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TOOL - From Opiate to Fear Inoculum (Documentary 2021) edited by Chilebootleg Hotney 4 Streams • 4 years ago

TOOL - From Opiate to Fear Inoculum (Documentary 2021) it's a documentary project that i create in 2021. The whole idea started because i was obsessed with "Behind the Music" on VH1. researching i found out that TOOL din't have any of those documentaries and decide it to made a cool one myself. Even Bill Manspeaker from Green Jellÿ aprooved it in his facebook page. i spend a lot of time devepoling the storie and trying not to bored people with the final cut. This is one of the bands that i love the most and the final result it's here. hope u guys like it. enjoy and share. i know there is some mistakes. but come on ... no one is perfect ... not even ... ;)

1) How the band get together 0:11
2) First record offer and Opiate E.P 3:57
3) Working with the producer Sylvia Massy / Undertow 5:29
4) Tool & Henry Rollins 7:32
5) Adam talking about music business and RATM 8:26
6) Why Paul D'Amour left the band 9:28
7) How Justin Chancellor joins the band 9:52
8) First album with Justin on bass. Ænema 12:05
9) Making videos 14:44
11) Why TOOL doesn't appear in their videos 15:48
12) Maynard reflects on their music and fans 16:47
13) Making Lateralus, lawsuits and APC 17:35
14) Lateralus Artwork 23:01
15) Making 10,000 days 24:36
16) 10,000 days Artwork 27:05
17) Adam jones thoughts on Alex Grey art 27:45
18) Danny Carey talking about Alex Grey 28:07
19) Secret geometry and patterns 28:50
20) How do you know a song is finish 29:31
21) 10,000 Days Lyrics 30:19
22) TOOL breaking reacords online 31:27
23) TOOL on digital media and streaming services 32:40
24) Maynard recording vocals to the new album 34:31
25) Making Chocolate Chip Trip 35:41
26) Making 7empst and winning another Grammy 38:46
27) See you in another 12 years ;) 40:59
00:00 Introduction
00:12 How the band get together
03:57 First record offer and Opiate E.P
05:29 Working with the producer Sylvia Massy / Undertow
07:32 Tool & Henry Rollins
08:26 Adam talking about music business and RATM
09:28 Why Paul D'Amour left the band
09:52 How Justin Chancellor joins the band
12:05 First album with Justin on bass. Ænema
14:44 Making videos
15:48 Why TOOL doesn't appear in their videos
16:47 Maynard reflects on their music and fans
17:35 Making Lateralus, lawsuits and APC
23:01 Lateralus Artwork
24:36 Making 10,000 days
27:05 10,000 days Artwork
27:45 Adam jones thoughts on Alex Grey art
28:07 Danny Carey talking about Alex Grey
28:50 ecret geometry and patterns
29:31 How do you know a song is finish
30:19 10,000 Days Lyrics
31:27 TOOL breaking reacords online
32:40 TOOL on digital media and streaming services
34:31 Maynard recording vocals to the new album
35:41 Making Chocolate Chip Trip
38:46 Making 7empst and winning another Grammy
40:34 danny and justin at the grammys
41:02 the end!

Ice T talks Ice Cube, Soulja Boy, LL Cool J, Law & Order, Body Count, growing up in the gang cul Hotney 4 Streams • 4 years ago

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OG veteran rapper/actor Ice T taps in with the Holdin Court Podcast to talk about his illustrious career that spans almost 4 decades. Ice T talks about his early years growing up in the gang culture, to becoming who many would consider the Godfather of Gangsta Rap with several Gold and Platinum albums. He is also an accomplished actor having the longest running TV Show Law and Order. Ice T also talks about working with fellow actor/rapper Ice Cube as well as his highly successful rock band Body Count.

Big Court is a film producer/music exec and protege' of music mogul Master P and Lieutenant of No Limit Forever. Sit down with Big Court as he delivers a unique brand of unfiltered content joined by some of the hottest names in entertainment to discuss the rap game, the streets, music, TV, film, pop culture and so much more. Joined by Ken Schoech "Producer Ken" an industry executive and his partner in crime for more than 20 years, they Hold Court over the current state of entertainment in the industry.

Big Court got his first experience doing radio with his mentor Master P as co-host of Doin The Most on Playboy Radio. It was Master P that noticed Big Court's knack for insightful conversation and encouraged him to create a Podcast. Big Court's keen sense of wit coupled with his intellectual and introspective commentary sets this show apart from the rest. The Holdin' Court Podcast brilliantly blends the urban experience with current topics and popular culture as guests are able to document their journey on the show.

Big Court and Producer Ken’s intimate knowledge of the streets and entertainment lend credibility to the conversation as listeners walk away informed, inspired, and entertained.

"Holdin' Court Theme Song" Produced & Performed By: Suli4Q

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Music: Suli4Q
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Publicity: August Keen
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Business Contact - holdincourtpodcast@gmail.com

#holdincourtpodcast #icet #souljaboy

El DeBarge: Tiny Desk (Home) Concert Hotney 4 Streams • 4 years ago

NPR Music's Tiny Desk series will celebrate Black History Month with Tiny Desk (home) concerts featuring legends in the world of R&B, jazz, gospel, and hip hop. Each artist in this legacy lineup has helped to define Black music as we know it and will be performing a Tiny Desk concert for the first time.

Bobby Carter | February 4, 2022
Around this time last year, singer-songwriter and R&B royalty El DeBarge took to Instagram to take some requests and play a few hits. "I'd never done anything like that before, and the nerves were showing," he told me. That 23-minute live performance ignited a comeback of sorts, and the greats of today, many of whom he's influenced, wanted to be near him. That video reminded us of his greatness, and stars like Alicia Keys, Fat Joe, and Questlove helped make 2021 a busy year for the torchbearer of the DeBarge moniker. For his Tiny Desk (home) concert, he didn't want to veer far away from what he did on IG, and I quickly concurred. He got together with guitarist, Bennett Walker to play this intimate set of DeBarge classics.

In terms of sheer talent alone, the DeBarge family was arguably on par with the Jacksons at one point. That talent propelled them to the stars in the 1970s and '80s, cranking out hit records and cookout classics. Switch, featuring siblings Bobby and Tommy DeBarge, came first. A couple of years later, the group DeBarge arrived, consisting of siblings James, Bunny, Mark, Randy, and El. Their five albums and El's solo work were a massive part of Motown's success and helped sustain the label in the '80s.

Despite the well-documented odds he's faced over the years, this set feels like a triumph. His voice has aged with grace, and that signature falsetto we've all attempted while singing these songs is perfection here. From his cozy home studio, the Michigan native breezes through a few of his R&B standards, including "All This Love," "Time Will Reveal," "Love Me In A Special Way," and in honor of Black History Month, he reworks "A Dream" as a dedication to the Rev. Dr. Martin Luther King Jr.

SET LIST
All This Love
Time Will Reveal
A Dream (Dedication to Dr. Martin Luther King Jr.)
Love Me In A Special Way

MUSICIANS
El DeBarge: vocals, keys
Bennett Walker: guitar

CREDITS
Video: Stephen Clay and Declan Osborne
Audio: Bennett Walker

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Joshua Bryant
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Kara Frame, Maia Stern, Sofie Hernandez-Simeonidis, Ashley Pointer
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#eldebarge #nprmusic #tinydesk #bhmxnprmusic

Nas - Michael & Quincy (Official Video) Hotney 4 Streams • 4 years ago

⁣Nas - Michael & Quincy (Official Video)
King's Disease III Available Now 👑

Download/Stream King's Disease III
https://nas.lnk.to/kd3

-------------Tracklist------------
1. Ghetto Reporter
2. Legit
3. Thun
4. Michael & Quincy
5. 30
6. Hood2Hood
7. Recession Proof
8. Reminisce
9. Serious Interlude
10. I'm on Fire
11. WTF SMH
12. Once a Man, Twice a Child
13. Get Light
14. First Time
15. Beef
16. Don't Shoot
17. Til My Last Breath (Bonus Track)

----------------Nas----------------
http://instagram.com/nas
http://twitter.com/nas
http://facebook.com/nas

----------------Lyrics---------------
Yeah yeah yeah, yeah yeah yeah yeah yeah, yeah yeah yeah Get your eardrum de-virginzed by the…
Eardrums de-virginized from the words of mine
Just a word of advice you can’t murder Nas
All my n*ggas certified, we got certain ties
Streets was the office we didn’t need a shirt and tie
M-I-A-M-I weather like the Virgin Isles
I ain’t got no jewelry on ‘cuz I’m made of ice
Element surprised, move with the Passion of Christ

To Portofino sittin’ high on the cliff
From a younger dude with a crew we was working the shift Y’all South Park cartoon characters I’m convinced
They never been scared to death while stayin’ calm in a twist I creeped in a jean jacket, headband, and Nikes
I ain’t like to dodge fights, as I rode my bike
And I was lookin’ at these people thinkin’ they just might
Make me come out my cool character, break through the smooth barriers Go Crazy, Cee-Lo Green, Gnarls Barkley
Before I even pulled to the spot, they tried to park me
I’m used to dark scene’s that’s why I spark green
Why I pour wine, they don’t stock these, I gotta order mine Malcolm X departed at The Audubon
Seen so many slaughtered I’m numb never mortified
All black Audemars, you claim yours was 1-of-1
We timepiece monsters, every season we be on the hunt
Jeepers creepers, America’s a baby that’s teething
Sh*tting on his-self, crying for its next feeding
As odd as it gets, it’s not even a toddler yet
Gang members got nothing on these congressmen
Plus, Ray Liotta and James Caan died
Iconic actors who were redemption for these mob guys
We easin’ on down the road for the third win
Who’s Bad, it’s up and it’s stuck, feel the whirlwind
Like young Quincy Jones stuck outside the club ‘til Ray Charles snuck him in Aah to be young again
But right now it’s like I got the power of a hundred men
Nas and Hit like Michael and Quincy on a run again

Eardrums de-virginized from the words of mine
Just a word of advice you can’t murder Nas
All my n*ggas certified, we got certain ties

I’m activated, my hair might spark flames
Aviator frames, bandages, laminates for stage
From a stretcher I wave
Even if I never had two arms full of Grammys
Or a sponsor from Pepsi, I’d still be honorary
Like Quincy on a trumpet, Hit-Boy on a drum kit
Nasty like Mike on the vocals, I overdub it
Bouncin’ Off the Wall, always Startin’ Somethin’
Behind the scenes of the Thriller video, big budgets
Moonwalkin’ Smooth Criminal talkin’
I’m changing colors right now ‘til I’m dark skinned
Adam Clayton Powell’s complexion to Baldwins
Annie are you OK? Watching me transforming
Pinky ring glitter like the socks and the glove
Know some money gettin’ thugs that can buy the Beatles pub That’s what I really call coppin’ white, re’in up, haha

----------------Credits---------------

Director: Sarah McColgan
Production Company.: Hound
Executive Producers: Missy Galanida, Isaac Rice, Andrea Saavedra
Producer: Andrea Saavedra
1st AD: Niko Philipides
DP: Chuck Owens
Stylist: April Roomet
Editor: Steve Rees @ Sunset Edit
Colorist: Tyler Roth @ Company 3
VFX: Max Colt @ Frender
Commissioner: Kareem Johnson / OverScene LLC
Label: Mass Appeal

-----------------------------------------
#Nas #MichaelandQuincy #KingsDiseaseIII #KD3

Rina Sawayama: Tiny Desk (Home) Concert Hotney 4 Streams • 4 years ago

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Alex Ramos | April 19, 2021
As usual, Rina Sawayama is one step ahead of us. She's back in the office, clad in a periwinkle blazer with waist cut-outs and a high ponytail cleaner than the view of the city skyline. Make no mistake: even in fluorescent lighting, the Japanese British pop star performs with the same tenacity and drama you hear in her 2020 debut album, SAWAYAMA, a lustrous pop epic peppered with early aughts R&B, nu-metal and classic rock.

Unable to tour because of the pandemic, the artist has been holding onto these songs for the last year. Sawayama's Tiny Desk (home) concert successfully reminds us — in just three tracks — of her range and versatility as both artist and performer. Tears calcify in "Dynasty," a song like a salve to wounds inherited from generations past. The heaviness of the music never overshadows her voice, which ascends heroically. "Won't you break the chain with me?" she belts out.

As if turning the other cheek, Sawayama swiftly moves into the sweet, cha-ching pop of "XS," and later the soft-hearted ballad "Chosen Family," rendered in the style of her 2021 collaboration with Elton John. The song was reborn, in part, because of John's admiration for Sawayama and her ability to cross-pollinate genres, but also because the two held "Chosen Family," both the song and concept, dearly. Funny enough, the song's thesis — "I chose you / You chose me" — reflects their meeting, too.

SET LIST
"Dynasty"
"XS"
"Chosen Family"

MUSICIANS
Rina Sawayama: vocals
Vic Jamieson: guitar
Simone Odaranile: drums
Geordan Reid-Campbell: keys
Phebe Edwards: vocals
Desrinea Ramus: vocals
Braimah Kanneh-Mason: violin
Ayla Sahin: violin
Didier Osindero: viola
Jonah Spindel: cello

CREDITS
Video: Chester Lockhart, Thomas Davis
Audio: Jon Gilmore, Ted Jensen

TINY DESK TEAM
Producers: Bob Boilen
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Associate Producer: Bobby Carter
Tiny Production Team: Kara Frame, Bob Boilen
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

#rinasawayama #tinydesk #nprmusic

Tupac Disses Nas in Interview at After Party! Hotney 4 Streams • 4 years ago

Tupac with Death Row Disses Nas in Interview at MTV Music Awards!
SUBSCRIBE NOW!!!! http://www.youtube.com/user/MMMVintageVideos
Tupac Amaru Shakur (/ˈtuːpɑːk ʃəˈkʊər/ TOO-pahk shə-KOOR;[1] born Lesane Parish Crooks; June 16, 1971 – September 13, 1996), also known by his stage names 2Pac and briefly as Makaveli, was an American rapper, songwriter, and actor.[2] Shakur has sold over 75 million records worldwide, making him one of the best-selling music artists of all time.[3] His double disc albums All Eyez on Me and his Greatest Hits are among the best selling albums in the United States.[4] He has been listed and ranked as one of the greatest artists of all time by many magazines, including Rolling Stone which ranked him 86th on its list of The 100 Greatest Artists of All Time.[5] Consistently ranked as one of the greatest rappers ever, he was ranked number 2 by MTV in their list of The Greatest MCs of All-Time in 2006.[6] 2Pac is also ranked as the most influential rapper of all time.[7][8][9][10][11]

Shakur began his career as a roadie, backup dancer, and MC for the alternative hip hop group Digital Underground, eventually branching off as a solo artist.[12][13][14] The themes of most of Shakur's songs revolved around the violence and hardship in inner cities, racism and other social problems. Both of his parents and several other of his family were members of the Black Panther Party, whose ideals were reflected in his songs.

During the latter part of his career, Shakur was a vocal participant in the so-called East Coast–West Coast hip hop rivalry, becoming involved in conflicts with other rappers, producers and record-label staff members, most notably The Notorious B.I.G. and the label Bad Boy Records.[15]

On September 7, 1996, Shakur was shot multiple times in a drive-by shooting at the intersection of Flamingo Road and Koval Lane in Las Vegas, Nevada.[16] He was taken to the University Medical Center of Southern Nevada, where he died six days later.
Upon his release from Clinton Correctional Facility in 1995, Shakur immediately went back to song recording. He began a new group called Outlaw Immortalz. Shakur began recording his first album with Death Row and released the single "California Love" soon after.

On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold over nine million copies.[68] The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album with the Boot Camp Clik and their label Duck Down Records, both New York – based, entitled One Nation.[69]

On June 4, 1996, he and Outlawz released the diss track "Hit 'Em Up", a scathing lyrical assault on Biggie and others associated with him. In the track, Shakur claimed to have had sexual intercourse with Faith Evans, Biggie's wife at the time, and attacked Bad Boy's street credibility. Shakur was convinced that some members associated with Bad Boy had known about the '94 attack on him beforehand due to their behavior that night and what his sources told him. After the attack, Shakur immediately accused Jimmy Henchman (an associate of Bad Boy CEO Sean Combs) of orchestrating the attack, according to a 2005 interview with Henchman in Vibe magazine. After the attack, Shakur therefore aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Suge Knight's friend and bodyguard, Jake Robles; Knight was adamant in voicing his suspicions of Combs' involvement.[70]

Collaborator Buckshot claimed in 2015 that Shakur defended him against Suge Knight, who had insisted that the East Coast rapper could not come with him to Las Vegas on the grounds of the ongoing hip hop rivalry. Shakur asserted that he would not board the plane unless accompanied by Buckshot and was described by the fellow rapper as looking "discomforted" while they recorded a song together in a studio after Shakur "tore up the plane tickets".

Turnstile: Tiny Desk (Home) Concert Hotney 4 Streams • 4 years ago

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Lars Gotrich | January 5, 2022
From basements to bandshells, Turnstile shows are a life-affirming mosh-pit ballet. You sweat, you smile, you stage dive, you shake what ya mama gave ya. At the band's Tiny Desk (home) concert, Turnstile's high-energy hardcore is converted into seven songs over 17 minutes, surrounded by an art installation by John Scharbach — those stuffed animals presumably pogoing and windmilling in your imagination.

GLOW ON, one of NPR Music's 50 best albums of 2021, is the rambunctious sum of the band's many parts – as much Bad Brains as it is Rare Essence and Fania deep cuts – but with its wild styles fully fused as Turnstile. Filmed at drummer Daniel Fang's house in Baltimore, these songs are all power chords, compact guitar solos, cowbells and fuzz bass, with vocalist Brendan Yates accenting the melody behind the keys. At shows, Yates normally bounces around with joyous aplomb; here, his self-restraint is commendable as he mimes out his stage moves inside an invisible bubble.

In the back half, Turnstile upsets the sequence: "MYSTERY" is transformed into a Fender Rhodes ballad before launching into "T.L.C. (TURNSTILE LOVE CONNECTION)" – maybe not the first hardcore bruiser to reference Sly and the Family Stone, but certainly one elevated by gang vocals. These songs from GLOW ON, in particular, tug at loneliness and uncertainty, but Turnstile offers a reprieve before we jump back into the pit of life: At the set's close, Yates and Franz Lyons lose the Blood Orange verses from the studio recording of "ALIEN LOVE CALL" to meditate on its existential phrase: "Can't be the only one."

SET LIST
"ENDLESS"
"UNDERWATER BOI"
"BLACKOUT"
"DON'T PLAY"
"MYSTERY"
"T.L.C. (TURNSTILE LOVE CONNECTION)"
"ALIEN LOVE CALL"

MUSICIANS
Pat McCrory: Guitar
Franz Lyons: Bass
Daniel Fang: Drums, Percussion
Brendan Yates: Vocals, Keys, Percussion
Brady Ebert: Guitar

CREDITS
Video: Sunny Singh (hate5six)
Audio: Paul Mercer
Installation: "ALIEN LOVE RESPONSE" by John Scharbach

TINY DESK TEAM
Producer: Lars Gotrich
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Joshua Bryant, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #turnstile

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