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BOYNEXTDOOR (보이넥스트도어) 'Earth, Wind & Fire (Japanese Ver.)' Official MV Hotney 7 Streams • 2 years ago

BOYNEXTDOOR JP 1st Single『AND,』
2024.7.10 0AM (JST)

👉 https://BOYNEXTDOOR.lnk.to/and_jp　

#BOYNEXTDOOR #BND
#BOYNEXTDOOR_AND
#BOYNEXTDOOR_EWF_JP

Credits:
PRODUCTION｜RIGEND FILM

DIRECTOR｜RIMA YOON

EXECUTIVE PRODUCER｜DJ JANG

PD｜HANUL NA
AD｜MINYOUNG JEON, SUHYEON LEE, JIYOUNG UM, JOOAE KIM, HEESUN JWA, YUJI SHIN
LINE PD | PYEONGAN YEON
PA｜CHEONGUK PARK, MINHYEOK HONG, JEMYEONG CHA, TAEJUN NOH, BYUNGHOON SONG, KWANGMO LEE

DOP｜SUNGHUN HONG (@musitm.h)
1ST | SUBIN PARK
2ND | HYUNGJUN KANG
3RD | GWONWOO SHIN

DIT | DONGHWA HAM, YOUNTAE GO

JIMMYJIB OPERATOR｜YOUNGJUNG KIM
1ST | HOJUN CHOI
2ND | HYUNIN KIM
3RD | BYOUNGJONG KIM

GAFFER｜BYUNGJU PARK (@b.think_light)
MINWOO YANG, JONGWON JEON, YEONGJAE KIM, JEONGSEO KIM, SEUNGSU EUN, CHANGYEOP LEE, JEONGPYO HAM, CHANBIN SUNG, JINU PARK, JEONU JUNG

GENERATOR TRUCK｜HYEONGGEUN SONG

PRODUCTION DESIGNER | MU:E
ART DIRECTOR | BONA KIM, JINSIL PARK (MU:E)
ASST. ART DIRECTOR | YESOL KIM, JAWON KIM (MU:E)
ART-TEAM MANAGER | ILHO HEO (MU:E)
ART-TEAM | DONGWAN HEO, YONG KIM, JONGHUN LEE, JONGHUN SHIM, HYODONG LEE, JINHO JANG, YOUNGHUN JIN, YUNSUNG CHOI, DONGHYUN LEE

EDIT｜RIMA YOON, KIYOUL CHUNG
CG｜RIGEND FILM, BLEUNOIA
2D｜RIGEND FILM, COMMA, JAMYU

3D | MADBLACKCOMPANY
SANGGEUN LEE, HANSOL LEE, JAEJUNG HEO, SUNGMIN KIM

2D | ALF
JAYOUNG BYUN, HEEWOO CHOI, INSEO HWANG, SEONGHYEON PARK

3D Artist | SEOYEON KIM

VFX | AEFX
VFX SUPERVISOR | YOUNGWOONG KIM
VFX PRODUCER | SPEARMAN30
3D VFX | YOUNGWOONG KIM, SEOYEON KIM, ONEW KIM
2D VFX | YOUNGWOONG KIM, JIHO JEON

VFX｜MEMUDWORKS
VFX SUPERVISOR｜KUNWOO PARK
VFX ARTIST｜MINJOO JO, SIEUN HA
VFX PRODUCER｜SIWOOK YANG

VFX｜JONGHYEON MOON, YOUNGGIL MOON

3D｜JAMES CHOE, HILMY HENDRAKUSUMA

COLORIST｜ CHANGBEEN YU
DI ASSISTANT｜ SOYEON KIM, NAYEON KIM, SEOWOO KANG

LOCATION｜YOODAM YOON (GOLOCATION)

Connect with BOYNEXTDOOR :
Website🔗 https://BOYNEXTDOOR-official.com
YouTube🔗 https://youtube.com/@boynextdoor_official
Twitter🔗 https://twitter.com/BOYNEXTDOOR_KOZ
Instagram🔗 https://instagram.com/BOYNEXTDOOR_official
Facebook🔗 https://facebook.com/BOYNEXTDOOR.official
TikTok🔗 https://www.tiktok.com/@boynextdoor_official
Weibo🔗 https://weibo.com/BOYNEXTDOORKOZ

ⓒ KOZ Entertainment. All Rights Reserved.

Anitta - Mil Veces (Official Music Video) Hotney 7 Streams • 3 years ago

Official music video for Anitta “Mil Veces”, available everywhere now: https://Anitta.lnk.to/MilVeces

Follow Anitta:
Spotify | https://Anitta.lnk.to/Spotify
Instagram | http://instagram.com/anitta
Twitter | http://twitter.com/anitta
Facebook | http://facebook.com/AnittaOficial
TikTok | https://www.tiktok.com/@anitta

Spanish Lyrics:
Quiero darte, darte
Pero es prohibido, lo se
Ya lo hemos hecho mil veces Mil veces, Mil Veces
Voy a darte, darte
Pero es prohibido lo se
Ya lo hemos hecho mil veces En mi mente
Pero hoy es diferente
MIL VECES
MIL MIL VECES
Duro, duro Dámelo Damelo Duro
X2
Quiero darte, darte
Pero es prohibido, lo se
Ya lo hemos hecho mil veces
Se que te gusta que somos así Nos vemos, lo hacemos, Lowkey Y si nos llegamos a dar
De mi cuarto no vamos a salir
No le pongamos condiciones Y si cambiamos posiciones Tenemos malas intenciones Yo tengo ganas de ti
MIL VECES MIL MIL VECES

English Lyrics;
I want to love you, love you
But it is prohibited, I know
We have already done it a thousand times Thousand times, thousand times
I’m going to love you, love you
But it is prohibited, I know
We have already done it a thousand times In my head
But today it's different
A Thousand times
A Thousand Thousand Times
Hard, Hard
Give it to me, Give it to me Hard
X2
I want to love you, love you
But its prohibited, I know
We have already done it a thousand times
I know that you like that we are this way We see each other, we do it, lowkey
And if we get to love
From my room, we are not going to leave
We aren’t going to put conditions And if we switch positions
We have bad intentions
Anitta – Mil Veces (English Translation) I am in the mood for you
A thousand times
a thousand thousand times

Portuguese Lyrics:
Eu quero te dar, te dar
Mas é proibido, eu sei
Já fizemos isso mil vezes
Mil vezes, mil mil vezes
Eu vou te dar, te dar
Mas é proibido eu sei
Já fizemos isso mil vezes
em minha mente
Mas hoje é diferente

Mil mil vezes, mil mil vezes
Mil mil vezes, mil mil vezes
Mil mil vezes, mil mil vezes
Mil mil vezes, mil mil vezes

Força, força, força, força, me pega com força, me pega, me pega (fala aí)
Força, força, força, me pega com força, força (fala aí, fala aí)
Força, força, me pega, me pega com força, me pega com força, com força, for (fala aí)
Força, força, força, me pega com força, me pega (fala aí)

Eu quero te dar, te dar
Mas é proibido, eu sei
Já fizemos isso mil vezes
Mil vezes, mil mil vezes

Eu sei que você gosta que somos assim
Nos vemos, nós fazemos isso, por baixo dos panos
E se conseguirmos transar
Nós não vamos sair do meu quarto
Não vamos colocar condições nisso
E se mudarmos de posição
Teremos más intenções
Quero você

Mil vezes, mil mil vezes
Mil mil vezes, mil mil vezes
Mil mil vezes, mil mil vezes
mil mil vezes
mil mil vezes

#Anitta #MilVeces

Anitta & J Balvin - Downtown [Official Music Video] Hotney 7 Streams • 3 years ago

Watch the official music video for Downtown by Anitta & J Balvin.
SUBSCRIBE HERE ▶ https://youtube.com/c/anitta?sub_confirmation=1

Download/stream Downtown here ▶ https://antt.lnk.to/Downtown
Downtown (Spotify) ▶ http://spoti.fi/38Txiv5
Downtown (Apple Music) ▶ http://apple.co/3c2Hi7f

▶ Ouça o álbum Versions Of Me/ Escucha el album Versions Of Me / Listen to the album Versions Of Me: https://lnk.to/anittaversionsofme
▶ Assista aos clipes de Versions Of Me / Ver los vídeos de Versions Of Me / Watch the music videos from Versions Of Me: https://lnk.to/anittaversionsofme

WATCH DOWNTOWN LYRIC VIDEO HERE ▶ https://youtu.be/wzKL-bQKcgA

ANITTA:
Spotify | http://sptfy.com/1PY8
Instagram | http://instagram.com/anitta
Twitter | http://twitter.com/anitta
Facebook | http://facebook.com/AnittaOficial

J BALVIN:
YouTube | https://www.youtube.com/c/jbalvin/
Instagram | https://www.instagram.com/jbalvin/
Twitter | https://twitter.com/JBALVIN
Facebook | https://www.facebook.com/JBalvinOficial

Warner Music Brasil:
Site: http://www.warnermusic.com.br/
Facebook: https://www.facebook.com/WarnerMusicBrasil
Instagram: https://www.instagram.com/warnermusicbr/
Twitter: https://twitter.com/warnermusicbr

Anitta is a Brazilian popstar renowned for her hit songs “Downtown,” “Vai Malandra,” “Bang,” “Sim Ou Não,” “Paradinha,” “Terremoto,” and “Essa Mina É Louca.” She worked with artists like Madonna, Major Lazer, J Balvin, Diplo, Ozuna, and Maluma — amassing billions of global streams and has become the leading artist of a new generation of Latin American music.

Lyrics:
En su cuerpo puedo ver la definición

Se ve que lo trabaja eres motivación
Le pedi que me ayude con una mission
Que me llena entera de satisfacción

A mi me gusta cuando baja Downtown
Le pido que se quede ahi enviciado
Me dice baby sueno interesado
Si quieres ven y quédate otro round

A ella le gusta cuando bajo Downtown
Me pide que me quede ahi enviciado
Le digo baby estoy interesado
Si quieres yo quédo otro round

Que me quede otro round
tanto que me a rogado
Ya lo tengo oficiado
Yo te observado
No aguanta se adapta me dice
No quiero que termines
Es un misterio pero no de cine
En la noche soy yo la que define
Todo lo que va a pasar
a mi no me tienes que mandar

A mi me gusta cuando baja Downtown
Le pido que se quede ahi enviciado
Me dice baby sueno interesado
Si quieres ven y quédate otro round

A ella le gusta cuando bajo Downtown
Me pide que me quede ahi enviciado
Le digo mami estoy interesado
Si quieres yo quédo otro round

Uh se que me quieres ver
Bajando por toda tu piel
Uh se que quieres que me quede
Enredarte en mis piernas es lo que quieres

No se vale el empate, esto es hasta darle jaque mate
Hasta que uno de los dos se mate
Si quieres yo bajo y de una me pongo pal' trabajo
Suelta el estrés, baby, yo te relajo
Se pone bella, me dice que ya
Sigue ahí, que la tengo viendo las estrellas
Se me acelera, hasta abajo se va
Y como ella lo hace, no lo hace cualquiera
En su cuerpo puedo ver la definición
Se ve que lo trabaja eres motivación
Le pedi que me ayude con una mission
Que me llena entera de satisfacción

A mi me gusta cuando baja Downtown
Le pido que se quede ahi enviciado
Me dice baby sueno interesado
Si quieres ven y quédate otro round

#OfficialMusicVideo #Anitta #JBalvin #Downtown #WeAreWarnerRecords

Anitta - VAI VENDO [feat. Mc Ryan SP] [Official Music Video] Hotney 7 Streams • 3 years ago

LISTEN HERE ▶ https://lnk.to/VAIVENDO

SUBSCRIBE HERE ▶ @anitta

ANITTA:
Spotify | http://sptfy.com/1PY8
Instagram | http://instagram.com/anitta
Twitter | http://twitter.com/anitta
Facebook | http://facebook.com/AnittaOficial

CREDITS:
Produção: Hungry Man
Direção: João Papa

Managing Partner: Alex Mehedff
Executive Producer: Alex Mehedeff e Sarina D'Avila
Creative Executive Producer: Fabio Pinheiro
Line Producer: Fernanda Kalume
Head of Production: Maran Poian
In House Production Coordinator: Gabriel Sidorenko Rafaela Pellegrini
Research: Leonardo Godinho e Vitória Zamfolini
Business Affairs Manager: Matheus Rosa

Creative Assistant: Jenn Anconi

1AD: Ulisses Wermelinger
2AD: Ana Rios

Production Manager: Mateus Galvão
Production Assistant: Fernanda Chedid
Production Assistant: Victória Almeida

Security: Everton Correa Azevedo e Carlos Antônio Virgilino

Set assistant: Silas Gabriel

Cast Producer: Alice Wolfenson

Choreographer and Dancer: Amanda de Sousa Araújo
Dancer: LAURA AMORIM COSTA CHAVES
Dancer: Mel Firetti Las Casas
Dancer: Marcela Alexia Oliveira Pinto

DOP: João Papa
1º AC: Alessandro Valese ( Alemão)
2º AC: Alfredo Desio
Video Assist: Dario Valese
Logger: JP Oliveira

Crane Operator: Hugo Takeuchi
Photo Still: Iude Richele
Still Assistant: Maria Prado

Gaffer: Hugo Calazans
1st Electric: Renato Lelis
2nd Electric: Vittoria Bronzo, Alberto de Oliveira (Betão), Bruno Canhoto e Luciano Batista

Key Grip: Rodrigo Fidelis
1st Grip: Fabiano Oliveira Dias
2nd Grip: Mozart Pereira Cruz Marques Junior, Fábio Luis Iamamoto Campos, Juliano
Rodrigues Capinan e Gleice soares da Silva

Production Designer: Luiz Henrique Pinto
Assistant Art Director: Eliane de Oliveira
Art Producer: Matheus Carvalho
Prop Producer: Tatiana Coelho Pereira

Scenic Technician: Daniel Allan Marcelo

Inside Prop: Hallan Rubens Soares Ferro e Alberto Castro dos Santos

Runners Murilo Borges, Elton Miranda, Carlos Borges, Danilo Cruz, William da Silva, Henrique Marinho e Clarivaldo dos Santos

Wardrobe: Stylist Giovanna Moretto
Assistant Wardrobe: Hélio Anselmo de Oliveira
Seamstress: Fran Batista

Make Up: Victoria Garaventa
Make up assist: Regiane Caldeira dos Santos, Carlaxane Passos Maia e Sonia Araujo

Mixer: Rodrigo de Macedo Martins

Head of Post Production: Rodrigo Oliveira
Post Production Team: JP Oliveira and Michael Eduardo
Editor: Alexandre Boechat
Post Production: Troop
Color Grading: Bleach

Transportation: Sandro Cheffel

Câmera: Digital 35
Light and Grip: Moving Track
Generator: Cash Box Geradores Ltda
Technocrane: Ale Movimentos

LYRICS
VAI VENDO - Anitta feat. MC Ryan SP

Tô ficando tonto do jeito
Que ela empina
Malvada quer dançar comigo
Felina quer jogar por cima

É que eu sei fazer
Os negocin que te domina
Essa manobra é uma obra prima
Deixa com a mãe que ela te ensina

Especialista em love love
Vem pra matar tua sede
Tu sobe pelas parede
Com o macete da bandida

Vai vendo, pra que teu coração?
Se eu já sou dona do seu pensamento

Ah se eu fosse esse copo
coladinho na tua boca
Pra tu tomar
Pra tu tomar
Pra tu tomar a noite toda

Ah se eu fosse esse shortinho
Ia falar pra tua popa
Pode jogar
Pode jogar
Pode jogar a noite toda

Então joga joga
Vai bandida
Faz storie, sensualiza
Ela trava na pose
Ela instiga o bonde
Ela desce sobe
Tipo anitta

Rainha da favela é ela
Doida querendo levar
O coração do vilão
Olha essa sereia
Querendo enganar o tubarão

#anitta #mcryansp

Pheelz & The BBC Philharmonic - Electricity Hotney 7 Streams • 3 years ago

Watch Now In BBCiPlayer:

https://www.bbc.co.uk/programmes/m001fprh
1Xtra’s Afrobeats Concerto
Series 1 Episode 4 of 8

Description in english:
Some of the hottest Afrobeats artists join forces with the BBC Philharmonic for this special one-off concert from BBC Radio 1Xtra.

Presented by 1Xtra’s Remi Burgz, Eddie Kadi and DJ Edu, the concert will feature exclusive live performances by Nigerian singer-songwriter CKay, London-born and double Mobo nominee Maleek Berry, Kenyan singer-songwriter Nikita Kering, one of the biggest hip-hop acts on the African continent, Sarkodie, and Finesse singer-songwriter Pheelz.

This will be the first time a full orchestra in the UK has staged a dedicated concert to Afrobeats, which has seen a sharp rise in popularity, crossing over into music charts across the globe and enjoying worldwide commercial success. Filmed at the BBC Philharmonic’s recording home in Salford, and also featuring The Compozers, this first-of-its-kind concert marks 20 years of 1Xtra, the BBC’s radio network dedicated to amplifying Black music and culture.

11 months left to watch
1 hour, 29 minutes

Last on
BBC 4
Last Sunday
20:00

Description in spanish:
Algunos de los mejores artistas de Afrobeats unen fuerzas con la Filarmónica de la BBC para este concierto especial único de BBC Radio 1Xtra. Presentado por Remi Burgz, Eddie Kadi y DJ Edu de 1Xtra, el concierto contará con actuaciones en vivo exclusivas del cantautor nigeriano CKay, el nacido en Londres y doble nominado a Mobo Maleek Berry, el cantautor keniano Nikita Kering, uno de los más grandes del hip-hop actúa en el continente africano, Sarkodie, y el cantautor Finesse Pheelz. Esta será la primera vez que una orquesta completa en el Reino Unido organiza un concierto dedicado a Afrobeats, que ha experimentado un fuerte aumento en popularidad, llegando a las listas de éxitos musicales de todo el mundo y disfrutando del éxito comercial mundial. Filmado en la casa de grabación de la Filarmónica de la BBC en Salford, y también con la participación de The Compozers, este concierto único en su tipo marca los 20 años de 1Xtra, la red de radio de la BBC dedicada a amplificar la música y la cultura negras.

Quedan 11 meses para ver
1 hora, 29 minutos

Ultimo en BBC 4 El domingo pasado
20:00

Follow The BBC Philharmonic Orchestra In Facebook:

https://m.facebook.com/BBCPhilharmonic

Twitter:

https://twitter.com/BBCPhilharmonic?t=DbuoVT4Zzac7xDXQGVee0A&s=09

WebPage:

https://t.co/04TDHRX4Qt

Follow BBC Radio 1Xtra:

Twitter:
https://twitter.com/1Xtra?t=JPdbnP-ixkwbX1HPs1VdJQ&s=09

Facebook:
https://www.facebook.com/bbc1xtra?mibextid=ZbWKwL

Follow Pheelz In:

Twitter:
https://twitter.com/Pheelz?t=UMjEO92tY63_CrYTPMrcGw&s=09

Facebook:
https://www.facebook.com/pheel....zonthebeat?mibextid=

Coal Chamber: Whatever Happened To the Nu-Metal band Behind 'Loco?' Hotney 7 Streams • 3 years ago

Coal Chamber: The rise and the fall of the band behind loco

0:00 - Early Years
4:30 - Label Years/Big Management
7:52 - Breakup
9:49 - Reunion/Breakup

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#dezfafara #coalchamber #loco

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Formed in the early 90s, Coal Chamber was a band that played urgent and aggressive music draped in heavy stage makeup, piercings, and black fetish clothing. As an up-and-coming nu-metal act, the band showed that simplicity and heaviness went hand in hand, and dominated the scene with a darker, more evil approach compared to what other bands were doing. Releasing 4 albums in total (one being gold and the others damn well close), they proved to not be a one hit wonder. When asked what their band name represents in an interview with Lollipop Magazine, guitarist Miguel Rascon stated, “It’s a cold, dark place. It fits the imagery of our music. Potential energy. Heavy. Under great pressure…”
Judging by their appearance, you’d expect a pretty dark, brooding band, but Coal Chamber’s music actually emitted nuances of hope and optimism while also promoting individuality. By the time their third album was released, there was speculation that they’d never perform together again, although they’d reunite for their fourth and final album in 2015. Today, let’s explore whatever happened to the band Coal Chamber.
Coal Chamber frontman Dez Fafara was born in Santa Barbara, California and raised in Los Angeles. He grew up as an outcast telling the LA Times “I was that kid that gets thrown in the trash can at lunch,”. “But I came out on top.” He would draw inspiration from a range of artists including The Cure and Motley Crue. Fafara recalled to the LA Times, “I had Nikki [Sixx] all over my walls! I remember my mom tweaking out and taking the posters down. I just liked the whole look of that band and the heaviness of it”.
In 1992, ahead of Coal Chamber’s inception, Fafara and guitarist Miguel Rascón, better known as Meegs, formed the band She’s In Pain, who was influenced by gothic rock, and would help shape part of the band’s sound early on. Within the next several years, the roots of Coal Chamber would be solidified once the members found each other through the newspaper The Recycler. Meegs would recall to scheter guitars (Sheckter), "I think we all hated each other from the start when we found each other in Recycler." "But it was the music that kept us together."
When we hear about the evolution of popular music, there appears to be this period in the 80s and early 90s when heavy metal music was popular and then alternative rock took over for several years, but against the backdrop of this transition was a burgeoning scene in Los Angeles where the two genres cross pollinated with hip hop, which initiated the birth of nu-metal.
Dez Fafara would tell Metal Hammer about coming up amidst this transition, saying, “The scene was relatively dead,” “We were coming out after the hair metal thing was done and killed off. But there was a sense that something new was forming among the bands at that time.”
"Up in LA there were the Deftones, Coal Chamber and later on, System of a Down. I’m the one who found Static-X when they were playing in front of fifteen people. We would all go to shows every single night and play with each other and create this new scene together.”
Dez would go on to say,
“Clubs started to pack out again. One by one, we all got signed. We were there the night Deftones got signed — a limo rolled up and Madonna rolled through! We were like ‘Holy shit, this thing’s on fire!’ The next one to get signed might have been Korn, then us and then System.”
While emerging bands from the area would soon be slapped with the nu-metal tag, they each had their own set of influences. But like the scenes before it, nu-metal suffered the same fate – a few bands in the scene got huge, record labels went on a signing frenzy, and the public’s taste moved with the times. Eventually, even the term nu-metal became resented by the bands it was meant to describe. Dez would tell Loudersound, “The same thing kind of happened with nu-metal. My guitar player (Meegs Rascón) said it best: ‘nu metal’ was a great term until the second wave of bands came in and we all got put into that ‘nu-metal thing’. At that point, even among us, it became a dirty word. Right now, t

björk ft. rosalía : oral Hotney 7 Streams • 3 years ago

'oral' by björk ft. rosalía

listen here : https://bjork.lnk.to/oral

Björk and Rosalía are donating all their rights to income generated by this song to the AEGIS non-profit organisation to combat open pen fish farming in Iceland. Their record companies have agreed to do the same. All funds raised will support legal fees for protesters, taking action to stop the development of intensive farms that harm wildlife, deform fish, and pose risks to salmon's DNA and survival. Immediate action is crucial.

donate directly at: https://www.bjork.com/aegis

Written & produced by Björk
Additional production and additional vocal arrangement by Rosalía
Additional beat production by Sega Bodega and Noah Goldstein
Additional Engineering by David Rodriguez
Mixed and mastered by Heba Kadry

Rosalía appears courtesy of Columbia records

Directed by Carlota Guerrero
Executive Producer: Zico Judge
Producer: Júlia Estruga
Original Idea: Carlota Guerrero
Director of Photography: Àlvar Riu Dolz
Art Direction: Carlota Guerrero and Nicolas Feriche Production Designer: Dana Silva Abella Choreographer: Guillem Jiménez
Stunt Coordinators: Alícia García Fernández & Cinthia Pérez Mas Stunt Doubles: Patricia Del Campo Rey & Cinthia Pérez Mas Editor: Aitor Bigas
VFX : Mr Flowers
VFX Supervisor: Pipe Camara Clean up: La Remedios
Grading: Martí Somoza
Stylist: Gina Berenguer Barnils Muah Artist: Catalina Sartor Casting Director: Yarik Umanets Sound Design: Sarah Romero Teti Graphic Design Credits: Querida

1st AD: Andrea Vilches Arcas
Production Manager: David S. Murga
Casting Coordinator & Production Assistant: Blanca Cividanes Locations Manager & Production Assistant: Sofia Navarro Location Scout: Jordi Barrera
Runner: Matias Baez
Camera Operator: Xavi Guillen
1st AC: Hector Julián

2nd AC: Duna Marcos DIT: Felipe Malatesta
Héctor Egea Garrigós Gaffer: Albert Piñana Sparks: Ana Wiswell
Pere Arnal Vallhornat Joaquim Hugas
Joan Carriere
Martin Avila
Oriol Tarrason
Pau Galarza
Lights and camera truck driver: David Lleonart Roig Set assistant: Nora Cascante Hosta
Props makers: Tupac Martín
Aitor Piñero
Stylist Assistants: Claudia Catroux
Júlia Morató Editor Assistant: Daniel Mendoza
Executive Assistant: Josephine Weir
SPECIAL THANKS
El Prat Film Office , Ajuntament del Prat de Llobregat, Jordi Barrera, Adrià Nebot, Dani Molina, Edu Gimenez, Julia Alaya, Angela Gutierrez, Jaime Levine, Kimberly Pimentel, Derek Birkett, Sara Nassim
SUPPLIERS SPECIAL THANKS
Service Vision, Napalm Lights, Location Support, SIP Generators, Why on Set, Maison Margiela, Acne Studios
Thanks to all the crew and talent involved in the production of this music video. Produced by Blur & ProdCo

(p) 2023 One Little Independent Records LTD
© 2023 Wellhart LTD / one little independent LTD

Why White Zombie Broke Up & Will Never Reunite Hotney 7 Streams • 3 years ago

Why 90's Era group White Zombie Broke Up

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#whitezombie #robzombie #seanyseult

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Formed in 1985, White Zombie’s sound would undergo a metamorphosis during their career from Noise Rock to more heavy metal sound achieving a lot of success during the early to mid 90’s. But by the end of the decade the band called it quits. Today, let’s talk about why the band broke up.

Rob Zombie spent his formative years in Hav (hay)erhill, Mass., a depressed industrial outpost where zombie spent most of his time hanging out at cemetirers;

Zombie would be pretty anti-social as a kid having different interests from his peers telling the LA Times “I grew up with really normal, straight parents, but they let me and my brother do anything we wanted to do. They took us to see ‘A Clockwork Orange’ and ‘Texas Chainsaw Massacre.’ I remember seeing, like, ‘Phantom of the Opera’ when I was 5 years old.” He would spend eight hours a day watching TV and it soon became an obsession for the future musician with him literally watching anything that was broadcast on TV and he would memorize the tv schedule for the week. This eventually led him down the road of making his own super 8 films.

Apart from television, Zombie would develop a taste for larger than life musical acts including Kiss, Blue Oyster Cult and Alice Cooper. Couple this with his love of the DIY ethos of punk rock and Rob Zombie had the basic blueprint for White Zombie.

The band would form when bassist Sean Yseult and frontman Rob Zombie both met while attending the Parsons school of design. The band’s first drummer was also a student at the same school. Yseult would reveal in the book Louder THan Hell “Rob & I were both oddballs. I think we were drawn to each other. We started the band within a month of meeting and basically lived together for seven years. We both had dyed black hair, he had a stenciled misfits leather jacket and i had a bunch of animal bones tied onto a necklace” They would date but break up during the early 90’s with Yseult telling the chicago tribune "The whole band and the business just got so much bigger than any relationship," The band would have a variety of drummers during this time and found a guitarist named J (Jay Yuenger) who went by the name J.

White Zombie would be the amalgamation of two scenes the noise rock scene of new york which included bands like Sonic Youth and the hardcore scene in DC including minor threat, bad brains and dave grohl’s pre-nirvana band scream. To Rob he had the goal of not only giving fans a spectacular music video for there songs, but also be able to give fans an equally as impressive live show rigging their own pyro.

The band would sign to label Caroline records who put out their first two album 1987’s soul crusher and 1989’s make them die slowly.
But the road to gain recognition was a long one. The band’s first release 1987’s soul crusher seemed to go unnoticed or was misunderstood with Yseult revealing in louder than hell People didn’t really get it. We would play a lot of those things together. We would play this really heavy music in clubs in the east village and all these hipsters just stared at us and scratched their heads. ” The reviews echoed a similar sentiment, but it was the band’s detractors that drove Rob Zombie to push forward. And while the sales didn’t reflect what was to happen soon the group’s first album found an audience with some accomplished musicians at the time including Kurt Cobain, Iggy Pop, and Thurston Moore of Sonic Youth.

The band soon built up a crowd of followers at venues including CBGB’s and started playing metal clubs widening their audience. .
By the early 90’s they would soon nab a recording contract with major label Geffen Records and the band would move out west to Los Angeles.
The group’s first record for Geffen La Sexercisto Devil Music Volume 1 which came out in march of 1992 would be a slow burn. Entertainment Weekly would publish an article in October of 1993 that highlighted that the album had moved only about 75,000 copies before one of singles welcome to planet motherfers was featured on the mtv hit show beavis and butthead.
Rob would tell entertainment weekly ”The record immediately started picking up in markets where we never played, like Wyoming and Missouri-places where Bea

Why Rockstars Don't Like Eddie Trunk (Sirius XM) - Sharon Osbourne/Steel Pather/Paul Stanley Hotney 7 Streams • 3 years ago

Rockstars who don't like Eddie "I Know Everybody" Trunk

0:00 - Intro/Steel Panther
2:08.- Rob Blasko Nicholson
2:32 - Sharon Osbourne
3:43 - Paul Stanley

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#eddietrunk #steelpanther #sharonosbourne

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Eddie I know everybody Trunk He’s a man whose kept metal and rock n’ roll alive and without him the genre would have died a terrible death and that is a direct quote from Eddie Trunk.. JK But today i wanted to take a look at some of his feuds and why some people aren’t fans of his.

Steel Panther - Eddie Trunk - Radio host Eddie “I know everybody and hung out with them’ trunk has long expressed his distaste for the band Steel Panther. It was during his show he was asked to name one band he never thought would make it and he singled out steel panther saying “It amazes me – the amount of shows and attention… They’ve gotten huge in England, but in America, they’re still basically a House of Blues-level band, but it always amazed me how popular Steel Panther got from what they started out as, which was a band called Metal School.
“They’re still a parody, a spoof, on ’80s rock. I think there’s a segment of their fanbase that isn’t even in on the joke, that is younger.
It was a year earlier he was a little more critical saying “I have nothing personal against anybody in the band. They are good people, they are good players and all that. But it’s a spoof. It’s an act. It’s mocking 80’s hard rock….“My time and energy are going to be invested into the bands from that era, that are still trying to make new, credible, real music. …
The bass player [Lexxi Foxx] literally applies makeup while the show is happening. His hands aren’t even on the bass. Cause I guess they are running a track or something. Satchel would respond to himhttps://www.youtube.com/watch?v=ynuoZjFne68

Rob “Blasko” Nicholson of OZZY OSBOURNE’s would slam Trunk in a tweet put in late 2019 writing

“Was just listening to Eddie Trunk Live on Sirius XM… That dude can go get fucked! Since when is that douche bag the ambassador of Metal?”
Trunk would respond with tweet saying
“Heard that Blasko said some stuff about me on Twitter while listening to my Saturday show. Don’t know the guy, no idea what his problem is!”

Santa Cruz - It was this year that Eddie “I know everybody” trunk posted a video of the band santa cruz performing a show at the whisky a go go and there’s a point in the video where no one is at the microphone and a pre-recorded vocal tape can be heard. Trunk would write on social media in response to the video "This is beyond words … everyone I guess just okay with this?!" "As I've said and have been saying this has become an epidemic that needs to stop. So bad it's to the point this band doesn't event attempt to fake their lip synching. Stunning. Imagine paying to see a band you love 'live' and it's anything but.
"What's the point? Imagine you are a band that puts the work in to be live, and others don't, play to a computer , and fans talk about how great they sound… pathetic. It's the norm in pop, it's gotta stop in rock. Bands, fans and promoters have to care that a live rock show is live or it will only get worse. Madness."
Well Trunk rushed to judgement because the frontman of Santa Cruze Archie would post a response on Instagram where he said the following
"I just feel like I need to clear some expletive out. Obviously, there's been a lot of backlash after our show at the Whisky last Wednesday. And we've been accused of 'miming' on the track, which is not true. We did have backing tracks, but we just had some layers, and that is literally what every big band is doing right now, which just happened to up the timing, so I feel like I need to clear that out right now." "This is my vocal [playing in the video]. This is what I do live. That's my track. That's 100 percent live. And what we had in the P.A. was an octave-lower harmony and an octave-higher harmony to back that shit up. So, please do not talk about something you don't know anything about or do not accuse us of doing something that's not true. So, piss off and shut the f up."
Trunk would write a follow up post claiming he wasn’t singingling the band out and even had Santa Ana his show once and said he liked their music. Archie would end up issuing an apology to trunk for calling him names on social media in a separate post.

Vampire Weekend: Why The Cover Model of Contra Sued The Band Hotney 7 Streams • 3 years ago

Why the model on the front cover of Vampire Weekend's album Contra sued the band.

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#campireweekend #contra

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

When people who appear on album covers end up suing the band for using their likeness or image it usually comes down to whether a release was signed, but it’s rare that another element is thrown in. That’s what happened to band Vampire Weekend and that’s what were going to discuss in today’s video.

Vampire Weekend would form in 2006, by four students attending columbia university . Their first album, which was self-titled would come out in 2008, and sold nearly 600,000 copies, impressive by indie standards. The band soon landed on the cover of Spin magazine and the band would release their second album through label XL Records titled Contra in 2010. The album cover featuring a polaroid of a girl . The photo was found by one of the band members who used the search terms ‘New York City 1983’ on Flickr.

It was around the time of the album’s release that the band’s frontman Ezra Koenig (kay-nig) would tell pitchfork why they chose the photo for the album cover saying “the first expression that I read into her was some sort of hesitation. We had a lot of discussions trying to figure out how old this person was when the picture was taken-- she could be 15 or 27. The ambiguity of her age and expression made me feel like she was on the cusp of something, which really matches the vibe of the new album. When asked who she was he would add “I don't want to give away all the details about the photo just yet, but I learned that she's now living in Malibu.”

The band had offered the owner of the photo Tod Brody on flickr $5,000 to use the photo on their album cover believing since Brody posted it on the site he owned the copyright to it. Brody claimed to have taken the photo during a casting session for a television commercial several decades prior.

The photo of the woman on the album cover was heavily used to market the record. A few months after the album came out, the band and XL Recordings their label were hit with a 2 million lawsuit by the woman on the cover. The woman on the cover was named Ann Kirsten Kennis She would claim the photo was used without her permission.

Kennis for her part was already used to people using her likeness and image to sell products. She had enjoyed a modelling career where her image was used to sell products for L’Oréal, Revlon, Fabergé, and Vaseline to name a few. These instances didn’t result in a lawsuit. She signed a release and received a payment for her services.

Contra would hit number 1 in america on the album charts and charted throughout the rest of the world.. Kennis only became aware of the record after her daughter saw a banner ad online from barnes and noble advertising the album. Kennis for her part, had never heard of Vampire weekend before or even knew the photographer who claimed to own the rights to the picture.

For Kennis, It was a moment of rebirth for her as she was now retired from modeling after 10 years in the industry. She would meet her husband after developing something called Space Bear teddy bears, which are now called cosmic cubs club. By the time Kennis saw her photo she had just completed her last session of chemotherapy for breast cancer.

Once Kennis became aware of her image being used on the album cover it became inescapable as she went about her day to day business. As she strolled through new york city she’d see posters of the album around the city, she’d hear Vampire Weekend playing in clothing stores she visited and. She’d even learn from reading the new york times that the band was using the image during their live shows. Friends of the former model from as far as Europe would claim to have seen her image in advertisements for the album in their country too

According to Kennis the photo was taken back in 1983. She claimed that the release forms that are typically signed for these photos was not signed by herself, but rather forged.

In one of the strangest parts of this story, Vanity Fair would write and i quote “if the Contra case does go to trial, the outcome could hinge on a key docume

CeCe Peniston - We Got A Love Thang (Official Music Video) Hotney 7 Streams • 3 years ago

The Official 'We Got A Love Thang' Music Video featured on CeCe Peniston's debut album 'Finally'.

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Official “We Got A Love Thang” Lyrics:

Woo!
Oh, yeah, ha
Look what we got, ha
Look what we got, hahaha

We got a, we got a love, we got a, we got a love
We got a, we got a love, we got a, we got a love
We got a, we got a love, we got a, we got a love
We got a, just how a love should be

Can't stand it when you're away
Without a doubt you're the best thing that's happened to me
Yeah, baby
And I just can't wait to have you by my side
You know whenever you're around, a smile is all that you're gonna see
Ohh
'Cause you make me feel so good inside
And there is no doubt, yeah, I'm satisfied

I know that I won't find a better love
I've got a love that other girls dream of, hey, ayy-ayy, ayy-ayy

We got a love thang (love thang)
Feels so good to me (feels so good to me)
This is our thang (our thang)
Just how a love should be (don't you know that's just how a love should be? Oh)
We got a, we got a love, we got a, we got a love
We got a, just how a love should be

I used to be lonely, yeah
'Cause I couldn't find someone that I could call my own
No, no
Suddenly you stepped in my life
Now you're here with me and all my lonely days are gone
They are gone, oh, no
I don't know if it's wrong or right
But it's better than the lonely nights

I know that I won't find a better love
I've got a love that other girls dream of, hey, ayy-ayy, ayy-ayy

We got a love thang (love thang)
Feels so good to me (feels so good to me)
This is our thang (our thang)
Just how a love should be (don't you know that's just how a love should be?)

Woo!
Oh, yeah, ha
Look what we got, hahaha

Hey, ayy-ayy, ayy-ayy
We got a love thang
Hey, ayy-ayy, ayy-ayy
Hey-ayy-hey now, we got a love thang
Ayy-ayy-ayy, ayy-ayy-ayy
Ayy-ayy-ayy, ayy-ayy-ayy, ayy-ayy-ayy
Ayy-ayy-ayy, ayy-ayy-ayy, ayy-ayy-ayy, ayy-ayy-ayy
Ayy-ayy-ayy, ayy-ayy-ayy, ayy-ayy-ayy, love thang
Ayy, ayy, ayy, ayy, ayy, ayy, ayy, ayy
Ayy, ayy, ayy, ayy, ayy, ayy, ayy, ayy
We got a, we got a love, we got a, we got a love
We got a, just how a love should be
I know that I won't find a better love
I've got a love that other girls dream of
Hey, hey, hey, hey (we got a, we got a love)
We got, we got a love
We got a love, we got a love thang
Hey, hey, hey, hey (we got a, we got a love)
We got, we got a love
We got a love, we got a love thang

Hey, hey, hey, hey
Hey, hey, hey, hey
Woo, look what we got

We got a, we got a love, we got a, we got a love
We got a, we got a love, we got a, we got a love
We got a, we got a love, we got a, we got a love
We got a, just how a love should be

Music video by CeCe Peniston performing We Got A Love Thang. © 1992, 2022 A&M Records / CeCe Pen Inc.

http://vevo.ly/SrOgoA

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