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Ricardo Arjona - Quiero (Video) Hotney 8 Streams • 3 years ago

Vídeo oficial de Ricardo Arjona de su tema 'Quiero'. Haz clic aquí para escuchar a Ricardo Arjona en Spotify: http://smarturl.it/RArjonaSpotify?IQi...

Incluido en Quién Dijo Ayer. Haz clic aquí para comprar el track o el álbum en iTunes: http://smarturl.it/RArjonaQDAiTunes?I...
Google Play: http://smarturl.it/RArjonaQuieplay?IQ...
Amazon: http://smarturl.it/RArjonaQDAAmz?IQid...

Más de Ricardo Arjona
Ella Y El: https://youtu.be/K6PXwxi4eJI
Se Nos Muere El Amor: https://youtu.be/NU_3MpfWSoA
Dime Que No: https://youtu.be/b7_D-sQ9ung

Pincha aquí http://smarturl.it/LoMejorDeLos90s?IQ... para escuchar buena música de los 90s

Sigue a Ricardo Arjona
Página web: http://ricardoarjona.com/
Facebook: https://www.facebook.com/arjonaoficial
Twitter: https://twitter.com/Ricardo_Arjona
Instagram: https://instagram.com/ricardoarjona/

Suscríbete al canal de Ricardo Arjona en YouTube: http://smarturl.it/RArjonaSub?IQid=RA...

---------

Letras:

Quiero cometer el error
más grande del mundo
y navegar en kayac
de Miami a la Habana.

Quiero tomarme un café
viendo el Mediterráneo
y despertarme en Tulum
persiguiendo una estrella.

Quiero decirle a Jesús
qué sí está que aparezca
Y qué me corten la luz
pa' prender una vela
y soñar

Quiero regalarle una flor
al amor de mi herida
Quiero empezar otra vez
y cambiarme hasta el nombre
quiero apedrear el zaguán
de las causas perdidas
y ver salir a papá convenciendo a mi madre.
quiero escucharte decir lo que gritan tus ojos
quiero perder el valor que gané por miedoso.

Y quiero correr por ahí
mientras trepo un cometa
y levantarle la falda a la gorda del barrio
quiero vivir sin guión ni la misma receta
quiero inventarle otra letra al abecedario
quiero olvidarme de ti
quiero saber que es por mi.

Que quiero y no puedo querer
mientras siga queriendo
inútil creer que querer es lograr olvidarte
quiero encontrar otro amor
yperderlo enseguida
para olvidarme de ti para toda la vida.

Quiero silbar ""Let it be"" a la luz de la luna
quiero lavar en el mar lo que no sea futuro

Y quiero correr por ahí
mientras trepo un cometa
y levantarle la falda a la gorda del barrio
quiero vivir sin guión ni la misma receta
quiero inventarle otra letra al abecedario
quiero olvidarme de ti
quiero saber que es por mi.

Quiero jugar a la alquimia
y buscar en el Tibet alguna respuesta
quiero fugarme de mi para no ser de aquí
ni de ninguna parte
perderme en la antropología
dedicar mi vida a la filantropía
con tal de olvidarte
con tal de burlarte.

Y quiero correr por ahí mientras trepo un cometa
y levantarle la falda a la gorda del barrio
quiero pararmeen Iraq y mandarle un saludo
a la mamá del idiota más grande del mundo
quiero olvidarme de ti
quiero saber que es por mí.

Quiero regalarle una flor al amor de mi herida...

Lo mejor de Ricardo Arjona https://goo.gl/VmVcgw

Suscríbete para ver más https://goo.gl/CKMTjm"

#RicardoArjona #Quiero #Vevo

Big (1988) - Playing the Piano Scene (2/5) | Movieclips Hotney 8 Streams • 3 years ago

Big movie clips: http://j.mp/1c1mEli
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CLIP DESCRIPTION:
Josh (Tom Hanks) and his boss (Robert Loggia) play a huge electronic piano, to the delight of shoppers.

FILM DESCRIPTION:
More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical.

CREDITS:
TM & © Fox (1988)
Courtesy of Twentieth Century Fox Film Corporation
Cast: Tom Hanks, Robert Loggia
Director: Penny Marshall
Producers: James L. Brooks, Gary Ross, Anne Spielberg, Robert Greenhut
Screenwriters: Gary Ross, Anne Spielberg

WHO ARE WE?
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Rick Astley - Forever and More (Official Video) Hotney 8 Streams • 3 years ago

Forever and More (Official Video) - Directed by Simon Pegg
Listen here: https://rickastley.lnk.to/ForeverAndMoreID

The new album 'Are We There Yet?' is out now: https://RickAstley.lnk.to/AreWeThereYetID

Subscribe to the Official Rick Astley YouTube channel: https://RickAstley.lnk.to/YTSubID

Rick Astley Are We There Yet? Tour. Tickets on sale now: https://tix.to/RickAstleyID

Follow Rick Astley:
Facebook: https://RickAstley.lnk.to/FBFollowID
Twitter: https://RickAstley.lnk.to/TwitterID
Instagram: https://RickAstley.lnk.to/InstagramID
Website: https://RickAstley.lnk.to/storeID
TikTok: https://RickAstley.lnk.to/TikTokID

Listen to Rick Astley:
Spotify: https://RickAstley.lnk.to/SpotifyID
Apple Music: https://RickAstley.lnk.to/AppleMusicID
Amazon Music: https://RickAstley.lnk.to/AmazonMusicID
Deezer: https://RickAstley.lnk.to/DeezerID

Lyrics:
You came in to my life like a hurricane
Blowing all the grief away like a storm

And you were bad but you were good
You never did the things you should
And you were wrong but you were right
You said we only get one life

And I said you were much too much
You drove me crazy
Much too much
Too much for me and now I regret it

Cos you’re gone gone gone
Like the Summer goes at the end of September
Gone gone gone
Like the snowfall at the end of Spring
Now you’re out of my life cos I did you wrong
It’s something that you’ll always remember
And now you’re gone gone gone
Forever and more
Forever and more

You were always last to leave the party
And you were always first to say ‘I’m in’
You were good and you were bad
You thrilled me but you drove me mad
Yeah you were right and I was wrong
And I never felt something so strong

And I said you were much too much
You drove me crazy
Much too much
Too much for me and now I regret it

Cos you’re gone gone gone
Like the Summer goes at the end of September
Gone gone gone
Like the snowfall at the end of Spring
Now you’re out of my life cos I did you wrong
It’s something that you’ll always remember
And now you’re gone gone gone
Forever and more

Came into my life like a hurricane
Turned my world upside down
And I’ll never be the same

Now you’re out of my life cos I did you wrong
It’s something that you’ll always remember
And now you’re gone gone gone
Forever and more
Gone gone gone
Like the Summer goes at the end of September
Gone gone gone
Like the snowfall at the end of Spring
Now you’re out of my life cos I did you wrong
It’s something that you’ll always remember
And now you’re gone gone gone
Forever and more
Forever and more
Forever and more
Forever and more

Credits:
Label – BMG
Management – 50/50 Live LTD

Director – Simon Pegg
Production – Black Dog Films
Head of Black Dog Films – Martin Roker
Producer – Nancy Ryan
Executive Producer –Kai Hsiung, Lene Bausager
BMG – Louise Hart, Gracie Juett
Production Manager – Elspeth Vince
Production Assistant – Ella Crawford
Directors Assistant – Kat Mann
DOP – Martin Smith
1st Ad – Sam Neale
Location Manager – Rupert Bowkett
BTS – David Lopez-Edwards, Peter Neil, Lee Thorpe
Production Designer – Benny Casey
Stunt Coordinator – Rob Inch
Costume Designer – Ruth Munden
Make-up – Sarah Armstrong
Alien Prosthetics – Charlie Bluett, Rob Trenton

Editor – Amanda James
Edit House – Final Cut
Edit Producer – Nikki Porter
Post House – Cheat
Colourist – Jonny Tully
Online Editor – Tim Mellem
Post Producer – Callina Pearson
Sound Design and Mix – Markus Fitch
Sound Design – Jak Melvin
Audio Post Production – Bark Soho
Audio Producer – Carley Reynolds, Emily Garaway

#RickAstley #ForeverandMore #AreWeThereYet

The STRANGE HISTORY Of P.O.D. (ALIVE, BOOM, YOUTH OF A NATION) Hotney 8 Streams • 3 years ago

The strange history of the band P.O.D. who were big in the early 2000's

0:00 - Early Years/Independent Records
6:00 - Signing to Atlantic/First Album
8:30 - POD & Religiion
11:15 - Satellite
15:33 - Butting Heads With Religious Groups
17:00 - Later Part of Career

Have a video request or a topic you'd like to see us cover? Fill out our google form!
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#pod #sonnysandoval #satellite

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

These videos are for entertainment purposes only. READ OUR DISCLAIMER https://rockandrolltruestories.....com/youtube-disclai

P.O.D. (Payable on Death) achieved remarkable success, defying expectations as a Christian rock band during the nu-metal era. Emerging from San Diego in 1992, the multiracial group faced both success and challenges. Sonny Sandoval, the vocalist, joined the band after his mother's conversion to Christianity, finding solace in her faith during her battle with leukemia. Wuv's father, who formed Rescue Records, became their manager, reflecting the band's close ties to Christianity.

In their early days, P.O.D. faced skepticism from Christians and skinhead audiences due to their overtly religious lyrics. The band, however, evolved, garnering attention and opening for Cypress Hill, Green Day, and Mighty Mighty Bosstones in San Diego. Their lineup changed in 1994, and they independently released "Snuff the Punk" and "Brown," gaining popularity.

The turning point came when Atlantic Records signed them, leading to their major-label debut, "The Fundamental Elements of Southtown," in 1999. The album, produced by Howard Benson, featured hits like "Southtown" and "Rock the Party," blending rock, hip-hop, and spiritual elements. P.O.D. successfully crossed into mainstream music, touring with Korn, Primus, and headlining their own shows.

In 2001, P.O.D. released "Satellite," coinciding with the 9/11 attacks. The song "Alive" became a symbol of hope, resonating with listeners. "Youth of a Nation" addressed the tragedy of school shootings. Despite mainstream success, P.O.D. resisted the Christian label, emphasizing their music's positive message.

The self-titled album in 2003 marked a change, featuring guitarist Jason Truby. The album's cover sparked controversy, but P.O.D. advocated boycotting stores refusing to carry it. The band faced label issues amid Atlantic's shakeup, impacting their negotiations despite prior success.

In 2006, P.O.D. collaborated with producer Glen Ballard and featured Katy Perry on "Goodbye for Now." The album "Testify" went gold, but tensions with Atlantic led to the band's departure. P.O.D. released "When Angels and Serpents Dance" in 2008, marking the return of original guitarist Marcos Curiel.

Throughout the 2010s, P.O.D. continued releasing albums, including "Murdered Love" in 2012, which sparked controversy over explicit language. They explored diverse sounds in "Circles" (2018), collaborating with Heavy. The band's commitment to positive messaging and connection with fans remained consistent, reflecting in their charitable endeavors and outreach.

As P.O.D. approaches their new album, "Veritas," set to release this year, they continue evolving while staying true to their roots. The band's resilience, diverse influences, and dedication to delivering a positive message have solidified their enduring impact on the music scene.

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