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Music video by Taylor Swift & Gary Lightbody performing The Last Time. (C) 2013 Big Machine Records, LLC.
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Perry Como's Kraft Music Hall. January 7, 1965.
With Carol Lawrence, Mitchell Ayers' Orchestra & The Ray Charles Singers.
"Everybody Loves Somebody" is a song written in 1947 by Sam Coslow, Irving Taylor and pianist Ken Lane.
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The Tragic Story Of Bris
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Sacramento is one of the wildest cities on the west coast. Almost every block is run by a different set, and just walking out the door is a gamble with your life. Bris was a rapper trying to make it out of the trenches, but the streets caught up to him first - and today we’re breaking down the entire shocking story.
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Central Cee vs Digga D: The UK Drill War
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Bronx Rappers and Opps Caught Lackin
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All Of 6ix9ine's Beef Explained
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RAPPER SHOOTINGS ON IG LIVE
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The Beef That Got Syko Bob's Mom Killed
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RAPPERS CAUGHT LACKIN (Foolio, Yungeen Ace, Spotemgottem)
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All Of NBA YoungBoy's Beef Explained
https://www.youtube.com/watch?v=zlRM2FqoANA
This video is about The Tragic Story Of Bris. We also post stuff like Rappers Ready For Opps, Rappers Caught Lackin, Rappers Who Are Killers, Men Who Killed Rappers, and more so be sure to subscribe if you like these style of videos. Thank you!
The official music video for Fleetwood Mac - "Seven Wonders" from the 1987 album "Tango In The Night". Fleetwood Mac’s 50 Years – Don’t Stop is available to order now and be sure to see if the band is coming to a town near you. Get your copy here https://lnk.to/FM50.
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Welcome to Fleetwood Mac’s official YouTube channel. Check back for news, music videos, live performances, playlists, archival footage, and more.
BTS talks about releasing their first album since 2022, ARIRANG, shares what they missed the most about each other while being separated and reveals what the BTS ARMY should expect from their ARIRANG world tour.
The Tonight Show Starring Jimmy Fallon. Stream now on Peacock: https://bit.ly/3gZJaNy
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The Tonight Show Starring Jimmy Fallon features hilarious highlights from the show, including comedy sketches, music parodies, celebrity interviews, ridiculous games, and, of course, Jimmy's Thank You Notes and hashtags! You'll also find behind the scenes videos and other great web exclusives.
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BTS Reveals What They Really Missed About Each Other During Break, Talks "Killer" ARIRANG World Tour
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In Swahili, “Wewe” means “You.” And in this record, “You” is not just a word it’s a choice, a declaration, and a promise.
“Wewe” is a deeply personal love confession from Harmonize to the woman who holds his heart. Built on S2Kizzy’s warm, emotional production, the song feels intimate like a private conversation turned into music. It’s not just a love song; it’s a man openly choosing his partner in front of the world.
With the line “wewe ndo unanipendeza, dunia inajua,” Harmonize makes his feelings public and unapologetic. He celebrates her beauty, her presence, and the peace she brings into his life. There’s maturity in his words “mimi mwenyewe najipongeza, najua kuchagua” as he appreciates finding someone genuine in a world often driven by money and appearances.
The song also reflects growth. He acknowledges past distractions and people who were only interested in wealth “kumbe walitaka pesa nikawapa moyo.” It’s a vulnerable admission of giving his heart to the wrong places, only to realize that real love was always with “wewe.” Through jealousy, outside pressure, and life’s ups and downs, he makes it clear that their bond keeps rising like the sun after every storm.
The repeated plea “ni bora ningekupa wewe tu upendo, muda wangu…” carries both regret and devotion. It’s the sound of a man who now understands the value of giving his time, loyalty, and full attention to one woman.
“Wewe” captures Harmonize at his most sincere romantic, reflective, and emotionally open. It’s a royal dedication to true love, reminding listeners that genuine connection will always outweigh money, fame, or fleeting attention.
Harmonize - wewe (Official Audio)
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Produced By; S2kizzy
Mixed By; Pluto Republic
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#Kajala #Wewe #Harmonize
UkDrill Daily Presents
Central Cee ft. Travis Scott - Motion (Music Video)
Prod. by XVX & Benz
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YG feat Ty Dolla $ign - TEACH YOU HOW TO LUH ME
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Halsey talks through songs that have impacted her life and as an artist creating her latest album with Radio 1 presenter, Jack Saunders.
Songs That Saved Me:
02:42 Crushcrushcrush - Paramore
07:11 Runner - Alex G
10:40 Lullaby - The Cure
11:35 The End - Halsey
12:03 Lucky - Halsey
12:52 Lonely Is The Muse - Halsey
14:02 Ego - Halsey
18:15 Gold Guns Girls - Metric
20:54 Angeles - Elliot Smith
Listen to Radio 1's New Music Show with Jack Saunders https://www.bbc.co.uk/programmes/m001chdz
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Checkout the official video of MANAVGEET GILL's new punjabi song BARREL. We're excited to share our music with the world. We hope you enjoy listening to it as much as we enjoyed creating it ;)
Do listen & Don't Forget to Leave your valuable Comments :)
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Song: BARREL
Singer: MANAVGEET GILL
Music: DESI TRAP MUSIC
Lyrics: MANAVGEET GILL
Music Label: T-Series
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Directed By: Elliott Lester
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Video Commissioner: Melinda Kelly
Production Company: Chromista
I’ve gotta keep the calm before the storm
I don’t want less
I don’t want more
Must bar the windows and the doors
To keep me safe to keep me warm
Yeah my life is what I’m fighting for
Can’t part the sea
Can’t reach the shore
And my voice becomes the driving force
I won’t let this pull me overboard
God keep my head above water
Don’t let me drown
It gets harder
I’ll meet you there at the altar
As I fall down to my knees
Don’t let me drown
Don’t let me drown
So pull me up from down below
‘Cause I’m underneath the undertow
Come dry me off and hold me close
I need you now I need you most
God keep my head above water
Don’t let me drown
It gets harder
I’ll meet you there at the altar
As I fall down to my knees
Don’t let me drown
Don’t let me drown
Don’t let me drown
Keep my head above water above water
And I can’t see in the stormy weather
I can’t seem to keep it all together
And I can’t swim the ocean like this forever
And I can’t breathe
God keep my head above water
I lose my breath at the bottom
Come rescue me
I’ll be waiting
I’m too young to fall asleep
God keep my head above water
Don’t let me drown
It gets harder
I’ll meet you there at the altar
As I fall down to my knees
Don’t let me drown
Don’t let me drown
Don’t let me drown
Keep my head above water above water
CEO Trayle & Friends (Live) Jan 4th - ATLANTA
https://www.seetickets.us/event/ceo-trayle/628758
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The story of Scooter Ward's band Cold best known for songs like Stupid Girl
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Cold’s story is one of brutal bad luck, label disasters, and personal tragedy that nearly destroyed them.
The band began as Grundig in Jacksonville, Florida in the late 80s, with Scooter Ward, Sam McCandless, and Jeremy Marshall forming a moody, heavy “redneck goth” outfit inspired by everyone from Depeche Mode and Sade to Nirvana and Alice in Chains. They hustled hard, working day jobs, playing up to 100 shows a year, and sinking money into an 8-song demo that still left them thousands of dollars in debt. A move to Atlanta was supposed to bring them closer to the industry, but instead they found cliquish scenes, tiny hostile crowds, and mounting frustration, all while Ward battled Crohn’s disease and ended up hospitalized.
Their luck seemed to change when old friend Fred Durst, now fronting Limp Bizkit, reconnected with them. Durst produced a demo that impressed famed producer Ross Robinson and led to a six-album deal through Flip and A&M. Just as things were taking off, the German electronics company Grundig threatened to sue over their name, forcing a rebrand to Cold. Their 1998 self‑titled debut drew praise from Kerrang! and Guitar World, but radio support was spotty. Then disaster struck: A&M was dissolved in a major label merger, staff were cut, and Cold’s first album was essentially left for dead before being quietly shuffled over to Interscope/Geffen.
Cold regrouped with a stronger lineup, adding guitarist Terry Balsamo and crafting a darker, more melodic sound. Their 2000 album “13 Ways to Bleed on Stage” was a slow‑burn success, earning a gold certification on the back of relentless touring and singles like “No One” and “Just Got Wicked.” They followed it with 2003’s “Year of the Spider,” written amid personal tragedies: Ward’s sister’s ovarian cancer, a breakup, deaths in the band’s circle, and his struggles with substance abuse. The album debuted at number 3 on the Billboard 200, went gold, and produced their biggest hit, “Stupid Girl,” a song they hadn’t even wanted as a single.
At the peak of their success, everything unraveled. Cold clashed with Geffen over single choices and felt the label had stopped supporting them after recouping its investment. Guitarist Terry Balsamo left to join Evanescence, and Amy Lee’s public comments about Ward’s personal issues exposed his private struggles. Kelly Hayes soon exited as well. Ward’s sister’s cancer returned, his addiction worsened, and he spiraled to the point of not wanting to live. He found faith, bought his childhood home, and poured his pain into Cold’s fourth album, “A Different Kind of Pain,” a dark but hopeful record released through Lava in 2005. Yet label turnover and weak promotion echoed their earlier A&M nightmare, and the album underperformed.
By 2006, worn down by lineup changes and industry battles, Ward announced Cold’s breakup on MySpace, thanking fans but clearly exhausted. A few years later, fan demand and the enduring bond of the “Cold Army” pulled them back. The classic core regrouped, new guitarists came in, and Cold returned with albums like 2011’s “Superfiction” and 2019’s “The Things We Can’t Stop.” Their legacy became less about charts and more about survival: a band that kept getting knocked down by illness, addiction.
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Frederick Theodore Albert Delius, CH (29 January 1862 – 10 June 1934), originally Fritz Delius, was an English composer. Born in Bradford in the north of England to a prosperous mercantile family, he resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation. He soon neglected his managerial duties and in 1886 returned to Europe.
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Prelude to Irmelin (1890-92)
Royal Philharmonic conducted by Sir Thomas Beecham
Irmelin is an opera in three acts with music by Frederick Delius. Composed between 1890 and 1892, it was the first opera which he finished. But it wasn't premiered until 1953, nearly twenty years after his death. The libretto was by the composer, and weaves together two mythical stories. Philip Heseltine described the opera as a "fairy-tale of quite ordinary kind" and "its form dramatically rather below the level of the conventional operatic text. Though the music was much praised by Grieg and Messager... its performance was never seriously contemplated by the composer". Delius had however assimilated Wagnerian influence in his music, with use of key motifs and a sense of flow through the three acts.
Performance history
Sir Thomas Beecham directed the British premiere at the New Theatre Oxford on 4 May 1953; the costumes were by Beatrice Dawson and choreography by Pauline Grant. Beecham's advocacy of the score and "care with which he realizes each detail, the beauty of sound he elicits from his orchestra", were praised by the Opera critic, along with Dennis Arundell's production.
Florent Schmitt arranged the piano scores of Delius's first two operas, Irmelin and The Magic Fountain, but the first full Irmelin score was a vocal score compiled by Dennis Arundell in 1953.
Jim Jones returns to The Danza Project for one of his most honest and reflective conversations yet.
In this episode, Jim speaks freely about Dipset, Cam’ron, Juelz Santana, Drake, Kanye West, fashion influence, loyalty, the music industry, street codes, streaming culture, and the evolution of hip-hop.
He breaks down:
• Drake’s ICEMAN run & why he believes Drake is still at the top
• Dipset’s influence on music, fashion & culture
• The Verzuz battle vs The LOX
• Why he believes he changed hip-hop fashion forever
• The truth about influence vs popularity
• Snitch culture in rap & industry politics
• His relationship with Kanye West & gifting him the Dipset chain
• Building his media platform & evolving into content creation
• Why restraint is real power
• Loyalty, growth, mistakes, and surviving every era of hip-hop
This isn’t just another interview.
This is Jim Jones speaking from experience, reflection, and legacy.
#JimJones #Dipset #Drake #TheDanzaProject #HipHop #Camron #JuelzSantana #KanyeWest #OVO #Harlem
Reble – live from Boiler Room x Ballantine's True Music Studios in Delhi NCR (Gurgaon).
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London-based artist kwn (@kwnway) sits with uncertainty, self-worth and the fear of repeating the same patterns with a stripped-back performance of ‘idea of love’.
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Experience our global 2026 event series of community, culture & live music in:
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COLORS is a unique aesthetic music platform showcasing exceptional talent from all around the globe, focused on promoting the most distinctive new artists and original sounds. In the context of an increasingly fragmented and saturated scene we seek to provide clarity and calm, offering a minimalistic stage to shine a spotlight on the artists and give them the opportunity to present their music without distraction.
#colors #kwn #ideaooflove
#motorhead #metallica #heavymetal
Listen, watch or buy ‘Enter Sandman’ here : https://motorhead.lnk.to/EnterSandmanyv
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This is Motörhead’s little heard cover of Metallica’s huge global hit, ‘Enter Sandman’ - a loving homage to arguably the most recognizable heavy metal song of all time.
The video created by Mulberry Creative - https://mulberrycreative.co
Director - Marta Brodacka
Illustration & Animation Kat Kaczmarek & Kamil Wójcik
Colour grade - Szymon Kraszewski Lunapark
Lyrics:
Say your prayers, little one, don't forget, my son
To include everyone
I tuck you in, warm within, keep you free from sin
'Til the Sandman, he comes
Sleep with one eye open
Gripping your pillow tight
Exit light
Enter night
Take my hand
We're off to never-never land
Something's wrong, shut the light, heavy thoughts tonight
And they aren't of Snow White
Dreams of war, dreams of liars, dreams of dragons' fire
And of things that will bite, yeah
Sleep with one eye open
Gripping your pillow tight
Exit light
Enter night
Take my hand
We're off to never-never land
Yeah-hah
Now, I lay me down to sleep (Now, I lay me down to sleep)
Pray the Lord my soul to keep (Pray the Lord my soul to keep)
If I die before I wake (If I die before I wake)
Pray the Lord my soul to take (Pray the Lord my soul to take)
Hush, little baby, don't say a word
And never mind that noise you heard
It's just the beasts under your bed
In your closet, in your head
Exit light
Enter night
Grain of sand
Exit light
Enter night
Take my hand
We're off to never-never land