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Cyril Kamer - Lo Primero (Video Oficial)
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Videoclip dirigido por: @LowBatteryBoyz
Ayudante de direccion: @SantiSteve_Marc
Fotografias realizadas por: @SantiSteve_Marc
Mezclado por: ElSalaoBeats y MMLD STUDIOS
Master por: MMLD STUDIOS
Compositor: Willie Maxwell
Producida por: Tony Fadd
"Lo Primero" is a version of the musical work "Trap Queen" composed by Willie Maxwell and produced by Tony Fadd. All copyright notifications can be directed to legal@cyrilkamer.com.
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Chapters:
00:00 Intro
01:15 Disclaimer
05:04 Intro continues
12:43 Evil in the East Side: LonCity to DrillCity
26:07 The Cursed Life of Lil Jeff’s Big Brother
33:52 The Founding of the Bloodhounds
44:56 Lil Jeff Hops off the Porch
56:05 DrillCity v TrapCity: The 06679 Civil War
01:05:01 Lil Jeff Turns Into a Demon
01:33:18 The Murders That Made Jeff Famous
02:16:47 The Death of Lil Jeff
02:27:08 The Legacy of Lil Jeff: The New Serial Killer Rapper
02:44:51 How Reddit Made TrapCity Rob Famous
02:59:50 Conclusion
Singer Chaka Khan, who started as part of the funk group Rufus, built her legacy on a string of monster hits, including "Tell Me Something Good," "I'm Every Woman," "I Feel for You," and "Ain't Nobody." Now 70, the recent Rock & Roll Hall of Fame inductee talks with correspondent Kelefa Sanneh about her friendship with Prince, her past struggles with addiction, and how her music is being discovered and celebrated by new generations.
@chakakhan @prince @steviewonder
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Baby Kia - OD CRASHIN' (Official Music Video)
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Broadcasted on the Earl Wilson Show 'Stage Entrance' on February 24 (or 25?), 1952.
Charlie Parker Plays with Dizzy Gillespie in the Only Footage Capturing the “Bird” in True Live Performance (Article by Mike Springer)
Here’s a historic TV broadcast of the founding fathers of bebop, Charlie Parker and Dizzy Gillespie, playing together in 1952. It’s one of only two known sound films of Parker playing–and the only one of him playing live, rather than synching to a prerecorded track.
The performance is from a February 24, 1952 broadcast on the pioneering DuMont Television Network. The segment begins with a brief ceremony in which Parker and Gillespie receive awards from Down Beat magazine (Earl Wilson and Leonard feather). Follows a performance of the bebop standard “Hot House,” composed by Tad Dameron around the harmonic structure of Cole Porter’s “What Is This Thing Called Love?.”
The quintet includes Parker on alto saxophone, Gillespie on trumpet, Sandy Block on bass, Charlie Smith on drums and Dick Hyman on piano.
It was Hyman, who had played with Parker and had his own nightly show on the DuMont network, who helped organize the appearance. In a 2010 interview with JazzWax, Hyman talked about what it was like playing on the show with Parker and Gillespie. “It was together,” he said. “Those guys played with such a good time and feel. It’s a terrific performance considering it was a pop show with just two cameras.”
Source
https://www.openculture.com/20....13/03/charlie_parker
Colorized with AI software.
Music video by Petey performing The Freedom to Fuck Off (Live From Gold Diggers). Capitol Records; © 2023 Crow Island LLC, under exclusive license to UMG Recordings, Inc.
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A full recording of Paul Kalkbrenner's incredible set at Sónar Lisboa 2024.
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The early history of the band Vixen.
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The rock scene of the 80’s was dominated by male musicians with big hair, but there was one band who emerged from the scene who was an all girl group who nabbed a major recording contract and had da good deal of succes, despite all the obstacles they faced. . I’m talking about the group Vixen whose career peaked in the late 80’s and early 90’s thanks to their glossy image and power ballads. Today let’s talk about the early career of vixen.
Vixen’s history begins in Minnesota in the 1970’s when guitarist Jan Koo-na-mind (keenamin) who according to the band’s own press release, was more into guitar than dolls, starting her first band in junior high with her best friend in St. Paul.. According to her own hometown paper She would later start a band named Vixen around 1973 gigging at Twin Cities establishments like the Cabooze, Duffy’s Bar, the Union and others Originally it was just the two of them playing guitar and singing, but they wanted to expand to a full band and had aspirations of hitting it big. They would find several other musicians in Minnesota and move out to Los Angeles around 1981 since there was a huge scene there and record labels were there as well. But LA was competitive and there were only so many gigs to be had - so it wasn’t uncommon for bands having to pay to play. So it was no surprise, that one by one the band's members left leaving Jan as the only remaining member. Initially she didn’t think about how some people would think it was weird for an all girl group to play rock music telling the record newspaper “it was just the kind of music that was in my blood” citing led zeppelin as one of her biggest influences adding. “Only after we started playing, and everyone kept telling us how weird it was, did we realize we were unique.”
Jan would end up first recruiting vocalist Janet Gardner. Gardner first started singing in bands in high school in montana. Gardner who moved to LA around 1984 was playing in several bands at the time including a cover band who played a show one night somewhere in the san fernando valley. Gardner recalled in the book nothing but a good time. On one of our breaks, some girl comes up to me and goes, “I know this band that’s looking for a singer that you would be perfect for. I know the manager. I’m gonna have him call you.” I’m like, “Wow. They have a manager. That’s pretty impressive!” The next night the woman returned and brought the band with Janet adding I was expecting long-haired, guy-looking people.She came up to me and he goes, “I brought the band.” I was like, “Really? I didn’t see anybody.” She goes, “Yeah, they’re right over there.” It was [Vixen guitarist] Jan Kuehnemund and a bunch of girls. I was like, “Oh … it’s a girl band.” She goes, “Yeah, but you have to keep an open mind.” I said, “Well, of course, but I don’t want to be in the Go-Go’s.”
Koonamind and Gardner along with three temporary members at the time would appear in the 1984 film Hardbddies performing as a band using the monicker diaper rash.
They would end up writing six songs for the film, which was more songs than they wrote for their debut record. The appearance led to a segment on the show entertainment tonight, an opening slot for night ranger, a tour of military bases in guam, japan and korea and an appearance on the show cagney and lacey, but they still couldn’t get a recording deal. That wouldn’t happen for another several years. They would go through some more lineup changes with the band literally having a revolving door of members with the exception of Keunhamind and Gardner,. before cementing their classic lineup in 1986.
It was in 1981 drummer Roxxi Petrucci and her sister started a band called Maadam X in Detroit. The sisters were first enthralled by hard rock and metal thanks to their older brother who brought home led zeppeli nand black sabbath records in addition to another band Petrucci highlighted, the band Fanny which was an all girls group. Fun Fact: Sebastian Bach would end up fronting Maadam X for a period of time. Roxxi was A former classical clarinetist before picking up the drums. She was soon splitting her time between symphony halls in the morning and afternoon and rock clubs in the night throwing on her leather clothes and
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Gerardo Díaz y Su Gerarquía - El Malo Hoy Seré (Video Oficial)
#RichTheKid joins N.O.R.E. and DJ EFN on #DrinkChamps for a conversation about his journey in the music industry. The Queens born rapper discusses his rise from independent artist to major label success, including his collaborations with Kendrick Lamar and Lil Wayne. Rich opens up about his experiences with different record labels, his regrets in the industry, and his recent independent success with "Carnival." He also shares stories about working with Kanye West, his friendship with NBA YoungBoy, and his plans for future projects. Watch!
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Live at The Forum, London, UK, January 22, 2003 (BBC Radio Broadcast)’ featuring 15 tracks, including fan-favorites such as “She Don’t Use Jelly,” “Waitin’ For A Superman’ and “Race For The Prize.” The show, which was originally broadcast nationally by BBC, is available now on a pink 2LP! 💓
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Lowkey releases his new track 'Palestine Will Never Die' featuring Mai Khalil.
Produced by ScotZilla
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Frederick Theodore Albert Delius, CH (29 January 1862 – 10 June 1934), originally Fritz Delius, was an English composer. Born in Bradford in the north of England to a prosperous mercantile family, he resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation. He soon neglected his managerial duties and in 1886 returned to Europe.
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Prelude to Irmelin (1890-92)
Royal Philharmonic conducted by Sir Thomas Beecham
Irmelin is an opera in three acts with music by Frederick Delius. Composed between 1890 and 1892, it was the first opera which he finished. But it wasn't premiered until 1953, nearly twenty years after his death. The libretto was by the composer, and weaves together two mythical stories. Philip Heseltine described the opera as a "fairy-tale of quite ordinary kind" and "its form dramatically rather below the level of the conventional operatic text. Though the music was much praised by Grieg and Messager... its performance was never seriously contemplated by the composer". Delius had however assimilated Wagnerian influence in his music, with use of key motifs and a sense of flow through the three acts.
Performance history
Sir Thomas Beecham directed the British premiere at the New Theatre Oxford on 4 May 1953; the costumes were by Beatrice Dawson and choreography by Pauline Grant. Beecham's advocacy of the score and "care with which he realizes each detail, the beauty of sound he elicits from his orchestra", were praised by the Opera critic, along with Dennis Arundell's production.
Florent Schmitt arranged the piano scores of Delius's first two operas, Irmelin and The Magic Fountain, but the first full Irmelin score was a vocal score compiled by Dennis Arundell in 1953.
Reble – live from Boiler Room x Ballantine's True Music Studios in Delhi NCR (Gurgaon).
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This is Motörhead’s little heard cover of Metallica’s huge global hit, ‘Enter Sandman’ - a loving homage to arguably the most recognizable heavy metal song of all time.
The video created by Mulberry Creative - https://mulberrycreative.co
Director - Marta Brodacka
Illustration & Animation Kat Kaczmarek & Kamil Wójcik
Colour grade - Szymon Kraszewski Lunapark
Lyrics:
Say your prayers, little one, don't forget, my son
To include everyone
I tuck you in, warm within, keep you free from sin
'Til the Sandman, he comes
Sleep with one eye open
Gripping your pillow tight
Exit light
Enter night
Take my hand
We're off to never-never land
Something's wrong, shut the light, heavy thoughts tonight
And they aren't of Snow White
Dreams of war, dreams of liars, dreams of dragons' fire
And of things that will bite, yeah
Sleep with one eye open
Gripping your pillow tight
Exit light
Enter night
Take my hand
We're off to never-never land
Yeah-hah
Now, I lay me down to sleep (Now, I lay me down to sleep)
Pray the Lord my soul to keep (Pray the Lord my soul to keep)
If I die before I wake (If I die before I wake)
Pray the Lord my soul to take (Pray the Lord my soul to take)
Hush, little baby, don't say a word
And never mind that noise you heard
It's just the beasts under your bed
In your closet, in your head
Exit light
Enter night
Grain of sand
Exit light
Enter night
Take my hand
We're off to never-never land
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The Official Video for Iron Maiden - 2 Minutes To Midnight
Iron Maiden’s 17th studio album 'Senjutsu' Is out now - https://ironmaiden.lnk.to/Senjutsu
Taken from Iron Maiden's 5th studio album Powerslave released in 1984, which featured the singles "2 Minutes to Midnight" & "Aces High"
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Written by Dickinson/Smith
ABOUT IRON MAIDEN:
Iron Maiden are an institution. Over the course of six decades they have come to embody a spirit of fearless creative independence, ferocious dedication to their fans, and a cheerful indifference to their critics that’s won them a following that spans every culture, generation, and time-zone. A story of gritty determination and courageous defiance of the naysayers, theirs has been an adventure like no other.
The band’s immense discography includes the studio albums ‘The Number Of The Beast’, ‘Piece Of Mind’, ‘Powerslave, ‘Somewhere In Time’, ‘Seventh Son Of A Seventh Son’, ‘Fear Of The Dark’, ‘The Final Frontier’ and ‘The Book Of Souls’ which have spawned many classic hits as ‘The Trooper’, ‘Wasted Years’, ‘Hallowed Be Thy Name’, ‘Wasting Love’, ‘Run To The Hills’, ‘Aces High’, ‘Rime Of The Ancient Mariner’ and ‘2 Minutes to Midnight’.
#IronMaiden #2MinutesToMidnight #Powerslave
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Kanales - El Flaco Espino (Video Oficial)
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Legendary engineer Young Guru and rising star rapper Reuben Vincent join forces in the studio to create a masterpiece using iZotope Music Production Suite 6, a collection of cutting-edge tools for music production, mixing, and mastering.
Young Guru, known for his groundbreaking work with Jay-Z, Beyoncé, Rihanna, and many other artists, is teaming up with the lyrical prowess of Reuben Vincent to craft a track. Watch as they take you through their creative process step by step using Neoverb, Nectar 4, Guitar Rig 7 Pro, and Ozone 11.
Get insights into his process as Young Guru constructs the beat, shows off his vocal recording and production process with Reuben Vincent, and shares mixing and mastering techniques.
Recently championed by Pusha T, and signed to Jay-Z's management company Roc Nation, Reuben Vincent is one of the hottest up-and-coming rappers in hip hop today.
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Chapters
0:00 - Young Guru x Reuben Vincent Interview
3:39 - Building the Beat
7:36 - Preparing the Beat in Pro Tools
9:18 - Recording Vocals
11:51 - Mixing Vocals
16:42 - Vocal Effects
17:55 - Vocal Reverb
22:02 - Finishing the Song
#iZotope #musicproduction #youngguru #audioengineering #hiphop #rap
MB01DZ7KCDWAQT4