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Songs that make you feel badass 💥 [1 Hour Mix] Hotney 6 Streams • 4 years ago

Songs that make you feel badass 💥

Songs that make you feel badass or hype music for gaming and workout, cool songs to feel powerful, music that make you feel powerful, songs that make you feel like a villain, music that make you feel like a villain, badass mix. 1h badass mix, 1h music playlist, feel badass, feel badass mix, villain songs, badass songs, songs that makes you feel, badass music mix, badass music playlist, badass playlist, villain music mix, badass.

🌊 RIDE THE RISING WAVE 🌊
Edit provided by us.

🎶 Spotify:
Profile ► https://spoti.fi/3PaI6rQ
BADASS Playlist ► https://spoti.fi/3cfYfgQ
PHONK Playlist ► https://spoti.fi/3HAPA6g

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2° - Soul of Rising Wave ▸ https://www.youtube.com/c/SoulofRisingWave
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📧 Mail: contact@risingwaverecords.com
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✔ Our policy:
We are a music label specializing in the release of Rock/EDM/Trap music and we offer an immersive experience by featuring songs and creating motion design videos.
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⏱ Timestamps:
00:00 The White Stripes - Seven Nation Army
03:48 Ro Ransom ft. Kensei Abbot - See Me Fall (Y2K Remix)
07:07 Sub Urban - Cradles
10:34 League of Legends, 2WEI, Edda Hayes - Warriors
13:51 ONLAP ft. Silver End - Running Out of Time
17:21 NEFFEX - Cold
20:24 2WEI - Toxic (Official Britney Spears Epic Cover)
24:18 NEFFEX - Hope
27:49 On The Larceny - Another Level
30:56 The White Stripes - Seven Nation Army
34:52 Ro Ransom ft. Kensei Abbot - See Me Fall (Y2K Remix)
38:11 Sub Urban - Cradles
41:38 League of Legends, 2WEI, Edda Hayes - Warriors
44:55 ONLAP ft. Silver End - Running Out of Time
48:25 NEFFEX - Cold
51:28 2WEI - Toxic (Official Britney Spears Epic Cover)
55:22 NEFFEX - Hope
58:53 On The Larceny - Another Level

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📌 Tags:
#BadassMix #PowerfulMix #VillainMix

Metallica: Screaming Suicide (Official Music Video) Hotney 6 Streams • 3 years ago

⁣Metallica's official music video for “Screaming Suicide,” from the album “72 Seasons” available April 14th, 2023.

“‘Screaming Suicide’ addresses the taboo word of suicide. The intention is to communicate about the darkness we feel inside. It's ridiculous to think we should deny that we have these thoughts. At one point or another, I believe most people have thought about it. To face it is to speak the unspoken. If it's a human experience, we should be able to talk about it. You are not alone.”

------

If you or someone you know is struggling with thoughts of suicide, please reach out for help.

United States
988 Suicide & Crisis Lifeline - https://988lifeline.org, 1-800-273-8255 or 988
One Tribe Foundation - https://1tribefoundation.org, 1-214-462-7229

Australia
headspace - https://headspace.org.au, 1800 650 890
Lifeline - https://www.lifeline.org.au, 13 11 14
Kids Helpline - https://kidshelpline.com.au, 1800 55 1800
Beyond Blue - https://www.beyondblue.org.au, 1300 22 4636

Denmark
Livslinien - https://www.livslinien.dk, 70 201 201

Germany
TelefonSeelsorge Deutschland - https://www.telefonseelsorge.de, 0800 111 0 111, 0800 111 0 222, or 116 123

New Zealand
New Zealand Depression Helpline - https://www.depression.org.nz, 0800 111 757 or text 4202

Norway
Sidetmedord Hjelpetelefonen - https://www.sidetmedord.no, 116 123 and, for young people, 116 111

United Kingdom
Samaritans - https://www.samaritans.org, 116 123

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Listen to “Screaming Suicide”: https://metallica.lnk.to/ScreamingSui...
Pre-order. Pre-save. Pre-add “72 Seasons”: https://metallica.lnk.to/72Seasons
Subscribe for more videos: https://tallica.lnk.to/subscribe

Directed by Tim Saccenti
Filmed in Los Angeles, CA, on January 8, 2023

Video Premiere Date: January 19, 2023

LYRICS

Welcome to this life
Born into the fight
Here to claim your dream
Look you in the eye
Patch the broken sky
Craving dopamine
Then my voice appears
Teaching you of fears
Are you good enough?
You don’t recognize
Head is full of lies
You should just give up

Listen well, better listen well
Listen well, better listen well

Don’t ever speak my name
Remember you’re to blame
Keep me inside
Keep me inside
My name is suicide

Curse another day
Spirit locked away
Punish and deprive
Hate to be awake
Living a mistake
More dead than alive
Then a voice appears
Whisper in your ears
“You are good enough”
Throwing down a rope
A lifeline of hope
Never give you up

Listen well, better listen well
Listen well, better listen well

Don’t ever speak my name
Remember you’re to blame
Keep me inside
Keep me inside
My name is suicide

Terrified in sleepless nights
Caught in spotlight dead to rights
Isolate and fight your mind
Telling you you’re left behind

My lying voice inside
Keeps drinking cyanide
And no more can you run
Into the sun

Terrified, sleepless nights
Caught in spotlight dead to rights
Isolate and fight your mind
Telling you you’re left behind

And now you speak my name
You’ve given back the blame
Keep me deep inside
Don’t you keep me inside
Screaming suicide

Now that I’m exposed inside
Shined a light on cyanide
I’m no longer needed here
Now you've faced your biggest fear

Written by James Hetfield, Lars Ulrich & Robert Trujillo

CREDITS

Director: Tim Saccenti
Producer: Daniel Lachman
Executive Producer: Jennifer Heath
Prod Company: Radical Media
Creative Direction: Setta Studios
DP: Joshua Zucker-Pluda
Production Designer: Kurt Gefke
Gaffer: Drew Valenti
Key Grip: Charles Lenz
SPFX: Kevin Watson
Editor: Matt Posey
Editorial: PS260
Colorist: Tom Poole
Color: Company 3
Co3 Producer: Shannen Troup, Nick Krasnic
Digital Artwork: Chris Dammeyer
VFX: Mark Szumski
VFX Company: Hey Beautiful Jerk
Executive Producer: Gina Niespodziani
Visuals Curator: Dina Chang
Sound Designer: Nicole Pettigrew
PS260 Executive Producer: Raná Martin

Production Supervisor: Kelsie Drinkwater Buchanan
Assistant Director: Michael Estrella
Steadicam: Chris Loh
1st AC: Ethan McDonald
2nd AC: Alan Certeza
DIT: James Petersmeyer
BB Electric: Arin Whitlock
Electric: Tom Peña
Electric: Chris Waldorf
Electric: Darrel Ditri
Lighting Console Programmer: Zane Blanchard
BB Grip: Andy Wilson
Grip: Otis Mannick
Grip: Matt King
Grip: Derick Holub
Projectionist: Ryan Griffin/Projected Visions
VTR/Playback: Robert Buckholz
Leadman: Dylan Robie
Set Dresser: Kenny Davis
Set Dresser: Sean Buckley
Hair & Makeup: Lily Beren
Stylist: Keith Wager

Medic: Matt PayneCCO: Chris Howard
Covid Coord: Danielle Rivera
2nd AD: Janet Marin
Production Coordinator: Adam Sun
Production Assistant: Joe BlanaProduction Assistant: Xavier MustiProduction Assistant: Alicia EchevarriaProduction Assistant: Oscar Amaya
Production Assistant: Jackson Linn

Follow Metallica:
Website & Store: http://www.metallica.com
Instagram: http://www.instagram.com/metallica
Facebook: http://www.facebook.com/metallica
TikTok: http://www.tiktok.com/@metallica

© 2023 Blackened Recordings

#Metallica #ScreamingSuicide #72Seasons

Rooga - GD Anthem (Official Music Video) Hotney 6 Streams • 4 years ago

⁣STREAM GD ANTHEM HERE
⬇⬇⬇⬇⬇⬇⬇

https://rooga.lnk.to/gdanthem

Ok Song title : Gd Anthem
Artist : Rooga
Copyrights : Denzel Charles

Writer : Rooga
Lyrics : 100% Music 50%
Email : Roogabookings2@gmail.com
Composer / Producer : Matt Vega
Shot By : Billy Kauck & exclusive
Distributor : Virgin
Instagram : JHE_ROOGA
Twitter : REAL_ROOGA

https://rooga.lnk.to/gdanthem

GD Anthem Lyrics :

[Intro]
Ayy, ayy, ayy, uh, ayy
On foenem grave, on GDN
On GDN

[Chorus]
Ayy, they done let the GD's in the door
Ayy, they done let the GD's in the door
Yeah, they done let the GD's in the door
Ayy, they done let the GD's in the door
GD, GD's, GD, GD's
They done let the GD's in the door, ayy, uh
They done let the GD's in the door, ayy, ayy, ayy

[Verse 1]
Trump shouldve freed Larry, fuck is wrong with dude?
Oh, you say you GDK? Fuck is wrong with you?
He say, "'Cause you GDN I can't do no song with you"
"And if the BD's find out, they gon' put me on the news"
I'm likе, "Shut the fuck up, bitch, stop picking sides"
I'm so GD, you can see it in my eyеs
Lately they been seeing the G's on the rise
If they told you something about me, they telling lies
I know some GD's from out West, they block be lit as fuck
I know some GD's from out South, they hop out, blick it up
I got a GD bitch from up North, that bitch thick as fuck
And I got a GD bitch from over East that'll stick you up
I like Maseratis 'cause it got G's on it
Put some bread on your head, yeah, I put G's on it
Yeah, the job gon' get done if them G's on it
I know it hurt to open the door and see G's, don't it?

[Chorus]
Ayy, they done let the GD's in the door
Ayy, they done let the GD's in the door
Yeah, they done let the GD's in the door
Ayy, they done let the GD's in the door
GD, GD's, GD, GD's
They done let the GD's in the door, ayy, uh
They done let the GD's in the door, ayy, ayy, ayy

[Verse 2]
My uncle he a GD, my cousins they some GD's
My brothers they some GD's, so what you think I'm GD?
Baggy clothes with Girbauds, let's make the world GD again
He used to be GD, he flipped BD, now you GD again
Ayy, the GD's up a hundred points
Play with one of them G's, you gon' see a hundred joints
I know some GD's in the county and some in a joint
Ain't no sliding through the G's hood, we be on point
Ayy, bitch ask me how old I am, I told her I'm seven-four
I'ma be GD 'til I die, I hate to let you know
It's a lot of shit going on the world, may never know
I know it hurt to see them G's when you open the door

[Chorus]
Ayy, they done let the GD's in the door
Ayy, they done let the GD's in the door
Yeah, they done let the GD's in the door
Ayy, they done let the GD's in the door
GD, GD's, GD, GD's
They done let the GD's in the door, ayy, uh
They done let the GD's in the door, ayy, ayy, ayy

Du Hast - The Rammstein Story ┃ Documentary Hotney 6 Streams • 4 years ago

In the beginning, Richard was very keen on trying to replicate American styles and seeing if it could be absorbed into the music he was writing at the time but quickly realised that it simply wouldn’t work. Till even tried to sing in English, however, they decided that the German language would not only help to distinguish them from others, it was also much easier for them to convey the content of their lyrics using their mother tongue. Singer Till would also take a very simple approach when it came to writing lyrics. He would generally write hard sounding lyrics for harder riffs, and softer lyrics for softer riffs.

Rammstein, as individuals, had a variety of influences when it came to music. Till Lindemann's first record was Alice Cooper's Welcome To My Nightmare, along with one of his favourite albums being “Stomrbringer” by Deep Purple, and he was also a big fan of Chris Isaak.

Richard was into the American punk band Dead Kennedys as well as the English electro band Depeche Mode, and Oliver Riedel remembers hearing his mother playing Bob Dylan non-stop at home, with keyboardist Flake took cues from German 80s pop/rock band Die Arzte. It seemed that Motorhead also played a part in the development of the Rammstein sound as Richard remembers their live show leaving a lasting impression on him.

#Rammstein #DuHast #LIFAD

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dodie: Tiny Desk Concert Hotney 6 Streams • 4 years ago

Robin Hilton | January 10, 2023
On many levels, this breathtaking Tiny Desk from dodie felt like the ultimate cathartic release. The English singer and her band arrived after more than a year and a half of planning and COVID-related delays; and, this was the final performance we had behind the desk in 2022, capping our long-awaited return to the building after more than two years of pandemic disruption. A lot of us who were lucky enough to see it in person were pretty teary-eyed by the end.

But it was also a release because the music and the way dodie and her band pulled it off were both so magical. Bassist Jillian McKenna is a dodie fan from Canada who joined the band just for this performance after answering a callout on Instagram. The three backup singers are friends who flew in from Los Angeles; the string section was a mix of dodie’s touring band and DC-based artists and fans of Orla Gartland can see her move from piano to guitar and floor tom during the set. dodie herself, who played everything from piano and clarinet to ukulele, and the rest of the band flew in from England solely for the Tiny Desk, arriving on Saturday and flying back Monday not long after playing.

Together, they filled the NPR Music office with songs that radiated with love and life, perfectly recreating the playful, kaleidoscopic spirit of dodie’s 2021 debut album Build a Problem and last year’s Hot Mess EP. Strikingly melodic, whimsical and wistful, dodie’s deep reflections on trauma, letting go and moving on were the perfect close to a year when it felt like we could finally exhale and come together again in song.

SET LIST
“Hot Mess”
“Special Girl”
“When”
“Lonely Bones”

MUSICIANS
dodie: vocals, piano, clarinet, ukulele, guitar
Orla Gartland: piano, guitar, floor tom, vocals
Ross Craib: drums
Jillian McKenna: bass, vocals
Nick Monopoli: viola
Katt Newton: cello
Elena Abad: violin
Nataly Merezhuk: second violin
Jules Brave: backing vocals
Gaba: backing vocals
Anthony Gargiula: backing vocals

TINY DESK TEAM
Producers: Robin Hilton, Bob Boilen
Director: Maia Stern
Audio Engineer: Josh Rogosin
Series Producer: Bobby Carter
Videographers: Maia Stern, Kara Frame, Pierre Kattar, Sofia Seidel
Audio Assistant: Hannah Copeland
Production Assistant: Jill Britton
Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Ashley Pointer, Joshua Bryant
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#dodie #tinydesk #nprmusic

Before Black Sabbath: How Psychedelic Rock Became Metal Hotney 6 Streams • 4 years ago

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Rock’n’Roll used to be the gnarliest heaviest genre in town. A genre that embodied rebellion, fast cars and the loudest guitars that late 1950s music had to offer. But as the 60s wore on, coffee and minor rebellion seemed positively childish, popular music needed something harder, and more in-sync with the sex and drugs part of sex, drugs and rock’n’roll. Enter Psychedelic rock, similar to good ol’ Rock’N’Roll but with mind-expanding themes and an intense interest in a girl called Lucy, who was in the Sky with Diamonds. If you know what I mean. But the Summer of Love came and went, the Vietnam war didn’t end despite Hippie opposition and the tragic events of Altamount and the Manson murders made it so that the positivity of the movement seemed blind. A darker sound was needed, and appeared in the form of Metal. The bastard child of rock’n’roll and Psychedelic Rock, Metal was harder, heavier and louder than anything before and became one of the most important genres of all time. But how did we get there? Going via Eddie Cochran, "Misirlou" by Dick Dale "You're Gonna Miss Me" by The 13th Floor Elevators, through "Purple Haze" by Jimi Hendrix, "Sunshine of Your Love" by Cream, "Summertime Blues" by Blue Cheer, "Born to be Wild" by Steppenwolf, "In-A-Gadda-Da-Vida" by Iron Butterfly, "Helter Skelter" by the Beatles and "21st Century Schizoid Man" by King Crimson? Not to mention "Wicked Woman" by Coven, "Dazed and Confused" by Led Zeppelin And how did we get from Chuck Berry's “Johnny B. Goode” to “Black Sabbath” by Black Sabbath in twelve years? This is How Psychedelic Rock Became Metal.

#HeavyMetal #MusicDocumentary #Metal2020

Soundtrack:
Luar - Oblivion (https://soundcloud.com/luarbeats)
Luar - Into (https://soundcloud.com/luarbeats)
Luar - Citrine (https://soundcloud.com/luarbeats)
Luar - Sidelined (https://soundcloud.com/luarbeats)
Luar - Anchor (https://soundcloud.com/luarbeats)

Chapters
00:00 Introduction
01:16 Sponsorship
02:55 How Rock'n'Roll Became Psychedelic Rock
06:58 The 13th Floor Elevators
08:42 The British Invasion Bands
11:21 The Jimi Hendrix Experience
13:49 Cream
15:55 American Psychedelic Rock
20:43 British Psychedelic Rock
23:43 The Yardbirds/Led Zeppelin
26:41 1969
29:10 Black Sabbath

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the DEATH JAZZ of SHOVIN' SUNSHINE Hotney 6 Streams • 4 years ago

30 years ago, bassist Wade Summerlin anchored this aggressive John Zorn-like jazz rock hybrid band SHOVIN' SHUNSHINE with his funky basslines. DEATH JAZZ was the name of the album, and the concept. The band broke up, but death jazz fans kept begging for a re-release. Now Wade's back to talk about the bands re-release of their 2002 classic from these ROCK JAZZ FUSION LEGENDS. WILL IT BE VINYL??? TUNE IN to find out!!!

GET THE RELEASE HERE (when it comes out): https://www.genterine.com/records/releases.html

Every Friday is Dennis Ball Live! We also have new short episodes all the time.
Subscribe now so you don't miss a joke! https://bit.ly/3f4XLXm

---------------------

Dennis Ball Show store and links: https://linktr.ee/dennisballshow

Ghost Cave, our house band: www.ghostcaveatl.com

From the bands website: http://www.billyshawsongs.com/shovinsunshine/

This is the story of Shovin' Sunshine. Three musicians, Wade Summerlin, Jeremy Slotin, and Billy Shaw got together to experiment with new forms of jazz and the Avant Garde. Wade and Jeremy had been loosely playing together in thrash and death metal groups; Billy was coming back East after releasing his debut avant garde album called "Sassy". They got together in Jeremy's basement and started the experiment that became known as "Shovin' Sunshine", the very first and perhaps only Death Jazz group ever. They wanted to use the term acid jazz, but that same year a number of more currently influential players were using the label, and between their sound and the identification of this term to their music, Shovin' Sunshine wasn't convinced that it accurately described what Shovin' Sunshine was all about. So with little hesitation and even less dissent, the group chose to define and pursue the theory and tradition of Death Jazz.

The technical approach to the production of music was not particularly groundbreaking; the group was after clear, undistorted representation of fairly conventional instrumentation: Jeremy on drums, Wade on electric fretted four-string bass, and Billy on tenor sax. The approach to the creation of the music was what set this trio apart; Billy usually charted out melodies and arrangements in advance, he seldom ever shared the direction with the rest of the band. Fortunately, everyone seemed to think the same thoughts at pretty much the same time, and reasonably tight arrangements emerged from basically extemporaneous improvisations, all of which was taped. In fact, every time the band ever played the music was committed to tape.

Regrettably (and we really do mean this in the most profound sense of the word), the band didn't stay together longer than a summer. During that time though, a number of live gigs were performed, and many hours of tape were accumulated. The group dispersed to their respective interests, most notably Wade, who formed the seminal Cobweb Strange. Jeremy went to music school and Billy moved to Florida (where as it were, he ended up in music school as well) where he continued to pursue his form of avant (and later chucked it all to return to Bluegrass and what became Contemporary Mountain and Prairie and a series of acoustic pseudo-country music compositions that began to characterize his music publicly as anything but avant garde jazz).

So twelve years go by, and there wasn't much Shovin' of Sunshine. But Wade and Billy got in touch with each other recently and decided that at the least, Shovin' Sunshine still interested enough people to warrant a permanent place of its own in virtual space. Unknown to anyone else, Billy had continued to evaluate, arrange, and master the raw tapes, and continues to do so, including ongoing digitization and web-based access. What this means to the Shovin' Sunshine fan is that all of the originally released and newly available material is going to be re-released on high-quality CD and in digital format over the web. The quality of the original tapes has always been considered superb. Production and distribution in today's digital formats with modern capabilities is going to kick total ass; we're all pretty excited about this and we think that you will be too, once you hear some of what we have to offer.

So, here's the plan. We're going to be re-releasing Shovin' Sunshine's original studio recording Fire-A-Go-Go digitally remastered on CD, to be available through the Atlanta-based Genterine Records; some of our favorites from that album will be available both here at this web site and at the new Shovin' Sunshine web site being sponsored by Genterine Records. Next, we're going to release the first new Shovin' Sunshine recording in over a decade, recorded live at the Liquid Bean in 1993.

Michelle Williams Trials To Triumphs | Podcast | OWN Hotney 6 Streams • 4 years ago

Grammy-winning singer, songwriter, actress and author Michelle Williams has been perfecting the art of manifestation. Michelle tells us what happens when she speaks about her greatest dreams and fears out loud, and says that you must “put voice” to your ambitions for them to happen. She tells Ashley about her battle with depression, acknowledging that even at times when “we think we’re unscathed physically,” our mental health can be heavily impacted. Michelle shares how following her intuition continues to serve her, and how she was able to take the time during the pandemic to heal and “get loved on.”

SUBSCRIBE: https://apple.co/3zUFeJf

About Trials To Triumphs: Netflix star, producer, content creator and a proud Howard University graduate, Ashley Blaine Featherson-Jenkins is stepping out with her brand-new podcast Trials To Triumphs. The interview-style show debuted on the Oprah Winfrey Network, which includes the popular Oprah’s Super Soul podcast. As one of the lead actresses in both the movie and series Dear White People, Ashley is deeply connected to many of the premiere innovators and performers in the entertainment industry. Her personal and professional struggles, along with her gift for relating and connecting to people from all walks of life, will allow Ashley and her notable guests to open up about the trials that led to their many triumphs.

In these intimate and revealing conversations, Ashley and her guests will unpack moments that remained hidden from the public as guests worked to become who they are today. After each episode, listeners will feel inspired and empowered to keep going, no matter where they are in life. Some of Ashley's guests include Kelly Rowland, Robin Thede, Michelle Williams, Amber Riley, Danielle Brooks, Estelle and many more of today’s cultural trailblazers. Each week, Trials To Triumphs will deliver hope, inspiration and plenty of laughs… just what the world needs right now.

Connect with Trials To Triumphs:
Facebook: https://www.facebook.com/TrialsToTriumphsPod
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Oprah’s Master Class: https://apple.co/3w6zP0w

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Oprah Winfrey Network is the first and only network named for, and inspired by, a single iconic leader. Oprah Winfrey's heart and creative instincts inform the brand -- and the magnetism of the channel.

Winfrey provides leadership in programming and attracts superstar talent to join her in primetime, building a global community of like-minded viewers and leading that community to connect on social media and beyond. OWN is a singular destination on cable. Depth with edge. Heart. Star power. Connection. And endless possibilities.

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