twitter: https://found.ee/FearlessTW
TikTok: https://found.ee/FearlessTT

--
LYRICS

As I lay twiddling
Home and alone
It spread to the suburbs
The cancer had grown
No one is real
Except you and me
Whatever it takes
At all costs to be free from
Life evermore
My life evermore
My life evermore

There’s something wrong with me

I cut but I don’t bleed

There’s something wrong with me

I like autonomy
Away from all you freaks
There’s something wrong with me

There’s something wrong with me

I can feel the needles in my hands
Feel the needles in my bones
Crawling up my spine to where God only knows

For I am Death
And I can feel

I got my hands
Upon the wheel

I am not lost
For I have found
The only one
Who put me down
For I am Death
And I won’t break

I got a life
I’ve got to take
When will it end this suffering of late

It was nice to know you

I’m like pornography
Cut from a magazine
There’s something wrong with me
There’s something wrong with me
I can feel the needles in my hands
Feel the needles in my bones

Crawling up my spine to where God only knows

For I am Death
And I can feel
I got my hands

Upon the wheel
I am not lost

For I have found
The only one
Who put me down

For I am Death
And I won’t break

I got a life
I’ve got to take

When will it end this suffering of late

It was nice to know you

And in the back of your mind
Where even dark is blind

Looking for a sign
Waiting for your time to come
But you can’t outrun
The hand of fate
And I will wait

For I am Death
And all alone
So many years
Out on my own
And everyone just runs and hides away

Hides away from me

For I am Death
And I can feel
I got my hands
Upon the wheel
I am not lost
For I have found
The only one
Who put me down
For I am Death
And I won’t break
I got a life
I’ve got to take
When will it end this suffering of late
It was nice to know you
--
VIDEO CREDITS
Director: Lewis Cater
Production Company: Tuff
Senior Executive Producer: DJay Brawner
Executive Producer: Max Rose
Directors Representation: Jen Herrera Richter, Las Bandas Be Brave
Producer: Sam Millstein @milst
1st AD: Jose Guerrero

DOP: Liam Reardon @liamareardon
Steadicam Op: Ryan Toussieng @ryantoussieng
1st AC: Dan Rodriguez @danrodriguezdp
2nd AC: Mathilde Suissa @mathildedirects

Key Grip: Yoel Collado @crookd.smile
Best Boy Grip: Mike Largenberger
3rd Grip: David Persaud

Gaffer: John Izarpate @johnizarpate
Best Boy Electric: Sean Dolnick @dawn_sholnick
3rd Electric: Ethan Hsia @ethan_hsia

Production Designer: Luke Carr @wolfdiamond
Art Director: Leone Sky @onlygettingdarker
Leadman: Christian Castan
Set Dresser: Lizz Jardim @lzzjrdm
Scenic Artist: Rowan Ives @rowanives
Scenic Artist: Ona Cathcart-Smith @onacathcartsmith

Stylist: Lindsey Hartman @lindseyhartman
Wardrobe SFX: Simone Siegel @youngwoozy
HMU Head: Roberto Morelli @robertomorelli1
MU SFX: Kelly Flores @kfx.mua

Key Set PA: Evan Reiter @evanreiter
Set PA: Joseph Dimanche
Set PA: Ishmael Green

VFX Artist: Aurimas Kislius
VFX Producer: Guy Davies
VFX Company: Zebrafish Media

Commissioner: Chris Acosta

#ThePrettyReckless #FORIAMDEATH #Fearlessrecords

Green Velvet @ Drumsheds, London Hotney 13 Streams • 2 years ago

Green Velvet plays a DJ set from the Defected party at Drumsheds, London.

Green Velvet has been intrinsically linked with house music almost since the start. Like all good stories, there have been many different chapters to the Chicagoan’s journey, each as important as the next. From seminal dance anthems to influential record labels, electrifying DJ sets to his iconic green flash of hair, he has always stood out from the crowd and is a deserving winner of our Outstanding Contribution award for 2024.

Depending on your age, you will know Curtis Alan Jones either as a freaky cyber-punk with a penchant for dark but tongue-in-cheek house anthems or as a more serious and mindful preacher who champions a religious way of life. He is one of the early pioneers whose Cajual and Relief labels were some of the most prominent and prolific in all of Chicago in the early ‘90s. They helped usher in a new wave sound after the early blueprint of Frankie Knuckles and Ron Hardy and the acid of Phuture. His style was to strip things back to a mean and kicking sound that laid some of the foundations for the later emergence of sub-genres like juke and footwork.

Initially, it was harder grooves that came on Cajual and more tracky fare arriving via Relief, with now household names like Boo Williams, Glenn Underground, Gemini and DJ Sneak all going on to become stars in their own right after early releases on the label. Of course, Jones’s own productions were right at the heart of the scene back then, not least the generational classic ‘La La Land’. It was originally written as a wake-up call for a friend who was doing too many drugs, but pill-munching clubbers worldwide adopted it as their own.

Play Video
Other hits such as ‘Answering Machine’ and ‘Flash’ brought Jones more acclaim, but you won't find him playing the first of those nowadays on account of its gratuitous swearing. Now a practising Christian, he has gone on record before as saying that he prefers to spread more positive messages. Religion often informed his work even back at the start, with tracks like the 1998 classic ‘Preacher Man’ hitting hard with its raw drums, but also featuring an extract of a sermon by Baptist preacher Reverend CL Franklin.

Rather than slip into the role of a heritage act playing the hits, Green Velvet has remained relevant by hooking up with several contemporary artists over the years. There have been tracks and US tours with DirtyBird boss Claude von Stroke as Get Real, he has dropped hits with Sonny Fodera, and put out several singles with Eats Everything, HI-LO and, most often, Patrick Topping, including enduring gems like ‘Voicemail’ and most recently ‘Mad Motion’.

In 2022 he sat alongside fellow Chicago titans Honey Dijon and Terry Hunter and brought real authenticity to Beyoncé’s GRAMMY-winning and house-infused album ‘RENAISSANCE’ by providing a sample for ‘Cozy’. His love of a bold and provocative vocal hasn't diminished either, with tracks like ‘Sheeple’ alongside Prok & Fitch musing on mind control, government interference and the rise of technology.

Importantly, Jones has never lost his edge in the DJ booth: to hear him play is to be dialled into a twisted soundtrack designed for maximum impact, be that with loopy house vocals or more dark and instrumental techno. He continues to play many of the world’s biggest stages but also takes his La La Land Experience to packed out crowds everywhere from Miami Music Week to Printworks in London. With credentials like these, Green Velvet's impact on the evolution of our scene cannot be compared.

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